TAMAYOUZ EXCELLENCE AWARD

Page Number

TAMAYOUZ EXCELLENCE AWARD2018

PUBLISHED FOR THE 2018 TAMAYOUZ EXCELLENCE AWARD CEREMONY AT THE GRAND MILLENNIUM HOTEL IN AMMAN UNDER THE PATRONAGE

OF HIS EXCELLENCY THE PRIME MINISTER OF JORDAN DR OMAR AL-RAZZAZ

The publishing of this book was generously sponsored by the Iraqi Business Council in Jordan, a strategic partner and a sponsor of Tamayouz Excellence Award since 2012.

Tamayouz Excellence Award champions and celebrates the best of architecture worldwide. Tamayouz Excellence Award, an independent initiative with no political affiliation, is sponsored by internationally recognised cultural and academic institutions, and is dedicated to supporting aspirational and transformative projects that tackle local

and global challenges.

Talents will flourish in this global movement and

the Tamayouz Award will further link Iraq’s architects with

this international community.

DAME ZAHA HADID DBE, 2012

Contents

04 Awelcomenotefromthefoundingdirector06 TamayouzExcellenceAwardJudgingPanel07 TheAwardsandCategoriescelebratedtoday08 LifetimeAchievementAward0 WomeninArchitectureandConstructionAward MohamedMakiyaPrize RifatChadirjiPrize0 DewanAwardforArchitecture TamayouzExcellenceAward-SpecialRecognition08 TamayouzExcellenceAwardforIraqiStudents HishamMunirAwardforIraqiAcademics4 TamayouzExcellenceAwardforInternationalStudents5 TamayouzSponsors

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I would like to offer you a warm welcome to today’s ceremony and welcome you into our Tamayouz family.

Today presents an opportunity for you to pause and reflect on your time in your own field; your contribution to our communities and for making a difference, if you are just starting your

career in architecture, it is an opportunity to look forward to making the most of the many exciting possibilities that awaits you.

Our awards ceremony is a celebration and a space for hope of a better future where architecture and love bring people from all over the world to a welcoming city, 120 people

have flown to be here and share this moment with us, I do hope that today will be an enjoyable and memorable occasion for you and for family and friends that have been able to join you.

Finally, I would like to thank our family of volunteers, judges, supporters and sponsors whose contribution makes tamayouz a reality, a beautiful one.

Ahmed Salah Al-MallakFounding Director

A WELCOME NOTE FROM THE FOUNDING DIRECTOR

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THE TOTAL NUMBER OF ENTRIES SUBMITTED TO OUR AWARDS AND COMPETITIONS IN 2018

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TAMAYOUZ EXCELLENCE AWARD JUDGING PANELS FOR 2018

The Judging Panels of Tamayouz Excellence Award are always comprised of world class specialists. THE JUDGING PANEL OF THE RIFAT CHADIRJI PRIZE FOR ARCHITECTURE 2018 This panel met on 3/10/2018 at Coventry University

– Dr Rasem Badran – Architect, Amman– Professor Wendy Pullan – Cambridge University, Cambridge– Professor Khaled Sultany – Architect and Academic, Copenhagen– Dr Hannah Vowles – Deputy Head of School, Birmingham University, Birmingham– Akram Ogaily – Urban Planner and Architect, Hill International, Dubai – Eng. Ali Naji – Chairman, Najmat Al-Sharq, Amman – Ahmed Al-Mallak – Founder, Tamayouz Excellence Award, Coventry

THE JUDGING PANEL OF THE TAMAYOUZ EXCELLENCE AWARD FOR WOMEN IN ARCHITECTURE AND CONSTRUCTION FOR THE NEAR EAST AND NORTH AFRICA 2018 This panel met on 3/10/2018 at Coventry University

– Professor Jala Makhzoumi – Academic, American University of Beirut, Beirut– Anna Schabel – Director Wilton Studio Ltd, London– Mandy Franz – Senior Associate, MICA Architects, London

– Sarah Akigbogun – Architect and Film Director, Studio Aki, London – Rima Alsammarae – Tamayouz Women in Architecture and Construction for the Near East and North Africa, Coordinator, Dubai– Ahmed Al-Mallak – Founder, Tamayouz Excellence Award, Coventry

THE JUDGING PANEL OF DEWAN AWARD FOR ARCHITECTURE 2018 This panel met on 4/10/2018 at Roca Gallery London by Zaha Hadid

– Professor Jala Makhzoumi – American University of Beirut, Beirut– Professor Matteo Poli – Polytechnic University of Milan, Milan– Professor Felipe Samaran Salo – Universidad Francisco de Vitoria, Madrid– Ammar Khammash – Ammar Khammash Architects, Amman– Fernando Olba – Fernando Olba Arquitectura y Urbanismo, Valencia– Manhal Habbobi – Manhal Habbobi Consultants, Istanbul– Mohamed Al-Assam – Dewan Architects and Engineers, Dubai– Ossaid Al-Eitan – Tamayouz Excellence Award Middle East Coordinator, Amman

THE JUDGING PANEL OF THE TAMAYOUZ EXCELLENCE AWARD FOR INTERNATIONAL GRADUATION PROJECTS 2018 This panel met on 3/10/2018 at Coventry University

– Professor Claudia Linders – Dean of Architecture, Fontys Academy, Eindhoven

– Dr Lucelia Rodreguiz – Sustainable and Resilient Cities Lead, University of Nottingham, Nottingham– Dr Carl Fraser – Researcher and Lecturer in Architecture, Coventry University– Ayad Al-Tuhafi – Owner, Ayad Al-Tuhafi Architects, London– Firas Hnoosh – Design Director of Architecture Perkins + Will, Dubai– Philip Michael Wolfson – Owner, Wolfson Designs, London/Miami– Jerome Goyard – Competitions Department Lead, Fevre Gaucher Architects, Paris– Sebastian Hicks – Course Director of Post Graduate Architecture, Coventry University, Coventry– Ahmed Azzawi – Director – AA7 Design Worshop, Milton Keynes

THE JUDGING PANEL OF THE TAMAYOUZ EXCELLENCE AWARD FOR IRAQI ARCHITECTURE GRADUATION PROJECTS AWARD 2018 This panel met on 3/10/2018 at Coventry University

– Dr Caecilia Pieri – Researcher and Academic, Paris– Ben Flippance – Director, IDP Group Coventry, Coventry– Ben Maltby – Civil Engineer, Inner Circle Consulting, London– Steve Austin – Head of School, Coventry University, Coventry– Prisca Arosio – Urbanist, BASTA, Amsterdam– Muthar Al-Salloum – Owner of MAS Architecture, East Midlands– Katherine McNeil – Director of Architetcture, Coventry University, Coventry– Rana Aytug – Researcher, Coventry University, Coventry

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Tamayouz Excellence AwardAward Ceremony 2018

The Awards and Categories celebrated today:

Tamayouz Lifetime Achievement Award for ArchitectureTamayouz Excellence Award for Women in Architecture and Construction for the Near East and North Africa

Mohamed Makiya Prize for Architecture – The Middle Eastern Architectural Personality of the YearRifat Chadirji Prize – Baghdad Design Centre Competition

Dewan Award for Architecture – School in the Iraqi Marshes CompetitionThe Hisham Munir Award for the Iraqi Academic of the year

Tamayouz Excellence Award 2018 Special RecognitionTamayouz Excellence Award for International Graduation Projects 2018

Tamayouz Excellence Award for Iraqi Graduation Projects 2018

TAMAYOUZ EXCELLENCE AWARD JUDGING PANEL MEETING AT COVENTRY UNIVERSITY ON THE 3RD OCTOBER 2018

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Tamayouz Lifetime Achievement Award

The Tamayouz Lifetime Achievement Award for Architec-ture, which aims to celebrate the pioneers of Iraqi architecture, is presented annually to an individual who has had a significant contribution towards the advancement of architecture in Iraq. This award was established as part of the Tamayouz Excellence Award programme of championing and celebrating the best of Iraqi architecture.

The renowned Iraqi architect, artist and author Maath Alousi (1938) is the recipient of the Middle East’s most coveted architectural accolade: the Tamayouz Lifetime Achievement Award.

He has been practicing architecture and urban planning in Iraq and the Middle East since his graduation from METU in 1961.

Upon graduation, he joined the architectural firm Iraq Consult (Rifat Chardirji, Ihsan Sherzad and Abdulla Ihsan Kamil), and in 1964 he received his post graduate degree from the AA during a sabbatical in London.

In 1974, Alousi established a professional architectural and planning partnership based in Beirut with nine regional offices throughout the Middle East and Gulf region. The newly established satellite office in Baghdad began operating as a semi-autonomous branch that year, with the Beirut-based practice relocating to Athens in 1976 as a result of Lebanon’s civil war. Alousi returned to Beirut in 1980.

In 1980, upon an invitation from Rifat Chardirji, then counsel to the Mayor of Baghdad and to Amanat Al Assima, Alousi returned to Baghdad to personally assume the coordina-tion, management and supervision of his winning competition entry for the design of a major thoroughfare within Baghdad’s CBD (Haifa Street - Al Karkh Development project).

A separate Beirut-based office was maintained and sub-sequently relocated to Limassol. Alousi commuted between Cyprus, Lebanon and Iraq until 1989 when he left Iraq upon the completion of the Al Karkh Development project but kept his presence through his practice in Iraq.

