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The other French Revolution

The other French Revolutionmrdivis.yolasite.com/resources/Impressionism, Post... · 2015-01-09 · Impressionism •In 1874 French art critic Louis Leroy coined the term impressionist

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Page 1: The other French Revolutionmrdivis.yolasite.com/resources/Impressionism, Post... · 2015-01-09 · Impressionism •In 1874 French art critic Louis Leroy coined the term impressionist

The other French Revolution

Page 2: The other French Revolutionmrdivis.yolasite.com/resources/Impressionism, Post... · 2015-01-09 · Impressionism •In 1874 French art critic Louis Leroy coined the term impressionist

New advancements that contributed to Impressionism…

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Impressionism • attempt to avoid the realistic depiction of

photographs and capture the emotional spontaneity – Primarily done through bright colors and broad,

thick brushstrokes

• Favored lighting over detail, looking for the unfinished look

– Spontaneous creativity unbound by social conventions

• Started by a group of artists whose work was rejected by The Salon (the annual government-sponsored art exhibition in Paris)

• first Impressionist exhibit was in Paris in 1874

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The Salon style of academic painting

• Painted like the Old

Masters

• Primarily painted historical scenes or portraits

• Portrayed the wealthy aristocrats

• Were staged sittings

•William Adolphe Bouguereau,

“The Rest” (1879)

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Impressionism • How the Impressionists differed?

– Their work was not staged; spontaneous – Painted ordinary people, usually their friends and family – Not connected to patrons; painted for themselves – Painted nature scenes – Not as defined – Experimented with new colors and brushstrokes

• How were the Impressionists were viewed? – Work was disliked and offensive – Considered lazy as it looked like they didn’t finish their

paintings – Too connected to nature, which was considered a boring

and uninteresting subject – Not real painters as you could still see the brushstrokes

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•Vincent van Gogh,

“Self Portrait” (1887)

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William Adolphe Bouguereau, “The Rest” (1879)

Pierre Auguste Renoir, “The Apple Seller” (1890)

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Impressionism

• In 1874 French art critic Louis Leroy coined the term “impressionist” in a satirical review of a private exhibition of paintings by a group called The Anonymous Society of Painters, Sculptors, Engravers, etc. – Leroy was prompted to use this term in part by a

modest harbor scene, Impression, Sunrise (1873) by Monet

– The term “impressionist” struck Leroy as an appropriate description of the loose, inexact manner of painting

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Impressionism

• Group consisted of: • Edouard Manet (1832-1883) -- French

• Pierre-Auguste Renoir (1841-1919) -- French

• Claude Monet (1840-1926) -- French

• Edgar Degas (1834-1917) -- French

• Camille Pissarro (1830-1903) -- French

• Berthe Morisot (1841-1895) -- French

– The group started to meet in 1866 in cafes throughout Paris • Paris at this time was art capital of the world

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Edouard Manet (1832-1883)

• Manet firmly believed that only modern life, no matter how ordinary, was an acceptable subject for art

• He also believed that modern life must be depicted directly and truthfully, without sentiment or idealization

Self Portrait

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• Manet submitted The Absinthe Drinker to The Salon in 1858, which promptly rejected it because its subject matter and style was vulgar

• Absinthe was a wildly popular drink with artists and authors in France at this time – Dangerously addictive, producing

hallucinations • the word comes from the

Greek apsinthion, which means undrinkable

• the essential ingredient is a medicinal herb called wormwood

– Called the cocaine of the late 1800s

– Became illegal in 1915 because it was thought to be wrecking French society

– Also banned in America in 1912 because of health concerns

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The Funeral

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A Bar at the Folies-Bergere

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Portrait of Emile Zola

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Claude Monet

Painting on His Boat

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Woman Reading

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The Barricade

• Repression of the Parisian rebels of the Paris Commune, by France’s national guards in 1871

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Basket of Fruit

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Pierre-Auguste Renoir (1840-1926)

• “I haven’t any rules or methods.”

