17
E TERTAINM ENT GU ID E AUGUST SEPTEM BER 199 0 FORMERLY TRUS T NE W THE TRUST THE AUSTRALIAN ELIZABETHAN THEATRE TRUST FLIGHT DECK

THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

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Page 1: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

E TERTAINM ENT GU ID E AUGUST • SEPTEM BER 1990 FORMERLY TRUS T NE W

THE TRUST THE AUSTRALIAN ELIZABETHAN THEATRE TRUST FLIGHT DECK

Page 2: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

FRONT ROW offers •PREFERENTIAL TICKET BOOKINGS

lorperformingortsfromOPERATOROCK •EXCLUIIVEIEATING

unovo~ob1e to the general public •EASEOFBOOKING ·

licketsconbemailedDIRECTTOYOUlDOOR"

How to use FRONT ROW Findtheshowyouwishtobookinthe FRONr ROW Guide then dial the number al the footolthepoge. Bereodytoquo1ede1oil1olyou1Fligh1Detkor Arts(ordondyourcredi1cord

FRONr ROW operalcs in Sydney, Melbourne, Adeloide,BrisboneondPerthondNewZeolond.

Best Seats Guaranteed . .. You will be guaranteed lhe best seo!S o~oiloble at rhetimeolbooking.However, weneedroremind youlho11heeodieryoubook, thebe11e1the1eots

Phone linesforbookingsareopen busine-;shoursonly 'Pleaseo11owoneweeklorcol!eclionond

deliveryofticket>. • Limitoftwodi«ounttickelspermember.

Fullpricetickelsunlimited. "Norefundor,elurnso«epted.

Yleoreproud100Herthisexdu1i~eservicein odditiontoprivilegMolreadyenjoyedthrough FUGHTOECKandlheTrust'sARTSCARD. Y/eencourogeolfmemberstorakefullodvonroge olthisexdusiveasmiotion. Pltmoihoclln""'1...!p,rf11,_.,l,!QlM~ ti....,,ffor1 '-sbNnll!Odoio ....... ,Nlir1"""""""' flOllllOW~IOi'JOd,noWii1Tdbo11,epltd!ylho~ ! .. rny~!Ci11aintdll.-""-

TRUST MEMBERSHIP Pleo1econtoctyourneore1tTrus1Dlfice: NEWSOUIHWMlS ~rolM1r1in -m ~f'jfi1 S1 Chlp?eliule NSW 7008 M,phone(01)6981688

YICIORlt Oirirma;n1Ha~ . l.evd4/2XmooghS1Sou1h!lltlboumtVICJ1D5 Ttltpllone(03)61?7717

SOUTHAUSillllA: CbormoineMoldrich -HeiMlljesly'1Jbec1r,Gro11S1 AdeleideSASOODTeltplooe:!08)13182S6

WESTlRNAUSTRALIA hnnySu!he~and -Kis Mojtsly's lht<r~, Ha., St, P,rth WA 6000 Ttltphoo.(09)3214953

OUEIHIIANO: ll.l1nRuywn-H:D-s.i-,1heohTurbo1S11filbon1 0lD4000 Telephc,ne:(01)1219528

HEWZLI.LAND [oliirWrighl -Mmxilfowlerumt,PO~J219'1.~M1 le~(D4)113218

Publisher

Editor

Na1afieChing

Peter Ching

Edilorial Assistant Justine Reilly

Ad~·ert~·ing (02) 361 5222

FRONT ROW " f'IJbl.,hod~yRooy><>Jgcfo,0001JO bdalruf

THE Ausra.\LLAN ELIZABETHAN

r:!~~I!E TR UST

Lady Potterly's Chatter Our photographs this edition start in Melbourne. when: a 1·ery cleganl ga!h~ring came to I>« !he rn:w ··wi and Vic1or Smorgoo Collec1ion" in The Trust Club Roo~. A Ver} in1eres1mg and informative mlk

aboui ihe paiming< wa.1 giu:n by lhe Collectioo·scurator John Buc~ley. A ,mall reception for Vir iorian Directors and Governors introducing our !"o new OirecTors Gr:iham

Hannan and l't!!cr Shcldrake wa~ als.o held and of course we had a 1·cry enjoyable c1 ening al Carmm ]n Sydney. the announcement ohhe new Shlkc1pearc Company w.l5 gn:cted " ith great ac<"laim

A! a ...:ncs of d inners held Jt the Woobhed Rc;muram in Sydney·~ Roch area. direclor of 1hc new company.

John Br ll. 1alked abour u, ptnn, a, well as giving a n:cnal frum the !as! acl of Th, .\lerchom O[Vmu-, accompanied by Mi,had Athcnon on his ,\ u,trnllan wood lu1c.

Finally. the Annual General '.\1ecllng a l our Ju dependent 1li~a!rc was " ·ell anended and Tros1 Members

cnjO)cdiheoppormni!) 1ov1ew1hiihi11oricolc1 !hea1rcbeton:restora11onbeginsineamcst.

•,, .,_ ,I· I ,;,,;, i ""•· 1f .. / .. ,. (,

12 13

AT TlfE NS \\-' FUNCTIOI\' FOR TJfF. Nt:W SIIAKJ<:.'iPF.ARF. COMPANY: I . fl lo r) Joan and Ku1 Tribe with at/or John Bell. Z. Margart!

Joynton Smi1h, Adam Sa/ur and it// Joynton Smith. J. Chor/ts /lt111ilf, Pal Wttht ri/1 and Mtgan Sulltt. 4. Andro• Inwood, Ting Chan, }tnny

Wilfon. 5. Toby Manford and TonJ Gilbtrt. IN VICTORIA AT TUE SMORGON COHECTION VIEWING: 6. Loti Smorg" n and Eli:abe1h

Summons. 7.GII Jamitson and William Mora. 8. Primrost Dunlop and Victor Smargon. Margarita Wu, OaYid Southwick, Loti Smorgon, Eric and

PoppJ Rogtrs. AT THE ANNUAL GENERAL MEETING : 10. Francts Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and

Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt . I Z. Adam Salur, William Col/am, Shirlty Hay 11nd Janus Strong.

AT TUE RECEPTION FOR NEW VICTORIAN DIRECTORS: JJ. No, Dirutur Gr11h11m Jfannan with Oirtclars Father Vincent Kiss, Tht Hon.

Hobt rrl'ordham11ndlft nryGilltspit.

THE NATIONAL BOARD OF THE TRUST ack nowled ges the generous s upport of

THE AUSTRALIAN GOVERNMENT Through the Performing Ans and Literature Board of T H E AUSTRALIA COUNCIL - the Federal Govemmem's Ans Funding and Advisory Body. and the D EPARTMENT OF FOREIGN AFFAIRS

THE STATE GOVERNMENTS OF Victoria lhrough the Ministry for The Ans, New South Wales through the Ministry for The Ans, Western Australia through 1he WA Department for The Ans

FROHTROW Pcg,Two

THE FOLLOWING CORPORATIONS AND FOUNDATIONS: ANZ Trustee~ • Essu Australia L1d, Australian Airlines • BP Australia • Commonwea lth Bank of A ustralia • Vinc en t Fa irfax Family Fou ndation • Ian Potter Foundation • Qantas A irways Ltd• The Seaborn, Broughton & Walford Foundation • Sidney Myer Foundation • Showtravel Tours • Smorgon Family C haritable Foundation• Thom as Nationwide • Unilever Australia Ltd • Honcysctt Printing G roup •Triumph-A d ler • Grace Removals (a division of Brambles)

THI ESSENCE OF SIR PETER USTINOV .. I am merely doing myself. This isthecssenceofaperfume bcforeitwasmadein10toilct water"". Thesearethcwurdsuf multi-1alcmedPe!erUs11nov describinghisonc-manshow-An E,ming "'ith Peter UJti"Q' -1wohour.;offlawlessly dcliver..eds!ory-1elling."'-i!and

lnLondon theshow·sseason s.o!dou1completelypriorto opening night, Within the next 48hoursanexiendedseasonof fourweclcssoldou!-atotal of 63..cll-outperfromances.

Thc n:cemlyknightedfh-)'Car-old film.srngcand literary celehriry begin~ hi~ Au~tralian tourinAugus1 a1Perth's ConccrtHalJ(seeListings sec1ioofordc1a,ls)

Uninovhasfcaturcdin3S fitms.20plays.do1.ensof radio and!clcvisionshows.wrinen 23 p!ays,nincbooksandnme mu,ie)crrp!~.

Ofhisncwlyacquin:d title. Ustinovsays:"lshallgoon working. h's likcano1her fiag on Everest ."

Ustinov believes the timing

isrightforooe-mansho"s· ·111eaueis1rying10survive by doingthingswhicho!hermedia can't.andonething iteando is havccontactwithaheaudi-coce. ltcanbeasunpn:dictable assponsevems,"saysUstinov.

Sport,howevcr(asidcfrom 1cnnisnowadays). wa.1notthe mos1popula1pastimeforthc young Ustinov."lwasrathera weightto hi!thcgmundand l wasusedasademon-mation.'" hesaysofhisu.1cfol11essinthc game of Rugby. '"The teacher wouldsay•star1running U;1inov - now tackle him'". Crickethedescribesas··so lethaltheyhavetakcntn wearingpm1ec1ioneverywhcn:. h,s sortofbiblical. likestonmg people".

TOP OF THI POPS FoundontopoftheEnglishpop albumchansinEngland n:cenlly:noneo!herthanmlund operaticcrooncrLueiano Pavamni. TheEsumiol PowJro111hasbecome1hefiM classicalalbummtupthc Briushpopchans.atenitory

more familiar 10 1he likes of Kylie Minogucand1'ewKirls On The Block. In the singles chans.with nohelpa!allfrorn thepop hitmakingsiableof Stoel, Aitken Wa1ennan. Pavamni"sn:cordingof"Ncs;un Donna··fromPuccini'sopera Turon1/01appcarsdestinedtog". likewise.numberonewitha

bullet.

Cllllicrthisycar.thcopera heavywcightappcan:dinTuipei manaudieneeof2000each p.:t)·ing$7S0aseat.lfthe romoursarceorn:ct.thcpopular ltaliantcnormaybeheadcd !owardAuSlraliain 1991.

LIND Ml A TINNER ••• OR TWO ... Ticket prices for Ken Ludwig·~ knd Mr A Tenor are a n:f=hingS341uS38-subsmnuallylowcr1han regular Broadway and West End imports.Sponsorship from QantasAirwa)SandMidori liqnorcompanyha<kep!thclid on prices. "They're just getting <.>utofhandandthai'sbadfor the indusuy"simagc."'said produccrKe\'inJocobsen.

Corporntcsponsorship. the fundsfromwhicharegencral!y eh~nndled into marketing ~nd promOlion,isgrowing. Corpor.11eoontributirn1srcceived bytheVictorianStateOpcra. for examplc.haveinen:asedfmm 1wopercen1 1020per-cemof n:venueoverthe lastsixycars.

Bu1ofcourscyoudon'thave tobeacarmanufoct-uring. a irlineorliquorcompany1oge1 inontheac1. Yousimp!yneed ca.~h. For msmnce. if ~nu'vego1 $10,000ormore1o span:,1he Pownhouse Museum will place yournamconapost-modem plaque in the foycr~s n ··patron". Youcouldgoone step funher,providingyou'n:good for :uleas1S2S.OOO.andbecome a"benefac!nr". Or,hecnmea "sponsor"byspendinga minimum of S I00,000.

The Ensemble is offering

corporateand individalspons.ors adealofa life1ime. Five hundn:ddollarsge!.'iyourname emblazoned ooabra.S&plaque fixcd tob.ackohthcatn:sem. That·s1hesamcpriceai;a!>Cat.11 Dame Joan Sutherland's Les

IIMsuen01.1(descnbedbythe greatDame'.1musical d in:cting husbandRkhardBonyngeas ··oneofheroldpartypiece.") atthcSydneyOpcraHouscon O<:tobt:r 2. urfurlhatman~r. thepnceoft~supper1mmed-iately fo1lowingLaS1upenda's fare"ellpcrfonnance.

AUSTRALIA YOUR LAUGHING AT IT Australian comedy on television isou1ra1ingallbu1Sta1cof OriginRugbyLeaguema1ches andprovidingboomtimesfor pcrfonncr$andwritcr'$.

Chris OMara.Channel 7's programming manager.thinks this1rcnd is din:ct1yrcla1ed10 ourfinancialWClC.\."Withthc economys.ona1andin1en:st ra1csso high.you 1cnd1oexpcc1 people will swi1chtocomedyto checr themsclvesup:· obser.ed OMara.

~Aus1rallanaren:allsmg1hey have theirown sen.lleofhumour andthat·swh~ttheywanltosee ontclc,•i) ion. Thcydon"twan1 mbespoonfedan)·mon:··.

Entrcp,cncur, PctcrCrofts. has lookcdintoscicntifics1udies -1howing1ha1 laughtcrn:leasa chemicals whichrcducc sttts.s andincn:aseefficiency. Wiih thisin mindtogcd1crwithihe noustoseegoodvalueinthe Aus1ra]iru, funny busines~. the formercomed,anhasopcneda ··humourvm,ity"',auaining

Sir Pntr Ustinov i s here 10 prtHnt his one-man rour-de-forct .

AN EVENING WITH l'ETEN USTINOV In London . the sho" pla)'ed to

Right: The

casrofLEND

Mh" A TENOR. Thu

side-spliuing

musical i.·i/1

bt diret ttd

by English

dirtctor.

D a 1• i d Gilmore. who

originally

pacl:td houses. Selling

out complerdy lufore

opening night. The

.It/HOii \'CO.{ thtn

otendedundun t .r.tru

four weeks "'orth of

shows sold ou1 ll'ithin

41! houn. The recent/}

~nighted 1·e1uu11 al"lorl

ll'riter is a master

m imic and h,s 1111iqu,

humour and s1yle

should not ht missed.

Following 1h1.s tour.

Us1i1101• goe.1 10

Hollyll'Oo1/ 10 begin

work on a n,11• film

about mySttr)'-mOvit

maker Alfred Huchcock

dirtcttd rht play in London in 1986. He 1m•1ttd Andrti.• Lloyd

\Vtbbtr 10 stt ii and the /utter wasted nQ 1,me in s/agfog rhe

musital on Broad,..ay. LENO ME,\ TENOR has sintt ban

ptr/ormed in eigh1 dif!utm /anguagn Gilmort retkans i1 's one ofthtbtst camtdirshthasev,rsnn.

ground fo1aspmngcom1csand STIRRING UP A '"''""""'"''5 HORNn5 NIST

Confidence,n Au~trahan comedytalenthas inpin:dthc forrnereomediantosccoff tothe US i11Septernbe1anncd with callingcanisforbothhiscomic collegeconcep1andforseveral antipodean comics.

Meanwhile Aus1ralianradio, hasyetmwakeupto thc potcntialfor tocal talcnt. Thc Federation of Australian Radio Bmadca~terl (FARB) i~ pu~hmg tolowerthelcvelofAustralian coo!cn!tobelow2()%.

ChainnanofthcAmcrican MCA Entcnain-mcnt Group. Al Teller.describelthcs!ateofplay onAus!ralianair"avesas: ··No risks.noncwmusic.andno y()Unglisieners.Thcreis hardLy astationon thcenitin:contincnl aimcda11he listenerunderl8."

Sydncy", TI1cEm,c111bk -adly missedoutontherights to English playwright Alan BcnoctfsSingleSpies. No slightagainstthccapabili1iesof thetheatre though. itwassimply considen:d 1oosm:all. A consol:r.1ionwas1he fact1hat TheEnsemblcwasgivenlhego-ahearlfnrannthcrof Benneu·s plays, Tulkmglleads.

Meanwhile The En.llem-ble"s cumntproductionThtOouble Bus$(unti1Augu,!2.'i) , tim:tlup ahomets"nestdunng 11S n:hcarsals.ActorHenriSzcps unwittingly stumbled over the largeandcxp,:nsive,trini,:cd inslf\L-ment.whercuponali1·e homets'nes1droppedout sendingthccastscunyingfor cover.Nohamidooehowc\·er.

10 1hecas1.theba.ssorthe hornets.

ROCK'N'ROll IS HERETO STAY When last we wrote. David Alkinswasdashingcxci!edly be1weenOyn11mi1e.'shows brandishingperfonningrighlS!O Grt'1Htthemusical.Ycsi1 appcarsrock"n"roll ishereto stay ... althoughheremaynot necessaril~ include Sydney. ProduccrBllrT}'Colcm:anof E.s,iui,:tunEntertaimncmhas baggedthenghtsto ThtBuddy Hol/yS1orybut.accordingtoa spokcswumanfromEssington. Sydncymaymissoutfor want of an appropriate venue

MUSEUM CURATORS Thernosrp,eciousarchaeolog-

fROKTROW Po11t thret

Page 3: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

FRONT ROW offers •PREFERENTIAL TICKET BOOKINGS

lorperformingortsfromOPERATOROCK •EXCLUIIVEIEATING

unovo~ob1e to the general public •EASEOFBOOKING ·

licketsconbemailedDIRECTTOYOUlDOOR"

How to use FRONT ROW Findtheshowyouwishtobookinthe FRONr ROW Guide then dial the number al the footolthepoge. Bereodytoquo1ede1oil1olyou1Fligh1Detkor Arts(ordondyourcredi1cord

FRONr ROW operalcs in Sydney, Melbourne, Adeloide,BrisboneondPerthondNewZeolond.

Best Seats Guaranteed . .. You will be guaranteed lhe best seo!S o~oiloble at rhetimeolbooking.However, weneedroremind youlho11heeodieryoubook, thebe11e1the1eots

Phone linesforbookingsareopen busine-;shoursonly 'Pleaseo11owoneweeklorcol!eclionond

deliveryofticket>. • Limitoftwodi«ounttickelspermember.

Fullpricetickelsunlimited. "Norefundor,elurnso«epted.

Yleoreproud100Herthisexdu1i~eservicein odditiontoprivilegMolreadyenjoyedthrough FUGHTOECKandlheTrust'sARTSCARD. Y/eencourogeolfmemberstorakefullodvonroge olthisexdusiveasmiotion. Pltmoihoclln""'1...!p,rf11,_.,l,!QlM~ ti....,,ffor1 '-sbNnll!Odoio ....... ,Nlir1"""""""' flOllllOW~IOi'JOd,noWii1Tdbo11,epltd!ylho~ ! .. rny~!Ci11aintdll.-""-

TRUST MEMBERSHIP Pleo1econtoctyourneore1tTrus1Dlfice: NEWSOUIHWMlS ~rolM1r1in -m ~f'jfi1 S1 Chlp?eliule NSW 7008 M,phone(01)6981688

YICIORlt Oirirma;n1Ha~ . l.evd4/2XmooghS1Sou1h!lltlboumtVICJ1D5 Ttltpllone(03)61?7717

SOUTHAUSillllA: CbormoineMoldrich -HeiMlljesly'1Jbec1r,Gro11S1 AdeleideSASOODTeltplooe:!08)13182S6

WESTlRNAUSTRALIA hnnySu!he~and -Kis Mojtsly's lht<r~, Ha., St, P,rth WA 6000 Ttltphoo.(09)3214953

OUEIHIIANO: ll.l1nRuywn-H:D-s.i-,1heohTurbo1S11filbon1 0lD4000 Telephc,ne:(01)1219528

HEWZLI.LAND [oliirWrighl -Mmxilfowlerumt,PO~J219'1.~M1 le~(D4)113218

Publisher

Editor

Na1afieChing

Peter Ching

Edilorial Assistant Justine Reilly

Ad~·ert~·ing (02) 361 5222

FRONT ROW " f'IJbl.,hod~yRooy><>Jgcfo,0001JO bdalruf

THE Ausra.\LLAN ELIZABETHAN

r:!~~I!E TR UST

Lady Potterly's Chatter Our photographs this edition start in Melbourne. when: a 1·ery cleganl ga!h~ring came to I>« !he rn:w ··wi and Vic1or Smorgoo Collec1ion" in The Trust Club Roo~. A Ver} in1eres1mg and informative mlk

aboui ihe paiming< wa.1 giu:n by lhe Collectioo·scurator John Buc~ley. A ,mall reception for Vir iorian Directors and Governors introducing our !"o new OirecTors Gr:iham

Hannan and l't!!cr Shcldrake wa~ als.o held and of course we had a 1·cry enjoyable c1 ening al Carmm ]n Sydney. the announcement ohhe new Shlkc1pearc Company w.l5 gn:cted " ith great ac<"laim

A! a ...:ncs of d inners held Jt the Woobhed Rc;muram in Sydney·~ Roch area. direclor of 1hc new company.

John Br ll. 1alked abour u, ptnn, a, well as giving a n:cnal frum the !as! acl of Th, .\lerchom O[Vmu-, accompanied by Mi,had Athcnon on his ,\ u,trnllan wood lu1c.

Finally. the Annual General '.\1ecllng a l our Ju dependent 1li~a!rc was " ·ell anended and Tros1 Members

cnjO)cdiheoppormni!) 1ov1ew1hiihi11oricolc1 !hea1rcbeton:restora11onbeginsineamcst.

•,, .,_ ,I· I ,;,,;, i ""•· 1f .. / .. ,. (,

12 13

AT TlfE NS \\-' FUNCTIOI\' FOR TJfF. Nt:W SIIAKJ<:.'iPF.ARF. COMPANY: I . fl lo r) Joan and Ku1 Tribe with at/or John Bell. Z. Margart!

Joynton Smi1h, Adam Sa/ur and it// Joynton Smith. J. Chor/ts /lt111ilf, Pal Wttht ri/1 and Mtgan Sulltt. 4. Andro• Inwood, Ting Chan, }tnny

Wilfon. 5. Toby Manford and TonJ Gilbtrt. IN VICTORIA AT TUE SMORGON COHECTION VIEWING: 6. Loti Smorg" n and Eli:abe1h

Summons. 7.GII Jamitson and William Mora. 8. Primrost Dunlop and Victor Smargon. Margarita Wu, OaYid Southwick, Loti Smorgon, Eric and

PoppJ Rogtrs. AT THE ANNUAL GENERAL MEETING : 10. Francts Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and

Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt . I Z. Adam Salur, William Col/am, Shirlty Hay 11nd Janus Strong.

AT TUE RECEPTION FOR NEW VICTORIAN DIRECTORS: JJ. No, Dirutur Gr11h11m Jfannan with Oirtclars Father Vincent Kiss, Tht Hon.

Hobt rrl'ordham11ndlft nryGilltspit.

THE NATIONAL BOARD OF THE TRUST ack nowled ges the generous s upport of

THE AUSTRALIAN GOVERNMENT Through the Performing Ans and Literature Board of T H E AUSTRALIA COUNCIL - the Federal Govemmem's Ans Funding and Advisory Body. and the D EPARTMENT OF FOREIGN AFFAIRS

THE STATE GOVERNMENTS OF Victoria lhrough the Ministry for The Ans, New South Wales through the Ministry for The Ans, Western Australia through 1he WA Department for The Ans

FROHTROW Pcg,Two

THE FOLLOWING CORPORATIONS AND FOUNDATIONS: ANZ Trustee~ • Essu Australia L1d, Australian Airlines • BP Australia • Commonwea lth Bank of A ustralia • Vinc en t Fa irfax Family Fou ndation • Ian Potter Foundation • Qantas A irways Ltd• The Seaborn, Broughton & Walford Foundation • Sidney Myer Foundation • Showtravel Tours • Smorgon Family C haritable Foundation• Thom as Nationwide • Unilever Australia Ltd • Honcysctt Printing G roup •Triumph-A d ler • Grace Removals (a division of Brambles)

THI ESSENCE OF SIR PETER USTINOV .. I am merely doing myself. This isthecssenceofaperfume bcforeitwasmadein10toilct water"". Thesearethcwurdsuf multi-1alcmedPe!erUs11nov describinghisonc-manshow-An E,ming "'ith Peter UJti"Q' -1wohour.;offlawlessly dcliver..eds!ory-1elling."'-i!and

lnLondon theshow·sseason s.o!dou1completelypriorto opening night, Within the next 48hoursanexiendedseasonof fourweclcssoldou!-atotal of 63..cll-outperfromances.

Thc n:cemlyknightedfh-)'Car-old film.srngcand literary celehriry begin~ hi~ Au~tralian tourinAugus1 a1Perth's ConccrtHalJ(seeListings sec1ioofordc1a,ls)

Uninovhasfcaturcdin3S fitms.20plays.do1.ensof radio and!clcvisionshows.wrinen 23 p!ays,nincbooksandnme mu,ie)crrp!~.

Ofhisncwlyacquin:d title. Ustinovsays:"lshallgoon working. h's likcano1her fiag on Everest ."

Ustinov believes the timing

isrightforooe-mansho"s· ·111eaueis1rying10survive by doingthingswhicho!hermedia can't.andonething iteando is havccontactwithaheaudi-coce. ltcanbeasunpn:dictable assponsevems,"saysUstinov.

Sport,howevcr(asidcfrom 1cnnisnowadays). wa.1notthe mos1popula1pastimeforthc young Ustinov."lwasrathera weightto hi!thcgmundand l wasusedasademon-mation.'" hesaysofhisu.1cfol11essinthc game of Rugby. '"The teacher wouldsay•star1running U;1inov - now tackle him'". Crickethedescribesas··so lethaltheyhavetakcntn wearingpm1ec1ioneverywhcn:. h,s sortofbiblical. likestonmg people".

TOP OF THI POPS FoundontopoftheEnglishpop albumchansinEngland n:cenlly:noneo!herthanmlund operaticcrooncrLueiano Pavamni. TheEsumiol PowJro111hasbecome1hefiM classicalalbummtupthc Briushpopchans.atenitory

more familiar 10 1he likes of Kylie Minogucand1'ewKirls On The Block. In the singles chans.with nohelpa!allfrorn thepop hitmakingsiableof Stoel, Aitken Wa1ennan. Pavamni"sn:cordingof"Ncs;un Donna··fromPuccini'sopera Turon1/01appcarsdestinedtog". likewise.numberonewitha

bullet.

Cllllicrthisycar.thcopera heavywcightappcan:dinTuipei manaudieneeof2000each p.:t)·ing$7S0aseat.lfthe romoursarceorn:ct.thcpopular ltaliantcnormaybeheadcd !owardAuSlraliain 1991.

LIND Ml A TINNER ••• OR TWO ... Ticket prices for Ken Ludwig·~ knd Mr A Tenor are a n:f=hingS341uS38-subsmnuallylowcr1han regular Broadway and West End imports.Sponsorship from QantasAirwa)SandMidori liqnorcompanyha<kep!thclid on prices. "They're just getting <.>utofhandandthai'sbadfor the indusuy"simagc."'said produccrKe\'inJocobsen.

Corporntcsponsorship. the fundsfromwhicharegencral!y eh~nndled into marketing ~nd promOlion,isgrowing. Corpor.11eoontributirn1srcceived bytheVictorianStateOpcra. for examplc.haveinen:asedfmm 1wopercen1 1020per-cemof n:venueoverthe lastsixycars.