Tamayouz Lifetime Achievement Award for Architecture 2018 is presented to Maath Alousi in recognition of his lasting contribution to architecture in Iraq. He is a celebrated practitioner, whose work has and continues to inspire generations of younger architects. He is a respected artist, author and photographer.

More About Maath Alousi • Held numerous exhibitions of Paintings and Photography, 1991-2016• Lectured at the Higher Institute of Technology, Baghdad, the University of Technology, Baghdad, External Examiner for MA, degree projects in urban design• Member of “Heritage Preservation Committee” of Baghdad, 1986-89• Member of UN HABITAT High-Level Advisory Panel for the Reconstruction of Iraq• Edited Nanar, Journal of the Iraqi Architect Society, Baghdad, 1966 • Member of the Editorial board of Imara Magazine, Baghdad, 1987-89

Maath Alousi wrote the following books:• Nostos, a Tale of a Street in Baghdad, Rimal Publication, 2012• Visual Narrative of an Arab Architect Maath Alousi” published by Al-Adib Publishing, Amman, 2015• Topos, a Tale of Time and Place” Al Kamel, Verlak, Beirut, 2017• Thromos, a Tale of Profession, published by Al-Adib Publishing, Amman, 2018• Maath al-Alousi, “The Visual Diary of an Arab Architect” Third World Centre for research, published by S. S. Damlouji, London, 1983

Previous Laureates of the Tamayouz Lifetime Achievement Award for Architecture:• 2014, Dr Mohamed Saleh Makiya (1914-2015) received the inaugural Tamayouz Architectural Lifetime Achievement Award• 2015, Dr Rifat Chadirji (1926)• 2016, Dr Kahtan Al Madfai (1927)• 2017, Hisham Munir (1930)

UAE Embassy in Oman - Muscat 1986

In addition to his practice portfolio of projects throughout the Middle East, both offices (Baghdad and Limassol) have completed multiple projects for clients in Brazzaville, Congo. Yerevan, Armenia and Cyprus.

EA Building Column Detail - Baghdad 1990

Haifa Street - Baghdad 1980s

Alousi Cube House - Baghdad 1985

EA Building - Baghdad 1990 Maath Alousi

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Women in Architecture and Construction 2018

Tamayouz Excellence Award - Women in Architecture and Construction Award is given to women who have contributed to the fields of architecture and construction throughout the Near East and North Africa. The award consists of two categories: Women of Outstanding Achievement and Rising Stars.

The Tamayouz Women in Architecture and Construction Award was established as part of the Tamayouz Excellence Award programme, which aims to champion the best architec-ture worldwide. It is an annual prize open to women who are from the NENA region and are either employed in the NENA region and specialise in architecture and construction, or who are employed/living abroad but their contribution has had a direct impact on the built environment in the Near East and North Africa region.

Rising Star AwardWinner: Dr Ebtissam Farid Moustapha – associate pro-

fessor of architecture and design at Alexandria University and co-founder of Encode Studio.

Alexandria – Egypt

Judging Panel Comment:“We were impressed by her design integrity and the informa-

tion she submitted. The whole picture was very powerful, and the integrity was reflected throughout the whole submission.”

“We particularly admired her work in bringing creative design thinking to youth and children, as well as non-designers.”

“We commend the way she is trying to challenge established design convention in Egypt and raise the standard of design in her country. She will be a role model for many and will have a greater impact due to overcoming the challenges of her environment.”

Highly Commended: Dr Deyala Tarawneh – assistant professor at University of Jordan, assistant director at Univer-sity of Jordan Innovation and Entrepreneurship Centre

Amman – Jordan

Judging Panel Comment: “We admire the impact she has on her students, either

through studies, research or work. The many testimonials about her submitted by students were a clear indication that she has a great understanding of her students and vice versa.”

Women of Outstanding Achievement AwardWinner: Suad Amiry – Founder of RIWAQ: Centre

For Architectural Conservation Ramallah – Palestine

Judging Panel Comment:“Suad Amiry is a lifetime achiever. Her contributions

are unparalleled, and her work is really inspiring – it is very much on the ground and involves the people.”

“We find her approach to be universally inspiring. The sheer amount of work she’s produced is amazing, and she’s created a platform for other people to pick up where she’s left off.”

“She shows great determination to meet the challenges of her environment and rise above them. Her work, which spans many mediums and explores various themes, leaves you awestruck. Her ever-impressive portfolio reflects her pure determination and ambitions, and she is truly a person of great achievement.”

Highly Commended: Nadia Habash – director and chief designer at Habash Consulting Engineers and adjunct pro-fessor at the Department of Architecture at Birzeit University

Ramallah - Palestine

Jury Panel Comment: “Her sustained ability to manage both being highly

professional and being socially and politically active is greatly admirable. To combine practice with socio-political engagement requires a unique amount of passion and energy, especially to continuously sustain this balance at such a high quality as she does”.

Tamayouz Excellence Award for Women in Architecture and Construction is sponsored by: Kufa – Makiya Charity (Main Sponsor), The Iraqi Business Council in Jordan and Coventry University.

Mohamed Makiya Prize for ArchitectureMiddle Eastern Architectural Personality of the Year Award

The winner of the 2018 Middle Eastern Architectural Personality of the Year, the Mohamed Makiya Prize for Archi-tecture, which can be given to individuals or organisations, is The Aga Khan Documentation Center at MIT.

Every cycle, the prize is presented to the architectural personality of the year that has made the greatest contribution to the advancement of architecture by either promoting, en-couraging, campaigning or influencing it directly or indirectly in the Middle East. The winner of this award will be celebrated during the annual Tamayouz Excellence Award Ceremony.

The 2018 edition of the Mohamed Makiya Prize recognised those who contributed to the advancement of architecture in the Middle East between 2015 and 2017.

Out of 44 entries from 11 countries that were submitted for this year’s prize, four were selected for the shortlist. The 2018 shortlist for the Mohamed Makiya Prize included the below finalists:

– Aga Khan Documentation Center at MIT - Massachusetts

– Rana Beiruti – Amman – Arab Center for Architecture – Beirut – Michael Rakowitz – Chicago

AKDC Team

Michael Rakowitz

The Winner:Aga Khan Documentation Center at MIT – Massachusetts For its role in supporting the teaching of, and scholarship on,

the history and theory of architecture, urbanism, environmental and landscape design, visual culture, and conservation, as well as the practice of architecture in Muslim societies, with focus on the research and teaching activities of the faculty, students and post-doctoral fellows at AKPIA. Situated within the MIT Libraries, AKDC at MIT, a part of the Aga Khan Program for Islamic Architecture (AKPIA) at MIT and Harvard, was established in 1979 as a gift from His Highness the Aga Khan.

AKDC at MIT is also responsible for the curation of the intellectual and content core of Archnet, a globally-accessible resource focused on architecture, urbanism, environmental and landscape design, visual culture, and conservation issues with a focus on Muslim cultures and civilisations.

The team behind the center at MIT, consists of: Dr Michael Toler (Interim Program Head), Betsy Baldwin, Dr Matt Saba and Dr Sharon Smith (Founding Head of the Program who left the AKDC in August 2018 and who had a key role in the Aga Khan Documentation Center’s growth and success).

Previous winners of the Mohamed Makiya Prize:2012 – 2015 Cycle: Dr Khaled Al-Sultany – Copenhagen

The award is named after Dr Mohamed Saleh Makiya, the great Iraqi architect whose influence and importance is far greater than his built work. The prize was announced in 2014, celebrating the 100th birthday of Dr Mohamed Makiya.

Arab Center for architecture

Rana Beiruti

Rifat Chadirji Prize Baghdad Design Centre Competition

Imagine telling my grandson: “Hey little one, it doesn’t matter how good you’ll be in mathematics, physics or literature, nor does it matter how smart you are – the most important thing is that you dress fashionably.”

It doesn’t sound right, does it?My concern is that this is how we have begun evaluating

our cities, and my greater concern is that this devalues these magnificent cultural buildings.

Thousands of architectural treasures, which are not so old (50-120 years of age), fall within the risk-zone of disappearing.

These buildings are in fact time capsules that carry our stories, who we are, where we have come from and where we are heading to.

Destroying these cultural jewels means the self-deleting of our own story from the history book and soon we will find ourselves separated from Iraq’s history timeline.

Sadly, the rate at which these buildings are disappearing in Iraq’s old neighbourhoods today is disturbing.

People who will visit Iraq and appreciate the ancient ruins of Sumer, Babylon, Lagash, and Abbasid will turn around, look at the modern malls and tall towers presently popping up ubiquitously and replacing these precious buildings, and they will ask the question: How did you get from there to here?

We won’t have an answer to that question, and this is one of the reasons why the work of Tamayouz and architectural competitions like Rifat Chadirji Prize is indispensable.

Ali Naji – AmmanConsulting Engineer - Member of the

Tamayouz Excellence Award Judging Panel for the Rifat Chadirji Prize

2018 was yet another successful year for the Tamayouz family – and it was an honour for me to be invited once again to be a member of the Rifat Chadirji Award.

In September, I received a call from my dear friend and founder of Tamayouz, Ahmed Al-Mallak, who, with his usual charm, soft arguing and reason, proposed I participate on the jury panel for this award. I welcomed this opportunity – firstly, the award is associated with the name of one of my teachers, friends and icons of Iraqi school of architecture, and secondly, it highlighted the importance and specificity of the award’s project site and brief, which addressed Baghdad’s deteriorating cultural heritage and the ongoing loss of its listed buildings.