• Renoir preferred to paint people rather than landscapes, his favorite subjects were women and children

• intense observation of the outdoor world

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• Country Footpath in the Summer

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Woman with a Parasol and Small Child on a Sunlit Hillside

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• Banks of the Seine at Champrosay

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Banks of the Seine at Asnières

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• “The Apple Seller” (1890)

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Dance at Bougival

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Dance at Bougival

• embodies the Impressionist commitment to paining scenes of everyday modern life

• Showcases Renoir’s perennial good humor and love of life

• Renoir makes it so that the audience, like the man in the painting, focus solely on the woman

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Claude Monet (1840-1926)

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• Impression, Sunrise

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• The White Water Lilies

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Water-Lilies

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Meadow with Poplars

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Poppy Field

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The Walk. Lady with a Parasol

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The Rouen Cathedral

• Monet painted more than 30 canvases of the façade of the Rouen Cathedral in Rouen, France

– One of his many “time series”

– Study in different light and seasons

– The Impressionists were fascinated by the changing effects of light and color at different times of day and in different weather and seasons

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Houses of Parliament “time series”

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Grainstack “time series”

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Waterloo Bridge “time series”

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Edgar Degas (1834-1917)

• Like Manet, he was more attracted to city life

• Degas often painted fashionable upper-class entertainments

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L'absinthe

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• Ballet Rehearsal on the Set

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The Dance Class

• 24 women – ballerinas and their mothers – wait while a dancer executes an attitude for her examination

• Jules Perrot, one of the best known dancers and ballet masters in Europe, conducts the class

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The Little 14-Year-Old Dancer

• Bronze sculpture with a cotton skirt and a satin hair ribbon

• The model was a ballet student in the Paris Opera named Marie van Goethem

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Camille Pissarro (1830-1903)

• Self-Portrait

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Two Young Peasant Women • These young laborers dominate the landscape setting

• An avowed anarchist, Pissarro wanted to preserve the values of agrarian society that were being threatened by the rapid industrialization of France

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Haystacks, Morning

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• Boulevard Montmartre

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The Old Market Town

at Rouen

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Berthe Morisot (1841-1895)

• French painter

• sister-in-law of Manet (married his brother)

• In 1864, she exhibited for the first time in Paris Salon – in 1874, she joined the

Impressionists in the first of their own exhibitions

• included Cézanne, Degas, Monet, Pissarro, and Renoir

• One of the few female Impressionist painters

• Focused on domestic life – Refused to paint nudes • Édouard Manet, “Berthe Morisot

with a Bouquet of Violets”

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“Hanging Laundry out to Dry”

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“On the Balcony”

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“Eugene Manet on the Isle of Wight”

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“Summer Day”

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“After Lunch” *sold for $10.9 million in 2013, the most expensive work ever sold by a female artist at auction

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Mary Cassat (1844-1926)

• An American painter who lived most of her adult life in France – Moved to Paris in 1866

– Became friends with Degas and exhibited with the Impressionists

• created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children

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Degas’ “Portrait of

Miss Cassatt”

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“Reine Lefebre and Margot before a Window”

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“The Boating Party”

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“Summertime”

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Post-Impressionism

• movement in French painting that emphasized the artist’s personal response to a subject

• whereas impressionist painters concentrated on the depiction of a subject’s immediate appearance, post-impressionists focused on emotional or spiritual meanings of the subject

• use of strong, unnatural colors and exaggeration or slight distortion of forms

• began in 1886

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Post-Impressionism

• Includes:

– Vincent van Gogh (1853-1890) -- Dutch

– Paul Gauguin (1848-1903) -- French

– Paul Cèzanne (1839-1906) – French

– Henri de Toulouse-Lautrec (1864-1901) – French

– Georges Seurat (1859-1891) -- French

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Vincent van Gogh (1853-1890)

Self-Portrait

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Vincent van Gogh • was a salesman in an art gallery, a French tutor, a

theological student, and an evangelist before becoming an artist

• wanted to experience poverty, so he gave away all of his possessions to the poor and lived in extreme poverty – lived with prostitutes, drank absinthe, lived in excess

• Had numerous stays in an asylum for madness (most people today that his condition was that of a manic depressive or even bipolar)

• didn’t start painting seriously until 1880 – taught himself to draw and paint

• met Paul Cezanne in Paris, who commented, “Sir, you paint like a madman.”