Bu1ofcourscyoudon'thave tobeacarmanufoct-uring. a irlineorliquorcompany1oge1 inontheac1. Yousimp!yneed ca.~h. For msmnce. if ~nu'vego1 $10,000ormore1o span:,1he Pownhouse Museum will place yournamconapost-modem plaque in the foycr~s n ··patron". Youcouldgoone step funher,providingyou'n:good for :uleas1S2S.OOO.andbecome a"benefac!nr". Or,hecnmea "sponsor"byspendinga minimum of S I00,000.

The Ensemble is offering

corporateand individalspons.ors adealofa life1ime. Five hundn:ddollarsge!.'iyourname emblazoned ooabra.S&plaque fixcd tob.ackohthcatn:sem. That·s1hesamcpriceai;a!>Cat.11 Dame Joan Sutherland's Les

IIMsuen01.1(descnbedbythe greatDame'.1musical d in:cting husbandRkhardBonyngeas ··oneofheroldpartypiece.") atthcSydneyOpcraHouscon O<:tobt:r 2. urfurlhatman~r. thepnceoft~supper1mmed-iately fo1lowingLaS1upenda's fare"ellpcrfonnance.

AUSTRALIA YOUR LAUGHING AT IT Australian comedy on television isou1ra1ingallbu1Sta1cof OriginRugbyLeaguema1ches andprovidingboomtimesfor pcrfonncr$andwritcr'$.

Chris OMara.Channel 7's programming manager.thinks this1rcnd is din:ct1yrcla1ed10 ourfinancialWClC.\."Withthc economys.ona1andin1en:st ra1csso high.you 1cnd1oexpcc1 people will swi1chtocomedyto checr themsclvesup:· obser.ed OMara.

~Aus1rallanaren:allsmg1hey have theirown sen.lleofhumour andthat·swh~ttheywanltosee ontclc,•i) ion. Thcydon"twan1 mbespoonfedan)·mon:··.

Entrcp,cncur, PctcrCrofts. has lookcdintoscicntifics1udies -1howing1ha1 laughtcrn:leasa chemicals whichrcducc sttts.s andincn:aseefficiency. Wiih thisin mindtogcd1crwithihe noustoseegoodvalueinthe Aus1ra]iru, funny busines~. the formercomed,anhasopcneda ··humourvm,ity"',auaining

Sir Pntr Ustinov i s here 10 prtHnt his one-man rour-de-forct .

AN EVENING WITH l'ETEN USTINOV In London . the sho" pla)'ed to

Right: The

casrofLEND

Mh" A TENOR. Thu

side-spliuing

musical i.·i/1

bt diret ttd

by English

dirtctor.

D a 1• i d Gilmore. who

originally

pacl:td houses. Selling

out complerdy lufore

opening night. The

.It/HOii \'CO.{ thtn

otendedundun t .r.tru

four weeks "'orth of

shows sold ou1 ll'ithin

41! houn. The recent/}

~nighted 1·e1uu11 al"lorl

ll'riter is a master

m imic and h,s 1111iqu,

humour and s1yle

should not ht missed.

Following 1h1.s tour.

Us1i1101• goe.1 10

Hollyll'Oo1/ 10 begin

work on a n,11• film

about mySttr)'-mOvit

maker Alfred Huchcock

dirtcttd rht play in London in 1986. He 1m•1ttd Andrti.• Lloyd

\Vtbbtr 10 stt ii and the /utter wasted nQ 1,me in s/agfog rhe

musital on Broad,..ay. LENO ME,\ TENOR has sintt ban

ptr/ormed in eigh1 dif!utm /anguagn Gilmort retkans i1 's one ofthtbtst camtdirshthasev,rsnn.

ground fo1aspmngcom1csand STIRRING UP A '"''""""'"''5 HORNn5 NIST

Confidence,n Au~trahan comedytalenthas inpin:dthc forrnereomediantosccoff tothe US i11Septernbe1anncd with callingcanisforbothhiscomic collegeconcep1andforseveral antipodean comics.

Meanwhile Aus1ralianradio, hasyetmwakeupto thc potcntialfor tocal talcnt. Thc Federation of Australian Radio Bmadca~terl (FARB) i~ pu~hmg tolowerthelcvelofAustralian coo!cn!tobelow2()%.

ChainnanofthcAmcrican MCA Entcnain-mcnt Group. Al Teller.describelthcs!ateofplay onAus!ralianair"avesas: ··No risks.noncwmusic.andno y()Unglisieners.Thcreis hardLy astationon thcenitin:contincnl aimcda11he listenerunderl8."

Sydncy", TI1cEm,c111bk -adly missedoutontherights to English playwright Alan BcnoctfsSingleSpies. No slightagainstthccapabili1iesof thetheatre though. itwassimply considen:d 1oosm:all. A consol:r.1ionwas1he fact1hat TheEnsemblcwasgivenlhego-ahearlfnrannthcrof Benneu·s plays, Tulkmglleads.

Meanwhile The En.llem-ble"s cumntproductionThtOouble Bus$(unti1Augu,!2.'i) , tim:tlup ahomets"nestdunng 11S n:hcarsals.ActorHenriSzcps unwittingly stumbled over the largeandcxp,:nsive,trini,:cd inslf\L-ment.whercuponali1·e homets'nes1droppedout sendingthccastscunyingfor cover.Nohamidooehowc\·er.

10 1hecas1.theba.ssorthe hornets.

ROCK'N'ROll IS HERETO STAY When last we wrote. David Alkinswasdashingcxci!edly be1weenOyn11mi1e.'shows brandishingperfonningrighlS!O Grt'1Htthemusical.Ycsi1 appcarsrock"n"roll ishereto stay ... althoughheremaynot necessaril~ include Sydney. ProduccrBllrT}'Colcm:anof E.s,iui,:tunEntertaimncmhas baggedthenghtsto ThtBuddy Hol/yS1orybut.accordingtoa spokcswumanfromEssington. Sydncymaymissoutfor want of an appropriate venue

MUSEUM CURATORS Thernosrp,eciousarchaeolog-

fROKTROW Po11t thret

Page 4: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

Fl ~t

l11luprdhaer111

THE HANDMAID'S TALE S1arringNatashaRichardson,FayeOuna·,vay, Robert Duvall.Aidan Quinn ScreenplaybyHaroldPmterbascdon Margaret Attwood'snovel OirectedbyVolker Schlondort1

The H1111dnraid's Talr is a cautionary Slory of apost-apocalyp1ic"'orldin1henear future - a world ill which women hhc no righ1s. Becauseof toJ1.ic contamiRation.only one woman ina hundred iscapableofch1ld-bcaring. Kate{Na1asha Richardson) 1sone sut:h woman.captured while trymgto escapefrom thefic11onalcoumryofGilead with her husband andch1ld. Her destiny in 1hercpressive , fundamentalis1socie1yof Giteadisto becnmea handmaidtooReof 1hesterilc cnuplesof thepo"'er s1ructure. Af1e r heingtramed1n herroleshe's as~igned 101heCommanderin chargcof1hc nat1on'ssecuri1y (Robcr1 Duvall)and his w1feSerena Joy(Faye Dunaway)tobe 1mpregnatedbyhiminacoldritualistic ceremony. Failure tocoRccivc "' i1hina u r1ain time s pan means banishment to islands of toxic waste andcerlaindea1h

To create a belie vable futufislicworld in whichcitizens arccolour-codcdaccording totheir roleandiR which society has reverted 101he Old Tes1amentas 1hebasisof its constitu1ionisnoeasyuskforafilm

maker. Schlondorffalmost brings it off. but Pin1er 'sscreenplayissurpr isiRglymundane aRdthefilm lacks a certaincohesiveencrgy. Richardson at times looks rather pinched aRd ineffectual. but on the posilive side Dunaway and Duvallp10vide nicel)' understated pcrformaRcesand El izabelh McGovcrnimpresses asarcbellious handmaid who'd rather be an honest whore. While Th~ llundnruid's Tale doesn't succeed complc1ely. it ha~a strong, imaginative themcwithuncomfonableresonancesfor a con1cmporaryaud iencc.

Q&A StariingNickNo"e. TimothyHutton, Armand Ass.ante ScreenplayanddirectionbySidneylumet

For audiences who are notcasilyaffrortted bythe scamier sideof lifeandthclanguagc that goes with ic.Q& A is l vivid con1cmporary 1hnl!erthathasyouon the ed ge ofyuu r seat forever)' second nf its 1wo andaquarterhourlcngth. Likethe recent lmcrnal Affairs. Q & A is about police corrup1ion. this time the loca1ion is New York.driven by e thnic loyalties and emrenched raci~m.

Timothy Hutton pla)'S Aloysius FraRcis Re iny.anaive.1dealisticassistan1district auorney who's assigRed1oprocenthc killing(supposedlyiR self-defencc)ofaR Hispanic hood hyoneof the NYPD's ' finest. Licutenanl Mike B1eRnan{Nolte).

Reillybeginslosuspec1foulplayduring a1eco1dufintervicw(1heQ&Aofthe titk) with Bobby Texador (Armand Assame) arichandpowcrfuldrug-dealerwhonow lives with Reilly's old girlfriend played by the director's daugh1er, Jenny Lumet During his investigauon. Neilly is forced to confront1hecndeofethnicloyaltyand1he e ndemic racism 1hat per\'adelaw e nforcemen1andjusticein1hecity.

Whar could bejustanothercop thriller becomcsahard-edgedstory ofracismand bigotry intheseasonedhandsofdirector Lomet. Known as an 'actor d irector', he elicitsterrifyinglyrea l performancesfrom his cast with Nohe dominating his limiled screen t ime as the bigoted Brennan. A tough film,buta goodone.

A DRY WHITE SEASON Starring DonaldSuthertalld, Zakes Mokae, Jurgen Prochnow,MarlonBranclo ScreenplaybyCohnV/elland andEuzhanPalcy DirectedbyEozhanPalcy

A film about the evilsofthc apanhcid systeminSoulhAfricaissurc to move an audience to moral oucragc. A Dry Whilt Sea$Oll has its o wn power as i1 tell:; the story o f Be n du Toil. a JohanResburg ~t:hool teache r(playcd byDonaldSutherland).and his growiRg invol \'cmenl with the deat h of hisgardener 'sson duriRg1heSowe10 massacres and then with the subsequent imprisonmcntanddcathofthegardencr

FRONT ROW Pc111 Four

Top Lrft : A,dart Qr,in11 and Nu1ashu Richardson from Vo/ktr Schlondorff's THE flANDMA ID'S TALE. Far teft: Donald Surhulcind and lakrs Mokr,e in A DRY

is rtminded once again of 1hr power/11/ scrun prrstnce of Marlon B r a n d Q

(picru rednrar

lrjt /. Bottom left Timo1hy

ffutron

Sidney lumn's Q & A - a guar an1rrd

abso lut r 1hriller.

himsel f . From the secure white world of the rugge rfieldswhere hisyoungson is a star player, duToit is drawn into a world he 's nevervisitedbeforc -theblacktowRShipof Soweto and the plightofthcNgubene fami lyastheystruggleforjusticcagainsta sys1cmtha1doesn' tknowthemeaRingofthe word. A s Marlon Brando's cynical lawyer say~ and subsequently prO\'Cs. "Justice and law · they're distant cousins. Here in Sooth Africa they're not on speaking terms".

Despitethera1hcrpredictabledirection ofEuzhan l'a lcy who'sonlyolherfeature fi lm was l he a ward-winning Lu Rue CosH Negrts, a ndsome rathertritedialogue in pans.the film succeedspartlybecauseof the powerof1hestory itself a nd also because oftheperformancesfromsomc members of the cast; Zakes Mokac, who made an inte rnationalRame forhimselfoR the slageperformingAthol Fuga rd'splays, isexce lleRtinthe roleofStanley,ablack activist wi1h whom du Toit becomes involvcd,andi1'sexcitingtosccBrando back inactionaftc ra IOycarabsencc from the screen. Donald Sutherland manages the limitationofthcscriptinhisusual understated manner. A Dry While Season w il l make aud iences hiss al thevillain:; and cheer the champions of j ustice. But o ne wonders whether such a reaction would be appropriatcfortheserioussubjec tmauerat hand.

Margare1 Pomeranlhos1sandproduces TheMovieShowlorSBSTalcvisionAustralla

CONTEMPORARY MUSIC TOURS ERIC BOGLE is a short. rc)Und ex-Scotwithasharpsenseof ir1111y. Hc sa1irisedracism in " I Ha1eWog.1"andcreateda movingpleaforpeace in "And The Band Played Wal1~111~

Matilda". KEV CARMODY is a1 the Rcvesby Roundhouse anAboriginalsinger/song.,,riter PrornisesatSylvania, The who share~ Bogie's ,cmeof Venue a1 O<:e Why and the irony and injustice. Carmody's Marquee, City. On Aug 7 it's Le ~cc!aimed " Pillar.~of Socie1y" Rox, Adelaide; Aug 10 is The album was re-relea~d earlier PaldCe, Mdboume and Aug 11 1hbyear byt..arrik.i11, Bogkaml 1~1heOkt<.•reek Theatre, Carmody wind up their Melbourne: and Aug t 3 1s the mammoth Voices in the Charles Hotel , Perth. Wildcmess Australian cour in Augus1. The final dale~ include Aug 4. Perfonning Ans Centre, Darwin: Aug S, Araluen Arts Cent...,,Alice Spnngs;Aug7, Unh·ersi!yof Perth;Aug 12. AttsTheane. Adelaide

AFTER 12 YEARS in the rock mdus1ryandthedca1hof0Reof ,heir founding members. The R-S2's are hack stroRger than ever Awa}'fornearlyadccade,the quirky.irrepressibly psychedelic Americanpopgroup remmsto

iRSydneyand Melboume. with more datespossiblytobcaddcd Shcplays thcSydney Ente11ain-meRtCemre. Aug29:and Melboume'sNationalTennis Centre. Aug 31.

THE GUINNESS C ELEBR- Australia. Expect co hear the T IIE COM MODORES wen: ATION OF IRISH MUSIC i> a danceable hits "Love Shack" one of Moto"'11's most succcss-one-night iicket to the heart of and "Roam" from 1hc curreRl ful male groups. Superstar the Emerald Isle, with 30 of "Cosmic Thing" album a, well Lionel Richie got his stan with Ireland's 1op musical anists ~solder favouri1es like " Rock 1hemand has since gone solo bui performing. Among chem are Lobster". The band pcrfonns at the Commodores are ,1ill goiRg siar singer Mary Black, the EntertaiRmenl Centre, strong. The group is cunently in balladeer Danny Doyle, gui1arisc Melbourne, Aug 27; Thebanon Australia presemiRg an e, ·~ning Arty McGlynn and violinist Theatre. Adelaide, Sep 1: of upmarket funky soul music NollaigCasey.harpis1 MaireN1 Chathasaighandscvcnpiece band S10ck1on's Wing. Compere Niall To ibin add~ channing Irish humour to the proceedings.

B~ausethere is wnrnch happcningthec0Rcertsha1·e thc specialea,lystaning time of 6pm. Youcanca1ch1his grem e, e11ing',e111en.1inmematthe Dallas Brook:ii llall, Mclhnume, Aug 16, l 7;Festjva1Theatre, Add aide. Aug l 9; Sydney Town Hall, Aug21, 22:Auckland rownHall.Aug24; Michael Fowler Cem...,, Well ington, Aug 26; Conccn Hall, QPAC in Brisb,mc,Aug28:andPerth C'oncen llall.Aug29

US METAL/RAP hand 1-'At:E NO MORE follov.ed the G uns 'n ' Rosesrou1e1osuccessin 1heir homecountry. Fou11ecn momhsaf1erthcbant1·,~ond album "The Real Thing" was rdeascd ilLOomedstraightlO 1hetopufthecha11s.Rccen1ly released mAu.s!r~li:1. it'sal<o domgwellhe...,and Face No MoreisbringiRg "l11c Rcal TI1ing"10ur10Australia. There areSydney datcifrom Aug l-S

Hordem Pavilion,Sydney,Sep 4,5& 7; andFestival Hall, Rrisbane. Sep 8

AXEMAN STEVE EARLE llas,foryears,heenafavourite ofAmericanrockcrsbu1hisfirs1 realimpoc1onAu,tralia11.:harts waswithlas1sununer'santhem nf~licnation"Coppcrhcad Rood".NowEarlcbringshis hot )Ou1Ki to Australia for the Hard Way Uown Under tour He plays the PalaisinNewcas1leonAug lO;Festival Hall, Brisbane, Aug l l;ThePatch,Surfers Paradise. Aug 12:Palai, T healre, Melbourne, Aug 14: Thebanon Thea1re. Adeluide. Aug 16; Perth Entenaimnem Centre. Aug 111:Enmo~Thearn:. Sydney, Aug 20; ShcllhurbourWorkcr~ C lub, A11g24;amJCanbo!rT'.i Raiders. Aug 26.

ALSO HANDY WITH A gui1ar, butwmewhalmoredemure, JOAN AkMATRADING continue>iothri,·e. Her 14th album,"Heartsand Flowers", bring,hcr10Australiainla1e Augus1.The Bri11shsinger/ songwriterhas.cheduledda1es

"'ith suppo11from all-girl1no THE CRYSTALS at Hilton Hoicls around the counll)'. The double ac11sa1 S}'dney'~Hil1on lntcmationa1Augl-4;11i ltooon th:Park, Mclboume,Aug7-JI, Hilton lntemationalAdcla1de, Aug l 3-1S:andH1l1on lmcmational Dnsbanc. Aug 17 and l8. The show costs either $1\llor S50 1ncach cicy.buttha1 mcludcsa thrucoursedinneror supper.re5pec11, ·dy,

AEROS:0.11TH proudly procla1ms1tselftheloude>1 rock bandin1heworld. The heavy mctal rocker), whoraiseroof,. andthc temperaturesof young fan< ~nd 1heirparc111s alike, att

fron1edbySte\'eTytcr- 1hconl)' rock)i11g,.:r whucanfi1more muffins inhismou1h1han M1ck J:1ggcr. Wlthrecent char1inghits "Janie's G01AGun" andthc racy"Ul~el11AnElcva1or", lhc band 1s bnngmg ,t<provocative stage antics10Aus1raliaonthe "Pump" tour. fapectfireworks a t Adelaide', Memorial Drive onSep 29:Melboume'sNatioml Tennis Centre on Oct];

BrisbancEn1e11ainmcRtCcmrc,

MICHAIL JACKSON fou,, ,, '" u1ump1 to buy tlu remains of Tire

Elephant Man , and is no" buJinx up

realtstatr,n rh,Nt,·uda Drsat. lfu

objtc11,•t is. of )1111 ma) lra,·t alffady

x11eHl'd , quilt o:naordinary. Video cameras and "guid,nK lii:lrts" will be HI

rip to caplttrt unsusptctini; U11iden11{1rd FIJing ObJtCIS on 1·11/t o tapt Once tire spacei111"ade1Jart"'i111/rr can"1heone-

8lo,·ed surJica/ 1•,onderp/a,rs 10 sr/1 rl1e te/nision riglnstohissprcial/rJOtagr.

1.,f1· OZZIE OSBORNE """' JUDAS PRIEST Thatgll)SUrt l'l'il.Orso say thtnrora/mindusin

• Amrrica "Agenr of Satan" is 1htdrscrip1w11 gi,.tn Mr Osbornt bya Nt w York mon of lhe r/oih Mta nwhile, Judas

Prirstarr bting pursutd 1hrough1heca11rtsi11a11

effort by par,nts to ex1rarr comptnsation for 1ht deurhs of /heir 1wo tunagt sons who shot 1htmsefrts in 1hr head on Chris1m11s £\•t. 1985. One sunived tht shQOti11g and conft sstd lht}' had bun reptall'dly /,jttmng 10 Judas Priest's olbum "S1ained GluJJ'°' a11J then decidrd to do lhtmuil't s i11. Subsequtnrly /ht

conft'ssor succeeded whrre bu/Ins had failed. by consuming a 1erJ unheolth) quanlll)'O[drugs.

OclS;and SydneyEntcrtainmem Centre.Oct 10.

DEi, AMIT RI, the Sconish bandwithnot•so-Scouish sounding name and quite Americansoundingmusic llf'l: louriRgAustralia m Scpccmbcr. The barld'~ "Waking Hours" albumandhit single"Kiss This Thing Goodbye" promise some grea1conce11m11sic. Tour dates areasfol lows:OldLyon H01el, Adelaide. Sep l3;Palnis Theau-e, Mclbourne, Sep 15: andSelinas.Sydney, Sep22

ALSO TOURING IN AUGUST are Zimbabwe '< BH UNDU BOYS, saidtobcthcfirst Black Afri.:ai1tod:groupto tour Australia. UK band \\'Oki. I) PARTY (with cx-Waterbo}S), Americans CHEAP T RIC K, andupandcomingAussieband rALL TALES Ai\U T RUE

DUE IN SEPTEMBER 1s1he hcautiful.siubble-headed lrish siren SJNEAD O'CONNOR w,d Newc~tlc rocke rs THE

SCREAMING JETS, who have been praised a, ··1he ne~l AC/DC". (datesunavatlableat time of priming) Compile~ b~ HORAN WALL & WALKER (02) 3316600

BMD NEWS DON'T FORGET C HER !Ours mNovembcr. Acrnrdingtoher biographcr, ,heoncepaidavisit toWam:nDidTracyBeauy·, bedroom and was d is.appointed. Shc.hassinceiakento .... -eanng shoulder1ocro1chrubbcr b.inds andwas!Jslbecn:.«:ncuddl iRg uptoaHowiticrant1-a1rcrall gun HcrformerhusbandSonny Bono hnsn 'tbccnsceR.

TIIE RECORDING INDUSTRY ASSOCIATION of Amcricahasagrecd1ovoluntary labcllingofrecordedmac~rial wh1chm1ghtcontainreferencc.< m"sodomy.ince,t. bctiality. sadomasochism.adultery, vioknce,tlrugs.atcohot.nuduy andSatan,sm"'

Thc pressurcisonaftcr ubsccnema1enalhasallegedly hclpcdboostrecorrl .1.ale<ofUS rapgroups.While American parents and the court~ arc con.:emedaboutobscenity. Engllshheavy mctalgmup Judas Priest have hadtoface lhe jury bccausc!hcfamilicsoftwo teenagc boysfiledclaimsfor compen:;aiionaf1ertheboy\ sho1 themselvesin1hcheadon Christmas Eve 1985

01.ZieOsbomcanother heavymetatpcrfonnerhasbeen accu<edofbo!mganagent ofthe fxvil by New Yor~ Catholic Can.tmal JohnO 'Connor.

Madonna,100.hasbeen reported 1n theTornntovi~ .squadbycitiiens"'hohavc complamcdthnt hcractwa,too scAuaUysuggestive.

C HUCK BERRY, ageing gui1a..io1in',duck-,1ruu111· !egendand oneoftheuriginal " badboyS'ofrock'n 'ro!l had his homeraidedbypolicc n:cem!y. SeizedweredJ\lgs, firearrnsand$Al55,3 l8incash

FROHTROW Pagef'ive

Page 5: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

Fl ~t

l11luprdhaer111

THE HANDMAID'S TALE S1arringNatashaRichardson,FayeOuna·,vay, Robert Duvall.Aidan Quinn ScreenplaybyHaroldPmterbascdon Margaret Attwood'snovel OirectedbyVolker Schlondort1

The H1111dnraid's Talr is a cautionary Slory of apost-apocalyp1ic"'orldin1henear future - a world ill which women hhc no righ1s. Becauseof toJ1.ic contamiRation.only one woman ina hundred iscapableofch1ld-bcaring. Kate{Na1asha Richardson) 1sone sut:h woman.captured while trymgto escapefrom thefic11onalcoumryofGilead with her husband andch1ld. Her destiny in 1hercpressive , fundamentalis1socie1yof Giteadisto becnmea handmaidtooReof 1hesterilc cnuplesof thepo"'er s1ructure. Af1e r heingtramed1n herroleshe's as~igned 101heCommanderin chargcof1hc nat1on'ssecuri1y (Robcr1 Duvall)and his w1feSerena Joy(Faye Dunaway)tobe 1mpregnatedbyhiminacoldritualistic ceremony. Failure tocoRccivc "' i1hina u r1ain time s pan means banishment to islands of toxic waste andcerlaindea1h

To create a belie vable futufislicworld in whichcitizens arccolour-codcdaccording totheir roleandiR which society has reverted 101he Old Tes1amentas 1hebasisof its constitu1ionisnoeasyuskforafilm

maker. Schlondorffalmost brings it off. but Pin1er 'sscreenplayissurpr isiRglymundane aRdthefilm lacks a certaincohesiveencrgy. Richardson at times looks rather pinched aRd ineffectual. but on the posilive side Dunaway and Duvallp10vide nicel)' understated pcrformaRcesand El izabelh McGovcrnimpresses asarcbellious handmaid who'd rather be an honest whore. While Th~ llundnruid's Tale doesn't succeed complc1ely. it ha~a strong, imaginative themcwithuncomfonableresonancesfor a con1cmporaryaud iencc.

Q&A StariingNickNo"e. TimothyHutton, Armand Ass.ante ScreenplayanddirectionbySidneylumet

For audiences who are notcasilyaffrortted bythe scamier sideof lifeandthclanguagc that goes with ic.Q& A is l vivid con1cmporary 1hnl!erthathasyouon the ed ge ofyuu r seat forever)' second nf its 1wo andaquarterhourlcngth. Likethe recent lmcrnal Affairs. Q & A is about police corrup1ion. this time the loca1ion is New York.driven by e thnic loyalties and emrenched raci~m.

Timothy Hutton pla)'S Aloysius FraRcis Re iny.anaive.1dealisticassistan1district auorney who's assigRed1oprocenthc killing(supposedlyiR self-defencc)ofaR Hispanic hood hyoneof the NYPD's ' finest. Licutenanl Mike B1eRnan{Nolte).

Reillybeginslosuspec1foulplayduring a1eco1dufintervicw(1heQ&Aofthe titk) with Bobby Texador (Armand Assame) arichandpowcrfuldrug-dealerwhonow lives with Reilly's old girlfriend played by the director's daugh1er, Jenny Lumet During his investigauon. Neilly is forced to confront1hecndeofethnicloyaltyand1he e ndemic racism 1hat per\'adelaw e nforcemen1andjusticein1hecity.

Whar could bejustanothercop thriller becomcsahard-edgedstory ofracismand bigotry intheseasonedhandsofdirector Lomet. Known as an 'actor d irector', he elicitsterrifyinglyrea l performancesfrom his cast with Nohe dominating his limiled screen t ime as the bigoted Brennan. A tough film,buta goodone.