The Rifat Chadirji Award 2018 highlighted the im-portance of conservation and rehabilitation of historical urban fabric and buildings, as well as the importance of exploring sensitive approaches in urban planning and design concepts.

The jury reviewed and assessed the shortlisted projects, chosen from more than 300 participants, which reflect the great international interest in Tamayouz Excellence Award. The positive response to the design challenges pertains to the success achieved in raising awareness of urban challenges in Iraq, from environmental dilemmas to the deterioration of cultural heritage. Such challenges have encouraged inter-national researchers, professionals and students and young generations of urban planners and architects to contribute and present their ideas.

Akram Ogaily – Dubai and LondonArchitect - Member of the

Tamayouz Excellence Award Judging Panel for the Rifat Chadirji Prize

Rifat Chadirji Prize 2018 was themed, “Baghdad Design Centre”. The competition, organised by Tamayouz, in its second cycle, the Rifat Chadirji Prize, which witnessed the overwhelming participation of 310 firms and individuals from 54 countries, asked participants to transform the current unused site of the Old Governorate Building into the Baghdad Design Centre while integrating the damaged original facades into their ideas for the new building. The facades will be a memorial for an era in Baghdad’s history.

The prize is an annual international competitopn that calls for design proposals responding to local challenges in Iraq. Through its various themes, this prize aims to introduce local challenges to the world and invite architects to submit ideas that would resolve the country’s urban problems, while also establishing an open source of ideas tackling social issues in Iraq through design.

The Rifat Chadirji Prize Statuette given annually to the winner of the Rifat Chadirji Prize is designed by Dia Azzawi, a pioneer of Modern Arab Art.

The prize is named after Dr Rifat Chadirji, a renowned Iraqi architect, theorist and author whose influence and importance stretches far beyond his built work.

للتصميم« بغداد »مركز مسابقة بتحكيم المشاركة في كثيرا سررت العام 2018، وهي إحدى جوائز الجادرجي لهذا الخاصة بجائزة رفعة »تميز« للابداع المعماري. نشد برنامج المسابقة لهذا العام، إلى إيجاد حلول تصميمية مناسبة لبقايا جدار مبنى المتصرفية القديم في وسط بغداد التاريخي، مع تأهيل الموقع المجاور له باضافة فضاءات تخدم، بالأساس، الاحتياجات الثقافية والفنية. وقد حرصت ادارة تميز ان يكون يتألف من معماريين ومهنيين مقيّمين في المسابقة اعضاء تحكيم امكنة جغرافية مختلفة ويشكلون إثنيات متعددة، ويمتلكون ثقافات مهنية متنوعة، مما جعل النقاش حول المشاريع المشاركة في المسابقة يتسم بثراء مهني، وفي كثير من الأحيان، انطوى على حوارات جادة،

في اشكالية تصميمية، تتطلب حلولا مبدعة ودائما جديدة ومبتكرة.المسابقة، ثيمة مع التعاطي في كبيراً جهداً المتسابقون بذل لقد مقترحين تصاميم مميزة سعت وراء بلوغ ادراك عال لقيمة الموضوعة التصميمية في تلك المسابقة، مقدمين حلول مبتكرة لها، حازت على

تقدير اعضاء لجنة التحكيم.الجادرجي بان تجربة تحكيم جائزة رفعة القول، الختام، يتعين وفي لعام 2018، كانت على جانب كبير من التنظيم وانطوت على مستوى مهني عال. ونأمل أن تكون تجربة هذا العام حافزا لنشاطات تحكيمية للإبداع تميز جوائز تنال ان نأمل كما القادمة. السنين في مماثلة المكانة الخصوص، وجه على الجادرجي رفعة وجائزة ، المعماري الرفيعة التى تستحقها في المشهد المعماري المهني المحلي والعربي على حدِ سواء، وأن تجد تلك الجوائز مكانة تليق بها كاحدى الجوائز

المعمارية المرموقة في البلاد العربية.شكرا تميز! وشكرا لمبادرتك المهنية الرائدة والمبدعة .. والمفيدة!

والشكر موصول الى مؤسسي الجائزة وداعميها!

د. خالد السلطانيمعمار وأكاديمي - لجنة تحكيم جائزة تميّز

العمارة مجال في الإبداعي الثقافي بالعمل تعنى مؤسسة تميز زها المعمارية المرحومة ودعمتها لها دعت مبادرة وهي والعمران،

حديد.

وممارسين، طلاب من العراق معماريي على اقتصرت بداياتها في العربي، لتصبح فيما بعد على مستوى العالم لكنها سرعان ما شملت

العالم.

ضمن من وتحتضن والثقافات، الأجيال بين تربط مؤسسة وهي أنشطتها جوائز بأسماء مشاهير المعماريين العراقيين،

العالمية، الجوائز من غيرها عن تختلف للتغيير سعيها في وهي وتختلف أيضا في أنساقها ومضامينها ولجان التحكيم فيها. لتتجاوز الأكاديميات في رفدها للمعرفة المتجددة في مجال العمارة والعمران.

وقد تم دعوتي في العام 2018 لأكون محكما في أحد أنساقها، والتي التحكيم جلسات ترأست حيث الجادرجي، رفعة المعمار لاسم كرست فيها والتي عقدت في إنجلترا في جامعة كوفنتري، في قسم الدراسات

البيئية والعمرانية في الجامعة.

1000 مشارك من المختلفة أكثر من الجائزة بأنسقاها وقد تقدم لهذه جميع أنحاء العالم.

وفيما يخص جائزة المعمار رفعة الجادرجي فقد كان عدد المشاركين بين طلاب وممارسين 300 مشترك من 50 دولة، وكان موضوع المسابقة

إعادة إحياء موقع أثري، شيد في العهد العثماني كمقر للحاكم.ويجدر الإشارة إلى أن الدكتور خالد السلطاني الباحث والمعماري العراقي المعروف، هو من جهز بنود المسابقة، باختيار موقع موضوع المسابقة،

بحكم درايته التاريخية بمدينة بغداد.أغلب تلاشت حيث لبغداد، الأمريكي الغزو أثناء دمر الموقع هذا الشوارع أحد على المطل الرئيسي المدخل واجهة عدا ما معالمه، التي تحيط بالموقع، وهو عبارة عن واجهة جدار يزخر بفنون بناء الآجر

العراقي التي اشتهرت به حضارة الرافدين.

حيث النهائية، قبل ما للتصفية مشروع عشرين أحسن اختيار تم عرضت على لجنة التحكيم، والتي اختارت منها عشرة مشاريع للمناقشة

والتداول، وانتهى الأمر باختيار ثلاثة مشاريع أهلت للفوز بالجوائز

الثلاث: الأولى، والثانية والثالثة. أما بقية المشاريع فتم الاعتراف بها من ضمن بند الجوائز التشجيعية، لما بها من أفكار يصعب إغفالها.

لطلاب رسالة تبث أن للمشاريع، مداولتها في التحكيم لجنة توخت مع التعامل كيفية مفادها الخصوص، وجه على العراقيين، العمارة جاذبا حيزا به، المحيط المكتظ الحي إعطاء خلال من كهذا، موقع القديمة، بما يوفره من إمكانات متعددة من وظائف في وسط بغداد حيوية نقطة لتصبح اجتماعية، أم كانت ثقافية تفاعلية وأنشطة

جاذبة. متفادين أي عوامل ابهار واغتراب عن طبيعة المكان.

لذا مثلت الجائزة الأولى التواضع والوضوح وقدرة المنشأ على استيعاب هكذا مع يتعامل الذي المجتمع يمليه بما والزمن العصر إضافات

موقع، ووفق احتياجاته.

كامل يشمل مفتوح فضاء حول الثانية الجائزة تمحورت حين في الموقع، حيث وضعت كل الوظائف المنشطة للموقع في باطن الأرض، خلال من بغداد، تاريخ بعراقة وتفكر تأمل لحظة للزائر يتيح مما

انعكاس الجدار على سطح مائي منبسط بشكل سريالي.

مع والتعامل العصر، لعمارة بتظاهرة أشبه الثالثة فكانت الجائزة أما المساس دون الموقع مساحة كامل على والزجاجية المعدنية التقنية الوظائف كل تحوي زجاجية كتلا الداخل في مولدة التاريخي، بالأثر

المطلوبة، مع فراغات مفتوحة، توظف لأنشطة المجتمع.

هي حولها، يجتمعوا أن المحكمين حاول التي الرسالة أن والخلاصة يتناول التي الكيفية حول مجسات وباحثين طلاب من المتلق إعطاء الشكلانية يتفادى مسؤولا، إعمارا بعينه، موقع إعمار مفهوم بها

والنمطية التي قد يقع في هواها المحكمين.

د. راسم بدران معمار - لجنة تحكيم جائزة تميّز

4

BAGHDAD DESIGN CENTREFirst Place: Brooks Murray ArchitectsLondon UNITED KINGDOM

This design seeks to create an environment which can meet shared human needs; to meet, exchange ideas, and enjoy life. Whilst the original walls of the Old Governorate Building are retained and restored, the scarring, bomb damage and weathering remain as a physical memorial to events that have occurred here. At the same time, the precious environment of the buildings’ neighbours is preserved.