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• Self-Portrait

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• Café Terrace at Night

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• Starry Night

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• Bedroom at Arles • hoped to start a colony of “Impressionists of the South” in Arles in southern France, but only

Gauguin was willing to join him in 1888 (lived together for 2 months there)

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Vincent van Gogh at Arles • December 23, 1888

– after drinking at a café in Arles, van Gogh threw his glass of absinthe at Gauguin, then later attacked Gauguin with a razor blade in the street

– the same night, he went to a brothel and gave a prostitute part of his ear, saying she should “guard this object carefully”

• Gauguin many times awoke to find van Gogh staring at him in bed

• when Gauguin wanted to leave Arles, van Gogh started waving the razor blade around wildly saying that he’d do damage to himself if he left

• Gauguin left and van Gogh refused to eat because he felt his food was poisoned (admitted to a mental hospital and diagnosed with epilepsy) – drank turpentine, ate paint, and drank incessantly

• Eventually spent a year in a mental hospital as a result • shot himself in the chest on July 27, 1890, and died two days

later of infection • sold only 1 painting during his lifetime

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Self-portrait With Bandage and Pipe

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Paul Gauguin (1848-1903)

• refused to study painting, preferring instead to learn from other painters

• drew with Pissarro, van Gogh, and Cézanne who became close friends of his

Self Portrait

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• Van Gogh Painting Sunflowers

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Tahitian Woman with Children

• Gauguin turned against “everything that is artificial and conventional” in Europe and sailed to Tahiti

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Women of Tahiti

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Paul Cèzanne (1839-1906)

• Self-Portrait

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The House of Dr.

Gachet in Auvers

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Card Players

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Still Life

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• Green Apples

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Henri de Toulouse-Lautrec (“too-loo la-trek”) - (1864-1901)

• stayed in the Montmartre section of Paris, the center of the cabaret entertainment and bohemian life that he loved

• Physically disfigured because of breaking both legs and them not healing correctly, he found comfort in brothels around prostitutes

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1891 poster La Goulue for the Moulin Rouge

by Lautrec

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At the Moulin Rouge

• the Moulin Rouge opened in 1889

• Toulouse-Lautrec is in the background

• English singer May Milton is on the right

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La Goulue Arriving at the Moulin Rouge

with Two Women

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Georges Seurat (1859-1891)

• Worked mainly with Pointillism (small dots used instead of brushstrokes)

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A Sunday Afternoon on the Island of La Grande Jatte

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Art Nouveau

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Art Nouveau • French for 'new art‘

• climaxed in the years 1892 to 1902

• an international style of art, architecture and design – Described as dynamic, undulating, and flowing

• forward-looking artists and designers seceded from the mainstream salon exhibitions to exhibit on their own work in more congenial surroundings

• Replaced by modernism and Art Deco (design movement)

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Gustav Klimt (1862-1918)

• Austrian

• one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement

• primary subject is the female body

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The Tree of Life

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The Kiss

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Portrait of

Baroness

Elisabeth

Bacchofenecht

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Portrait of

Friederike

Maria

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• Adele Bloch-Bauer I

• sold for $135 million in 2006

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Auguste Rodin

• 1840-1917 • Frenchman who primary

did bronze sculptures • modeled the human

body with realism and celebrated individual character and physicality – expressive interpretation

of the human body

• "It is [Michelangelo] who has freed me from academic sculpture."

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The Gates of Hell

• depicts a scene from "The Inferno", the first section of The Divine Comedy by Dante

• Some of the original sculptures were enlarged and became works of art of their own – Including The Thinker,

which characterizes Dante

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The Thinker

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Bust of Victor Hugo

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Monument to Balzac

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