A DRY WHITE SEASON Starring DonaldSuthertalld, Zakes Mokae, Jurgen Prochnow,MarlonBranclo ScreenplaybyCohnV/elland andEuzhanPalcy DirectedbyEozhanPalcy

A film about the evilsofthc apanhcid systeminSoulhAfricaissurc to move an audience to moral oucragc. A Dry Whilt Sea$Oll has its o wn power as i1 tell:; the story o f Be n du Toil. a JohanResburg ~t:hool teache r(playcd byDonaldSutherland).and his growiRg invol \'cmenl with the deat h of hisgardener 'sson duriRg1heSowe10 massacres and then with the subsequent imprisonmcntanddcathofthegardencr

FRONT ROW Pc111 Four

Top Lrft : A,dart Qr,in11 and Nu1ashu Richardson from Vo/ktr Schlondorff's THE flANDMA ID'S TALE. Far teft: Donald Surhulcind and lakrs Mokr,e in A DRY

is rtminded once again of 1hr power/11/ scrun prrstnce of Marlon B r a n d Q

(picru rednrar

lrjt /. Bottom left Timo1hy

ffutron

Sidney lumn's Q & A - a guar an1rrd

abso lut r 1hriller.

himsel f . From the secure white world of the rugge rfieldswhere hisyoungson is a star player, duToit is drawn into a world he 's nevervisitedbeforc -theblacktowRShipof Soweto and the plightofthcNgubene fami lyastheystruggleforjusticcagainsta sys1cmtha1doesn' tknowthemeaRingofthe word. A s Marlon Brando's cynical lawyer say~ and subsequently prO\'Cs. "Justice and law · they're distant cousins. Here in Sooth Africa they're not on speaking terms".

Despitethera1hcrpredictabledirection ofEuzhan l'a lcy who'sonlyolherfeature fi lm was l he a ward-winning Lu Rue CosH Negrts, a ndsome rathertritedialogue in pans.the film succeedspartlybecauseof the powerof1hestory itself a nd also because oftheperformancesfromsomc members of the cast; Zakes Mokac, who made an inte rnationalRame forhimselfoR the slageperformingAthol Fuga rd'splays, isexce lleRtinthe roleofStanley,ablack activist wi1h whom du Toit becomes involvcd,andi1'sexcitingtosccBrando back inactionaftc ra IOycarabsencc from the screen. Donald Sutherland manages the limitationofthcscriptinhisusual understated manner. A Dry While Season w il l make aud iences hiss al thevillain:; and cheer the champions of j ustice. But o ne wonders whether such a reaction would be appropriatcfortheserioussubjec tmauerat hand.

Margare1 Pomeranlhos1sandproduces TheMovieShowlorSBSTalcvisionAustralla

CONTEMPORARY MUSIC TOURS ERIC BOGLE is a short. rc)Und ex-Scotwithasharpsenseof ir1111y. Hc sa1irisedracism in " I Ha1eWog.1"andcreateda movingpleaforpeace in "And The Band Played Wal1~111~

Matilda". KEV CARMODY is a1 the Rcvesby Roundhouse anAboriginalsinger/song.,,riter PrornisesatSylvania, The who share~ Bogie's ,cmeof Venue a1 O<:e Why and the irony and injustice. Carmody's Marquee, City. On Aug 7 it's Le ~cc!aimed " Pillar.~of Socie1y" Rox, Adelaide; Aug 10 is The album was re-relea~d earlier PaldCe, Mdboume and Aug 11 1hbyear byt..arrik.i11, Bogkaml 1~1heOkt<.•reek Theatre, Carmody wind up their Melbourne: and Aug t 3 1s the mammoth Voices in the Charles Hotel , Perth. Wildcmess Australian cour in Augus1. The final dale~ include Aug 4. Perfonning Ans Centre, Darwin: Aug S, Araluen Arts Cent...,,Alice Spnngs;Aug7, Unh·ersi!yof Perth;Aug 12. AttsTheane. Adelaide

AFTER 12 YEARS in the rock mdus1ryandthedca1hof0Reof ,heir founding members. The R-S2's are hack stroRger than ever Awa}'fornearlyadccade,the quirky.irrepressibly psychedelic Americanpopgroup remmsto

iRSydneyand Melboume. with more datespossiblytobcaddcd Shcplays thcSydney Ente11ain-meRtCemre. Aug29:and Melboume'sNationalTennis Centre. Aug 31.

THE GUINNESS C ELEBR- Australia. Expect co hear the T IIE COM MODORES wen: ATION OF IRISH MUSIC i> a danceable hits "Love Shack" one of Moto"'11's most succcss-one-night iicket to the heart of and "Roam" from 1hc curreRl ful male groups. Superstar the Emerald Isle, with 30 of "Cosmic Thing" album a, well Lionel Richie got his stan with Ireland's 1op musical anists ~solder favouri1es like " Rock 1hemand has since gone solo bui performing. Among chem are Lobster". The band pcrfonns at the Commodores are ,1ill goiRg siar singer Mary Black, the EntertaiRmenl Centre, strong. The group is cunently in balladeer Danny Doyle, gui1arisc Melbourne, Aug 27; Thebanon Australia presemiRg an e, ·~ning Arty McGlynn and violinist Theatre. Adelaide, Sep 1: of upmarket funky soul music NollaigCasey.harpis1 MaireN1 Chathasaighandscvcnpiece band S10ck1on's Wing. Compere Niall To ibin add~ channing Irish humour to the proceedings.

B~ausethere is wnrnch happcningthec0Rcertsha1·e thc specialea,lystaning time of 6pm. Youcanca1ch1his grem e, e11ing',e111en.1inmematthe Dallas Brook:ii llall, Mclhnume, Aug 16, l 7;Festjva1Theatre, Add aide. Aug l 9; Sydney Town Hall, Aug21, 22:Auckland rownHall.Aug24; Michael Fowler Cem...,, Well ington, Aug 26; Conccn Hall, QPAC in Brisb,mc,Aug28:andPerth C'oncen llall.Aug29

US METAL/RAP hand 1-'At:E NO MORE follov.ed the G uns 'n ' Rosesrou1e1osuccessin 1heir homecountry. Fou11ecn momhsaf1erthcbant1·,~ond album "The Real Thing" was rdeascd ilLOomedstraightlO 1hetopufthecha11s.Rccen1ly released mAu.s!r~li:1. it'sal<o domgwellhe...,and Face No MoreisbringiRg "l11c Rcal TI1ing"10ur10Australia. There areSydney datcifrom Aug l-S

Hordem Pavilion,Sydney,Sep 4,5& 7; andFestival Hall, Rrisbane. Sep 8

AXEMAN STEVE EARLE llas,foryears,heenafavourite ofAmericanrockcrsbu1hisfirs1 realimpoc1onAu,tralia11.:harts waswithlas1sununer'santhem nf~licnation"Coppcrhcad Rood".NowEarlcbringshis hot )Ou1Ki to Australia for the Hard Way Uown Under tour He plays the PalaisinNewcas1leonAug lO;Festival Hall, Brisbane, Aug l l;ThePatch,Surfers Paradise. Aug 12:Palai, T healre, Melbourne, Aug 14: Thebanon Thea1re. Adeluide. Aug 16; Perth Entenaimnem Centre. Aug 111:Enmo~Thearn:. Sydney, Aug 20; ShcllhurbourWorkcr~ C lub, A11g24;amJCanbo!rT'.i Raiders. Aug 26.

ALSO HANDY WITH A gui1ar, butwmewhalmoredemure, JOAN AkMATRADING continue>iothri,·e. Her 14th album,"Heartsand Flowers", bring,hcr10Australiainla1e Augus1.The Bri11shsinger/ songwriterhas.cheduledda1es

"'ith suppo11from all-girl1no THE CRYSTALS at Hilton Hoicls around the counll)'. The double ac11sa1 S}'dney'~Hil1on lntcmationa1Augl-4;11i ltooon th:Park, Mclboume,Aug7-JI, Hilton lntemationalAdcla1de, Aug l 3-1S:andH1l1on lmcmational Dnsbanc. Aug 17 and l8. The show costs either $1\llor S50 1ncach cicy.buttha1 mcludcsa thrucoursedinneror supper.re5pec11, ·dy,

AEROS:0.11TH proudly procla1ms1tselftheloude>1 rock bandin1heworld. The heavy mctal rocker), whoraiseroof,. andthc temperaturesof young fan< ~nd 1heirparc111s alike, att

fron1edbySte\'eTytcr- 1hconl)' rock)i11g,.:r whucanfi1more muffins inhismou1h1han M1ck J:1ggcr. Wlthrecent char1inghits "Janie's G01AGun" andthc racy"Ul~el11AnElcva1or", lhc band 1s bnngmg ,t<provocative stage antics10Aus1raliaonthe "Pump" tour. fapectfireworks a t Adelaide', Memorial Drive onSep 29:Melboume'sNatioml Tennis Centre on Oct];

BrisbancEn1e11ainmcRtCcmrc,

MICHAIL JACKSON fou,, ,, '" u1ump1 to buy tlu remains of Tire

Elephant Man , and is no" buJinx up

realtstatr,n rh,Nt,·uda Drsat. lfu

objtc11,•t is. of )1111 ma) lra,·t alffady

x11eHl'd , quilt o:naordinary. Video cameras and "guid,nK lii:lrts" will be HI

rip to caplttrt unsusptctini; U11iden11{1rd FIJing ObJtCIS on 1·11/t o tapt Once tire spacei111"ade1Jart"'i111/rr can"1heone-

8lo,·ed surJica/ 1•,onderp/a,rs 10 sr/1 rl1e te/nision riglnstohissprcial/rJOtagr.

1.,f1· OZZIE OSBORNE """' JUDAS PRIEST Thatgll)SUrt l'l'il.Orso say thtnrora/mindusin

• Amrrica "Agenr of Satan" is 1htdrscrip1w11 gi,.tn Mr Osbornt bya Nt w York mon of lhe r/oih Mta nwhile, Judas

Prirstarr bting pursutd 1hrough1heca11rtsi11a11

effort by par,nts to ex1rarr comptnsation for 1ht deurhs of /heir 1wo tunagt sons who shot 1htmsefrts in 1hr head on Chris1m11s £\•t. 1985. One sunived tht shQOti11g and conft sstd lht}' had bun reptall'dly /,jttmng 10 Judas Priest's olbum "S1ained GluJJ'°' a11J then decidrd to do lhtmuil't s i11. Subsequtnrly /ht

conft'ssor succeeded whrre bu/Ins had failed. by consuming a 1erJ unheolth) quanlll)'O[drugs.

OclS;and SydneyEntcrtainmem Centre.Oct 10.

DEi, AMIT RI, the Sconish bandwithnot•so-Scouish sounding name and quite Americansoundingmusic llf'l: louriRgAustralia m Scpccmbcr. The barld'~ "Waking Hours" albumandhit single"Kiss This Thing Goodbye" promise some grea1conce11m11sic. Tour dates areasfol lows:OldLyon H01el, Adelaide. Sep l3;Palnis Theau-e, Mclbourne, Sep 15: andSelinas.Sydney, Sep22

ALSO TOURING IN AUGUST are Zimbabwe '< BH UNDU BOYS, saidtobcthcfirst Black Afri.:ai1tod:groupto tour Australia. UK band \\'Oki. I) PARTY (with cx-Waterbo}S), Americans CHEAP T RIC K, andupandcomingAussieband rALL TALES Ai\U T RUE

DUE IN SEPTEMBER 1s1he hcautiful.siubble-headed lrish siren SJNEAD O'CONNOR w,d Newc~tlc rocke rs THE

SCREAMING JETS, who have been praised a, ··1he ne~l AC/DC". (datesunavatlableat time of priming) Compile~ b~ HORAN WALL & WALKER (02) 3316600

BMD NEWS DON'T FORGET C HER !Ours mNovembcr. Acrnrdingtoher biographcr, ,heoncepaidavisit toWam:nDidTracyBeauy·, bedroom and was d is.appointed. Shc.hassinceiakento .... -eanng shoulder1ocro1chrubbcr b.inds andwas!Jslbecn:.«:ncuddl iRg uptoaHowiticrant1-a1rcrall gun HcrformerhusbandSonny Bono hnsn 'tbccnsceR.

TIIE RECORDING INDUSTRY ASSOCIATION of Amcricahasagrecd1ovoluntary labcllingofrecordedmac~rial wh1chm1ghtcontainreferencc.< m"sodomy.ince,t. bctiality. sadomasochism.adultery, vioknce,tlrugs.atcohot.nuduy andSatan,sm"'

Thc pressurcisonaftcr ubsccnema1enalhasallegedly hclpcdboostrecorrl .1.ale<ofUS rapgroups.While American parents and the court~ arc con.:emedaboutobscenity. Engllshheavy mctalgmup Judas Priest have hadtoface lhe jury bccausc!hcfamilicsoftwo teenagc boysfiledclaimsfor compen:;aiionaf1ertheboy\ sho1 themselvesin1hcheadon Christmas Eve 1985

01.ZieOsbomcanother heavymetatpcrfonnerhasbeen accu<edofbo!mganagent ofthe fxvil by New Yor~ Catholic Can.tmal JohnO 'Connor.

Madonna,100.hasbeen reported 1n theTornntovi~ .squadbycitiiens"'hohavc complamcdthnt hcractwa,too scAuaUysuggestive.

C HUCK BERRY, ageing gui1a..io1in',duck-,1ruu111· !egendand oneoftheuriginal " badboyS'ofrock'n 'ro!l had his homeraidedbypolicc n:cem!y. SeizedweredJ\lgs, firearrnsand$Al55,3 l8incash

FROHTROW Pagef'ive

Page 6: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

Am CARP {Ml 698 1688 + (02)6911432

TH! HUNTING OF TH! SHARK ':J,::;::,n;;:!,Bar, ~:;: :,:r:~. Le,·,. /'/,,/lip Q•a,r

The story "'~o\.c$ an:,und.,. impml::,ohlcgm11p of chm1etcrs mdudioga B1ller,8.uri>1<r. Bca,·cr,BilliardMar1.:cr, Banb, andButchcrwhogooff in ~arch ofthcmyth,calSHrk. llllHIUSCOOR! Cll!qlonld,Cz .. Hol 0<116-20 1pr.,iu.m.Spo,,a.30pr,i~ il!SWD $31SC

'"

APRllSHOW!RS hJ8"'11 \fatphy, 8ab, McM1/k,~ NIDAfiMl)tJrJ/lu!tnls Di,rrior. Babs/lfrMolfon Cliorr1>g•aplirr·Gr,111Jratijo,d A new mus,cal play wrrncn for NIDA ~llowcas,s the talcn1 of this ycafsi;radua11ng~tudems. l'rum l'edcn111ion101hcDcprrs\mn. ltpri1Sloo~·,,s islhcstoryofa 1howbusinessfam,ly - ihc O'Bricns. tl.Wl(TNEfilE !ljlo,zorNo,r.,,i ... A19 10. 11, IS, I~. 17, 11 ~lld<ll,lllug?pm illH.UD S12

"' AWAY byM/chi1'1GcK D,.,...,o, N,ri\\'ood SrDrs:ltnair 1Jyron,C1,,,,1,,1.m1, . Rostma,yBurclr,n,CrQ'f,tL,ppard. rw,s,,,wq,UMliuPa}(J H,gh.ly.«~playbyoncof Aulolnlia'smo111n,·cnu,c pl•}wngh1>.Thrccfom11io pr<:p.m,to1pcnd1hc1rChn<1ma. holidays 1w1y, HSC1c~t. IIAlW!mffilHLl.lll tlaai~1t1,Klm1 htll·S.,9 Sp.W.hi;USpa,lul; ... l.lllpmSol; ll•Wtd;Spa,S., OOWD SttfT ... Tt,;1

St~fTi•lhll S'IIIFii/5,,i)

AffiWD(02)69816BB

CAif llEDERMAUS 81Nol,;0 Md,n Dfruror . 8arrirKoJJ::y Srars · Rob;•Arrhu \ 'lenna·1 caft soc,c1y - fragile and aboutiobe fr,1gmcn,odby polmcaLaru5t1candi.c1cn11fic fnmcn1n1thcomc1of!hc20th century. 8(l¥1)15TIHLIII! UWMSl,S...-yHI! o,-11.a,.2, S,,.Toe-fri; ½oo, UlpmSol;SpmS..,, ,mwo St11T ... i!Mi:ma11!

Ill

84 CHARING CROSS RD by llr!r,rrHa1tlf A.rlaptmion JamrsRoosr-£,ans Gr nnia,rThrarr,C.,,.,,,.,.} D,"c,,,,,_ Pr/N J. AdalPI.I ln1949,,uugglingAm,rican "mer. hopingioindu1gchcrlovc o f beauufolbool:1. 1101tcda corrcspon&:r,c,e w11h tinnof Onmhantiqu1t1..,,book-,dkrs 1ha1,.·u m 1asi20>·ears.Thc "am, comp.,.,iona1elettcrswcr<: pubh,hcda.ahookandhav, 11nttbccnskllfullyadap1edfot , 1ageand.creen.

""""""' 4l0Kerl!Sllywy htl4·S.,12 a,.,,1--s.., 4.Xlpnlui

"""". "' A D!Allt IN THE IAMllY b;· Sharoo Po/lad Dorrnar. [ · ,r rroun, Aplay ba\c,dond,c LiuiBurtlen ~tory. ong1nal theatre. N!\flkEAJU >4Ui1f'il."-" ..,ts-Oc1ll l.1Spa, fri·Sal,5.X,,,,DI A.tlHllll SIi

D!ATHTRAP Bylral.n,n Sra,s: £/au,,.Lu.Rob)'nGa,,,,.y. lk,nold Mard,,,ra/d lnonkr1orc11orc h11o"n d,,cliningr<:puUuion,aoncc ,ucces1ful munkr-mystery wmcr plans10,1eal•lmllian1newplay byoncof hi<studen11. lilENSTlkllTIE Gloni.,FrmliF.111 1.1r11..,u ~i...f.i;Spa,,l.30pn,So!;I..-T"'1fl1d mwo m.,on .. ni.;..t1 • m.,o

TH! OOUIL! BASS ByPa1n"etso,g:,,,,1 D,,,.,ro,-· S,,,.,i,., Bu,,. S,ars · Hrnri.~:,ps lllc:drcamsandfno,!nnionsofa douh1chn•playcrilluminatclhc hcroiwnlobcfoundinthe OJdiH,Y,

EIISEMBlETkEATRE llllo:D.S1,MMl>P<n u.,a • .,u 8pm1 ... s..; 5p, s.vx.,. 11 ... n.. OOUID S?t(h,..h,;1141) • 52J(Jut.Jlw.11ao

S2Hll\l'»II

TH! GlASS M!NAG!Rlf bJ Trn,,,., , , 11dlw111S No11h.s1J, TheatrrComp,,ny D,,,.ru,r: Go/,. £.,..·ards S1ars .KaarmFa1,fa.r. ~frJ,ss<1 Jalft•.lo/anDU\·idLu.Pa• I \l"illiams ThescoryofAmandaandherl"'O childr<:n,TomandLaora. andltcr a11cmp1 1oma,ryoffLaur.111oa g,ntlcmancalle,,andofTom ·s dc1cnnina1iontoc.scapehi< mo1her'sobses1iveclu1ches. lilRLI.MSJIBL\lU 1ilariml!J,O..o Sff1 1!•Nov4 BpmWtd-fri, I.X,,,,Sar.~ 1Spnluo IM!IWed l l-.'id-DIS,.,, .lfl"l(.IJ;O S2? 1111-n..

m.m h;.s.i

TH! GOV!RNM!NT INVISTIGATOR t,y Grarrr.rHrosnan Dir,ct,)< llt'lrm.t&kait,s AnewAus!rahancomcdybascd onth<c19thccnruryRu15ianfartc byGogn\;hu1setinaprcsent day countrytu-..·ninccmral Qu,cruland. Conupt town cour,c,i11or1bclievemistakcnlytba1 lhey havebccomc:embroillcd ,n theFn~erald lnquiry. OIHEATR( ..... u.11 • .,19 11,,l,Wod,fri.S...lpal't,;, .,Sac·S.. OOUlll Sll,Sl5mo!

SIi. SH

HOT FUPG! ANP IC! CREAM RyCoryln,ud,11 D,rr€ror·Go/,.£,l,,.'2Tds Su,rJ &,ryQ11a, Mieh~rFa,,-don Cary1Churchill"sinmivcwil abounds inth,se1woshonpla y1 pa.-ading!hcm11COn~p!ions. ,nsecuritici andc.:~ntriciuc.sof bolhBm'~anclAmericanJ. abroad. 'Mt.lJ;fllt[All( lfOlO\Rd.Wthhlo,-,,.~mJolll. 14. 11 UltlS.,1 S,.,Moo-Sol; tp,aW-4;2,,.Srt lfflCUD S21(11or,.Tt,;;-)

S2l(Ptrrinl) . "' TH! IMPORTANCI OF BEING !ARNIST l,yO,c~, Wildr Sydn,-yT~a1>PCnmp,,ny Dorutor;s,·,.,.,,,p•,mp,

t:~:::;;:::;;i:;.:;:(::~-::-:· Gro{ftryRIWI

Bt/011 Lr/1: LEND ME A TENOR - ont of tlrt briglrrw and funniw

musicals el'tr ta comt ID Australia.(/ 10 r ) Judith McGrath as Julia. behind 10/0 Kel'ln Milts os fou11dtrs. Liz Burch as Moggi, a11d Hobtrt

Agr<:atcomcdyclassicand Wildc"sfincs!playis broughtio life m this magmficem MTC production.Pr<:sentcdbylhcSTC DRMIAJk(AIJ:( S1dt.1~0H«M , ,.,;,.,1,,11. 11. 11 o,..,s.,1, 8~M,in.Stl,Moll 'llltd,~ AfflCARO S30Man.lhi,Sacom

"' THE KFlllNGOI SIST!R GIORGI by Front Marcus Direavr:Jo~nGu//y s,dr,·Taois,,. .. ,,,,. Ma'IJ"'Lloyd. Murra)Willwn.S/iurr,,,L1« ·as ln1his comcdy.~lovcdtvsoap,e char.ic1er.Si.stcrGeorgc.mu,1bc "killcdoff".Progmmmanager. MercyCmfl dehghism announc,ng!hcnc.:ucion. IBERDUSlllEAJl( I06Gtor11S1, TI-.ROO., U111 APg12 8pmlve-'iot;Ulpm~ AfflCAKD Sl6

SIi

l!ND ME A TENOR t,yK,nLauA.,g Dirn:to,-·Da,idG/i,,ror<' Siar, Krwn .\11/,.,,Ln H"rd. To"y llarwy,Rhoffda81,rc/1r,,or~.G,ans Sm11h.Roblr1 Da,·u,Jud11~ M,:Gra1h, Mor111 \ 'tnw11 Selin 1934in Clcvcland. Ohio. A ch"1i1ycon~ r1hong, inthc balancebccause1hcfamous hahan !cnorh.ircdtu,ingthe lcadha.s fallcnintoadrunkenituporandis prcsumcddcad. Hisdocile assis1:u11"hohuopcntic amtn11ons.1.ake.shisplaceilnd winsacd•iminlhcroleofOtdlo. Thercnorawakensanddonshls cos1umeand wha1follo"s 1san hilarious com«ly ofconfusion IBEAIIHOYAL MlCunb1. $vMty Opll10d6 8pmilaft.Sac.lpnWod,i,,.,,SI! ARTW.ID ilSJilon.Sol,SllNh

S39,SlS

NOIS!SOIF byM,c1,,,,/Fray,,,. D1rt'C1a,: GaryMr:Qw,nn S1ars·S,..,r,Wa&>1uJf.JudiFarr. ~ri;:rD""'-'tll,Prur\llh,lfonl. l ohn

'Thefunmest night l luvcevcr ~penl in athoa1..::· - Tuffy Oav,s. TheSun. NoiwsO/flasisc,asonat thcThcatreRoialwuasmashhit. GllNS"ITHUllE 61.!Sl,Ft..dtlf.omc ,,_,., B,mlllt-fr(l.lOpo,Sot,, l,m1 ... w..1, >pms.. mWD m.so, ... m,st65GS...

S21SO""b m,s1t,m

Da1•isasThr8el/hop

Btfo,., R1gh1 . Lenny

tr,umphant

wirh 1hi1

arr/aimtd Ollf·man show

Barct lo ,ra and

Edinb11rgh. is sure 10

imprtu in Dario Fn"~ /ltJS TERO BUHO. The

showisbaudonmediel'OI

popular 1h,atrt in1trlaced

Pn!R USTINOV Raconlcm and mimic. Ustinov. bring,hisWesi-Ends,,llout •=ss10Sydney. Trus1hasgood sents availablcforspccificdaic, . Phone 698 1688 fordetai ls lllEATlE IO~Al 1,11.cc .. -1. Kin; S1, 1ymty Stp12-22 Bpm tl. .... Sat AfflCARD S34.IO

S39SO

RIVALUATIONS l'J90 Con/,mu:,s Spt(ia/ Gwt'sr:Ymn11tRa,.,, lllEPEIFOR.\WICESVACE lHOeetlondS\ hdfern J.t JO-Aog l

S5Pers.e15ion

A ROMANTIC !VINING WITHPAMAYR!S British comcdicnncreoowncd ro, herwi11ycomicversc. SE\'MOUt COORE ....... ..,, f.,10or dt 10ih (o010<tf""

ROM!TR!MBU by B,IIHardJng Sydn;y Th,mrrCompany Dirrc1or;Helmur8alcairi, Siar~: Wnull Df' Waa/ Thostoryof MariaCallas -s,~uhancoudy a biography. a lnbutc.and anc!cgyto!he gr<:alestOJ)Offl itarofalltimc. As w ilh Ham ldln/wly ihis productionlakc, thcHr<: imo unlli,d watcrsand forgcsnew ond e,citing thealricalfonns. WHARFIHLIJU Hitksonld,Woklttv, , .. ,1,. ,1,,1 .11 O,..•S.,13 ~Mon-Sac,Motsw.d,Sac 00(.IJ;O )18Mcn.l't,;fl1Sac!MI

)lBWidi,ot . "' RUMORS ByNei/ Simon Di>Pctor- Gran,,t8/w,drll SrarJ: Jacki Wta>·rr.UwiJFwlldrr. 8arb<,raS1,.pl,,o11S, LyiulaS1anrr. Ro0 Falk. Pr1trS1UMtr.JaM

ronu mporory

llarJ,.,,. 8il/ Young ThisnowworkbyNcilSimonisa modcm-dayfarccin which the Dcpmy Mayor of New Yorl< 1hootsh1msclf. H1sauempted 1uicidcsei.1hcpaccforhi, l(lr:t, wcddmg annivcrsary pany. Asthe nigh! progr<:~scsvery few of!hc p:inygocrs ttma,nundBmagcd fOOliRIDGEJkL\lll roria.'M111R4.~k ,,..11.a,111 AogJ0-0<t20 lpr,Mcr,.Sa(;lpn,Wed; lpmSac AffiCARD SlD l~ lh,)

Sll lft1-Sor) + SlllMon·Thu)

Sl5(Fri-Sorl

TO SYDNIY FROM STRATFORP: SHAKISP!ARE SPOK!N AND SUNG FROM SCHUBERT TO SONPH!IM Awiuyandcmcnainingportrai! oflhcworld'snumhcrone box officc,uccc~s. William :!~::t"=· Music and Heritage

5J M!OREW'SCATIIEDIM. Fri24A"1,IP"' mwo m

'" THREI SFST!RS byAmonC!,,,'-lrov Dirn:wr: RlcAord Whn rm Star,: LJ,uJ,, Crr;pptr. Rt'bura Frirh. AngirMi/1/Un,Pamt'la RalH Threewomenfailtorealisc lhcir dr<:am oftttuming to Mo!.Cow fatingdisappointmeminlovca,,d wnrl:andthede1tnict1onof 1heir illusions. OIWM IBEARE lyd,,.,Opi,1 HM1 ,,_..,, Spo ..... Sac;lpn,Wed;1pn,Sac &mC.1.10 SlO!Mo.lhi,; Sac mot)

"' V!NmAN TWINS byCarlo Go/doni. NielEnrighr Direr1r,,: John8,.I/ Stars:DffWFor:r-;thf Sdin¼ronainl748.Vcnc1ian TM'IIIS ,s the 1101)' of twins Tom no andZlncno,scparatcdfrom c~ildhnnd. On,i1 a suav_eci1y-•hcket.une1country-ra1sc:d $impleton. Thechaosbegins when !hey both amvc in Verona w,lh the

FJ:ONTROW Pate Six .(02) 6981432

in!on1ionof se11ingm1rried fOOTBRIDGElltEAIJ:( l'a1amon1Jd,Gleb1 Op..,.OdlO lpm.\lon-)Ut,!pm lol, llomWtd i.m wo m.soMon,m.so, ... n..,

$lS.SOfri-lo1

WORDS 01 ON! SYllABL! byR,dwrd lforrN/ D"rrtor: l'tur Km~mm Stnrs.- ParThomsoo R,chard Harrcu"sb.!aui.ful~mdy ufadyi11gfuthertatking tohi5 gay mn.Notaploy abour ·comingnul° bu1abou11wopeoplo ,cp•r~todby agc. c,pcricncc. c vcn class. but notc<m ncctedby a mostd,fficult 1uvc . Poignant,1nothful and of!cn funny. 1989 AF1Award Winner. IRVD115JlkEAllE lHelvii"St, 'looyHih OttNl lpw, Tu.frl, 8.l~Sor, S;,mlo1-Sw UlHARO S11T ... n..,mo1S

"'

rorpncedcta1lspka1e contae1 TheTrusl.