The partial destruction of the Old Governorate Building removed its previous use, yet the space opened within Baghdad’s dense urban fabric has become an informal meeting place for its citizens. The proposed built form of this design seeks to pre-serve and safeguard this organic meeting place, and to ensure the design centre can become an active contributor in the reconstruction of the city’s urban and social fabric.

Two mature Ficus trees stand behind the restored front façade, providing a quiet, shaded urban oasis and a second, informal place to sit. The building narrows from the courtyard toward a stage at the back. The trees and historic façade provide a compelling frame for a rolling programme of workshops and events, presenting excellence from the design centre, and beyond.

Judging Panel’s Comment:“This project offers an example of how urban ruins can be

regenerated into new complexes. Its response to the urban and design brief highlights the importance of the original wall and incorporates it as the main feature of the project. Its transfor-mation into a living function will help create life in the project’s internal space and public plaza, which responds to the traditional local fabric and enriches the urban surroundings. Covering the façade with trees will also allow the viewer to remember it as an urban ruin. The central courtyard is flexible and adaptable and can be used for many things including events, functions, performances and festivals, while the surrounding indoor activities can also be extended to the courtyard.

مركز بغداد للتصميمالمركز الأول: بروكس موراي المهندسين المعماريين

لندن، المملكة المتحدة

الاحتياجات تلبية على قادرة بيئة خلق إلى التصميم هذا يسعى في بالحياة. والاستمتاع الأفكار وتبادل للالتقاء المشتركة؛ البشرية حين أن الجدران الأصلية لمبنى المحافظة القديمة يتم الاحتفاظ بها واستعادتها، إلا أن الندوب والأضرار الناجمة عن القنابل والطقس تظل الوقت وفي هنا. وقعت التي للأحداث مادي تذكاري نصب بمثابة

نفسه، يتم الحفاظ على البيئة الثمينة لجيران المباني.

أن المساحة المفتوحة داخل النسيج الحضري الكثيف في بغداد أصبحت المقترح المبنى التصميم لمواطنيها. يسعى رسمي غير اجتماع مكان لهذا التصميم إلى الحفاظ على مكان الاجتماع العضوي والحفاظ عليه، النسيج التصميم مساهماً نشطاً في إعادة بناء وضمان أن يصبح مركز

الحضري والاجتماعي للمدينة.

المستعادة، الأمامية الواجهة خلف ناضجة »فيكس« شجرتي تقف للجلوس. رسمي غير ثاني ومكان ومظللة هادئة حضرية واحة وتوفر الأشجار توفر الخلف. في مرحلة باتجاه الفناء من المبنى يضيق العمل ورش من متطور لبرنامج قاهرًا إطاراً التاريخية والواجهة

والأحداث، حيث تقدم التميز من مركز التصميم وما بعده.

تعليق لجنة التحكيمإلى الحضرية الأطلال بناء إعادة لكيفية مثالاً المشروع هذا يقدم مجمعات جديدة. وتوضح استجابته للموجز الحضري والتصميم أهمية إلى تحولها ويساعد للمشروع. رئيسية كميزة وإدراجه الأصلي الجدار والساحة للمشروع الداخلي الفضاء في حياة خلق على حية وظيفة العامة، التي تستجيب للنسيج المحلي التقليدي وتثري البيئة الحضرية الواجهة بالأشجار ستسمح للمشاهد بتذكرها المحيطة. كما أن تغطية وقابلة مرنة بأنها المركزية الساحة تتميز حضري. خراب أنها على للتكيف ويمكن استخدامها للعديد من الأشياء بما في ذلك الأحداث الوظائف والعروض والمهرجانات، في حين يمكن أيضًا توسيع الأنشطة

الداخلية المحيطة إلى ساحة الفناء.

5

6

BAGHDAD DESIGN CENTERSecond Place: Ali Habibianfar-Parisa DavoudiParis FRANCE

The structure of this project is centred on reclamation and re-membering, ancient and recent memories of the days of war and de-struction. The design and main concept of this project is based on re-spect for the space created by people among the walls. The place was destroyed during the 2003 US invasion and what remained in place was a reminder of the elements that once gave meaning to this place.

The space, in our project, is then rooted in collective thinking, and created by existing users of the space. Revisiting the design concept of the Baghdad Design Center, given the current status of Iraq, as a space for thought and collective memory, was the main point in designing this project. The Baghdad Design Center is the centre for redesigning Baghdad with the help of collective wisdom, a space based on respect for each other’s thoughts and for the reconstruction of a historic city.

In this regard, the space of the ziggurat “Ur”, which is remi-niscent of collective prayers, has been used as a communal space and a link between the past and present. Also, the spatial structure of the project is derived from a forum-based entrance. This space is designed to bring designers closer together, to help them share creative ideas, and of course to help reflect on the future of Baghdad in various artistic and urban areas. Also, sections of the region’s archetype have been used as the project design structure and have been presented as a layer for community-based and flexible spaces throughout. Eventually, water as a symbol of Mesopotamian civilization plays a key role in this spatial cycle.

Judging Panel’s Comment:“The proposal of a memorial park offers a much needed space

in the centre of the city that contrasts with the dense urban fabric. While there might have been the expectation of a building, we are pleasantly surprised with an open space. The underground spaces would be particularly enjoyable in the summer months as they could create an urban cavern for social gatherings. While the longitudinal section needed to show more information to support the idea, the waterbody would further offer a state of tranquillity and serenity that complements the wall.

مركز بغداد للتصميمالمركز الثاني: علي حبيبيانفار باريسا داودي

باريس، فرنسا

التصميم يعتمد والتذكر. الاستصلاح على المشروع هذا فكرة تتمثل أنشأها التي المساحة احترام على المشروع لهذا الرئيسي والمفهوم الناس بين الجدران. تم تدمير المكان خلال الغزو الأمريكي وما بقي في

مكانه هو تذكير العناصر التي أعطت معنى لهذا المكان.. كان إعادة النظر في مفهوم تصميم مركز بغداد للتصميم، بالنظر إلى النقطة الجماعية، هو والذاكرة للفكر للعراق، كمساحة الحالي الوضع

الرئيسية في تصميم هذا المشروع.

مركز بغداد للتصميم هو مركز إعادة تصميم بغداد بمساعدة الحكمة الجماعية، ومساحة تعتمد على احترام أفكار بعضهم البعض ولإعادة بناء مدينة تاريخية. في هذا الصدد، تم استخدام استعارة زقورة »أور«، والتي تذكرنا بالصلوات الجماعية، كمساحة مشتركة وربط بين الماضي للمشروع من مدخل قائم المكانية البنية اشتقاق يتم أيضا، والحاضر. على المنتدى. تم تصميم هذه المساحة لتكون المكان المناسب لتقريب وبالطبع الإبداعية، الأفكار مشاركة على لمساعدتهم المصممين، بهدف تصوير مستقبل بغداد في مختلف المناطق الفنية والحضرية. تصميم كهيكل للمنطقة الأصلي النموذج من أجزاء استُخدمت كما للمشروع وتم تقديمها كطبقة للمساحات المجتمعية والمرنة في جميع أنحاء المشروع، عنصر المياه في المشروع استخدمناه كرمز لحضارة بلاد

ما بين النهرين ويلعب دوراً رئيسيًا في هذه الدورة المكانية.

تعليق لجنة التحكيم:»يقدم اقتراح حديقة تذكارية مساحة ضرورية للغاية في وسط المدينة تتناقض مع النسيج الحضري الكثيف. في حين قد يكون هناك توقع تحت المساحات المفتوح. الفضاء من بسرور متفاجئون نحن مبنى، الأرض ستكون ممتعة بشكل خاص في أشهر الصيف لأنها يمكن أن تخلق كهفا حضريا للتجمعات الاجتماعية. في حين أن القسم الطولي الحوض فإن الفكرة، لدعم المعلومات من المزيد إظهار إلى بحاجة

المائي سيوفر حالة من الهدوء والسكينة التي تكمل الجدار«.

01 – Historical Layer – Reflective surface02 – Contemporary Layer – Public Plaza03 – Historical Layer – Archetype

1 – Main Entrance,2 – Subsidiary Entrance,3 – Public Plaza, 4 – Stairs, 5 – Forum, 6 – Cafe, 7 – Corridor, 8 – Flexible Space, 9 – Library,10 – Workshop Space,11 – Open Office,12 – Office, 13 – Restroom

After the demolition of the building and the change of its identity, people created the current space among the walls for the required events.

Respect for the collective space and the creation of a relation-ship between the past and present identity of the building inspired by the ziggurat and the archetype.

Cogitating the historical architecture of Baghdad and representing the survivors of the destroyed building by showing its reflection in the water.

7

01 – Damaged Walls

02 – Public Plaza

03 – Forum

04 – Project Functions

8

FRONDS WITH-NThird Place: Mustafa B Kamil Houston Teas USA

The design was inspired by a personal experience of walking through palm tree farms in Baghdad. The astonishing experience takes you to a different dimension as you walk-through heavily wooded space that offers silence from the busy city and meditation through its long trunks that towers over and reach the skies. Palm trees offer unique shadow and shelter from the blazing heat with spectacular patterns projected onto the ground.

The proposal is to inject an open space into the heavily constructed environment within the site and to offer the same experience as walking through palm tree farms that reaches extreme heights and projects shadows to shelter from the sun.

A bundle of six steel columns creates one tall structure to hold both the historic wall and the curtain wall system through connectors, held together with the grid and three different panel conguration from less dense shadows to more dense shadows in the centre of the public space.

Judging Panel’s comment:“A delicate steel and glass structure stands behind the

government façade, which frames it and contrasts against it. The more traditional streetscape leads to a surprisingly light interior space that is articulated by the filigree ceiling and glazed roof. Thee architects’ inspiration for the project was a palm tree forest, and this has been nicely interpreted as a series of interior columns.

“The progressive design proposes to convert the old street in front of the qishla into another dimension in time. It presents the existing components within a contemporary dimension that will enhance and provide another way of treating the historical building and site.”

سعفة في الداخلالمركز الثالث

مصطفى كامل تكساس - الولايات المتحدة

مزارع عبر المشي في شخصية تجربة من مستوحى التصميم كان النخيل في بغداد، وهو أمر مذهل تجربة يأخذك إلى أبعاد في الذاكرة أثناء المشي من خلال مساحة حرجية كثيفة تحافظ على الصمت من التي الطويلة جذوعها عبر التأمل فرصة وتعطي المزدحمة المدينة تصل إلى السماء وتصل إلى السماء. تستخرج أشجار النخيل ظلالًا فريدة

وملجأ من الحرارة الشديدة مع أنماط مذهلة تم عرضها على الأرض.

الاقتراح هو ضخ مساحة مفتوحة في بكثافة البيئة المبنية داخل الموقع وإجراء نفس التجربة مثل المشي من خلال مزارع النخيل التي تصل إلى

ارتفاعات شاهقة ومشاريع الظلال إلى المأوى من الشمس.

تخلق مجموعة من ستة أعمدة فولاذية بنية واحدة طويلة لتثبيت كل من الجدار التاريخي ونظام جدار الساتر من خلال الموصلات، مع الشبكة وثلاثة من الألواح العميقة من ظلال أقل كثافة إلى ظلال أكثر كثافة

في مركز الفضاء العام.

تعليق لجنة تحكيم الجائزة:»هيكل من الفولاذ والزجاج الرقيق يقف وراء الواجهة الحكومية، التي تقليدية الأكثر الشوارع تصميم ويؤدي ضدها. وتتناقض تأطيرها إلى مساحة داخلية خفيفة بشكل مدهش موضح بها السقف الصلب السقف المزجج. كان مصدر إلهام المعماريين للمشروع هو غابة أشجار الأعمدة أنه سلسلة من رائع على النخيل، وقد تم تفسير ذلك بشكل الداخلية. يقترح التصميم التدريجي لتحويل الشارع القديم أمام القشلة إلى بعد آخر في الوقت المناسب. ويعرض المكونات الموجودة في بعد معاصر من شأنها أن تعزز وتوفر طريقة أخرى لمعالجة المبنى التاريخي

والموقع.«

FRONDS WITH-INApproachThe old Baghdad Governorate Building is situated in a very densely populated and heavily constructed area. The general area description lacks an open space that keeps the visitors sheltered from the blazing heat, therefore people use the old baghdad governorate building as a meeting point because it offers an open public space after the damage left the skin of the building only.

Concept The design was inspired by a personal experience of walking through palm trees farm in Baghdad, the astonishing experience takes you to a different dimension as you walk through heavily wooded space that offers silence from the busy city and meditation through its long trunks that towers over and reach the skies. Palm trees offers unique shadow and shelter from the blazing heat with spectacular patterns projected onto the ground.

DesignThe proposal is to inject an open space into the heavily constructed environment within the site and to offer the same experience as walking through palm tree farms that reaches extremt heights and projects shadows to shelter from the sun.

Material A bundle of six steel columns creates one tall structure to hold both the historic wall and the curtain wall system through connectors, held together with the grid and three different panel configuration from less dense shadows to more dense shadows in the center of the public space.

Use As the building offers lots of outdoor yet sheltered public space, it also houses many cloud-like spaces that can be available as a multi-functional space but that keeps the transparency throughout the design and visual connection to the historic wall at all times.

RCP2-182

HISTORIC WALL

PUBLIC SPACE

LIBRARY

MULTI-FUNCITIONAL SPACE

ADMINISTRATION

CAFE

MECHANICAL SPACE

STRUCTURE INSPIRED BY PALM TREES

CANOPY

SHADING SYSTEM INSPIRED BY PALM TREE FRONDS

DENSE

LESS DENSE

MORE DENSE

CONNECTORS

SECITON - A

SECITON - B

SECITON - A

SECITON - B

N






RCP2-182

HISTORIC WALL

PUBLIC SPACE

LIBRARY


ADMINISTRATION

CAFE

MECHANICAL SPACE


CANOPY


DENSE

LESS DENSE

MORE DENSE

CONNECTORS

SECITON - A

SECITON - B

SECITON - A

SECITON - B

N






RCP2-182

HISTORIC WALL

PUBLIC SPACE

LIBRARY


ADMINISTRATION

CAFE

MECHANICAL SPACE


CANOPY


DENSE

LESS DENSE

MORE DENSE

CONNECTORS

SECITON - A

SECITON - B

SECITON - A

SECITON - B

N






RCP2-182

HISTORIC WALL

PUBLIC SPACE

LIBRARY


ADMINISTRATION

CAFE

MECHANICAL SPACE


CANOPY


DENSE

LESS DENSE

MORE DENSE

CONNECTORS

SECITON - A

SECITON - B

SECITON - A

SECITON - B

N






RCP2-182

HISTORIC WALL

PUBLIC SPACE

LIBRARY


ADMINISTRATION

CAFE

MECHANICAL SPACE


CANOPY


DENSE

LESS DENSE

MORE DENSE

CONNECTORS

SECITON - A

SECITON - B

SECITON - A

SECITON - B

N






RCP2-182

HISTORIC WALL

PUBLIC SPACE

LIBRARY


ADMINISTRATION

CAFE

MECHANICAL SPACE


CANOPY


DENSE

LESS DENSE

MORE DENSE

CONNECTORS

SECITON - A

SECITON - B

SECITON - A

SECITON - B

N

0

BAGHDAD CITADEL OF DESIGNPeople's Choice Award Honorable Mention: COdESIGN Anna Cornaro Valerio de DivitiisDubai UAE Rome Italy

The design creates a new public space at the ground level, an intruded piazza inside the plot, completed with water features and a small garden. Around this public core, a system of small buildings is placed, hidden behind the existing façades. The level of the outdoor space is the same as the level of the sidewalk around the building, so to give complete continuity between the inner and outer spaces.

The new volumes of the design centre have a peculiar relationship with the existing façades. At the upper floor, the former openings of the existing building are used as clerestory opened windows, which allow views from the open-air passageway. On the ground floor, some of the rectangular openings are used as actual windows to bring light inside the different volumes. The two main entrances, to the public space of the citadel make use of the original doorways on the façades; a third entrance is opened where the existing fracture on the walls was. It gives access to a public grand staircase, leading to the café entrance.

A perforated corten vertical screen underlines the presence of the grand staircase that represents also the completion of the existing west façades. Public functions (exhibition space, administration and information point) are located at the ground floor, facing the inner square, the upper floor hosts more private functions as workshops and classrooms. The entire system is shaded by a terracotta pergola that reminds the local construc-tion material, a friendly and informal atmosphere is given by the mix of bricks and concrete elements in the construction.

Judging Panel’s comments:“Inside this walled village, the footpath leads to a public

square as well as a more private inner courtyard, dividing the site and giving it a sense of hierarchy. The surrounding wall has been respectfully treated.”

قلعة بغداد للتصميمجائزة اختيار الناس + مرتبة شرفية

كود للتصميم - انا كورنارو و فاليريو ديفيتيسدبي - الإمارات العربية المتحدة ، روما - إيطاليا

وساحة الأرض، مستوى على جديدة عامة مساحة التصميم يخلق صغيرة. وحديقة مائية بميزات تكتمل الأرض، قطعة داخل مغمورة مخبأة الصغيرة، المباني من نظام وضع تم العامة، النواة هذا حول خلف الواجهات القائمة. مستوى الفضاء الخارجي هو نفسه من مستوى الفضاء استمرارية كاملة بين بالمبنى، وذلك لإعطاء المحيط الرصيف

العام الداخلي والخارجي.

الواجهات مع غريبة علاقة لديها التصميم لمركز الجديدة الأحجام القائمة. في الطابق العلوي ، تُستخدم الفتحات السابقة للمبنى الحالي ، كنوافذ مفتوحة، تسمح بمشاهدة مناظر من الممر في الهواء الطلق. المستطيلة الفتحات بعض استخدام يتم الأرضي، الطابق في أما المدخلان المختلفة. الأحجام داخل الضوء لإضفاء فعلية كنوافذ الرئيسيان، إلى الفضاء العام للقلعة، يستفيدان من المداخل الأصلية على الواجهات. تم فتح مدخل ثالث حيث يوجد الكسر الموجود على الجدران، ويتيح الوصول إلى الدرج الكبير العام، مما يؤدي إلى مدخل المقهى، والذي يعمل أيضًا كمنطقة جلوس تطل على كل من المشهد العمودية الشاشة وتؤكد الجديد. التصميم ومركز الحالي الحضري المخرمة العشرة على وجود الدرج الكبير الذي يمثل أيضًا الانتهاء من

الواجهات الغربية الحالية.