GYPSY PfHNC!SS ~·mmu,chKalman Aglamorouscalrarctstarfallsin iovewith aprince. 111dhewi1h hcr.Set amidthe aristocra!k caft societythatwas1o he swcp1 away by WWI Atgl, 10,13, 16, 17,21, 31; Stpl,S(mott, Ott S, 6,11

IUGEN! Olt!GIN Prrtr/1/irhTehaih»slcy Aigl, 4

lA BOHIMI G,oco,Ml'uccini /\u-agiclovestoryset in thcgriny ~!;nuan worldof 19r.hcentury

Atg4 !11111l, 8,ll,1S, ll !mm), 2D, 24,27, JO

TURANOOT Giacomo Puec1m k yttSlraint ofaprincessis mcltcd by the paS$ionate lovcofa1u11or. Aug l4, ll, U , U, 29; S.,1 (ffll!1J, S, l,.11,1S, 18,23

Pl! FllPERMAUS Jol,ann Str<,ius JoanCa,den1mesRosahnde for thefo,i11imcwithRohe1tGanias herphilan~ringhusband. Sffl17,U, U,2t; Od6, 1D,13, 1S, l9,22,U

lOHINGRlN RirhardWagnrr Af1er1he ennmomou.,succesof W lreni;rinin l987.this great opcnr<:tums. Ort\, 4, 9, li, 17, 20Ml,13, 27

VOSS RiclwnJ Mral~ Based o n Pairick While's epic oovcl. Ort8, 13(mac), 16,18, 24, 26

PlACIDO DOMINGO in Concert ,,;~ JUllA MIGINES Placido Domingo is imemationally rttogmscdas the finest opcnuic le norofour lirn~. JuliaMigeneihasbecomean in1cma1ion•l star,1ncc hcr Grammy • ward winning Carmrn Tlley willbc singing aneuensive programofpop11lr,r1enor llnd soprano1U1asandducisbyVmh. Puccini.CilcaandRoss,ni. OflUTAINMOOCElfnE ..., s.tn >.., s,11 ~mo sri.eoiuel

SH.BO

ARTSCARD (02)69816B8

Filn, ,ou:--hers for Gu,,u, Unian. Vill,,g~ end HoytJ cm ema1 ma) b,o 1i11rdw5edfrom 1h, Trasroffiu fo,on/y $8 Vourhnsarr oprn da1tdo"J,.xd wn11rdfor nd <'1J· at 1/rrhox offeu . Som~ Soturdaydnd holiduy ffstrictionstJpplyto/htir uu. No lwndli11x f•~ ;, d1urg,d nori11htrtonylimi1w1!,e numb,or 1ha1 memhfrs =Y 1,uy Di¥ oums of$2 .50forall uru nfo~s rxctpl Sat«rday pm u ,·r<1IJO o!frr,d ar 1/.,, Mandolin Cinem.a. 1hr v ,.,,dy. Marron Pfau 1h,CrtmarntOrph1umand1he Ac,uJ~my Twin. Paddmg/On. Thuedisrnun/s are/1mUtd lOOne ~r mnnber ,,pan 1,rrsenw rio11 of ,1r,.Ar1sCarda11he lmxoffiet. Al Rosrville Citltma. ;•our Am Cardwillgnyo~a$2diswum (ma.ti mum purrhau M O tickrls)

@M:liill1IIM A NIGHT AT TH! OPERA GYPSY PRINC!SS Tlrol6A'961"" Come and ,njoy the G ypsy Princess pcrfonnance in th,Opern Th:atreconduc!edbyRichanl Bonyngeandsl.amngJcnnifer Bermingilam. An, on ,\usun. RogcrLcmke andRobenGard Dinaer,1thePromffiade Restaurant. (CircularQuaysidc) A vcry1pe<,illoffer Dinncrand Op<rn'60

AWAY S..1 II A19Sp!111101i1H .IWWi~IRrnlkEATR~ Klll.&R.A TI,eh1ghlyacd aimed~ward winningplay by Aum-alian. M1chacl Gow.Enjoy 3 lcisur<:ly dinner af1er th, show in 1h, new lookRcstauram. Tickcis $22, DinncrS23 (,ncludcs wine)

MUSIC & HERITAGE WEEKEND·BeUtrees, S,one Sat1Stp,S. 2S'!' A gr<:al wee~end in c~c councry: OnSelurdny we will hove lunch anclv.inetas!ia g atArmwfie!d Winery, krTy') Plaim. bcfore going1o lhc Sconc Polo Groundlo sccanuhib111onmatchfollowed bya VeuveCliquo! dinncr undcr a marqu..c. OnSundayaconccn by imemaiionalcclebrityjazz mwic ian James Morrison and his groupfollowcd bya Vcuvc Cliquo1picnic on1hcln"n1of BtlhreesS1Blion. lhehomf of MichaelandfodyWhiieand family. Ovemighl accomodaiion will bea1SconcMoccl. Ptck up points an: Eddy Avenue Ccmral Railway7.)0pm, NonhSydnty. Cha!swood, Gordon, Pymble, !-lornsbysuuion•. Cor.l S220 all inclu~i, ·e .

RUMORS • Show and Sipper TNSS'f' RllnrOr, byNcil Simonnt thc FootbndgeThea1r<:stamn, Jack1c Wc.avc,.Janc Hardcr,. B.,,-bara Sttphcns. Pcter Sumncr andRon Fall.. Enjoy suppc:rin theTheairc Foyerwiththestarstuddcd cast aftcrlhcpc:rfo!Tllan~ ShowandSupptr-$40 Op!ion1l. prt"lheatr<:dinnera1the ddigh1ful G lebcTerrace ReS1nurnn1.GlcbcP0inlRoad S32(mdudeswine andjuice ) 6pm

AN !VINING WITH P!TIR USTINOV Moo17Sep TIILITIE IDYAI. Followcdby,uppt, inthcfoycr afterlhepcrfonnance. SuppcrandShow - $46

TH! GlASS M!NAG!RII Spedalotf•· TwotdehforthepriceofOne Sat22Mp 1lusfamousplayisdir<:clcdby thcbri11ian! GaleEdwnnts at MarianS1Thum,.Specinlnffer -1wot1ckc1Sf01thcp~c ofonc-U8.Dinner6pmS23 (includes wincandjuiet)

Right .· NOR MAN PACE AND

GARET/1 IIALli . ulf-dtscribed

soy surgeonJ ofsoucint ssarr roming -,o .II/Ct your gut.s open

undremo1·ee1•rry/aJ1.1i11xfrbtll)'

laugh. until )'OIi arc on th, floor o

hrap ofconl'uludcarcaH.an

amorphous mass of laughed ow1

l)'lnph"'. If 1har dou,i't .1ound 100

daunting. you ' ll find them doing

tht ir w,ff 01 Hoot)" Hill NSL 1s,,, 16). Porramolta Rfrt rsidt TheC11rr

{(Stp 26), tht I/ ills Crntrt . Castlt

Hill (Sep 27) ondthe State Thea/rt

{Srpl8. 29)

Be/oll' Righr. Raconirur. mostu mimic and tt11tr111 iner

u1raordinaire. Sir Paer U11ino-1•. is hru to prtsei11 his

smosh-h11 Ollf·man show AN EVENING WIT/I PETER

USTINOV . Tht /KO-h our sho11· f talurts a11rrdn1t1 and

Ustinol'"sparodiesofctlebritirsi.tkno11 ondlaughor

RANDWICK SPRING RAC! DAY Wtd76Stp This is the Sydney Comminee Annual Spring Rac:c Day Lunclieon. wherethcladieswe"' chc,r Spring finery- u-adi11onally calledLadiuOay. Thc moS\ elegant Lady and Debonair Gcntlcmanw11lbcseloctcdby Primros<e OunlOf>andAngela l\.lcSweency a,n.l thc G11e,1 0f Honourwillbc " ·cllknownac!or. Stuarl Wag~iaff. EnJoy 1hcprivilcgcs o f l\lembership.cntnmceto lhe Racccour,;c, Racc,hook.free par\<ing, a supcrblunchand afttmoon1ea inlhcGa!axy l'(oom - for only $4S

OCTOBIR lOIIG WIEK!NP, S.,29-0<t l

CDFfSHAUOUR C(llncandrnjoy !hcholiday weekendatthcfabulous fivc-star Opal Cn~eReson, Coff,Harbour . ICs righ1on1hesurfbeach amJ ha, aninc hole golfcoursc. tennii. cnleMlllllmcntaroundlhepool, ""una.spa t.nd gr<:al food. Lu~urycoa.ch travel - lunch 81 Tun,conSa1urtlDy. Pickup puin1S: Eddy Avcnue.Ccnu-alRa1lway 7.15pm.NonhSydney. Chaiswood.Gordon. Pymbleand HomshyScanons.Reiuming Monday evening $3:?!iallinclusivc.

l!ND Ml A TINOR Galaevenillg ... TkEAlRE ROW. Stun ingRhonda.Bun:hmon:. Maria¼nu1i. Li2Birch.Tony Haney and Kevin Miles Join thecastfor1uppcraf1er1hc pcrformanceinrheThealtt Foyer. ShowandSuppcrS45

ARTS WIIK PINNER .... ,. TheTnislGovemors' andSydncy Commincc will be hosting a DinnerwithasurpriscGuestof Honour al lhe Shcra1on Wen1wonh Hotcl B,llroom.Call TheTrust for further detail!.

APVANCI NOTIC! Ortl6 Tff(IMl'OltlllKlOFIEIIIG

WNfS"l llln:hlhCioitnel O,.,.Homo.Oi..mdSbc,,.

()(121 NOISIS OfFSlln:SruortWo,Jrvff, 6nmhlwil,Jurlif1n, Ptltr WlirfriGlerriSClht.ti1, O..,..nlSbc,,.

Btlow: Dolores Keane is just one of the ruom of lht crop of Irish /alt musicians and singers who

will appear in an incrediblt ,,oJue-

packed e1'er1ing entitled tht

GUINNESS CELEBRATION OF

IIUS/1 M USIC . Ms Kea/II' posstssrs

onrofthe fints11radiriana/1•oictsin

Jrtlandand ht ralbumstop 1he char11

inBmoin. Ste Lis1ingsfordt1ai/s.

~HOW ~TOPPER~ [IARNIVA!.E ·90 KICKS OFF ON

Sep1cmbcr l .Theprograrnof even1S includesamong0Wrthingsplen1yof

mteresung theatre w1th Bclvoir St"sAbi11gdon Squorl' and Tht lncrtastd Difficulty O/Concen-tration; Wh.arf Srudio 's M isttro 8uffo; and Tht Male Ad()"d Hr,dt from "The Kings Bloody Cross Theatre Co . Bharawn Daa,.:c, Cump,sn y will be in Sydncyfot a weeka1 "ThePamde'Thea1"'andOa.ncc fuchangc will prw:n! Rus..u.11 Dumas· latest choreography at ThePerformanceSpace.

CHEKHOV'S THREE SISTERS IS RICHARD Whem:1c"sfinalproductionasaniscicdircc1orfot thc Syncy ThcaircCompany(lhougilnothisfinal production for thcSTC). Whcm:nsays he's wanted to direct Thru Sm,rs for many )'ears and he has assembled an impre5Sive cast: Lindu Cropper, Reb,:,,xa Frith. Angie Millikin, Pamela Rabe and RonHaddrick. August I isopc:ningnightforJ'hrre Sisttrs and closing night fur Whcm:u a.s STC ani~tic dircc1or (Waym: Harrison is the new AD.)

ROGER WOODWARD, WAS HERE A while ago 1o takethe m ~ica.l d i.rcciionhonoursforSydncy Da.nccCompany 's productionofXenakis·s monumental K= rg. He'sooming back again for anothcr goodrcason - thcfust SydneySpring International Festival of New Music and Visual Aru (a!thcAnGallery ofNSWSep14-16).

Wortu by Ah Xian, Liu Xiaoxian and Wang Youshen-three youngOuneseavantgardean.isis from Beij ing. whom Woodwanl saw on his recent (and obviouslyirupiring)Chis>csetour -willprovide

thebackdrop1oa musicalprogramlhatinclude5 lannis Xenakis.John Cage. Toni Taltemitsu. K:irl-Heinz S1ockhausen. Witold L.utoslaw~kl and Australi;rn composers such as AnflC Bl)yd. Ocran! Brophy. Barry Conyngham, Michael Smetanin :ind Roger Woodward . amongst others

As panofthc fes1ival.fOTUJTliwill belleld ro ~xplon: thcroleofthcans in eontanpor:uy socicry. Woodwardisfounderandartistic d irccloroflhe Sydne)• Spring Feslivalandhe is workingiowanl !he fc:;lival becoming a pm;tigiou5 annual even!.

JULE.<;WRIGHT WENT1UENGLANDlN 19 74 wheresheca,ved hcnclfaprc,stigio us carecrin Brilishthea1te.Auslraiian·bomMsWrigh1 is cum:ntly Depuiy Direciorofthe Royal Coun Theatre and ~ Din:aor of!he Women·~ Playhouse Trust.

SheisinAustralia1odirectH01 Fudgr andla Crr0111, JWoone-actplaysby thecvtr-surpris,ng Caryl O,un;hill whosecrediuinclude C/oudNine, Top Girls andStrious M an~y.

Hot Fud~ and let Crram was writte n 10 be perfurmedontheooenigh1· thedramaticimpac1 beingal1ogelher diffen,n1 fTOmatwo ac!play. The playsooncem1w0 Englishmurderersandtheir long-los1Americanoousins. Says\Vrigh1: "lh.iv~1u sa)' theyllfl'extremely funny.lhough it"sadiffercn tkind of laughter to StriOld M o,iry." Set in the gloom that llas descc1lded on Thatcher's Britain. !hey lift ··a moch harsher, ooldcr lookatBritain".

H01 Fudsr and leeC,-,.am stan.LynrtteCurran. Michele Fawden. Paul Goddard. Rosemruy Hams. GcoffMorn::ll and Darry0no. Scc~Lisitngs.

fROHTROW PageS.YOn •(0216981432

Page 7: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

Am CARP {Ml 698 1688 + (02)6911432

TH! HUNTING OF TH! SHARK ':J,::;::,n;;:!,Bar, ~:;: :,:r:~. Le,·,. /'/,,/lip Q•a,r

The story "'~o\.c$ an:,und.,. impml::,ohlcgm11p of chm1etcrs mdudioga B1ller,8.uri>1<r. Bca,·cr,BilliardMar1.:cr, Banb, andButchcrwhogooff in ~arch ofthcmyth,calSHrk. llllHIUSCOOR! Cll!qlonld,Cz .. Hol 0<116-20 1pr.,iu.m.Spo,,a.30pr,i~ il!SWD $31SC

'"

APRllSHOW!RS hJ8"'11 \fatphy, 8ab, McM1/k,~ NIDAfiMl)tJrJ/lu!tnls Di,rrior. Babs/lfrMolfon Cliorr1>g•aplirr·Gr,111Jratijo,d A new mus,cal play wrrncn for NIDA ~llowcas,s the talcn1 of this ycafsi;radua11ng~tudems. l'rum l'edcn111ion101hcDcprrs\mn. ltpri1Sloo~·,,s islhcstoryofa 1howbusinessfam,ly - ihc O'Bricns. tl.Wl(TNEfilE !ljlo,zorNo,r.,,i ... A19 10. 11, IS, I~. 17, 11 ~lld<ll,lllug?pm illH.UD S12

"' AWAY byM/chi1'1GcK D,.,...,o, N,ri\\'ood SrDrs:ltnair 1Jyron,C1,,,,1,,1.m1, . Rostma,yBurclr,n,CrQ'f,tL,ppard. rw,s,,,wq,UMliuPa}(J H,gh.ly.«~playbyoncof Aulolnlia'smo111n,·cnu,c pl•}wngh1>.Thrccfom11io pr<:p.m,to1pcnd1hc1rChn<1ma. holidays 1w1y, HSC1c~t. IIAlW!mffilHLl.lll tlaai~1t1,Klm1 htll·S.,9 Sp.W.hi;USpa,lul; ... l.lllpmSol; ll•Wtd;Spa,S., OOWD SttfT ... Tt,;1

St~fTi•lhll S'IIIFii/5,,i)

AffiWD(02)69816BB

CAif llEDERMAUS 81Nol,;0 Md,n Dfruror . 8arrirKoJJ::y Srars · Rob;•Arrhu \ 'lenna·1 caft soc,c1y - fragile and aboutiobe fr,1gmcn,odby polmcaLaru5t1candi.c1cn11fic fnmcn1n1thcomc1of!hc20th century. 8(l¥1)15TIHLIII! UWMSl,S...-yHI! o,-11.a,.2, S,,.Toe-fri; ½oo, UlpmSol;SpmS..,, ,mwo St11T ... i!Mi:ma11!

Ill

84 CHARING CROSS RD by llr!r,rrHa1tlf A.rlaptmion JamrsRoosr-£,ans Gr nnia,rThrarr,C.,,.,,,.,.} D,"c,,,,,_ Pr/N J. AdalPI.I ln1949,,uugglingAm,rican "mer. hopingioindu1gchcrlovc o f beauufolbool:1. 1101tcda corrcspon&:r,c,e w11h tinnof Onmhantiqu1t1..,,book-,dkrs 1ha1,.·u m 1asi20>·ears.Thc "am, comp.,.,iona1elettcrswcr<: pubh,hcda.ahookandhav, 11nttbccnskllfullyadap1edfot , 1ageand.creen.

""""""' 4l0Kerl!Sllywy htl4·S.,12 a,.,,1--s.., 4.Xlpnlui

"""". "' A D!Allt IN THE IAMllY b;· Sharoo Po/lad Dorrnar. [ · ,r rroun, Aplay ba\c,dond,c LiuiBurtlen ~tory. ong1nal theatre. N!\flkEAJU >4Ui1f'il."-" ..,ts-Oc1ll l.1Spa, fri·Sal,5.X,,,,DI A.tlHllll SIi

D!ATHTRAP Bylral.n,n Sra,s: £/au,,.Lu.Rob)'nGa,,,,.y. lk,nold Mard,,,ra/d lnonkr1orc11orc h11o"n d,,cliningr<:puUuion,aoncc ,ucces1ful munkr-mystery wmcr plans10,1eal•lmllian1newplay byoncof hi<studen11. lilENSTlkllTIE Gloni.,FrmliF.111 1.1r11..,u ~i...f.i;Spa,,l.30pn,So!;I..-T"'1fl1d mwo m.,on .. ni.;..t1 • m.,o

TH! OOUIL! BASS ByPa1n"etso,g:,,,,1 D,,,.,ro,-· S,,,.,i,., Bu,,. S,ars · Hrnri.~:,ps lllc:drcamsandfno,!nnionsofa douh1chn•playcrilluminatclhc hcroiwnlobcfoundinthe OJdiH,Y,

EIISEMBlETkEATRE llllo:D.S1,MMl>P<n u.,a • .,u 8pm1 ... s..; 5p, s.vx.,. 11 ... n.. OOUID S?t(h,..h,;1141) • 52J(Jut.Jlw.11ao

S2Hll\l'»II

TH! GlASS M!NAG!Rlf bJ Trn,,,., , , 11dlw111S No11h.s1J, TheatrrComp,,ny D,,,.ru,r: Go/,. £.,..·ards S1ars .KaarmFa1,fa.r. ~frJ,ss<1 Jalft•.lo/anDU\·idLu.Pa• I \l"illiams ThescoryofAmandaandherl"'O childr<:n,TomandLaora. andltcr a11cmp1 1oma,ryoffLaur.111oa g,ntlcmancalle,,andofTom ·s dc1cnnina1iontoc.scapehi< mo1her'sobses1iveclu1ches. lilRLI.MSJIBL\lU 1ilariml!J,O..o Sff1 1!•Nov4 BpmWtd-fri, I.X,,,,Sar.~ 1Spnluo IM!IWed l l-.'id-DIS,.,, .lfl"l(.IJ;O S2? 1111-n..

m.m h;.s.i

TH! GOV!RNM!NT INVISTIGATOR t,y Grarrr.rHrosnan Dir,ct,)< llt'lrm.t&kait,s AnewAus!rahancomcdybascd onth<c19thccnruryRu15ianfartc byGogn\;hu1setinaprcsent day countrytu-..·ninccmral Qu,cruland. Conupt town cour,c,i11or1bclievemistakcnlytba1 lhey havebccomc:embroillcd ,n theFn~erald lnquiry. OIHEATR( ..... u.11 • .,19 11,,l,Wod,fri.S...lpal't,;, .,Sac·S.. OOUlll Sll,Sl5mo!

SIi. SH

HOT FUPG! ANP IC! CREAM RyCoryln,ud,11 D,rr€ror·Go/,.£,l,,.'2Tds Su,rJ &,ryQ11a, Mieh~rFa,,-don Cary1Churchill"sinmivcwil abounds inth,se1woshonpla y1 pa.-ading!hcm11COn~p!ions. ,nsecuritici andc.:~ntriciuc.sof bolhBm'~anclAmericanJ. abroad. 'Mt.lJ;fllt[All( lfOlO\Rd.Wthhlo,-,,.~mJolll. 14. 11 UltlS.,1 S,.,Moo-Sol; tp,aW-4;2,,.Srt lfflCUD S21(11or,.Tt,;;-)

S2l(Ptrrinl) . "' TH! IMPORTANCI OF BEING !ARNIST l,yO,c~, Wildr Sydn,-yT~a1>PCnmp,,ny Dorutor;s,·,.,.,,,p•,mp,

t:~:::;;:::;;i:;.:;:(::~-::-:· Gro{ftryRIWI

Bt/011 Lr/1: LEND ME A TENOR - ont of tlrt briglrrw and funniw

musicals el'tr ta comt ID Australia.(/ 10 r ) Judith McGrath as Julia. behind 10/0 Kel'ln Milts os fou11dtrs. Liz Burch as Moggi, a11d Hobtrt

Agr<:atcomcdyclassicand Wildc"sfincs!playis broughtio life m this magmficem MTC production.Pr<:sentcdbylhcSTC DRMIAJk(AIJ:( S1dt.1~0H«M , ,.,;,.,1,,11. 11. 11 o,..,s.,1, 8~M,in.Stl,Moll 'llltd,~ AfflCARO S30Man.lhi,Sacom

"' THE KFlllNGOI SIST!R GIORGI by Front Marcus Direavr:Jo~nGu//y s,dr,·Taois,,. .. ,,,,. Ma'IJ"'Lloyd. Murra)Willwn.S/iurr,,,L1« ·as ln1his comcdy.~lovcdtvsoap,e char.ic1er.Si.stcrGeorgc.mu,1bc "killcdoff".Progmmmanager. MercyCmfl dehghism announc,ng!hcnc.:ucion. IBERDUSlllEAJl( I06Gtor11S1, TI-.ROO., U111 APg12 8pmlve-'iot;Ulpm~ AfflCAKD Sl6

SIi

l!ND ME A TENOR t,yK,nLauA.,g Dirn:to,-·Da,idG/i,,ror<' Siar, Krwn .\11/,.,,Ln H"rd. To"y llarwy,Rhoffda81,rc/1r,,or~.G,ans Sm11h.Roblr1 Da,·u,Jud11~ M,:Gra1h, Mor111 \ 'tnw11 Selin 1934in Clcvcland. Ohio. A ch"1i1ycon~ r1hong, inthc balancebccause1hcfamous hahan !cnorh.ircdtu,ingthe lcadha.s fallcnintoadrunkenituporandis prcsumcddcad. Hisdocile assis1:u11"hohuopcntic amtn11ons.1.ake.shisplaceilnd winsacd•iminlhcroleofOtdlo. Thercnorawakensanddonshls cos1umeand wha1follo"s 1san hilarious com«ly ofconfusion IBEAIIHOYAL MlCunb1. $vMty Opll10d6 8pmilaft.Sac.lpnWod,i,,.,,SI! ARTW.ID ilSJilon.Sol,SllNh

S39,SlS

NOIS!SOIF byM,c1,,,,/Fray,,,. D1rt'C1a,: GaryMr:Qw,nn S1ars·S,..,r,Wa&>1uJf.JudiFarr. ~ri;:rD""'-'tll,Prur\llh,lfonl. l ohn

'Thefunmest night l luvcevcr ~penl in athoa1..::· - Tuffy Oav,s. TheSun. NoiwsO/flasisc,asonat thcThcatreRoialwuasmashhit. GllNS"ITHUllE 61.!Sl,Ft..dtlf.omc ,,_,., B,mlllt-fr(l.lOpo,Sot,, l,m1 ... w..1, >pms.. mWD m.so, ... m,st65GS...

S21SO""b m,s1t,m

Da1•isasThr8el/hop

Btfo,., R1gh1 . Lenny

tr,umphant

wirh 1hi1

arr/aimtd Ollf·man show

Barct lo ,ra and

Edinb11rgh. is sure 10

imprtu in Dario Fn"~ /ltJS TERO BUHO. The

showisbaudonmediel'OI

popular 1h,atrt in1trlaced

Pn!R USTINOV Raconlcm and mimic. Ustinov. bring,hisWesi-Ends,,llout •=ss10Sydney. Trus1hasgood sents availablcforspccificdaic, . Phone 698 1688 fordetai ls lllEATlE IO~Al 1,11.cc .. -1. Kin; S1, 1ymty Stp12-22 Bpm tl. .... Sat AfflCARD S34.IO

S39SO

RIVALUATIONS l'J90 Con/,mu:,s Spt(ia/ Gwt'sr:Ymn11tRa,.,, lllEPEIFOR.\WICESVACE lHOeetlondS\ hdfern J.t JO-Aog l

S5Pers.e15ion

A ROMANTIC !VINING WITHPAMAYR!S British comcdicnncreoowncd ro, herwi11ycomicversc. SE\'MOUt COORE ....... ..,, f.,10or dt 10ih (o010<tf""

ROM!TR!MBU by B,IIHardJng Sydn;y Th,mrrCompany Dirrc1or;Helmur8alcairi, Siar~: Wnull Df' Waa/ Thostoryof MariaCallas -s,~uhancoudy a biography. a lnbutc.and anc!cgyto!he gr<:alestOJ)Offl itarofalltimc. As w ilh Ham ldln/wly ihis productionlakc, thcHr<: imo unlli,d watcrsand forgcsnew ond e,citing thealricalfonns. WHARFIHLIJU Hitksonld,Woklttv, , .. ,1,. ,1,,1 .11 O,..•S.,13 ~Mon-Sac,Motsw.d,Sac 00(.IJ;O )18Mcn.l't,;fl1Sac!MI

)lBWidi,ot . "' RUMORS ByNei/ Simon Di>Pctor- Gran,,t8/w,drll SrarJ: Jacki Wta>·rr.UwiJFwlldrr. 8arb<,raS1,.pl,,o11S, LyiulaS1anrr. Ro0 Falk. Pr1trS1UMtr.JaM

ronu mporory

llarJ,.,,. 8il/ Young ThisnowworkbyNcilSimonisa modcm-dayfarccin which the Dcpmy Mayor of New Yorl< 1hootsh1msclf. H1sauempted 1uicidcsei.1hcpaccforhi, l(lr:t, wcddmg annivcrsary pany. Asthe nigh! progr<:~scsvery few of!hc p:inygocrs ttma,nundBmagcd fOOliRIDGEJkL\lll roria.'M111R4.~k ,,..11.a,111 AogJ0-0<t20 lpr,Mcr,.Sa(;lpn,Wed; lpmSac AffiCARD SlD l~ lh,)

Sll lft1-Sor) + SlllMon·Thu)

Sl5(Fri-Sorl

TO SYDNIY FROM STRATFORP: SHAKISP!ARE SPOK!N AND SUNG FROM SCHUBERT TO SONPH!IM Awiuyandcmcnainingportrai! oflhcworld'snumhcrone box officc,uccc~s. William :!~::t"=· Music and Heritage

5J M!OREW'SCATIIEDIM. Fri24A"1,IP"' mwo m

'" THREI SFST!RS byAmonC!,,,'-lrov Dirn:wr: RlcAord Whn rm Star,: LJ,uJ,, Crr;pptr. Rt'bura Frirh. AngirMi/1/Un,Pamt'la RalH Threewomenfailtorealisc lhcir dr<:am oftttuming to Mo!.Cow fatingdisappointmeminlovca,,d wnrl:andthede1tnict1onof 1heir illusions. OIWM IBEARE lyd,,.,Opi,1 HM1 ,,_..,, Spo ..... Sac;lpn,Wed;1pn,Sac &mC.1.10 SlO!Mo.lhi,; Sac mot)

"' V!NmAN TWINS byCarlo Go/doni. NielEnrighr Direr1r,,: John8,.I/ Stars:DffWFor:r-;thf Sdin¼ronainl748.Vcnc1ian TM'IIIS ,s the 1101)' of twins Tom no andZlncno,scparatcdfrom c~ildhnnd. On,i1 a suav_eci1y-•hcket.une1country-ra1sc:d $impleton. Thechaosbegins when !hey both amvc in Verona w,lh the

FJ:ONTROW Pate Six .(02) 6981432

in!on1ionof se11ingm1rried fOOTBRIDGElltEAIJ:( l'a1amon1Jd,Gleb1 Op..,.OdlO lpm.\lon-)Ut,!pm lol, llomWtd i.m wo m.soMon,m.so, ... n..,

$lS.SOfri-lo1

WORDS 01 ON! SYllABL! byR,dwrd lforrN/ D"rrtor: l'tur Km~mm Stnrs.- ParThomsoo R,chard Harrcu"sb.!aui.ful~mdy ufadyi11gfuthertatking tohi5 gay mn.Notaploy abour ·comingnul° bu1abou11wopeoplo ,cp•r~todby agc. c,pcricncc. c vcn class. but notc<m ncctedby a mostd,fficult 1uvc . Poignant,1nothful and of!cn funny. 1989 AF1Award Winner. IRVD115JlkEAllE lHelvii"St, 'looyHih OttNl lpw, Tu.frl, 8.l~Sor, S;,mlo1-Sw UlHARO S11T ... n..,mo1S

"'

rorpncedcta1lspka1e contae1 TheTrusl.

GYPSY PfHNC!SS ~·mmu,chKalman Aglamorouscalrarctstarfallsin iovewith aprince. 111dhewi1h hcr.Set amidthe aristocra!k caft societythatwas1o he swcp1 away by WWI Atgl, 10,13, 16, 17,21, 31; Stpl,S(mott, Ott S, 6,11

IUGEN! Olt!GIN Prrtr/1/irhTehaih»slcy Aigl, 4

lA BOHIMI G,oco,Ml'uccini /\u-agiclovestoryset in thcgriny ~!;nuan worldof 19r.hcentury

Atg4 !11111l, 8,ll,1S, ll !mm), 2D, 24,27, JO

TURANOOT Giacomo Puec1m k yttSlraint ofaprincessis mcltcd by the paS$ionate lovcofa1u11or. Aug l4, ll, U , U, 29; S.,1 (ffll!1J, S, l,.11,1S, 18,23

Pl! FllPERMAUS Jol,ann Str<,ius JoanCa,den1mesRosahnde for thefo,i11imcwithRohe1tGanias herphilan~ringhusband. Sffl17,U, U,2t; Od6, 1D,13, 1S, l9,22,U

lOHINGRlN RirhardWagnrr Af1er1he ennmomou.,succesof W lreni;rinin l987.this great opcnr<:tums. Ort\, 4, 9, li, 17, 20Ml,13, 27

VOSS RiclwnJ Mral~ Based o n Pairick While's epic oovcl. Ort8, 13(mac), 16,18, 24, 26

PlACIDO DOMINGO in Concert ,,;~ JUllA MIGINES Placido Domingo is imemationally rttogmscdas the finest opcnuic le norofour lirn~. JuliaMigeneihasbecomean in1cma1ion•l star,1ncc hcr Grammy • ward winning Carmrn Tlley willbc singing aneuensive programofpop11lr,r1enor llnd soprano1U1asandducisbyVmh. Puccini.CilcaandRoss,ni. OflUTAINMOOCElfnE ..., s.tn >.., s,11 ~mo sri.eoiuel

SH.BO

ARTSCARD (02)69816B8

Filn, ,ou:--hers for Gu,,u, Unian. Vill,,g~ end HoytJ cm ema1 ma) b,o 1i11rdw5edfrom 1h, Trasroffiu fo,on/y $8 Vourhnsarr oprn da1tdo"J,.xd wn11rdfor nd <'1J· at 1/rrhox offeu . Som~ Soturdaydnd holiduy ffstrictionstJpplyto/htir uu. No lwndli11x f•~ ;, d1urg,d nori11htrtonylimi1w1!,e numb,or 1ha1 memhfrs =Y 1,uy Di¥ oums of$2 .50forall uru nfo~s rxctpl Sat«rday pm u ,·r<1IJO o!frr,d ar 1/.,, Mandolin Cinem.a. 1hr v ,.,,dy. Marron Pfau 1h,CrtmarntOrph1umand1he Ac,uJ~my Twin. Paddmg/On. Thuedisrnun/s are/1mUtd lOOne ~r mnnber ,,pan 1,rrsenw rio11 of ,1r,.Ar1sCarda11he lmxoffiet. Al Rosrville Citltma. ;•our Am Cardwillgnyo~a$2diswum (ma.ti mum purrhau M O tickrls)

@M:liill1IIM A NIGHT AT TH! OPERA GYPSY PRINC!SS Tlrol6A'961"" Come and ,njoy the G ypsy Princess pcrfonnance in th,Opern Th:atreconduc!edbyRichanl Bonyngeandsl.amngJcnnifer Bermingilam. An, on ,\usun. RogcrLcmke andRobenGard Dinaer,1thePromffiade Restaurant. (CircularQuaysidc) A vcry1pe<,illoffer Dinncrand Op<rn'60

AWAY S..1 II A19Sp!111101i1H .IWWi~IRrnlkEATR~ Klll.&R.A TI,eh1ghlyacd aimed~ward winningplay by Aum-alian. M1chacl Gow.Enjoy 3 lcisur<:ly dinner af1er th, show in 1h, new lookRcstauram. Tickcis $22, DinncrS23 (,ncludcs wine)

MUSIC & HERITAGE WEEKEND·BeUtrees, S,one Sat1Stp,S. 2S'!' A gr<:al wee~end in c~c councry: OnSelurdny we will hove lunch anclv.inetas!ia g atArmwfie!d Winery, krTy') Plaim. bcfore going1o lhc Sconc Polo Groundlo sccanuhib111onmatchfollowed bya VeuveCliquo! dinncr undcr a marqu..c. OnSundayaconccn by imemaiionalcclebrityjazz mwic ian James Morrison and his groupfollowcd bya Vcuvc Cliquo1picnic on1hcln"n1of BtlhreesS1Blion. lhehomf of MichaelandfodyWhiieand family. Ovemighl accomodaiion will bea1SconcMoccl. Ptck up points an: Eddy Avenue Ccmral Railway7.)0pm, NonhSydnty. Cha!swood, Gordon, Pymble, !-lornsbysuuion•. Cor.l S220 all inclu~i, ·e .

RUMORS • Show and Sipper TNSS'f' RllnrOr, byNcil Simonnt thc FootbndgeThea1r<:stamn, Jack1c Wc.avc,.Janc Hardcr,. B.,,-bara Sttphcns. Pcter Sumncr andRon Fall.. Enjoy suppc:rin theTheairc Foyerwiththestarstuddcd cast aftcrlhcpc:rfo!Tllan~ ShowandSupptr-$40 Op!ion1l. prt"lheatr<:dinnera1the ddigh1ful G lebcTerrace ReS1nurnn1.GlcbcP0inlRoad S32(mdudeswine andjuice ) 6pm

AN !VINING WITH P!TIR USTINOV Moo17Sep TIILITIE IDYAI. Followcdby,uppt, inthcfoycr afterlhepcrfonnance. SuppcrandShow - $46

TH! GlASS M!NAG!RII Spedalotf•· TwotdehforthepriceofOne Sat22Mp 1lusfamousplayisdir<:clcdby thcbri11ian! GaleEdwnnts at MarianS1Thum,.Specinlnffer -1wot1ckc1Sf01thcp~c ofonc-U8.Dinner6pmS23 (includes wincandjuiet)

Right .· NOR MAN PACE AND

GARET/1 IIALli . ulf-dtscribed

soy surgeonJ ofsoucint ssarr roming -,o .II/Ct your gut.s open

undremo1·ee1•rry/aJ1.1i11xfrbtll)'

laugh. until )'OIi arc on th, floor o

hrap ofconl'uludcarcaH.an

amorphous mass of laughed ow1

l)'lnph"'. If 1har dou,i't .1ound 100

daunting. you ' ll find them doing

tht ir w,ff 01 Hoot)" Hill NSL 1s,,, 16). Porramolta Rfrt rsidt TheC11rr

{(Stp 26), tht I/ ills Crntrt . Castlt

Hill (Sep 27) ondthe State Thea/rt

{Srpl8. 29)

Be/oll' Righr. Raconirur. mostu mimic and tt11tr111 iner

u1raordinaire. Sir Paer U11ino-1•. is hru to prtsei11 his

smosh-h11 Ollf·man show AN EVENING WIT/I PETER

USTINOV . Tht /KO-h our sho11· f talurts a11rrdn1t1 and

Ustinol'"sparodiesofctlebritirsi.tkno11 ondlaughor

RANDWICK SPRING RAC! DAY Wtd76Stp This is the Sydney Comminee Annual Spring Rac:c Day Lunclieon. wherethcladieswe"' chc,r Spring finery- u-adi11onally calledLadiuOay. Thc moS\ elegant Lady and Debonair Gcntlcmanw11lbcseloctcdby Primros<e OunlOf>andAngela l\.lcSweency a,n.l thc G11e,1 0f Honourwillbc " ·cllknownac!or. Stuarl Wag~iaff. EnJoy 1hcprivilcgcs o f l\lembership.cntnmceto lhe Racccour,;c, Racc,hook.free par\<ing, a supcrblunchand afttmoon1ea inlhcGa!axy l'(oom - for only $4S

OCTOBIR lOIIG WIEK!NP, S.,29-0<t l

CDFfSHAUOUR C(llncandrnjoy !hcholiday weekendatthcfabulous fivc-star Opal Cn~eReson, Coff,Harbour . ICs righ1on1hesurfbeach amJ ha, aninc hole golfcoursc. tennii. cnleMlllllmcntaroundlhepool, ""una.spa t.nd gr<:al food. Lu~urycoa.ch travel - lunch 81 Tun,conSa1urtlDy. Pickup puin1S: Eddy Avcnue.Ccnu-alRa1lway 7.15pm.NonhSydney. Chaiswood.Gordon. Pymbleand HomshyScanons.Reiuming Monday evening $3:?!iallinclusivc.

l!ND Ml A TINOR Galaevenillg ... TkEAlRE ROW. Stun ingRhonda.Bun:hmon:. Maria¼nu1i. Li2Birch.Tony Haney and Kevin Miles Join thecastfor1uppcraf1er1hc pcrformanceinrheThealtt Foyer. ShowandSuppcrS45

ARTS WIIK PINNER .... ,. TheTnislGovemors' andSydncy Commincc will be hosting a DinnerwithasurpriscGuestof Honour al lhe Shcra1on Wen1wonh Hotcl B,llroom.Call TheTrust for further detail!.

APVANCI NOTIC! Ortl6 Tff(IMl'OltlllKlOFIEIIIG

WNfS"l llln:hlhCioitnel O,.,.Homo.Oi..mdSbc,,.

()(121 NOISIS OfFSlln:SruortWo,Jrvff, 6nmhlwil,Jurlif1n, Ptltr WlirfriGlerriSClht.ti1, O..,..nlSbc,,.

Btlow: Dolores Keane is just one of the ruom of lht crop of Irish /alt musicians and singers who

will appear in an incrediblt ,,oJue-

packed e1'er1ing entitled tht

GUINNESS CELEBRATION OF

IIUS/1 M USIC . Ms Kea/II' posstssrs

onrofthe fints11radiriana/1•oictsin

Jrtlandand ht ralbumstop 1he char11

inBmoin. Ste Lis1ingsfordt1ai/s.

~HOW ~TOPPER~ [IARNIVA!.E ·90 KICKS OFF ON

Sep1cmbcr l .Theprograrnof even1S includesamong0Wrthingsplen1yof

mteresung theatre w1th Bclvoir St"sAbi11gdon Squorl' and Tht lncrtastd Difficulty O/Concen-tration; Wh.arf Srudio 's M isttro 8uffo; and Tht Male Ad()"d Hr,dt from "The Kings Bloody Cross Theatre Co . Bharawn Daa,.:c, Cump,sn y will be in Sydncyfot a weeka1 "ThePamde'Thea1"'andOa.ncc fuchangc will prw:n! Rus..u.11 Dumas· latest choreography at ThePerformanceSpace.

CHEKHOV'S THREE SISTERS IS RICHARD Whem:1c"sfinalproductionasaniscicdircc1orfot thc Syncy ThcaircCompany(lhougilnothisfinal production for thcSTC). Whcm:nsays he's wanted to direct Thru Sm,rs for many )'ears and he has assembled an impre5Sive cast: Lindu Cropper, Reb,:,,xa Frith. Angie Millikin, Pamela Rabe and RonHaddrick. August I isopc:ningnightforJ'hrre Sisttrs and closing night fur Whcm:u a.s STC ani~tic dircc1or (Waym: Harrison is the new AD.)

ROGER WOODWARD, WAS HERE A while ago 1o takethe m ~ica.l d i.rcciionhonoursforSydncy Da.nccCompany 's productionofXenakis·s monumental K= rg. He'sooming back again for anothcr goodrcason - thcfust SydneySpring International Festival of New Music and Visual Aru (a!thcAnGallery ofNSWSep14-16).

Wortu by Ah Xian, Liu Xiaoxian and Wang Youshen-three youngOuneseavantgardean.isis from Beij ing. whom Woodwanl saw on his recent (and obviouslyirupiring)Chis>csetour -willprovide

thebackdrop1oa musicalprogramlhatinclude5 lannis Xenakis.John Cage. Toni Taltemitsu. K:irl-Heinz S1ockhausen. Witold L.utoslaw~kl and Australi;rn composers such as AnflC Bl)yd. Ocran! Brophy. Barry Conyngham, Michael Smetanin :ind Roger Woodward . amongst others

As panofthc fes1ival.fOTUJTliwill belleld ro ~xplon: thcroleofthcans in eontanpor:uy socicry. Woodwardisfounderandartistic d irccloroflhe Sydne)• Spring Feslivalandhe is workingiowanl !he fc:;lival becoming a pm;tigiou5 annual even!.

JULE.<;WRIGHT WENT1UENGLANDlN 19 74 wheresheca,ved hcnclfaprc,stigio us carecrin Brilishthea1te.Auslraiian·bomMsWrigh1 is cum:ntly Depuiy Direciorofthe Royal Coun Theatre and ~ Din:aor of!he Women·~ Playhouse Trust.

SheisinAustralia1odirectH01 Fudgr andla Crr0111, JWoone-actplaysby thecvtr-surpris,ng Caryl O,un;hill whosecrediuinclude C/oudNine, Top Girls andStrious M an~y.

Hot Fud~ and let Crram was writte n 10 be perfurmedontheooenigh1· thedramaticimpac1 beingal1ogelher diffen,n1 fTOmatwo ac!play. The playsooncem1w0 Englishmurderersandtheir long-los1Americanoousins. Says\Vrigh1: "lh.iv~1u sa)' theyllfl'extremely funny.lhough it"sadiffercn tkind of laughter to StriOld M o,iry." Set in the gloom that llas descc1lded on Thatcher's Britain. !hey lift ··a moch harsher, ooldcr lookatBritain".

H01 Fudsr and leeC,-,.am stan.LynrtteCurran. Michele Fawden. Paul Goddard. Rosemruy Hams. GcoffMorn::ll and Darry0no. Scc~Lisitngs.

fROHTROW PageS.YOn •(0216981432

Page 8: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

ARI$ WI> 1881231 ffl6 +lllll3lll307

NUNSINSI by l'anGou1• D1ru,,,,·HmyJlobbit ClwrtO)!'ll{lhr,· /)(J/ortJ /)orzbar Star,; h,MBronh,11 Aftcr 2l numdica11heco,wcm frombotuli, mJuoioaconrnm,n a1edmca! ot v1chy1so1.1e, fivc rcmajning nunsorgan,.1e a 1ak n1 que>11ora,.._ monoyfor the mas< bun ll. Thchtallh dcpanniem,s obou11odc.1CeJ\donlheco,went andlhe vanclysho"' h1s1opl•Y on thc h1gh.1ehoolmge wherc lhc schoolrrodurnon ofGrcucis bcingS1Jgcd. Allnun->1opfun lll[UITONTH!All! c.,,~1~....t"1W14 u.11, .. 11 W j1111 ,wghily, 4'f11Wod,~ 4115000 S2l.10

527.20

AISOPS FABLIS l'uJ, T~""' Cc,mpany D ir,r,(>r C h,i<riM ,\,ak( t,/1 AdapLallun, ufwclllovcdAcsops fable, forjunLorandlowcr pnmary .1Chool c h1ldnm. fAICHTIIEAJKE

10'-""'~.~IIOIM Hp l.14 IDllil.11.lOom.llGrl-frl I.IISWD SI.SO

"" AFRICA OYII Fift)· perfonn.Bfrome,ght countrics. Ra1nforcs1py~mies, Guincanacrobau , Pcndedanccrs and N,gcnan drummers w,l_l s1ainp lhc »ghllo and .oundorAfncaoo ) Ourheanforc,·cr Auniquch,gh· cMrg)' eAplo1iond,.m:1frumthc Melbourne [111em~uonal Fes1,v1I of Aru. HEUIJESIY1Tlff.ATU Stp24-29 AmWO SJl.90

"'" BUI WHAT IF I Gfl RIPPIDOFF Jur.e1wnThro1r•Ctm1JUJ11y A ncwplay "hich focu,<son youngpeople. 1heirfan1asiesof wor\:inglifc and1hc rcali1ie, which awa11 1bem. l ,01 lhlm1 forl"'11, !ll lOl

CAPRICORNIA 1>yUJ11.11NoKtil Star,TliM1" Campa,,y Du,ctor. Ki•gmm ,\nJ~""" .~tar.t· hJ,a M,lln Jumn1 Sawidrr,. Yu/Sw/luK·an Fromstartlin,~h n ,s magmlice nt ..... Capricomia ,~ a powerful. bcau1iful.«omp,lling workof !hca~"" SydMy Mom mg Herald. A nehandabwrbing epic which 1nnkSydnc) bys1orm Tlll:PU.lHOU!iE AM:iidt ftii>al ll-,,1,&ifdollld Stpl·29 a,,. .,;;.i,, 1.x,,.,11S.,, 6.l0pn,25V,p Mat2pm~ ISS4,p, 11""'W~19Sep .i.mWD m.m

m .lO

CARTHAGINIANS btfrankMd;•oMSS Tlr1RdShMC""'f"'n)" u ,rtttor. CaohMcK,onoa TI11s powcrfulplay uoc, vivid characlcJS toeuminc!hc impac t uf !hcB1oodySumb)· 1110>>'1C!<'lll Nonh,m lrcland 15)car<af1crrhc

l!DfflfO 4SCi:rW11,.IJIOOI No•IS.0. 1 .i.mwJ m

Ill

COURTYARD OF MIRACLIS by /okbw,s Kamban,m, Gr,rk Au,1ral,on P,ifon,,o~u

~~"; r · Mar MaJlro:ima< Star, MariaSra,·riMkiJ, Guu, Tw.tauat.Pru r l,,1ttt,,.,, Emotiom,11a»ions and polilics erup1in"·orl:,ng <loss Athens. f'trformod rn modemGreck.

UONTHEAlJ.f r.,,l!dborol.li«pNISI,~ ,.,a-12,a.,14•11 !pn,W..Sat,WIIUug llfl! illH.IJO S9

" DAPHNE LAUREOLA b)·Ja-, D,,d,r /nd,µnkn1 TMarrtCom1MnJ /),rr«Qr RobCrour S1a,s: Pa1</Unbo,,.Di CMmbt,lam A modem rc-workmc ol the Greek logonJ of Da11hnc. who wu turned in1o •taurclbu1hroe«:ap, 1ho aJ,a11Ces of the sun·god A1"'llo Se1 ,na sligh1ly dolapid~tcd Soho rut.:mrant m J948JamesBi1die u= thc myth toc~amine thede-pe,sonihs1nga1f"('1• of idolilauon. " hercthe imagc bccomesmott irnpona111 1hanthc rcal pc,son. IHI.UIE62 Wl~ll., lli!oo, ,.,1,.15 lprnMon-Srr, 2pmSd251.>J AfflCUJ 59

"' DOUBLIBASS byP<11nriS1<1>k•nd 1/an,s,Th,a,,,.Con,pa•)' s,a,s lltnt1S:tp:i Alonely man rn lo,c " 1thlhelcad sopranodcc11lu tobur..lmto1he middlc ofthe opcraandycllhis lungsout. Hc'stheb.l"player -a d1rtyworl:er inagloriou, profession. r.,,,,, 111 oul 1,,1~ b moh lo 1,, ,., ;:,1;::·~:;;· r .. 1m,k ,;.1 Hmm

AN !VINING WITH SHIRLOCK HOLMES ,1,....:in~/10/,.,,.c,,,.,,,,,.> U,rrct,,,.. K, /1·,~/larmon s,.,,, Ke/l•m lla,,.,,,n,Joh•Krliy, l;'mmaSalur,MattA~~ Rar.dr/1 Four11ttors prescm admmah&od rcadmg of' f'IH: lln,;comhc Valley Myslcc1yanJTI1c V01lcdLo,Jger. ffl!A88EY 84&if'll .... ld,~ ,.,10-11 ,,. AIJ'HAio r;x,:dr1111i'lg1/ IUSI

'.>31.50~lmnemool

AN !VINING WITH SHIRLOCK HOLMIS Ama:ing lloi1t1tsCo~'fl"•J {),r,rtnr K,hmlfa"""n Srar,. Krt.m llartr.oo. John K,11,. F.mIMSa/1,r,M1111~,wR11nh/l TheGoldcn Pnncc-NciandTh~

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~HOW ~TOPPER~ a !STER MARY !GNAT/US EXPLAINS lT ~II FOR YOU is the SA premiere of abizarreblackcomedywhichwasthe

the 1979 off-Broadway !>eason. lt'~an uproariousandcontroversial examinationof the church which is coupled wilh Ron Blair's THE CHRISTIAN BROTIIERS- a hard-boiled nostalgic view ofthe Catholie educat-ion sys1em. University of Adelaide Theatre Gu1tdprescms 11 perfonnanccs bt:tween Aug 23andSep8at theU1tle Theatre.

DAPfJNE LAUREOUi WAS ORIGINALLY wriuen as a vehicle for Dame Edith Evans. wasp~uc~byLaurence Olivierand gave Peter Fmch his Londo n debut. It's a modem reworking oftheGreeklcgendofDaphne. v.huwas tumedintoalaurelbush to e'iCape the advancc.5 of the sun-god AP?llu. Jamc.5 Bndte used the myth to wnte this examination ofthede-per..ona!isingaspectsofidolis.ation. where the image becomes more importa11l than the real person. Nine perfonnance only at Theatre 62, Hihon. See Theatre Listings.