توجد الوظائف العامة )مساحة العرض والإدارة ونقطة المعلومات( في الطابق الأرضي، وتواجه الساحة الداخلية، ويستضيف الطابق

والفصول العمل ورش مثل الخاصة الوظائف من المزيد العلوي الدراسية.

النظام بأكمله مظلل بعريشة الطين التي تذكر مواد البناء المحلية،والعناصر الطوب من مزيج خلال من رسمي وغير ودود جو ويعطي

الخرسانية في البناء.

تعليق لجنة التحكيم: »داخل هذه القرية المسورة، يؤدي الممر إلى ساحة عامة بالإضافة إلى بالتسلسل شعوراً ويمنحه الموقع يقسم خصوصية، أكثر داخلي فناء

الهرمي. لقد تم التعامل مع الجدار المحيط بكل احترام«.

THE CULTURAL CANYONHonourable Mention: (DMI) Islam El Mashtooly Steven Velegrinis Eslam Salem Abdelrahman Magdy Ahmed Salah Dubai UAE

At our core, we as humans desire both to be held and to be free. We naturally want to be able to see the sky, the garden and the people while feeling at the same time that we are contained within a safe space in an ever-threatening world. In our scheme the buildings take the form of a cultural canyon – a place where both the sky and enclosure are present, where people inhabit the space in a way that renders them both held and free.

The design of the Baghdad Design Center and its landscape are based upon a sensitive and sympathetic approach to the cultural landscape of Baghdad. The elemental nature of the forms encourages people to flow within a new cultural core that is linked to the rest of the city through the port promenade and the pedestrian footbridge to the memorial walkway.

This flexible access not only invites the visitors but also serves as a key cultural space for the community. The skyline is com-posed by independent volumes highlighted by landmark tower. These geologically inspired fragments contain art exhibition spaces and allow strong integration with outdoor display and event spaces. The vertical sky galleries offer a new perspective by bringing people up to a level where they can see the entire landscape of the city.

The new Baghdad Design Centre is an opportunity to create a link between the city and the buildings using the transitional space of the void. This project is not limited to the restoration of historical buildings but also creates a new outdoor space to enrich the cultural landscape.

Judging Panel Comments:“This project rightly considers the wider urban site and creates

connections. We were delighted to see a site plan. Considering the existing surroundings, it shows a particularly strong urban approach. It also shows the fluidity of the public realm.”

الوادي الثقافيمرتبة شرفية

الإسلام المشتولي ، ستيفن فيليجرينيس ، إسلام سالم ، عبد.الرحمن مجدي ، أحمد صلاح

دبي - الإمارات العربية المتحدةفي جوهرنا ، نحن ككائنات نرغب أن نكون أحراراً. نحن بطبيعة الحال ، الناس بينما نشعر ، الحديقة نريد أن نكون قادرين على رؤية السماء

في نفس الوقت بأننا في مكان آمن في عالم مهدد.

وادٍ ثقافي - وهو مكان توجد فيه المباني شكل في مخططنا، تتخذ تجعلهم بطريقة الفضاء الناس فيه يسكن مكان الضميمة. و السماء

يحتفظون بها ومجانًا.إلى الطبيعية ومناظره بغداد في التصميم مركز تصميم ويستند منهج حساس ومتعاطف مع المشهد الثقافي لبغداد. وتشجع الطبيعة الأساسية للأشكال الناس على التدفق داخل قلب ثقافي جديد مرتبط الممر إلى للمشاة المشاة وجسر الميناء كورنيش عبر المدينة ببقية

التذكاري.

هذا الوصول المرن ليس فقط دعوة للزائرين ولكن أيضا بمثابة مساحة ثقافية رئيسية للمجتمع. يتكون الأفق من وحدات التخزين المستقلة

التي تم إبرازها من قبل برج بارز.عرض مساحات على الجيولوجيا من المستوحاة الأجزاء هذه تحتوي

فنية وتتيح تكاملًا قويًا مع مساحات العرض والفعاليات الخارجية.تقدم صالات عرض السماء العمودية منظوراً جديداً على مدينة بغداد من خلال نقل الناس إلى مستوى حيث يمكنهم رؤية المشهد الكامل

للمدينة.

والمباني المدينة بين رابط لإنشاء فرصة الجديد بغداد مركز يعد باستخدام المساحة الانتقالية للفراغ. لا يقتصر هذا المشروع على ترميم المباني التاريخية بل يخلق أيضًا مساحة خارجية جديدة لإثراء المشهد

الثقافي لبغداد.

تعليق لجنة التحكيم:»يعتبر هذا المشروع عن حق التصميم الأمثل لاستغلال الموقع الحضري الأوسع وينشئ روابط حضريه واجتماعيه. كنا سعداء لرؤية خطة الموقع. قويًا حضريًا نهجًا تُظهر فإنها الحالية، المحيطة البيئة إلى وبالنظر

بشكل خاص. كما أنه يوضح سيولة المجال العام«.

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PHOENIXHonourable Mention: Adamakis Architects & Associates Adamakis Stefanos Adamakis Kostas Elpiniki Pavlou Papakonstantinou MariaVolos Greece

Like the legendary bird the Phoenix, the new Baghdad Design Center rises through the Old Governorate’s ashes to remind the people of Baghdad and the whole world that no matter the difficulties, the future can always shine brighter as long as we believe in it.

This proposal revolves around the preservation of the entirety of the existing walls by restoring and supporting them where needed, including the 8m main façade. These walls give birth to the new building which jumps through them in an offset. This does create a symbiosis though contrasting relationship between the old and the new, maintaining the historical stratification which is so much needed in Baghdad.

The former use as a Governorate has long been eradicated. Nevertheless the unconscious preference of the people has brought a new use in the spotlight that of the meeting point, with semantic, sociological and historical value.

This proposal embraces and enhances this feature by uni-fying the surrounding pedestrian walks and embedding them with the excavated debris from beneath the Governorate.

Judging Panel’s comments: “Two large buildings and an inner courtyard create

a believable and useful plan and the addition of the corten cladding provides excellent lighting in a climate that is characterised by very bright sunlight. We would have liked to see the ample entrance also reflected in an exit on the far end of the courtyard.”

طائر العنقاء مرتبة شرفية

أداماكيس المعماريون وشركاهم - أداماكيس ستيفانوس ،أداماكيس كوستاس ، إلبينكي بافل ، باباكونستانتينو ماريا

فولوس ، اليونان

مثل طائر فينيكس الأسطوري، يرتفع مركز التصميم الجديد من خلال بغض أنه بأسره والعالم بغداد شعب لتذكير القديمة المحافظة رماد النظر عن الصعوبات، يمكن للمستقبل أن يلمع أكثر إشراقا طالما أننا

نؤمن به.

يدور هذا الاقتراح حول الحفاظ على كامل الجدران الموجودة من خلال استعادة ودعمها عند الحاجة، بما في ذلك الواجهة الرئيسية 8 م. هذه الجدران تلد المبنى الجديد الذي يقفز من خلالهم في إزاحة. هذا يخلق والجديد، القديم بين العلاقة تناقض من الرغم على تكافلية علاقة

والحفاظ على التقسيم التاريخي الذي هو مطلوب بشدة في بغداد.

الاستخدام السابق كمحافظة تم القضاء عليه لفترة طويلة. ومع ذلك، دائرة في جديدًا استخدامًا جلب للشعوب اللاوعي التفضيل فإن والتاريخية. والاجتماعية الدلالية القيمة ذات الالتقاء، نقطة - الضوء يتضمن هذا الاقتراح ويعزز هذه الميزة من خلال توحيد مسارات المشاة

المحيطة بها ودمجها مع الحطام المحفور من أسفل المحافظة.

تعليق لجنة التحكيم:»إن مبنيين كبيرين وفناء داخلي يخلقان خطة موثوقة ومفيدة، وتوفر إضافة الكسوة في الكورت إضاءة ممتازة في مناخ يتميز بأشعة الشمس الساطعة جدًا. كنا نود أن نرى المدخل الواسع ينعكس أيضا في الخروج

على الطرف الآخر من الفناء«.

Exploded View

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The Design Center consists of two distinct volumes, organised on three floors each, separated by a court-yard patio and connected via bridges. The fond wing includes the Exhibition Space, the Design Centre, an Office for the Architectural Heritage of Baghdad and a Library. The front wing hosts the reception, the café and the Startup offices. The ground floor is left open and public in order to maintain the meeting character of the site. Both volumes are enveloped in a corten metal cladding, perforated with traditional patterns, functioning both as a second skin and filter as well as a visual landmark.

Cafe’_Exterior Rendering

Ground Floor Plan Second Floor Plan

First Floor Plan

Main Façade RenderingSide Façade A

Side Façade B

Main Façade

Longitudinal Section

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BOX OF COLLISIONSHonourable Mention: Tay Othman AIASan Francisco USA

From general observations of the project vicinity, the site showcases a very interesting phenomenon that is unique to the world. From Abbasids to British colonials, dozens of empires continuously invaded the city, imposing new outsider agendas and introducing major shifts in economic, social, and politi-cal strategies. Yet when applied to architecture, these conflicts brought very connected and harmonious buildings and spaces that responded to the local character in new ways.

This concept reveals that novel ideas can come from the joining and interplay of contradictory ideas. It amplifies disagreement and conflict to reach a new form of acceptance. It states that the collective brain of society and the spectral differences of people and cultures can stimulate a new fertile medium for idea-generation that surpasses any individual capability or intellect.