BENJAMIN BRllTEN'S WAH HEQUIUM is one of his finest works. Don't mi~~ renowned Britshtcnor.RobcnTear.andbarito11e ,John Pri11gle. with a JOO-voice choir perfonning the work accompanied by tht: Adelaidt: Symp~ony Orchestra. Two dates only a t Adelaide Festival Thea1re. Soe Music Listing~.

T HE QUEENSLAND BALLET"S VERSION o~ Salome present~ a Salome totally in love w1th,yctrcjectedby, John1he Bap1is1.ltis this love that causes her to help him escape from prison.andthen,afterthe1r capture. todance naked before Ht:rod. ht:r ~tepfathcr.athis binhday pany. To save her lover. she offers hmclf to. and is accepted by Herod. The ballct cnds withthcnakedSalomefondling 1hehcadofJohnthe Ba111istbcfore thc 1wo of lhem walk to freedom The score to this version was wriucn by Peter Mv.well Davies HaroldCollins andtheQuccn.slnndBallct were approached by the composer's London ~gent for this, thewurk'ssccondevcr production.See Dance Listings.

IHI GAY DIVORCII by MargamF,scl,,r \1ta/J1mls1UThttm tCompan1 D,r,cu,r· Rn:t Clmwr.u Swrs:Ma,~orttF,srhlr Acomcdyaboutdivorce and scpamuon UONTHEAm li,ingArTl(lfllr1, .orth1 .... , 0.,,.21 8pmfo,.SaJ , 1p:n ~ AfflCARD Sl4

'" RISIORAIION by £d~"<Jn1BonJ S1a,e Throtrt!Compaay Dortct.:,r: S,mo,PAdlipJ Siar<: R,dwrd f',pt,. Dap~,,,. G"'J A scan11g anackonsocialinju,tice inwhichascrvan1i,1'uton trial for a crime mmmittcd by hi, ma1ter. Humou1.songsand all the 1raditio11alsf"<'tacleofRes1orauon comedy. fflfPU.YHDU'i~A&elei,ltftlli,olC..1. KngWiliomRd,A.w.r. UotilA"IIU !$ffin;J,ifi,,2pmwl~~ lhmWl<IB.1.og ~cm m

S2Ul

SISIIR MARY IGNAIIUS IXPLAINS IT ALL FOR YOU byn ruroplu:rD"'""S IHI CHRISTIAN BROTHIRS by RonB/air Un, OJAd,l~ibT/u:a,r, Gu,ld D1rea0T. P~lu Ga<',.. Star.,· Jnhn £dg, AnEcdcs,a.tic DoubleBill. Thc Christillfl8ro1hors is h•rd·boiled nosuilglareminding us ofthe Cathohc cducauons) SICm ofthc I\IS.0<. S;<rcr Mary lgnatius E..plains hAIIFor You is thr: Sou1h!\ustnhanprem1crc of a bri:am:black comed) which was thc hit of thc 1979off-Broadway

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moMytobu.ry fivelof

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frre:ers . Against the bactdrop of ihe students' protluction of

Grease . 1he nunr stage a frmdroismg musiral I() give 1heir

sisters a datrll burial. NIJNSENSE stars Junr Bronh1// and

itsseason runs fromJuly3l 10 Augus1 I I. Sulisrfogs

THRIISISIIRS b)· A~IO~Chelwe Cen,reFor f'er[ormingAm DirullJr· Va,•id Ke~da/1 Grdduationproductionfo,finaL years1Udc111s.Arcalistieand sympathc1ic dcpictinnof thc va1iuus tu11grng,of dm:cwomen livmgm !tlecounlry. lns1u d of real i1ing thoi1dreamofrc1Uming to Moscowthcy facc, dii appoint· me111in loveand"orkand 1he dc,1ruct1onuflhci1 illuSLons. OOEOHTllEAIRE TkPGrodo Horwood ... lMS 8pmMOl>So1 Affil'.UD S6

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IHI UNIXPICIID GUISI byAg111hoChr,J1i, Adtlaid~ReprrtoryCompa~y D,r,e,o,· Jua~Bo/1 Exciting Agatha Christie mystery wrincn in 1958 .lffi IBEAT1E A.'IQQllr, ldela~ ap..bt3-4,9'11,Mat5atl1A'9 Affl(AID S'l

"' WALLFLOWIRING l>yPna Murray J:a;:;,~~/Ptrry1t1an.Knan

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WICKIIYWAK Come<ly andmusic grou11. 0.,cr-thc-Topshowmanshiphas made thisgroupadrawcanl allaround Australia. ADEU.IDEFfSTI'IJ.LCBOIE A&eloid1Ft1tivalTheoT<t,KngWlliomU S.,H .,.. Am l'.AP.D Sl9.90

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SAMSON n DALILA Th,S"1t, Op,,o D,r,rtOI Li,uJy /fol= Stor1: AnthQ11y l/od, n.Dubra,·i<:a Z..bo,k, Mid"''''-'"' ' A d a"icofFrcnchrcpertory co ~roduccd by the Sall Fran5i5CO Opcra .,,d Lyric OpcraofChic1go.

FrnTVAt Tll£ATRI l.delcidtftlriva1l'.llttll Oct\S, 18, 20, 23 ~CARO S40,S29, 520 + S4s,m .m 1oco•i.,,111, . 11• 1~1, p,olou1 .. 11m Opm • ;II N l,ldintoO,nnu/Oom,11h, lyo11Honlon0no0or l1

DYNAMIIII Clwrrographtr. Da,·id Athns Stars:Da,·iJ Atki...,, Sh,,u Da COJto TheE/ranclegsDanu,., A1oe-1apping1our-de-forcewhich thomughlycam.,itsti1le. A•ide from1hedancing spectacle s :rnd tributntoGenc Kclly. Fred AstaittandM,chacl Jackson. 11,cn:',animmaculatchveband and 'IOmesensstionalsinging from me inimitable Tina Attna. HU MAJESlY'STllEAIRE 6t11tStNt,Adeloido 0p,n,1.,21fi:rfolr ... ,k!o,ify Prmlw, 17-n lpllf•Sa1,2pmSrr, SpmS.n /JTSWD S2S,S33,SU

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IHI SPACI SIASON Diruw r: Ltt Worre~ Tlu: AuJlfalianDanaTh,atr~ The pcrformanceconsists offive , hon modem pieces. IHEIPAC£THEAIRE Adil,itle ftl&,o[ (HIit, Kitg WiJil!IIJd , .. u-s.,, 1.11pm AfflWO S1l90 + 519,90

BIWARE IHI FRAGIL.I FORISI AND OIHIR SHORT DANCE PIIGS D,rr<:wr: B,,.,,/yW"1ers SA Childr,n·, Ba/l~t Company Ballc1by andforchildrcnwi1h emphasison thenatural Ausr,ali.an

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"·" SALOMI Q•«,uUndD,;/1,i Frcsh1iom his1riumphan1 season inEurOJIC, Ha,uldCullin, MBE hasn:1umed10reerca1ehis most controvcr:sial ballel.This production bubbleswith hlood. ero11ci.1m and luMforpowcrand diffc,sm~rl:edly frornO,cu Wilde·s , ·cr-.nnan<I Riehard S1r>111s> opera.

+ !08)2318302

HI.WJEID"STllEAT•! Goot,Sl, Adekido S.,20-221pm Ull ( UO 121

ADILAIDI CHAMBIR ORCHISTRA 81/lrff.N. \'uriutiom On,\ Tl,rnr.1 OJFrm,k BriJge BERIO: Falk S/JllJU KOEHNE. Copriccio For Strirrg, and Piano MOZART. S)mphonJ No. JJ KJ /9 ColU/u.tor.Jorgt.'ld,Sttr So/oim: Clem~n• Lnl,Jnr, K,mMI/Wke,/er Concem11t11t,r:Wil/iam /frnrw, >J A0EtA1DE10WN HAll Aug141pm

BARTOK. Music ForS1rings, Pr,c,,ssionondC~fo,i, STRAU5S: Bourgtoi, GentUhomm, Co~durwr:JorgrMr:,r,r Concr,1.,,,,s,rr: William 11,nneJ•Y AOEtAIOETOWNHAlt Stpl08pm AffilUD snu ... Sl9.S01 S15C ,.. m m su

ADILAIDI SYMPHONY ORCHISTRA WAR 1REOunM byBtnjaminBntltn Corulurmr: Nicltolo,B,ouh""<Jitr Soprano. Nicola Punn.\VaiU Tt 110r.Robrrt T,,;r &.ruone:JohnPringl, Combined JQQ.,.,,,u Choir UndoubtcdlyBrittcn'slinc£1and most m!ipm:d wort m wh,ch the Ma.,"1lati,11e, tisintc,spcrscd wiih.1eumgsofpocuyfrom legendaryEnglis h poelWilfrcd Owen. AD[I.IJD[ fBlWAlIBUilRE "'110-11 8p:n UlW.iD S'/US7U • mm MASUR SIRIIS CURR/£: ~\mdtr AlgoritlrM S1B£LJUS· Symphon)No5 Dl'ORAK: Ct l/o Conrt rio Colllluctor:JorgtMrmr c,110. RalphKirshba•m AOEU.ID£10WMHALI Aug 306.l t\,m; A"931!pn,;S.,18pm Affl CAlD S2H,S118, S10C

S19.SO,S13,S1D

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PDQ BACH PDQ Bo,rh: Performer ar.JJ /null~cu"'/Guid, CaNlw:10,: l'rrtrBa!tdy PDQDACII. Schl, pm Prof. SCl{ICKl:.LE: l:.ine Klem, Nichtmus,k PDQ 8,\C/1· Grrm Cnnrfrlr> PDQ 8,tC/1: Cu,1c1'rt// ful' Pimw VsOrchtwa The funmcslclas,ical conccrt you· n cver ancnd. ADUJJDtfESIIVAlntEAm lM(Mlf8pm rnscuo s11 4.S16e, s1oc

Sll,S21,Sl6

DurOllnrjilm vouchusare: a,ailablt from Th~ Tnm offia for Gr~m,r Union am/ 1/oyls cinemas forS7eoch.Carddiscountis a ,a i/obltatWallisCmemasonly.

FRAMES: FISTIVAL OF FILM AND VIDIO MEDIAR!:SOUUIWITT:E A cominuou~fc11,valofvidw an, super8film, expcrimental and a,ant gardework"ith Stminars anrlbicnightcluhatmllsphett Bcld in,uujunction wi~1tllc mai,i progr.unofrcccntAustralianfilm

tobcscreenodlllHmdlcy Cinomu UOHIHEATRfijjD&U l'.rf!lonhbrn:l~Sl, Adeloido StpM(,4t, ""rig\rt r .. t.,tku4,1oil, coli lh lr,u tl l l lll

IMiM:ii:Ji•lM;fi LISMISIRABLETICKflS Trustofficeh1S ticke1sfor LnMi1 for Thu} Jan-Wcd9Jan 1991. Grca1scats! $47 plu~ a S1 .SO booking and handlingfecpcrll(kct Ring now23 l 8256forhckeu

UIIRARY LUNCHIONS GORDON CHAIER Na, ..... 29

COU!GIAKMS S25 Memtxrs $30 Non·membcr.;

IIMBOWDEN ,.,. .... , UNIOK KOIBAO!WOE S25 Memtxrs. SJO Non·mcmbc,s

LITIRARY DINNIR TIMOTHY BOWDIN ,.,. Diru,crS22 atTI1c l¼mPalai,,

Dinner ;and acmmodatmn appnnimarclyS95 (0010<1Clu•1;., ,1t Nlmtf., for!hor d,1,;1, . m 1m

MARY MARTIN B O O K SHOP

IS% DISCOUNT A UNIQUE OFFER TO MEMBERS

of The Elizabethan Theatre Trust and Friends of The Adelaide

Symphony Orchestra Speedy order service and

hard lo find titles our specialty

12 Pirie Street, Adelaide 08 212 791 1

new and grealer range of books

THE TRUST LITERARY CLUB AT CHESSER CELLARS THE LITE IHY H UI IS J YEU H CIT IM G DHELOPMENI Of THE POPUL AR TIUH lUN CH EDHI .

Bein& a member of The Trol§I Litenry C lnb will gi,t yot1 l hP np porlunlly lo med suutsdul wrllHS, p la ywrlghls, publhhers. aul ~on u 1d poeb, in an infurrnwl a tonosphrt.

l ntere£tlnK guest ~pub'" will p ro,·ide a uimula l ing lnlercha1111t uf l houghU and Iden In a unique club environment.

Mtmbers of T ht Trust Ult.rary Cluh rere l,·e ,lg nlflca nl dl,counu on a dmission lo t:lub u11,·1Ues Hnd t5% dh~ounl al l h~ Muy ,\brlln Buok~hup.

Mak, s ure you j oin now a., Club 1ntmb~rsh lp Ii limited!

Plnsef;ndbclowyou r mtmbersh lp(orm. I K'01</d /ikr rojo,n 1h~ r ,,.., u ,.,,,,, Club. f.~rlouJ ism1· annual ubsrr.pt1o~Juof$/O.OO (Ch,qunm111f, payahl, 10Trustl.i1rrnryC/uh)

NAME: (Mr/Mrs/Miss/Ms)

I undtrJland 1ha1 in addition 10 my an~ual JubJrript/Qllftt I ,.,/1 l""J' S 10 to a11,nJ ,a~A ef IN C/"1,'s ,..,,n,hly m,nin11., atCh,n;rC,1/ar< (N,>1,· Nnn--ml>tr.,njrh, rl11h mu,1 p,l) $/1 1r1 a1und rh, monrAly=m ng,

~ : (971271952$ . . (07):1:111762

2ND ANNUAL BRISBAN! ARIS THIATRI DRAMA FESTIVAL An event aimed at cn<:nurag,ng andprumuti11g d1cdcvclupmcm of performanccsk,llsllflddmna apprccia1ion inthr:communi1y. BIISBANE.I.R!SlHE.I.IIE llOPe1rit ill,ott, lrilbone &ut2I-S,p1S 1 ... )0!1.3~ ~(.I.RO SI

" ALLMYSONS b)•Anhu,Mil/rr D11uw, PumByJ1 Dnisn,r · K)'" Tltom,u An American thcalrc das,ic from oneoftheJlrcaleSlliving playwnghts BRIIBANEHFS fflEAllE 210Pt1,~Ter,.at,lmbont TillA,g( Wl<i-So1 8pm AmUIO SIO

'" BRIR RABBIT AND THI MAGIC LOLLY-POP CAVI b)•Bob /1,rb,rt D,r~cwr. MaJxrLum.id,n Thc:mag1cal adven1uReoftha1 marvelloushnlcbunny. ilfiBANEAmTHUJRE 110P'1!it llfl0<1, llnbano Ti11Aug2S .. ,,. IJT'ICAP.D So

" CORALIE LANSDOWNI SAYS NO! by Al,xB~w /),rectorW ,s,~nu. Gar'/ O"Nr,/ Acomcdy tha1sympathr:1icall)· ca11rure< r0<fay"~n,ew"·om•n and herHrugglcmbc hcnclf. iRlSiAJU.lffiCEIITTE 1101'errielertott,lrislme S.,21-0.t 2D Wed-Sa!Spm AffiWO SIO

'" GILGAMISH Ro)-a/Qur,'IJ/onJTJw,at,tCompa,i) Dlrtt10r:BryanNos"" S1ars: R{)hn1 Ar1hur, l)awdK'a/1us, Donald/la/I Thisnncien1 Sumerian epic i• 1500ycarsoldc1tht111H<)IIICt. [l tell& tho storyofakmgwhobllilt • jltt31City.travollcda11ttal joumcy,fough1with!l,cgod1 and wasconfronlccd withhi,own morali1y. snGl.1'umoo•Y£NuElll Od4-20 Tuo 6pn,. WedSo18pm;IIIO!S l0.30om W..4, ,,.,.,

i.mwo m .,s m.so

LIPSTICK DRIAMS Sttu,:Lorrai=Bayly Fou1scnsauonal women playmg nm theirpersonalfanta.sie,ala Shirley Valentine lWilJIHNIGHT(OIIIJ'lEX _,,. ,..,,.s.ps 8PM;...,,lhr,Wed,2pmSal ,mcuo sn

Sl9.50

LOOK BACK IN ANGIR t1!;10sbom

From,tsfostpcrlurm:rnces. lohn O,born"• brilliantlyaoccrt,icp!ay hadahuge,mpac1onth~d1ttct1on ofEnglish·spnkingtheatre. Recently1tsrcsiva]onceagWn 1ookLondonbystormwnhiLs de111ctionofthe11lightofyouth h~lplessly pitched ag.,inst the forcesofcorruption.conscrvati.1m andpo"·cr. !ABOITE 11Glo l1, Ptmt1T.,lltll, l tilboM • .,,.2s .l.ffiO.lO SIi

'" A MONTH IN IHI COUNTRY b)' /,·anT• " t nt,• RQTC D.,u,or:RQbJnNr"n D,.,gnu Dol, Ft ,g~•on s1ar,. l>ahm,S1epl,,ns,J,m\1I, . Keunl/1dt<,U0Wodntr, le• 1;;,·ans,Jostph,•tl>)''"'J. l>tlh Armsrron~ Ru»1311 theatrc 'sfirst p,ychologJcAl drama.A \lonth ln Thc Countryex11loreslhehcart andsoulofone ofRussian litem111rc·s mostbeloved characrcrs.Na1al)al'c:trovna. nu, """'l"a,a111aJ01i11fluc,iccun Chekhov'swntmg. SUNCORPIBEAIRE TIROISl,8t!ibcn ....,u.5ata ILll'Pn,Wid.Srrlpm; 11111110.lOmn Wed,q>IISrr Am o.to sms • m.so s, u;o1P,;,.p,,.1, . ,sto.10•,• A•1tl, IO.lOu111dlJ11 Ao9 1!

PAM AYRIS llOltlNll(IIININ&WIIHWII Allll Hcrwil,,...himsy and ficndishly ~k:vcrvcn.c ha, c rnadc her a farnuriteofaudioncosallo,crrhc wo rld CONCOO HAll Or&(.lri,b,o,, ....,24a,. .i.mmo l'hlnl TMI

S14.90

PHAIDRA l>y han Rad~t TranJ/. R~rl Daeid MacDa,u,/d TNTh= 1rrCo D,re:nor· R,rtBill,ng~urSJ D,,.g,.,,r; B1ll 1fa)<:0Ct Srarrhnn1J,rF/o""t'rJ, Stan

~HOW ~TOPPER~ I HE RICHEST AND MOST

prestigioussingingcoml't:liliunin Australia - the Ma thy and Opera

ards-attractssorneofthe finest young operatic tatenis in ~e country. 1be finals o f the 1990Awardsw1II beheld for the first time in Brisb:1ne. Thenatio11al adjudica1orfor1he 1990 competition is Profe.%or Joseph .w ard. thedistinguished Headof Opera S1ud1es and School of Vocal Studies at the Royal No rthern College of Music. England. Book now for the final on August 24 at QPAC's Lyric l11eatre.

PlACIOO OOMINGO IS BEST KNOWN ·ro Australian oper.i lovt:n; through hi~ more than 50 complete opera recordings a_nd televised performances rncludrng many t~ The Royal Opera Covem Garden. La Scala Milan and The Metropolitan Opei:3 New York.

In recent years Domrngo·s anistry has shonethrough inthe opera filmsof Franco Zefferilli, la Trm·iara and 01ello.

Julia M igenes played opposite Domingo in Franco Rosi·s film versio11 of Carmen.

Together.they willbe singingane~tensive program of po11ular tenor and soprano arias and duets by Vcnli, Puccini. Cilea and Ros.sini. SeeOpera U , tings

ROBYN NEVIN HAS BEEN DOING A FAIR amount of d irecting of late. She is now _at the Royal Queensland Tht:atre Company d1rt:1.:ting Ivan Turgcncv·s A Mont~ lri Tlie Country (newtranslationby Dav1dClendinning),

A major influence on Chekhov. this enduring Russian play about the ctemnl love trianglewasooeofthefirstpsychological playsoftheday mRu.ssiaandremainsa popular classic. Sec Theatre Listings.

USA GA STEEN RETRURNS TO BRISBANE to s ing U:onor.i in ~ix perfon11wices o f Verdi 's bcautifulandmovingoperal/Tro,•aton? inthe Lyric Opera ofQueensland"s. r,ew production Popular American tenor. Hans Gregory Ash baker sings the role of Manrico and the Queensland Philhannonic Orchestra will be conducced by Verdi speicalist John Matheson.

ARTSCARO SA !08) 2318256 QL0101)2219S28 FRONT ROW PageNiM +SAIOB)2318302QLD (07)2217762

Page 9: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

ARI$ WI> 1881231 ffl6 +lllll3lll307

NUNSINSI by l'anGou1• D1ru,,,,·HmyJlobbit ClwrtO)!'ll{lhr,· /)(J/ortJ /)orzbar Star,; h,MBronh,11 Aftcr 2l numdica11heco,wcm frombotuli, mJuoioaconrnm,n a1edmca! ot v1chy1so1.1e, fivc rcmajning nunsorgan,.1e a 1ak n1 que>11ora,.._ monoyfor the mas< bun ll. Thchtallh dcpanniem,s obou11odc.1CeJ\donlheco,went andlhe vanclysho"' h1s1opl•Y on thc h1gh.1ehoolmge wherc lhc schoolrrodurnon ofGrcucis bcingS1Jgcd. Allnun->1opfun lll[UITONTH!All! c.,,~1~....t"1W14 u.11, .. 11 W j1111 ,wghily, 4'f11Wod,~ 4115000 S2l.10

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AISOPS FABLIS l'uJ, T~""' Cc,mpany D ir,r,(>r C h,i<riM ,\,ak( t,/1 AdapLallun, ufwclllovcdAcsops fable, forjunLorandlowcr pnmary .1Chool c h1ldnm. fAICHTIIEAJKE

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"" AFRICA OYII Fift)· perfonn.Bfrome,ght countrics. Ra1nforcs1py~mies, Guincanacrobau , Pcndedanccrs and N,gcnan drummers w,l_l s1ainp lhc »ghllo and .oundorAfncaoo ) Ourheanforc,·cr Auniquch,gh· cMrg)' eAplo1iond,.m:1frumthc Melbourne [111em~uonal Fes1,v1I of Aru. HEUIJESIY1Tlff.ATU Stp24-29 AmWO SJl.90

"'" BUI WHAT IF I Gfl RIPPIDOFF Jur.e1wnThro1r•Ctm1JUJ11y A ncwplay "hich focu,<son youngpeople. 1heirfan1asiesof wor\:inglifc and1hc rcali1ie, which awa11 1bem. l ,01 lhlm1 forl"'11, !ll lOl

CAPRICORNIA 1>yUJ11.11NoKtil Star,TliM1" Campa,,y Du,ctor. Ki•gmm ,\nJ~""" .~tar.t· hJ,a M,lln Jumn1 Sawidrr,. Yu/Sw/luK·an Fromstartlin,~h n ,s magmlice nt ..... Capricomia ,~ a powerful. bcau1iful.«omp,lling workof !hca~"" SydMy Mom mg Herald. A nehandabwrbing epic which 1nnkSydnc) bys1orm Tlll:PU.lHOU!iE AM:iidt ftii>al ll-,,1,&ifdollld Stpl·29 a,,. .,;;.i,, 1.x,,.,11S.,, 6.l0pn,25V,p Mat2pm~ ISS4,p, 11""'W~19Sep .i.mWD m.m

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CARTHAGINIANS btfrankMd;•oMSS Tlr1RdShMC""'f"'n)" u ,rtttor. CaohMcK,onoa TI11s powcrfulplay uoc, vivid characlcJS toeuminc!hc impac t uf !hcB1oodySumb)· 1110>>'1C!<'lll Nonh,m lrcland 15)car<af1crrhc

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COURTYARD OF MIRACLIS by /okbw,s Kamban,m, Gr,rk Au,1ral,on P,ifon,,o~u

~~"; r · Mar MaJlro:ima< Star, MariaSra,·riMkiJ, Guu, Tw.tauat.Pru r l,,1ttt,,.,, Emotiom,11a»ions and polilics erup1in"·orl:,ng <loss Athens. f'trformod rn modemGreck.

UONTHEAlJ.f r.,,l!dborol.li«pNISI,~ ,.,a-12,a.,14•11 !pn,W..Sat,WIIUug llfl! illH.IJO S9

" DAPHNE LAUREOLA b)·Ja-, D,,d,r /nd,µnkn1 TMarrtCom1MnJ /),rr«Qr RobCrour S1a,s: Pa1</Unbo,,.Di CMmbt,lam A modem rc-workmc ol the Greek logonJ of Da11hnc. who wu turned in1o •taurclbu1hroe«:ap, 1ho aJ,a11Ces of the sun·god A1"'llo Se1 ,na sligh1ly dolapid~tcd Soho rut.:mrant m J948JamesBi1die u= thc myth toc~amine thede-pe,sonihs1nga1f"('1• of idolilauon. " hercthe imagc bccomesmott irnpona111 1hanthc rcal pc,son. IHI.UIE62 Wl~ll., lli!oo, ,.,1,.15 lprnMon-Srr, 2pmSd251.>J AfflCUJ 59

"' DOUBLIBASS byP<11nriS1<1>k•nd 1/an,s,Th,a,,,.Con,pa•)' s,a,s lltnt1S:tp:i Alonely man rn lo,c " 1thlhelcad sopranodcc11lu tobur..lmto1he middlc ofthe opcraandycllhis lungsout. Hc'stheb.l"player -a d1rtyworl:er inagloriou, profession. r.,,,,, 111 oul 1,,1~ b moh lo 1,, ,., ;:,1;::·~:;;· r .. 1m,k ,;.1 Hmm

AN !VINING WITH SHIRLOCK HOLMES ,1,....:in~/10/,.,,.c,,,.,,,,,.> U,rrct,,,.. K, /1·,~/larmon s,.,,, Ke/l•m lla,,.,,,n,Joh•Krliy, l;'mmaSalur,MattA~~ Rar.dr/1 Four11ttors prescm admmah&od rcadmg of' f'IH: lln,;comhc Valley Myslcc1yanJTI1c V01lcdLo,Jger. ffl!A88EY 84&if'll .... ld,~ ,.,10-11 ,,. AIJ'HAio r;x,:dr1111i'lg1/ IUSI

'.>31.50~lmnemool

AN !VINING WITH SHIRLOCK HOLMIS Ama:ing lloi1t1tsCo~'fl"•J {),r,rtnr K,hmlfa"""n Srar,. Krt.m llartr.oo. John K,11,. F.mIMSa/1,r,M1111~,wR11nh/l TheGoldcn Pnncc-NciandTh~

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~HOW ~TOPPER~ a !STER MARY !GNAT/US EXPLAINS lT ~II FOR YOU is the SA premiere of abizarreblackcomedywhichwasthe

the 1979 off-Broadway !>eason. lt'~an uproariousandcontroversial examinationof the church which is coupled wilh Ron Blair's THE CHRISTIAN BROTIIERS- a hard-boiled nostalgic view ofthe Catholie educat-ion sys1em. University of Adelaide Theatre Gu1tdprescms 11 perfonnanccs bt:tween Aug 23andSep8at theU1tle Theatre.