A Box of Collisions re-introduces design as an inclusive pro-cess, a system that is open for everyone to contribute and lead, a place that is injected with honesty and constructive feedback, and a space that serves as an open stage for heated debates where ideas can collect and develop.

Using this underlying principle, the building was formed as a constellation of redefined group of Fadhwas, traditional debate spaces, that were implemented on various scales ranging from grand assembly spaces to smaller exaggerated stair landings, all to allow serendipitous exchange of ideas.

Judging Panel’s comment:“The proposal of spaces for debate is a welcome one in

the centre of Baghdad. This proposal offers a strong attempt to embody diversity in relatively open spaces. We commend the designer’s attempt to create something that is innovative, particularly in the roof.”

صندوق التعارض مرتبة شرفية : طي عثمان

سان فرانسيسكو - الولايات المتحدة

فريدة ظاهرة المكان هذا في للمتلقي يتجلى الأولى. الوهلة منذ أن وهي المدينة من القديم الجزء هذا تخص العالم في نوعها من العديد بها قامت التي والحروب الغزوات لعشرات سجلًا كان الموقع المدينة على فرضت والتي الاوسط الشرق في الإمبراطوريات من لكن والثقافي. السياسي الصعيد على جوهرية وانقلابات تغييرات من جديدة بيئة بخلق تسببت الصراعات هذه ان للنظر الملفت من الأبنية والفضاءات المتنوعة في الطراز والمتجانسة في التجاوب للسياق

المحلي.

وتنوعها. المتناقضة الأفكار ترتكز على مبدأ تعدد أعلاه الفرضية إن المبدأ وهذا مطروقة. وغير متجددة أفكار تنتج ان يمكن فالتعددية يشدد على اهمية اختلاف الرأي والتناقض كطريق للوصول إلى هيئة للمجتمع الجماعي الفكر أن على ينص فهو الآخر. قبول من جديد والاختلافات الطيفية بين الناس والثقافات يمكن أن تخلق وسطًا خصبًا محدودة فردية فكرة او قدرة أي وتتجاوز تفوق التي الأفكار لتوليد

بذاتها.

كعملية التصميم مفهوم تعريف التعارض« »صندوق مشروع يعيد فيه للمساهمة للجميع مفتوح نظام وهو فردية، وليست شاملة وبناءة، صادقة بانتقادات مشحون مكان إنشاء إلى ويهدف والقيادة. حيث للأفكار، الساخنة للمناقشات مفتوحة كمنصة تعمل ومساحة

يمكن جمعها وتطويرها.وعلى أساس هذا المبدأ. تم تشكيل المبنى ككوكبة من الفضوات وهي سمة تقليدية لفضوات المناظرات بين سكان المحلة الواحدة. ومن ثم إعادة صياغة تلك الفضوات في داخل المبنى على مستويات مختلفة في الاجتماعية الادرج الى المتفاعلة التجميع مساحات بين تتراوح

المبنى. وذلك ما يسمح بتبادل الأفكار بصورة عفوية وانسانية بحتة.

تعليق لجنة التحكيم:فهذا ترحيب. موضع هو بغداد وسط في للنقاش مركز اقتراح إن المقترح يقدم محاولة قوية لتجسيد التنوع الثقافي والفكري من خلال ابداعي شيء انشاء المصمم محاولة على نثني نحن واسعة. فضاءات

ومبتكر وخاصة في أعلى المبنى.

IMAGES HERE

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CITY WITHIN A BUILDINGHonourable Mention: Mostafa MahdyMannheim - Germany

Baghdad Design Centre City should be a place of creativity and exchange, a place for information and ideas.

The site of the Design City is in the middle of Baghdad’s old town, where one of the most dynamic districts in the city of Baghdad is.

The main idea of the project is to reflect a part of the old town’s urban fabric in the new building in order to keep the dynamic of the old town in the Design City.

It was decided to keep the existing façade and integrate it into the new walls in order to respect the original structure. The existing façade is the city wall of the Design City. In addition, the new building should not compete with the old façade.

Design City consists of a public place, a plaza, café, library, lecture room, meeting points, workshop rooms, offices and a kiosk, and each function is a separate building. Most of the building’s walls are open to the plaza.

The concept of the design city transforms the classic defi-nition of the plaza (meeting area) to a semi-shaded corridor/street. Walking through it will give visitors an interesting adventure. The design city is covered by a grid screen to close the buildings and to add shadow to the public spaces. The square division should overcome the high span. The closed panels are covered by solar and the pattern should play with shadow and light.

Judging Panel’s comments: “This proposal for a walled town showed particularly good

morphological studies of the development’s form and void. Although the project includes a small auditorium and a central piazza/courtyard, we felt that the small scale of buildings was not appropriate for the centre of Baghdad.”

مدينة من خلال مبنى مرتبه شرفيه - مصطفى مهدى

مانهايم-المانيا )مصرى)

يجب أن تكون مركز/مدينة بغداد للتصميم مكانًا للإبداع ومكانًا لتبادل المعلومات والأفكار.

حيث القديمة، بغداد مدينة وسط في التصميم« »مدينة موقع يقع تعد واحدة من أكثر المناطق حيوية في مدينة بغداد.

القديمة المدينة نسيج من جزء عكس هي للمشروع الرئيسية الفكرة في البناء من أجل الحفاظ على ديناميكية البلدة القديمة في »مدينة النسيج الحضري التصميم«. »تصميم مدينة بغداد« هو محاولة لدمج

للمدينة القديمة في مبنى.

في الجديدة الجدران ودمج الحالية الواجهة على الحفاظ تقرر لقد من كجزء عليها والحفاظ الاحترام إعطاء أجل من القديمة الواجهة إلى بالإضافة التصميم«. »مدينة جدار هي الحالية الواجهة التاريخ.

ذلك، لا ينبغي للمبنى الجديد التنافس مع الواجهة القديمة.

ورش محاضرات، قاعة مكتبة، مقهى، ساحة، بها التصميم« »مدينة معظم منفصل. مبنى عن عبارة وظيفة كل كشك، مكاتب، عمل،

جدران المبنى مفتوحة على الساحة. تصميم المدينة يسمح بتحويل التعريف الكلاسيكي للساحة )منطقة الاجتماعات( إلى ممر / شارع مظلل او شبه مظلل، وامكانيه أن يعطي

الزوار مغامرة مثيرة للاهتمام سيرا على الأقدام.

المباني وإضافة المدينة التصميم من خلال شبكة لإغلاق يتم تغطية الظل إلى الأماكن العامة.

توليد الشمسية الطاقة الواح بواسطة المغلقة الاسقف تغطية يتم الطاقة اللازمة وايضا لتوفير الظل والضوء الغير مباشر.

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DEWAN AWARD FOR ARCHITECTURESchool in the Iraqi Marches Competition

The Dewan Award is the newest prize to join the Tama-youz Excellence Awards programme that champions and celebrates the best of architecture in Iraq and around the world. Its 2018 theme is: “School in the Iraqi Marshes”.

For its inaugural cycle, participants were asked to design a primary school in the long-forgotten area of Iraq’s marshlands, considering the limitations of the area and the ecological impact of construction on the natural environment and its fauna. The school design was for a six-class primary school to serve the nearby villages and provide them with modern amenities. The first year witnessed the participation of 137 design studios, individuals and universities from 37 countries.

A historical and fundamental area of Iraq are the marshes which are home to many families with minimal infrastruc-ture. Dewan has chosen this exact location to build a school to supply the families the much-needed education in an area that is lacking for facilities that will nurture the future of Iraq. The plot is located perfectly between two rivers for multiple means of properties with empty land surrounding it for possible expansion in the future to house more stu-dents.

The school should be designed according to the mod-ern teaching philosophies which encourages the students to search, innovate and face life challenges rather than the old traditional methods of memorizing the textbooks which are still in use.

The school activities whether academic, research, sport or even entertainment should be full of dynamics, spirit of challenge and call to respect all ideas and represents the unity of Iraq and its people.

The Winners – First Place: Neda Karimzadeh, Marjan Zaredehnavi, Ehsan Kazerooni and Amirreza FathollahiIran – Tehran

“This environmental proposal is based on thorough research. Featuring interesting and well-scaled inner spaces, with successful tran-sitions between indoors and outdoors, the project offers a flexible and modular design that could be built easily and expanded to accommo-date future growth.”

Honourable Mention: Nikolai Mina and Lady Roxanne Mina Singapore

“We enjoyed the modularity of this project, as it allows the capacity of the school to adjust according to its needs. There were a number of elements that we found to have great impact, such as the dynamic uses of roof space and the sensitive scale of the project. The designer’s thorough environmental analysis also helped create a comfortable micro-climate.”

Second Place: Sameh Zayed, Nader Moro and Mostafa AhmedEgypt – Giza

“We enjoy the simplicity of this design, and the way the various com-ponents relate to each other. The project features beautiful shaded walk-ways, an intelligent use of building materials, and affordable construction. Together, these elements support the project’s strong rural character, which is quite responsive to the local environment.

Third Place: Noor Marji Jordan – Amman

“This project has a commendable approach to building due to its intelligent use of construction techniques, which can be developed local-ly. The facade’s sensitive colour and material palette and the intimacy of the classrooms create a very warm, friendly and human environment.”