DAPfJNE LAUREOUi WAS ORIGINALLY wriuen as a vehicle for Dame Edith Evans. wasp~uc~byLaurence Olivierand gave Peter Fmch his Londo n debut. It's a modem reworking oftheGreeklcgendofDaphne. v.huwas tumedintoalaurelbush to e'iCape the advancc.5 of the sun-god AP?llu. Jamc.5 Bndte used the myth to wnte this examination ofthede-per..ona!isingaspectsofidolis.ation. where the image becomes more importa11l than the real person. Nine perfonnance only at Theatre 62, Hihon. See Theatre Listings.

BENJAMIN BRllTEN'S WAH HEQUIUM is one of his finest works. Don't mi~~ renowned Britshtcnor.RobcnTear.andbarito11e ,John Pri11gle. with a JOO-voice choir perfonning the work accompanied by tht: Adelaidt: Symp~ony Orchestra. Two dates only a t Adelaide Festival Thea1re. Soe Music Listing~.

T HE QUEENSLAND BALLET"S VERSION o~ Salome present~ a Salome totally in love w1th,yctrcjectedby, John1he Bap1is1.ltis this love that causes her to help him escape from prison.andthen,afterthe1r capture. todance naked before Ht:rod. ht:r ~tepfathcr.athis binhday pany. To save her lover. she offers hmclf to. and is accepted by Herod. The ballct cnds withthcnakedSalomefondling 1hehcadofJohnthe Ba111istbcfore thc 1wo of lhem walk to freedom The score to this version was wriucn by Peter Mv.well Davies HaroldCollins andtheQuccn.slnndBallct were approached by the composer's London ~gent for this, thewurk'ssccondevcr production.See Dance Listings.

IHI GAY DIVORCII by MargamF,scl,,r \1ta/J1mls1UThttm tCompan1 D,r,cu,r· Rn:t Clmwr.u Swrs:Ma,~orttF,srhlr Acomcdyaboutdivorce and scpamuon UONTHEAm li,ingArTl(lfllr1, .orth1 .... , 0.,,.21 8pmfo,.SaJ , 1p:n ~ AfflCARD Sl4

'" RISIORAIION by £d~"<Jn1BonJ S1a,e Throtrt!Compaay Dortct.:,r: S,mo,PAdlipJ Siar<: R,dwrd f',pt,. Dap~,,,. G"'J A scan11g anackonsocialinju,tice inwhichascrvan1i,1'uton trial for a crime mmmittcd by hi, ma1ter. Humou1.songsand all the 1raditio11alsf"<'tacleofRes1orauon comedy. fflfPU.YHDU'i~A&elei,ltftlli,olC..1. KngWiliomRd,A.w.r. UotilA"IIU !$ffin;J,ifi,,2pmwl~~ lhmWl<IB.1.og ~cm m

S2Ul

SISIIR MARY IGNAIIUS IXPLAINS IT ALL FOR YOU byn ruroplu:rD"'""S IHI CHRISTIAN BROTHIRS by RonB/air Un, OJAd,l~ibT/u:a,r, Gu,ld D1rea0T. P~lu Ga<',.. Star.,· Jnhn £dg, AnEcdcs,a.tic DoubleBill. Thc Christillfl8ro1hors is h•rd·boiled nosuilglareminding us ofthe Cathohc cducauons) SICm ofthc I\IS.0<. S;<rcr Mary lgnatius E..plains hAIIFor You is thr: Sou1h!\ustnhanprem1crc of a bri:am:black comed) which was thc hit of thc 1979off-Broadway

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"' A SICRn GARDIN b}" FMnCt J l/odgson Buntl'n Pa,c~ TN a,.,Compa~y l)i,u 10, Gdl) Forr,1/y Thc: i tory ofMaryLcnnoA, a hule girl who i~ ""nr1o hve at her uncle", Yorl, hirec:sta1e. She di.,,overs a sccret gardcn.shutfor 10yearss,nce a tragcdy 1n the family. Together w,1h her MW fnends she make< 1h g~~n bloom once ag~;.,, Suilablc for al! rhcfamily. HEl/iW~TnIBEITU &ottSl,Ateloidl u,ullAogl l 10...ilot1,fri,lp,,fri.lel, T,..lol ill\WD S901S'l9f'"'l"""rrAf,..

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:i::sc;:;e~:. 1:e:e J~: are trying to ra j·u

moMytobu.ry fivelof

1heir sisters whost dead bodies art hogging1hecon,·ent

frre:ers . Against the bactdrop of ihe students' protluction of

Grease . 1he nunr stage a frmdroismg musiral I() give 1heir

sisters a datrll burial. NIJNSENSE stars Junr Bronh1// and

itsseason runs fromJuly3l 10 Augus1 I I. Sulisrfogs

THRIISISIIRS b)· A~IO~Chelwe Cen,reFor f'er[ormingAm DirullJr· Va,•id Ke~da/1 Grdduationproductionfo,finaL years1Udc111s.Arcalistieand sympathc1ic dcpictinnof thc va1iuus tu11grng,of dm:cwomen livmgm !tlecounlry. lns1u d of real i1ing thoi1dreamofrc1Uming to Moscowthcy facc, dii appoint· me111in loveand"orkand 1he dc,1ruct1onuflhci1 illuSLons. OOEOHTllEAIRE TkPGrodo Horwood ... lMS 8pmMOl>So1 Affil'.UD S6

:-11M,1 J.t~2l t<lUl w,

IHI UNIXPICIID GUISI byAg111hoChr,J1i, Adtlaid~ReprrtoryCompa~y D,r,e,o,· Jua~Bo/1 Exciting Agatha Christie mystery wrincn in 1958 .lffi IBEAT1E A.'IQQllr, ldela~ ap..bt3-4,9'11,Mat5atl1A'9 Affl(AID S'l

"' WALLFLOWIRING l>yPna Murray J:a;:;,~~/Ptrry1t1an.Knan

PcgllfldCliffmay appeara graccfulcouplconthcdana:noo, but middle age holds no such clegancc- 111uch1u thcirdi5'11ay. S1AGTHEATR~ldelmdtFl!li<GICtnlr1 Kin1 WilomRd,Adeni4e Uftl!Aug ll 8.15po, n;;iit,,, 1 lam 1.2, g.9"'9. l jl!II II ""9, 6,l0pm 6MJI W'iCAlD S21 ... Sl4

WICKIIYWAK Come<ly andmusic grou11. 0.,cr-thc-Topshowmanshiphas made thisgroupadrawcanl allaround Australia. ADEU.IDEFfSTI'IJ.LCBOIE A&eloid1Ft1tivalTheoT<t,KngWlliomU S.,H .,.. Am l'.AP.D Sl9.90

smo

SAMSON n DALILA Th,S"1t, Op,,o D,r,rtOI Li,uJy /fol= Stor1: AnthQ11y l/od, n.Dubra,·i<:a Z..bo,k, Mid"''''-'"' ' A d a"icofFrcnchrcpertory co ~roduccd by the Sall Fran5i5CO Opcra .,,d Lyric OpcraofChic1go.

FrnTVAt Tll£ATRI l.delcidtftlriva1l'.llttll Oct\S, 18, 20, 23 ~CARO S40,S29, 520 + S4s,m .m 1oco•i.,,111, . 11• 1~1, p,olou1 .. 11m Opm • ;II N l,ldintoO,nnu/Oom,11h, lyo11Honlon0no0or l1

DYNAMIIII Clwrrographtr. Da,·id Athns Stars:Da,·iJ Atki...,, Sh,,u Da COJto TheE/ranclegsDanu,., A1oe-1apping1our-de-forcewhich thomughlycam.,itsti1le. A•ide from1hedancing spectacle s :rnd tributntoGenc Kclly. Fred AstaittandM,chacl Jackson. 11,cn:',animmaculatchveband and 'IOmesensstionalsinging from me inimitable Tina Attna. HU MAJESlY'STllEAIRE 6t11tStNt,Adeloido 0p,n,1.,21fi:rfolr ... ,k!o,ify Prmlw, 17-n lpllf•Sa1,2pmSrr, SpmS.n /JTSWD S2S,S33,SU

S2S, S33, '.>36

IHI SPACI SIASON Diruw r: Ltt Worre~ Tlu: AuJlfalianDanaTh,atr~ The pcrformanceconsists offive , hon modem pieces. IHEIPAC£THEAIRE Adil,itle ftl&,o[ (HIit, Kitg WiJil!IIJd , .. u-s.,, 1.11pm AfflWO S1l90 + 519,90

BIWARE IHI FRAGIL.I FORISI AND OIHIR SHORT DANCE PIIGS D,rr<:wr: B,,.,,/yW"1ers SA Childr,n·, Ba/l~t Company Ballc1by andforchildrcnwi1h emphasison thenatural Ausr,ali.an

DlllONIBEATRE Tht l'ILIN,, N.,_,! S.,14'15,Mal!Srr2,-=l«C. 11 ... 1or•....., ,erio,11Dn<o

U'JHAI.O S6Nuftt, Sl dild,.,

"·" SALOMI Q•«,uUndD,;/1,i Frcsh1iom his1riumphan1 season inEurOJIC, Ha,uldCullin, MBE hasn:1umed10reerca1ehis most controvcr:sial ballel.This production bubbleswith hlood. ero11ci.1m and luMforpowcrand diffc,sm~rl:edly frornO,cu Wilde·s , ·cr-.nnan<I Riehard S1r>111s> opera.

+ !08)2318302

HI.WJEID"STllEAT•! Goot,Sl, Adekido S.,20-221pm Ull ( UO 121

ADILAIDI CHAMBIR ORCHISTRA 81/lrff.N. \'uriutiom On,\ Tl,rnr.1 OJFrm,k BriJge BERIO: Falk S/JllJU KOEHNE. Copriccio For Strirrg, and Piano MOZART. S)mphonJ No. JJ KJ /9 ColU/u.tor.Jorgt.'ld,Sttr So/oim: Clem~n• Lnl,Jnr, K,mMI/Wke,/er Concem11t11t,r:Wil/iam /frnrw, >J A0EtA1DE10WN HAll Aug141pm

BARTOK. Music ForS1rings, Pr,c,,ssionondC~fo,i, STRAU5S: Bourgtoi, GentUhomm, Co~durwr:JorgrMr:,r,r Concr,1.,,,,s,rr: William 11,nneJ•Y AOEtAIOETOWNHAlt Stpl08pm AffilUD snu ... Sl9.S01 S15C ,.. m m su

ADILAIDI SYMPHONY ORCHISTRA WAR 1REOunM byBtnjaminBntltn Corulurmr: Nicltolo,B,ouh""<Jitr Soprano. Nicola Punn.\VaiU Tt 110r.Robrrt T,,;r &.ruone:JohnPringl, Combined JQQ.,.,,,u Choir UndoubtcdlyBrittcn'slinc£1and most m!ipm:d wort m wh,ch the Ma.,"1lati,11e, tisintc,spcrscd wiih.1eumgsofpocuyfrom legendaryEnglis h poelWilfrcd Owen. AD[I.IJD[ fBlWAlIBUilRE "'110-11 8p:n UlW.iD S'/US7U • mm MASUR SIRIIS CURR/£: ~\mdtr AlgoritlrM S1B£LJUS· Symphon)No5 Dl'ORAK: Ct l/o Conrt rio Colllluctor:JorgtMrmr c,110. RalphKirshba•m AOEU.ID£10WMHALI Aug 306.l t\,m; A"931!pn,;S.,18pm Affl CAlD S2H,S118, S10C

S19.SO,S13,S1D

\'IVAWI; Collcfrlo ,n G for '/'v,·o G uir.,rs <tndStrings BEETHOVEN: SJmphony No 8 RODRIGO: Concimo Madrixal H/ND£M rTH: Marhis du Mal~, Symphony Cun,Juf1<1'. Mulwi T<tng Gw,ar,·S,rgio alUIOtla,r A,sad' 'Eyarranrp'me•I wir~ Mui/ca Viva

AOIUJOETOWNHALI 6JOpmn.UStp.Spmfri-ia!14-15 ,., AmC.UO S13l,S178,S10 l

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PDQ BACH PDQ Bo,rh: Performer ar.JJ /null~cu"'/Guid, CaNlw:10,: l'rrtrBa!tdy PDQDACII. Schl, pm Prof. SCl{ICKl:.LE: l:.ine Klem, Nichtmus,k PDQ 8,\C/1· Grrm Cnnrfrlr> PDQ 8,tC/1: Cu,1c1'rt// ful' Pimw VsOrchtwa The funmcslclas,ical conccrt you· n cver ancnd. ADUJJDtfESIIVAlntEAm lM(Mlf8pm rnscuo s11 4.S16e, s1oc

Sll,S21,Sl6

DurOllnrjilm vouchusare: a,ailablt from Th~ Tnm offia for Gr~m,r Union am/ 1/oyls cinemas forS7eoch.Carddiscountis a ,a i/obltatWallisCmemasonly.

FRAMES: FISTIVAL OF FILM AND VIDIO MEDIAR!:SOUUIWITT:E A cominuou~fc11,valofvidw an, super8film, expcrimental and a,ant gardework"ith Stminars anrlbicnightcluhatmllsphett Bcld in,uujunction wi~1tllc mai,i progr.unofrcccntAustralianfilm

tobcscreenodlllHmdlcy Cinomu UOHIHEATRfijjD&U l'.rf!lonhbrn:l~Sl, Adeloido StpM(,4t, ""rig\rt r .. t.,tku4,1oil, coli lh lr,u tl l l lll

IMiM:ii:Ji•lM;fi LISMISIRABLETICKflS Trustofficeh1S ticke1sfor LnMi1 for Thu} Jan-Wcd9Jan 1991. Grca1scats! $47 plu~ a S1 .SO booking and handlingfecpcrll(kct Ring now23 l 8256forhckeu

UIIRARY LUNCHIONS GORDON CHAIER Na, ..... 29

COU!GIAKMS S25 Memtxrs $30 Non·membcr.;

IIMBOWDEN ,.,. .... , UNIOK KOIBAO!WOE S25 Memtxrs. SJO Non·mcmbc,s

LITIRARY DINNIR TIMOTHY BOWDIN ,.,. Diru,crS22 atTI1c l¼mPalai,,

Dinner ;and acmmodatmn appnnimarclyS95 (0010<1Clu•1;., ,1t Nlmtf., for!hor d,1,;1, . m 1m

MARY MARTIN B O O K SHOP

IS% DISCOUNT A UNIQUE OFFER TO MEMBERS

of The Elizabethan Theatre Trust and Friends of The Adelaide

Symphony Orchestra Speedy order service and

hard lo find titles our specialty

12 Pirie Street, Adelaide 08 212 791 1

new and grealer range of books

THE TRUST LITERARY CLUB AT CHESSER CELLARS THE LITE IHY H UI IS J YEU H CIT IM G DHELOPMENI Of THE POPUL AR TIUH lUN CH EDHI .

Bein& a member of The Trol§I Litenry C lnb will gi,t yot1 l hP np porlunlly lo med suutsdul wrllHS, p la ywrlghls, publhhers. aul ~on u 1d poeb, in an infurrnwl a tonosphrt.

l ntere£tlnK guest ~pub'" will p ro,·ide a uimula l ing lnlercha1111t uf l houghU and Iden In a unique club environment.

Mtmbers of T ht Trust Ult.rary Cluh rere l,·e ,lg nlflca nl dl,counu on a dmission lo t:lub u11,·1Ues Hnd t5% dh~ounl al l h~ Muy ,\brlln Buok~hup.

Mak, s ure you j oin now a., Club 1ntmb~rsh lp Ii limited!

Plnsef;ndbclowyou r mtmbersh lp(orm. I K'01</d /ikr rojo,n 1h~ r ,,.., u ,.,,,,, Club. f.~rlouJ ism1· annual ubsrr.pt1o~Juof$/O.OO (Ch,qunm111f, payahl, 10Trustl.i1rrnryC/uh)

NAME: (Mr/Mrs/Miss/Ms)

I undtrJland 1ha1 in addition 10 my an~ual JubJrript/Qllftt I ,.,/1 l""J' S 10 to a11,nJ ,a~A ef IN C/"1,'s ,..,,n,hly m,nin11., atCh,n;rC,1/ar< (N,>1,· Nnn--ml>tr.,njrh, rl11h mu,1 p,l) $/1 1r1 a1und rh, monrAly=m ng,

~ : (971271952$ . . (07):1:111762

2ND ANNUAL BRISBAN! ARIS THIATRI DRAMA FESTIVAL An event aimed at cn<:nurag,ng andprumuti11g d1cdcvclupmcm of performanccsk,llsllflddmna apprccia1ion inthr:communi1y. BIISBANE.I.R!SlHE.I.IIE llOPe1rit ill,ott, lrilbone &ut2I-S,p1S 1 ... )0!1.3~ ~(.I.RO SI

" ALLMYSONS b)•Anhu,Mil/rr D11uw, PumByJ1 Dnisn,r · K)'" Tltom,u An American thcalrc das,ic from oneoftheJlrcaleSlliving playwnghts BRIIBANEHFS fflEAllE 210Pt1,~Ter,.at,lmbont TillA,g( Wl<i-So1 8pm AmUIO SIO

'" BRIR RABBIT AND THI MAGIC LOLLY-POP CAVI b)•Bob /1,rb,rt D,r~cwr. MaJxrLum.id,n Thc:mag1cal adven1uReoftha1 marvelloushnlcbunny. ilfiBANEAmTHUJRE 110P'1!it llfl0<1, llnbano Ti11Aug2S .. ,,. IJT'ICAP.D So

" CORALIE LANSDOWNI SAYS NO! by Al,xB~w /),rectorW ,s,~nu. Gar'/ O"Nr,/ Acomcdy tha1sympathr:1icall)· ca11rure< r0<fay"~n,ew"·om•n and herHrugglcmbc hcnclf. iRlSiAJU.lffiCEIITTE 1101'errielertott,lrislme S.,21-0.t 2D Wed-Sa!Spm AffiWO SIO

'" GILGAMISH Ro)-a/Qur,'IJ/onJTJw,at,tCompa,i) Dlrtt10r:BryanNos"" S1ars: R{)hn1 Ar1hur, l)awdK'a/1us, Donald/la/I Thisnncien1 Sumerian epic i• 1500ycarsoldc1tht111H<)IIICt. [l tell& tho storyofakmgwhobllilt • jltt31City.travollcda11ttal joumcy,fough1with!l,cgod1 and wasconfronlccd withhi,own morali1y. snGl.1'umoo•Y£NuElll Od4-20 Tuo 6pn,. WedSo18pm;IIIO!S l0.30om W..4, ,,.,.,

i.mwo m .,s m.so

LIPSTICK DRIAMS Sttu,:Lorrai=Bayly Fou1scnsauonal women playmg nm theirpersonalfanta.sie,ala Shirley Valentine lWilJIHNIGHT(OIIIJ'lEX _,,. ,..,,.s.ps 8PM;...,,lhr,Wed,2pmSal ,mcuo sn

Sl9.50

LOOK BACK IN ANGIR t1!;10sbom

From,tsfostpcrlurm:rnces. lohn O,born"• brilliantlyaoccrt,icp!ay hadahuge,mpac1onth~d1ttct1on ofEnglish·spnkingtheatre. Recently1tsrcsiva]onceagWn 1ookLondonbystormwnhiLs de111ctionofthe11lightofyouth h~lplessly pitched ag.,inst the forcesofcorruption.conscrvati.1m andpo"·cr. !ABOITE 11Glo l1, Ptmt1T.,lltll, l tilboM • .,,.2s .l.ffiO.lO SIi

'" A MONTH IN IHI COUNTRY b)' /,·anT• " t nt,• RQTC D.,u,or:RQbJnNr"n D,.,gnu Dol, Ft ,g~•on s1ar,. l>ahm,S1epl,,ns,J,m\1I, . Keunl/1dt<,U0Wodntr, le• 1;;,·ans,Jostph,•tl>)''"'J. l>tlh Armsrron~ Ru»1311 theatrc 'sfirst p,ychologJcAl drama.A \lonth ln Thc Countryex11loreslhehcart andsoulofone ofRussian litem111rc·s mostbeloved characrcrs.Na1al)al'c:trovna. nu, """'l"a,a111aJ01i11fluc,iccun Chekhov'swntmg. SUNCORPIBEAIRE TIROISl,8t!ibcn ....,u.5ata ILll'Pn,Wid.Srrlpm; 11111110.lOmn Wed,q>IISrr Am o.to sms • m.so s, u;o1P,;,.p,,.1, . ,sto.10•,• A•1tl, IO.lOu111dlJ11 Ao9 1!

PAM AYRIS llOltlNll(IIININ&WIIHWII Allll Hcrwil,,...himsy and ficndishly ~k:vcrvcn.c ha, c rnadc her a farnuriteofaudioncosallo,crrhc wo rld CONCOO HAll Or&(.lri,b,o,, ....,24a,. .i.mmo l'hlnl TMI

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~HOW ~TOPPER~ I HE RICHEST AND MOST

prestigioussingingcoml't:liliunin Australia - the Ma thy and Opera

ards-attractssorneofthe finest young operatic tatenis in ~e country. 1be finals o f the 1990Awardsw1II beheld for the first time in Brisb:1ne. Thenatio11al adjudica1orfor1he 1990 competition is Profe.%or Joseph .w ard. thedistinguished Headof Opera S1ud1es and School of Vocal Studies at the Royal No rthern College of Music. England. Book now for the final on August 24 at QPAC's Lyric l11eatre.

PlACIOO OOMINGO IS BEST KNOWN ·ro Australian oper.i lovt:n; through hi~ more than 50 complete opera recordings a_nd televised performances rncludrng many t~ The Royal Opera Covem Garden. La Scala Milan and The Metropolitan Opei:3 New York.

In recent years Domrngo·s anistry has shonethrough inthe opera filmsof Franco Zefferilli, la Trm·iara and 01ello.

Julia M igenes played opposite Domingo in Franco Rosi·s film versio11 of Carmen.

Together.they willbe singingane~tensive program of po11ular tenor and soprano arias and duets by Vcnli, Puccini. Cilea and Ros.sini. SeeOpera U , tings

ROBYN NEVIN HAS BEEN DOING A FAIR amount of d irecting of late. She is now _at the Royal Queensland Tht:atre Company d1rt:1.:ting Ivan Turgcncv·s A Mont~ lri Tlie Country (newtranslationby Dav1dClendinning),

A major influe nce on Chekhov. this enduring Russian play about the ctemnl love trianglewasooeofthefirstpsychological playsoftheday mRu.ssiaandremainsa popular classic. Sec Theatre Listings.

USA GA STEEN RETRURNS TO BRISBANE to s ing U:onor.i in ~ix perfon11wices o f Verdi 's bcautifulandmovingoperal/Tro,•aton? inthe Lyric Opera ofQueensland"s. r,ew production Popular American tenor. Hans Gregory Ash baker sings the role of Manrico and the Queensland Philhannonic Orchestra will be conducced by Verdi speicalist John Matheson.

ARTSCARO SA !08) 2318256 QL0101)2219S28 FRONT ROW PageNiM +SAIOB)2318302QLD (07)2217762

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SIX CHARACTERS IN SEARCH OF AN AUTHOR b.1W,(1P,rc1odr/jo Bn,lwin,AmThroir, Oir«t1>r Ftrr/ \\;J,t/) F,rs1pcrfonnod in19ll.thi, comody,;pcopledbynotonly1ts 1n1cndcd cast bu1 olsob) char3c1usconcc,vedhy 1hca"1hor ongina!lyand1hcnn:je.:1e,J. IRiWIIEAffilH[ATR( IIIPe!ritlemu,S.ilblr,, 111 . ... Wod-lo18pm .W'IWO SIO

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PLACIDO DOMINGO Onceina lifctimcprescn~tionby theworld"sfavoumc tenor. !Rl\8.l.llEENTEX'JAlNMEllTCBrnf, ..... S.p lUpm AITT(l,RO 191

"' MATHY AND OP!RA AWARDS Finalsoftherichts1andmos1 pn:,,lig,ous,ingiogcompcti11on,n Au,tralio. National adjudiclllor for lhc1990 Malhyand0pcr:aAward• i,Profcsor Jo,cphWanl.Headof Opcr:a~tudit.1and S.,hnolofVocal StudicsatthcRoyalNonhcm CollcgeofMusic. England LYRICTHElTIE QPA{lrobono A.,241.)0p,o .W'IWD Phu l ru1t21 t!ll ,.

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OLIVIER FILM FESTIVAL 0.EMORNEfflEATlE 1"91-11 W,<IJ.usa 1.30~PIIDIIWO,UIUI ICl(ll40) /.li)pr,I\YOUlllflllllli) Tl11Aug9 Hkrn HHlll{IIIII 1.30pn WU1HIIIN&H!IGHllllllt) 730pl,HINIYY(ll411 FrlA111lO l.30pttmm1(1!40I 730p,, IICH~ID Ill {Ill!) s.t.bgl1 3pn,OJHlll01lt6>1 7.30ptt 1Hl llt1£1111Nll llf•OJ

All of Lawrence Olivier ',~ most famous films. At only $4 111:r film. 1hisfc<1,valisamustforfilm-gocrs1111d Olivierfans. Phonctlic Tnmforbookingson22l9528.

IMfM:Jj:Ji•lMih SPRING MATIN!! Thisdeligh1ful af1cmoonofmusic isnOl tohe missed. ForS26you gc1 a chickcnand charnpagnc picmchomper.Sobrinsyour cu1hions andrugsand jomuson TheTrustpatchof lawnfor thi, greal conccn.s« brochure in,cncdinlhisFron~Row iisue fo,fun hcr dcta1ls. PhoneThc Truston22l 'H28 forbookinis.

LIPSTICK DR!AMS Lomimc Oayly1tars 1nthis productionbo:ingtou1cdby The Trust"sAustralianComcnt Department. The Tnist·~ cvc,-mnovati,c Membo:rs" Coouniuee i,01gai1i,i111,a ,pccialTniuNigh1 omonSaturdayAugust2Sthwith Lomiine8ayly asour gue11 Jocludcd wil besupperol D1rectorsaliertheshowat thc Twd f1h Nigh1 Comple~ at Bo.,011 H,lls. Phone The Tnin for bookingson2219S28.Forfurthcr mfonna1ion>C(:thcenclosun: 1nsidcth1siS<uenf Frnn1 Ro"

NATIONAL ARTS Wl!K ,~ fasi approaching. Bct .. ecn October 7 and l4.vanous e,·cnts w1llbcstagcdtofocuson the mul1i.t,i!lionAustralianAns mdus!ry(csumaiedat S3.8 bil1ion m 1988). ln 1990. NAW will look althcfutureof theAits in Austra1iaandhowthcAnscan contributctolhefumreofthis counuy.l1willemphasisethe nccessi1y ofbuilding theaudicnccs of tomo1TOwanddrawattcntion10 lhcimpoitanccoftl,cArum youngpcoplcandthefuturc facing ouryounganists.Wa1ctifor funher :innouoccmenl~ in the ne~t mucofFromRn w

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~HOW ~TOPPER~ Uhestrongestentenainment line-upfor

yearswi\lstn:tch thebudgetandtest the endurance. But such rewards .. '.

l'LACIDO DOMINGO: In Penh at last. in concen with acclaimed soprano Julia Mi genes. No concessions, except P/S/U but have you heard what opera lovers are paying for seats overseas(andeven in Sydney)?