Honourable Mention: Pietro Paolo Speziale and Mohamed Hassan El-GendyItaly – Verona

“A strength of this project is its innovative treatment of the harbour, which creates a beautiful waterfront and highlights the project’s sensitivity to the marshlands. We commend the gathering of the school’s functions into two components, which leaves a comforting void space.

Honourable Mention: EVA ARCHITECTS – Alan Wang, Cen-Li, Nicole-Wu, Xin-Wang and Isaac Fung China – Shanghai

“We commend this project for its successful use of water puri-fication and for its consideration of the local economy by potentially offering a source of income for the community. We also find the simple design of the individual buildings to be visually beautiful.”

In recognition of an exemplar collaboration between the client, the local architecture school and the consulting architect, resulting in the successful documentation and rehabilitation of a traditional house in the city of Samawa.

The special recognition is presented to Abdul latif al-jiblawi house.The Client: Mr Abdul Latif Al-JiblawiDocumentation: Department of Architecture at Muthanna UniversityConsulting Architect: Mr Mohamed Shakir

TAMAYOUZ EXCELLENCE AWARDSpecial Recognition 2018

Honourable Mention:Osama RahahlehJordan – Amman

“A distinguishing trait of this project was its consideration of the various modes of transportation used by the inhabitants of the area, which includes boats and cars, and accommodates them through its design. The project also features a successful combination of materials, great layout and a solid balance between open and closed spaces. There is a real sense of hierarchy of the spaces.”

Honourable Mention: Benaa Foundation – Ahmed Abdulhakeem, Aya Nasr, Abdelrahman Elhiatmy and Neda Hany, Egypt – Cairo

“The project’s floor plans were refreshing, and helped us under-stand its sense of identity. We appreciate the thorough research from the team, as it is greatly reflected in the final design its ability to work with and complement its surroundings.”

Honourable Mention: Ibrahim Nart and Ömer VarolTurkey – Istanbul

“We commend this project’s layout and its use of open-air class-rooms, which was a unique quality of this proposal. We also appreciated the designers’ analytical approach and presented analysis.”

Honourable Mention: Offshore Studio – Paisios Skitini, Irene EvgeniouCyprus – Nicosia

“This project displays a nice botanical-inspired design, and a recognisable modularity. The inner spaces are also interesting and create a series of unique experiences.”

Before

After

The Winners – First Place:Fatima Jamal Almoqdady from the University of Baghdad for her “Cultural renewal of Al-Madrasah Al-Mustansirya Area”. This project was supervised by Dr. Sajida Kadhum.

Haider Ghassan from Al-Farabi University in Baghdad for his graduation project, “Artists village in tabat Al-kurd”. This project was supervised by Saher Mohammed Qasim Al-Kaissi.

TAMAYOUZ IRAQI GRADUATION PROJECTS AWARD

Iraqi Graduation Projects Award aims to reward Iraq’s young talent by recognising excellence in architectural design and education by highlighting the country’s best gradua-tion projects and supporting academics and institutions that work to advance architectural education in Iraq and promote a culture of excellence.

The Iraqi Graduation Projects category witnessed the participation of 268 students from across 17 Iraqi architecture schools and departments. Out of the 159 submissions, 20 projects were shortlisted before being reviewed by the members of the Tamayouz judging panel.

The members of the jury panel were selected for their expertise and experience, ensuring a wide range of disciplines in architecture, landscape, urbanism, engineering and art were represented. Held on 3 October 2018 at the Engineering, Environment and Computing Building at Coventry University in Coventry, England, the one-day event provided an excep-tional opportunity for interactive discussion and constructive debate, which culminated in selecting the winner of this year’s cycle, which was followed by a critical discussion regarding the award’s assessment criteria and recommenda-tions for the 2019 edition of the Tamayouz Excellence Award for Iraqi Graduation Projects.

Second Place:Deema Al-Yahya from the University of Petra in Amman for her graduation project, “Development of the great mosque Al-Nuri campus - Mosul Old City”. This project was supervised by Raid Essoh.

Third PlaceHawra Rahim from the University of Technology in Baghdad for her project, “Knowledge Centre in Mosul University”. This project was supervised by Dr Anwar Ramadan.

Honourable MentionsMomin Al-Mola from Mosul University for “Rising from Ashes”. This project was supervised by Hatim Al-Sofi.

Hussain Al-hi from the University of Basrah for his graduation project “Sustainable residential complex in Basra”. This graduation project was supervised by Dr Amjad Almusaed.

Zainab Khayyat from the University of Petra in Amman for her graduation project “The forgotten part of the Holy Land / Ajloun Resort”. This project was supervised by Dr Hadeer Merza.

Honourable Mentions, continued

Momen Masood from Mosul University for his project “The Panorama of Mosul Memory”. This project was supervised by Dr Duha Alqzaz.

Sara Abdulmageed Muhammad from the University of Duhok for her project “Institute of teaching and developing sports skills”. This project was supervised by Aram Omer.

Aryan Muheddin from Ishik University in Erbil for his graduation project “Resurrection of Erbil landfill”. This project was supervised by Muhammad Sabeeh.

The Hisham Munir Award (previ-ously known as Supervisor of the Year Award) goes to Dr Salahaddin Yasin from Salahaddin University - Erbil for his supervision, support and encouragement to three shortlisted entries in the top 20 of the Tamayouz Excellence Award for Iraqi Graduation Projects 2018.

The Iraqi Architecture School of 2018 Award goes to Mosul University, which is responsible for two honourable mentions.

The prizes for the 2018 Tamayouz Excellence Award for Iraqi Graduation projects are:

1st Prize: An MSc Scholarship for one year at Coventry University + Flight and Accommodation for Ceremony + Tamayouz Medal + Certificate.

2nd Prize: A 3 month paid internship (Accommodation + Salary) at Dewan Architects and Engineers in Dubai + Flight and Accommodation for Ceremony + Tamayouz Medal + Certificate.

3rd Prize: A 3 month paid internship (Accommodation + Salary) at Dewan Architects and Engineers in Dubai + Flight and Accommodation for Ceremony + Tamayouz Medal + Certificate.

Honourable Mentions: Certificates

The Hisham Munir Award for the Iraqi Academic of the Year: Tamayouz Medal + Certificate + Flight and Accommodation for Ceremony.

Tamayouz University of the Year: A Tamayouz Medallion

The Hisham Munir Award For the Iraqi Supervisor of 2018

The Tamayouz Iraqi Architecture School of 2018 Award

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Second PlaceThe second prize goes to Sol María Calcarami, Nadia Borri

and Consuelo Oyola from the Universidad Nacional de Córdoba, Argentina for their graduation project “Social Integration Center for minors who broke the law”. This graduation project was supervised by Javier Giorgis.

TAMAYOUZ INTERNATIONAL AWARD Excellence in graduation projects worldwide

Tamayouz International Graduation Projects Award is the world’s largest international award for architecture graduation projects. Every year, the award invites students of architecture, urban design and planning, and landscape design around the world to submit their graduation projects.

The Tamayouz International Award aims to recognise and reward excellence in architectural design and education by celebrating the achievements of young architects and giving them the opportunity to collaborate and support each other. The award further hopes to empower the next generation of architects by encouraging them to pursue their careers with the confidence that they can contribute toward the advancement of architecture in their communities.

For its third cycle, the award witnessed an overwhelming participation of 587 graduates from 164 universities and 74 countries. While 50 entries were longlisted, 20 entries were shortlisted.

Third PlaceThe third prize goes to Yasmina Aslakhanova, Ivan Marchuk

and Victoria Tsukerman from the Moscow Institute of Architecture (State Academy) in Moscow, Russia for their graduation project “Reincarnation Network, Mumbai Mixed Housing”, which was supervised by Alksey Shutikov.

THE TAMAYOUZ INTERNATIONAL ARCHITECTURE SCHOOL OF 2018 AWARD

The Tamayouz Architecture School of 2018 Award goes to the National University of Cordoba (Universidad Nacional de Córdoba) which is responsible for two entries in the shortlist: the second place winner and an honourable mention. This is the second consecutive year that the 2nd Place winner of the Tamayouz International Graduation Projects Award is a group of students at the Universidad Nacional De Cordoba.

The winnerThe first prize winner of Tamayouz Excellence Award’s

International Graduation Projects Award 2018 is Federico Fauli from the Architectural Association in London. His winning graduation project “A new form of public space, conceived as a cross-breed between a time-city archive and a street market” was supervised by Cristina Díaz Moreno and Efrén Ga Grinda.

The prizes for the 2018 Tamayouz International Award:1st Prize: An MSc Scholarship for two years at the University

Polytechnic of Milan + Flight and Accommodation for Ceremo-ny + Tamayouz Medal + Certificate.

2nd Prize: Travel and International Design Workshop Scholarship + Flight and Accommodation for Ceremony + Tamayouz Medal + Certificate.

3rd Prize: Travel and International Design Workshop Scholarship + Flight and Accommodation for Ceremony + Tamayouz Medal + Certificate.

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MEDIA SPONSOR MEDIA SPONSOR

Iraq Global Compact Network

Tamayouz Excellence Award 2018 and Tamayouz Award Ceremony 2018 are sponsored by

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جائزة تميّز المعمارية 2018

نشر بمناسبة حفل جائزة تميّز المعمارية 2018 المقام في فندق الكراند ملينيوم في عمّان برعاية دولة رئيس الوزراء الاردني الدكتور عمر الرزاز

Documents

TAMAYOUZ EXCELLENCE AWARD