LES M ISERABLES Our original allocation of seatswentwithindays, butwe werelucky enough to get more ... and more. No-one should miss this opponunity to sec the world's most popular musical.

MUSICALS When times are mugh. musicals d istrac1. Tty Nunsense with June Bro~ll at His Majesty's Theatre, or the rock musical Living ln The Seventie~ at SWY Theatre. Aliceshouldbeinterestmgat theSpareParts Theatre. or the tough musical Jonah Jon<:5 which the Academy of Performing Arts 1s doing at the Hole in the Wall Studio Theatre.

REVIVALS Nearly as many as there are musicals. Catch up again on Wallnowering. Paddy.NoSugar-allwinners. highly recommended.

SWEENEY TODD · TH! DIMON BARB!R OF mn STREIT h)Aumn Ro.uu l/olton1M lla /l n ,rrru,r·Aom, Num, DrJis nu . Mor!,.Thomp, un s ,.,,s: M ,clio,ll,,tory. JW,aMoody A~stin Ro1st:r"s mc!odmma based on3V,crorianoriginal. Up11n1il recently.Fleet Street was rcnowncdfor di....,.,1ing11>~ictims in prim bulback in thc \ &40.thoro wasbloodin pla" ofink. HOLEINTHE WAUJl!EAllE l80 H-*,,lj,~ Od l·NnJ Mcr,.lo!Bin; llomWodOdll, 2]rn5ot0d20 .l.ll'luao m,~m,

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WALLFLOWIRING l>JPewMut1a)' l/ol, 111 1hr Wa// TN111,rCo v ·,, or. Aurn,N rm, S1ars: Jrl/ Pr,ry·mo11. Kr,a~ Jolum on R,tum seuon of a moving comedy of modem life. Orie of lhe hitsof lhc l;utFcstiv&IOfPonh HOLE IN IH!W4LI.IBEAIIE 18GH....,Joytj,S.... hg l6-S., 1S l pn;IMll 11<rnW,d. 1Ja,Sot .I.ITTWII Sll!ma!SS111

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GUINN!SS C!L!BRATION OF IRISNMUSIC Fro1i,nsMary8/ort . Dolorts K"""'· Lian, O'Flynn. Oa,.,,yDoylr. Noll~,gC,,uy Ahugeline-upof top lrish mns1calart1Jts IUlllCONCElfll.&U 5Sllit«9ffftff«1,M A.,79, JO ... A.lll,(.IJ~ S3950

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AffiCARD(D9)3214953 FRONTROW PogeEleven

CAMILLE CLAUDEL Hars 15obt lle A.djani. ul· the misrress of famous s culplor A11gus1e Rodin (ployed hy

Goard Deparditu). The f ilm. directed rrnd rn·

PLACIDO DOMINGO WAS)'mphon)' 0t(h<Slro Cor,,Ji,,10,: f..'<lJtM Koh~ ln ronu r1 .. ·11hJu/111 M1RtMJ Theworld'J fa1e11opcra1ictcnor. TheTnis1 has IOO ofthc bc<! st::115 (but huny) PERIIIOOER?AIIW.OOl'.ffflE W~Sl,Pirth Stp88;,m AmC.UO S98

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CAMILLE CLAUD!L D1rtc10,. Rr~no NuJtU~ S1<us: /SQM/Ir NIJ<1lli. Gu ard Ot p.anfio \\"inm:roffi•c Fn:ochOsean. Amovingdramaaboutthc hf~and worl:of , culpwr.AugusrcRodin·, mistress.hersclf ata.lentcdand troubledanist. WINOSORJl!ElJJ:E. S!iq!&;rwo,;hlnk {H1c, 1EW1m111 ,01 1m1n 111111 .lffiCAIO S1¥1l11M'_,...'1om ,~ ....

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.(09)3211148

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SIX CHARACTERS IN SEARCH OF AN AUTHOR b.1W,(1P,rc1odr/jo Bn,lwin,AmThroir, Oir«t1>r Ftrr/ \\;J,t/) F,rs1pcrfonnod in19ll.thi, comody,;pcopledbynotonly1ts 1n1cndcd cast bu1 olsob) char3c1usconcc,vedhy 1hca"1hor ongina!lyand1hcnn:je.:1e,J. IRiWIIEAffilH[ATR( IIIPe!ritlemu,S.ilblr,, 111 . ... Wod-lo18pm .W'IWO SIO

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COMMODORES ond THI CRYSTALS Up·tcmpoandupl,f1,og mcn>ooablc ,nclod1C5 fromthcnot <odl<IM1poppast. HllJONHOTE~ 11111.IJIE .logll-116.JOp,i Supp,rll>owxlll,S40Ar11Ct116,S!O~ OidiO&ollOI lmWD SI0.48J<Dir<o! IO

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MUSICA VIVA Th,- A•>.'r<1ho~£rutmhlt REE'/110\ Ell'· l,luarie1,.,G.Op /&Na! SCIIUMANN · Piano Qr,ar,n"' EF/a1 SCIIOE/.'BERG Clrombtr Symplro,,y/arr.ll~m'm! p/1,s .,,,,ks bJ MOl.ART onJ PFTER SCULTIIORPE <ONCERTIIAI.I QPAC S.iibon, A-,lOlpm .uiswo "-Lw111 m,

S16.S71.S7I

QU!!NSLAND PHILHARMONIC ORCHITSRA CC1tdi,rtor:F.T1 KlaJ P111,oo: 11'1cho/a1£mJ> MOZ.ART. ""Ode,ue'" S)mphon> Mo l.K/6 P,anoConunoMo 9. K]71 1)1,·rr11mrmofnr Smnts. K/Jfl SJm11ho<>)11<119.KZOI Al!DITOIIUM QN(.lnsbn ....... AmC.110 S71SO

"' QUEENSLAND PHILHARMONIC ORCHITSRA Co•duno, t.,1 1(/as \io/10. l\11/,am l/e•nrSS)' PART.f'emnalrme BRUC/1. lio/i,,Comnto/1/c,/ Op16 B£ET1f0\ EN ..S}mph()nyNo 4 Op.f.iJ (ONQ~IIAU 0,,1(, Jrtiltooi

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IL TROVATOR! (;11<U()fHl'ERDI l>·ricOptraofQuu,u/o,id D,rec,or.l••dJH!Uftr DtsigM•:lohnS1oddo1t Condi,ctor·John Mmhrso~ Fa1•rrs.L·ac tun. 11,u Grtgor;i·Ash/>ak,r \'crdi',s-...ccpingmclodmmJ1S3 pass,onaicralcoflovc.honour. dcpriv>tionandre~ngc<ctin l~1h centur;i· Sp<1111 LYRICIHEA!tt, QPA(lrilm .hg7,14,21,2S1.30p., .hg 106pm; Mg 1S l.]Opll m~cuo SIS SSJ S48

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Supcrbca.1tofbohom1ansbrings 1o!ifcthegloriousJC1tmg,ofthis romamic mas1crpiccc. lYHl<IHEAIRE, QN,Clriibn .logll, 13,18,22 1.lOpm .log 16 6pm; Mg2S1 .30pm AfflWD S5a Sil S48 • S&O SIS SSO

PLACIDO DOMINGO Onceina lifctimcprescn~tionby theworld"sfavoumc tenor. !Rl\8.l.llEENTEX'JAlNMEllTCBrnf, ..... S.p lUpm AITT(l,RO 191

"' MATHY AND OP!RA AWARDS Finalsoftherichts1andmos1 pn:,,lig,ous,ingiogcompcti11on,n Au,tralio. National adjudiclllor for lhc1990 Malhyand0pcr:aAward• i,Profcsor Jo,cphWanl.Headof Opcr:a~tudit.1and S.,hnolofVocal StudicsatthcRoyalNonhcm CollcgeofMusic. England LYRICTHElTIE QPA{lrobono A.,241.)0p,o .W'IWD Phu l ru1t21 t!ll ,.

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SPRING MATIN!E Bri,i>aM Lithl Op~r~ Com,?1,n)' Condttetor: Jnhn CMrro Q•uns/oodS.1·mphony 0,ch;stro ~tars: M,mlyn Rirh~rdJo•.lomrs Chriman,rn Atcastot foodand songwhcre }@willbeg.m:t~daltticgatcs withanindividualpicnicharnper follof chkkcn.champagnc(or orangcjuicc)andothcr succulcm de lights. Youareadvisedtobring nigsandcu;!,ion,.Wc:alhcr willbo: no problem as alternative arrangemcnts havcbeen~lanned S.p1S 1Fffl AM!IWRA ~1.lirkmSihool, Corr>6:i .I.ITT(.UO S16 induj111'iaii H<rn,..

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OLIVIER FILM FESTIVAL 0.EMORNEfflEATlE 1"91-11 W,<IJ.usa 1.30~PIIDIIWO,UIUI ICl(ll40) /.li)pr,I\YOUlllflllllli) Tl11Aug9 Hkrn HHlll{IIIII 1.30pn WU1HIIIN&H!IGHllllllt) 730pl,HINIYY(ll411 FrlA111lO l.30pttmm1(1!40I 730p,, IICH~ID Ill {Ill!) s.t.bgl1 3pn,OJHlll01lt6>1 7.30ptt 1Hl llt1£1111Nll llf•OJ

All of Lawrence Olivier ',~ most famous films. At only $4 111:r film. 1hisfc<1,valisamustforfilm-gocrs1111d Olivierfans. Phonctlic Tnmforbookingson22l9528.

IMfM:Jj:Ji•lMih SPRING MATIN!! Thisdeligh1ful af1cmoonofmusic isnOl tohe missed. ForS26you gc1 a chickcnand charnpagnc picmchomper.Sobrinsyour cu1hions andrugsand jomuson TheTrustpatchof lawnfor thi, greal conccn.s« brochure in,cncdinlhisFron~Row iisue fo,fun hcr dcta1ls. PhoneThc Truston22l 'H28 forbookinis.

LIPSTICK DR!AMS Lomimc Oayly1tars 1nthis productionbo:ingtou1cdby The Trust"sAustralianComcnt Department. The Tnist·~ cvc,-mnovati,c Membo:rs" Coouniuee i,01gai1i,i111,a ,pccialTniuNigh1 omonSaturdayAugust2Sthwith Lomiine8ayly asour gue11 Jocludcd wil besupperol D1rectorsaliertheshowat thc Twd f1h Nigh1 Comple~ at Bo.,011 H,lls. Phone The Tnin for bookingson2219S28.Forfurthcr mfonna1ion>C(:thcenclosun: 1nsidcth1siS<uenf Frnn1 Ro"

NATIONAL ARTS Wl!K ,~ fasi approaching. Bct .. ecn October 7 and l4.vanous e,·cnts w1llbcstagcdtofocuson the mul1i.t,i!lionAustralianAns mdus!ry(csumaiedat S3.8 bil1ion m 1988). ln 1990. NAW will look althcfutureof theAits in Austra1iaandhowthcAnscan contributctolhefumreofthis counuy.l1willemphasisethe nccessi1y ofbuilding theaudicnccs of tomo1TOwanddrawattcntion10 lhcimpoitanccoftl,cArum youngpcoplcandthefuturc facing ouryounganists.Wa1ctifor funher :innouoccmenl~ in the ne~t mucofFromRn w

iMHHliiiiiiMUI HELLO DOLLY Followinglhe succcssoflast 1·car"sproductionofJtsusChm1 S"pus1a,.GoldCoas1singcn. acton.danccrsandmusician<arc. pcrfonningagain in OoldCuast AitsCcn1<e"s produc1ionofllrllo Dol/y. DircctorisRobenYoung. Sep2029 8prn Bookatvenuc Trustd,scountavai lahlc

DAVID HILFGOIT Onept:rfonnanceonlyl Tll!CENTUIBEAJU A-,?68pt,, ThioperfomUIJl,;cbythc: mani,. «"ntric.musicalvinito"°"ho is c.uvingoutacarccra1aconccn pianisti•no11obo:misscd. B00k a1 vcnuc. Tnmdiscoun1availablc

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AltU-26 , ... ~~6pm$ur, AffiUIO S1 4

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FLORA TH! RID M!NACI 1,yKoiulrranJEbb Aradenryo/Pr,formmg Am Dir«10,.DronCory America during O.pros~ion AO.OO,tYOffEJJOR.IUN6Affi 2tmrc.-d~M11.oo4tv Ckt4, 5,6 lotll'IQIJ706443

LIVING IN THI SEVENTIES byJoMlhonB,,g,~<. l mJa Naglr SWYTlr,01reCompany Vl'tt/or·/n~lrKmght Mu, icalD1tcao, 1/m llood Rockn:v,nlshowrcpletewlth day·glo. flaruandplalfonn·.olcs 'iWtlHEAJ~(OMPm m._,o:rys,,p..,i. Stpl-18 ill'IWD S14

"'

THI BUSIN!SS Of MURDER byRicltarJHor,/s l://irCrumpThta/rr Dun10,:Caro/8roodJ lltcmostmgcn1ousmurdcr myste')of thcmall. AreccmWc.st End hit. Eff!ECIUJ.ui lHEATlE OldBridomoHolel i«ultll!S~•~rdi A-,22·Sif 22 \it.Soll.15pm il1'1WO SIS

S<S

HALI & PACI Ski1sands1Md·upcomcdybyTV comcdyprogrnmduo. Oarcth Halt a11dNvrnu,uP.,e mAIJl!EAlllf Ho:rySrrtt1, s.Aiiaco s.,20, 21,n us.m lmWD S1990

$29.90

rAMFIPARNASA lrrJt/r "fht01rrCompa~y A modernised story set on a table 1np inanhalianrc<1auran1. Supt:rb Briushmimccompany makinga long-awaitcdrolum. HISMAJESIY'STHEATR£ Hr,-Sl,r.rth S.,2Ht ,., .. ,1 .. ufo,dm ll,l1141Sl

MAN, BEAST AND VIRTU! byl .. ,g,PoraNltllo WIITlruurrCon,po~)' D1t«1or. JohnSau,,Jtrs Stors· G,of!Gibb,(Btostl An ou1ragcous farccconcemmga cll<mist. aprcgaant1111S1ICManda plnlandcnngbusband. ,U,fHOUSEIH£AJJ:f,Jr.wS1, Ponh l'94-258pn mmom

sic

NO SUGAR/ OUR TOWN b}' l actD,n•is WA Throtrr Compa,ry:DrckClrair Tlrro/rtCo D"r<l(,r Nn/Mmfie/rl1Ph,I Thomson Rcpenoire ,c,sonofJockDavis's bcs1 knownplayand h1sla1es1. Aboriginal famihc,caugh1m whno laws and anitudo~ MOORESBUILOING,HmySt,h.,..ntl, S., 1-0nU,rr, .l.ll'IW.ll m

sic

PADDY by PMT/wm.,on. Johnll'alA<T Dul C/wirT!warrrC<JM/)Ony D,rrc/Or. Ph!ITloomson Drsigne,. TishO/dho,., Stors:Jolln ll'a/Arr Afewmonlh1 inthchfc ofPaddy Troy-communist, watcrfroot unionisrandworl:ing clas1hero Rctumsea..,,n OCtiGONJl!EAli:f Uoi-..,tty olWA~llpy, Ndn!i 0.,4-13 W,d.Sctlsm;U..Od ll .i.rnwo m

"'

~HOW ~TOPPER~ Uhestrongestentenainment line-upfor

yearswi\lstn:tch thebudgetandtest the endurance. But such rewards .. '.

l'LACIDO DOMINGO: In Penh at last. in concen with acclaimed soprano Julia Mi genes. No concessions, except P/S/U but have you heard what opera lovers are paying for seats overseas(andeven in Sydney)?

LES M ISERABLES Our original allocation of seatswentwithindays, butwe werelucky enough to get more ... and more. No-one should miss this opponunity to sec the world's most popular musical.

MUSICALS When times are mugh. musicals d istrac1. Tty Nunsense with June Bro~ll at His Majesty's Theatre, or the rock musical Living ln The Seventie~ at SWY Theatre. Aliceshouldbeinterestmgat theSpareParts Theatre. or the tough musical Jonah Jon<:5 which the Academy of Performing Arts 1s doing at the Hole in the Wall Studio Theatre.

REVIVALS Nearly as many as there are musicals. Catch up again on Wallnowering. Paddy.NoSugar-allwinners. highly recommended.

SWEENEY TODD · TH! DIMON BARB!R OF mn STREIT h)Aumn Ro.uu l/olton1M lla /l n ,rrru,r·Aom, Num, DrJis nu . Mor!,.Thomp, un s ,.,,s: M ,clio,ll,,tory. JW,aMoody A~stin Ro1st:r"s mc!odmma based on3V,crorianoriginal. Up11n1il recently.Fleet Street was rcnowncdfor di....,.,1ing11>~ictims in prim bulback in thc \ &40.thoro wasbloodin pla" ofink. HOLEINTHE WAUJl!EAllE l80 H-*,,lj,~ Od l·NnJ Mcr,.lo!Bin; llomWodOdll, 2]rn5ot0d20 .l.ll'luao m,~m,

S2HS14l

WALLFLOWIRING l>JPewMut1a)' l/ol, 111 1hr Wa// TN111,rCo v ·,, or. Aurn,N rm, S1ars: Jrl/ Pr,ry·mo11. Kr,a~ Jolum on R,tum seuon of a moving comedy of modem life. Orie of lhe hitsof lhc l;utFcstiv&IOfPonh HOLE IN IH!W4LI.IBEAIIE 18GH....,Joytj,S.... hg l6-S., 1S l pn;IMll 11<rnW,d. 1Ja,Sot .I.ITTWII Sll!ma!SS111

S2l (St4)

GUINN!SS C!L!BRATION OF IRISNMUSIC Fro1i,nsMary8/ort . Dolorts K"""'· Lian, O'Flynn. Oa,.,,yDoylr. Noll~,gC,,uy Ahugeline-upof top lrish mns1calart1Jts IUlllCONCElfll.&U 5Sllit«9ffftff«1,M A.,79, JO ... A.lll,(.IJ~ S3950

""' DIDO AND A!N!AS ANG!UQU! D0Ull(lll l MuJ,cbyP.,,u/l andJacq.,e,/~r1 CONSERVAJORIU!I OFMUSIC .l.tQNll)'olhrllinrqMt lBra!ftlldSl,lnNl.awy OdH ... Olloils homlhllcd.r(pltl10M4J)

AffiCARD(D9)3214953 FRONTROW PogeEleven

CAMILLE CLAUDEL Hars 15obt lle A.djani. ul· the misrress of famous s culplor A11gus1e Rodin (ployed hy

Goard Deparditu). The f ilm. directed rrnd rn·

PLACIDO DOMINGO WAS)'mphon)' 0t(h<Slro Cor,,Ji,,10,: f..'<lJtM Koh~ ln ronu r1 .. ·11hJu/111 M1RtMJ Theworld'J fa1e11opcra1ictcnor. TheTnis1 has IOO ofthc bc<! st::115 (but huny) PERIIIOOER?AIIW.OOl'.ffflE W~Sl,Pirth Stp88;,m AmC.UO S98

'" RIGOLITTO G••s•pp,\~rd, Aum <lliunOpr,a WAOpu oClroruJ WASymphonJDrcMJtra D"utor · Jo~nCoplr1 Rigoteno. 1hc hunchbac~ed jester. tnesroprotcct his d.:,ughterfrom thcadvances of11l< Oukc of Man!ua.A 1alcof to, cn. as_,,,n, . tendcmcssand m:achcry. HISIMJESJ'fSTliEAnE HgySn~!,Pri ,\ug4,10,13,16 , ... .uiswf S48u,1.,,,:ri..1sss (hi-Satl

m.sss

WA BAUn COMPANY OIE~{U\l!l Cla.,.scsopcntothepubhcbeforc thcCompanycmbarl.:sona tou1of China andhpan. WABALLETSJ\1~10 HilM~slheutrt, Nor~""' Alt 2.9, I& AmWD SJ 11,.,mgus,1,1!1.t ,i-48r OICI

CAMILLE CLAUD!L D1rtc10,. Rr~no NuJtU~ S1<us: /SQM/Ir NIJ<1lli. Gu ard Ot p.anfio \\"inm:roffi•c Fn:ochOsean. Amovingdramaaboutthc hf~and worl:of , culpwr.AugusrcRodin·, mistress.hersclf ata.lentcdand troubledanist. WINOSORJl!ElJJ:E. S!iq!&;rwo,;hlnk {H1c, 1EW1m111 ,01 1m1n 111111 .lffiCAIO S1¥1l11M'_,...'1om ,~ ....

"

scripud by Bruno

Nuyllt n "'()n fil't

Frtnch Oscar s .

(including Bes/

Actren) a n d was

n ominultd for Hts/

Foreign Film in the

1990 Aradem}'

Awurds. Adjoni was

nomrnolrdfor Be ,1

Aortss in the 1990 A r adrmy Awurds

and was o..-ardtd

Rn1Ao rnsat /he

BerhnFilm Ftsthol

(IN!MA DISCOUNTS Sa,·r ~pm $Jo 1irh1 ,,rr/nrm,1 ~111r w,ud 1<1>from TlrrTrM)I offiu. ll'r',•rno...- aJdrJ1ht Coo.uo/ Ci"t mos al Frtmtmllt 01 S7. GrtoftrU"ionS8 . lloJls $7.50. Windsarnn,/ NrwOsf ord $7.(Wmiert$7(ntwreleost:i/ ond SS {rrpe, tmrt/ Prr,;,Myoi,r Am Cardo11he /mro/ficrM lrtn }"O"f)urchauyQuF \"OUChers

A"!lnl24 ··M«tlhcAeadem) ·· tuncheonat thc:HymRegenc)· llo1c l Learn abou11hcAcademyof Pcrfonmog Ans fromthc in1m11able DrOooff G1bbsandb,:en1c r1am1:dby mu,iciaM from thc Conservotoriumof Music pcrfo nnmglhe m usicofOcorxc Ocr,hv.ins. With An G~llcry Socic1y. Mcmbo:rsS25. non-mcmbcn.S30

J.111nt31 DropinatthcOallcryBarat Hi, Majcsty"sThcatre5-7pmthcnon IO o private hnme. New member< cspcci111lywcleurnc

s.,1 .. M12 We take over Pcnh"sncwcstand mostimim•tc lhcatre.lhcEffic CnimpTilca1n:. forn:cent Wes1 Endhit.TlreB..s.nrssO/ Murrkr. chompagncandnibbhcs.Old Bn,baneHotcl.Beaufort SU"Crl Sunday5pm $2S

S.,1tllbH8 PlacidoDomingoconccnand supper ~t lhcPcrthEmmainmcnt CcnU"C. $11U(phoncTnistofficc lir,1on3214953fortickct avai1abilityl

S.,~I~ Priv~1e View- chicken and champagncluncheonalthcnew LawrenccWilsonAnGa!lcryat the: Univertily of Wc<.tcm Australia (fonnali~cspenn,mng). Members$1$.non.membersS20. PhoocTrustoOicefordc1a1ls.

s.,i.._n Dropina1tlH!GalleryBa,a1 Hi< Majesty'sThCllITT:5-7pm.thcn adjoumlo a privatehomc.

.(09)3211148

Page 12: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

VlC

ARTS CARD (Ol) 6'18 1611 ..., (02} -98 1432

AFRICA·OYEI Fir<y 1rib:il pcrfonrn,rsfrom e,gh1 Afncanco,rnlnc,pr,,,cn1an c,plo,ionofuaditional,ong co<tume,musicand d,ncc Sl.ll( JH(ATR! 'fK1«ir:fl¥ll ( tm1 »pU,14, l S,19,20,21, 21 Wtd'..c11J:lpm ¼, Hl.30pn, /JIHUD SlllUl<I S2l llh1I

S:lt.Sll

LES MISERABLES ,1f,uoc anJ I>""' 1/mn s~uh/1/ C/ouJ,.M,chrlSch,Jnt,e,K D11umr T,i·n,ll'wnn

~:::.,:'"' c~um,,. Anrli<m,

Unlxa1abkc<lmb1n,u<J11o f 1htatre,mu,ic,,tmo,phcre,and Cameron Mackm1osh producuon c,travtgoncc. f'IIHUSSTH!ATIH 'ipmg ~.MtloloN s.. .... ,., ... 1

h Sol; mr! '..cl

"' NIXON IN CHINA Compcstr John Ad/Ims

Lihmrw A/1<eG<>oJmu11 o"""'' /1,,h,mJl\ hnmt S1an:Th,.,,.,,,c,1.,,,~J,. \fe,/.,·n o~a,f, ~, :~lhi,';;;:;~~,h~,~~,;n:1:7,~ hie· a,1,rrmgcrcauon.fullof charm~nd ,.;t and, ,n thecnd. btauty". The New Ym~ Time, MlliOU.llllCO~CERT~ll r.oo,i,r, "1l(tn, Hp,15, 11 1 .. ,n.. 1.)0pm lmCAlD Sll + Sl8,S30

PHANTOM Of THE OPERA Camm>" MJcl,nr,,_,hCo S,wr, . An1J,,,n_, " ~'low. \ /ar,na P,ior.D~l,BumJ~, B•sc<lon1hc l<E<n<la') phantom ,1ol)·ofl>eaul}'Shd !hc infa1ua1cd b,:-a,1 rtiNCBSTHLITU OptooDt<I (0111<1Tm1""'1·,a 1owrorl u

SABAT JESUS b)Atm:,T~.)lor '""'f"J',r · Qo,·,J (.h,sM~nh The truc my"cry ofadcafmu1c child ,.,ho~pparrn1ly <uN,vcd a des,n :m cra,huo\k"co. llaBOUlljETOWHIIALL ~~,..,. .. S., lH S, 17-27 lil<n-Thu8p,o;lti,\o16pl,. 9pm mm10 m .,

ABINGDON SQUARI h, Mam1/r,,...fo1••1 Oo1r<1u1 RoJ//orin AcdaimM American pla} \l.·right Fomo ... 1llbc-1n Melt>owi1cfur lheAu~lrahanprrmiercof ihi,.hcr Obie A.,,mJ.wmnmg study of m;u:lnc»ai,d.scxual rcprcssion Stt ,ncarly.20thccmury Ncw Yorl:.ayoung womai,·srnamagc "ilh o mon3Sy<ars her scnoor. breaks down as •hcc~plorcs her o-..·nnccds. TH( uornnu,m.E t UMaW..!t 111 ~ 11.s,~ itp ll, 1', 10!,nt ~ll,12 6/,ffi. tprn AfflWD Sl1

m

ATLANTA 1,,-J,~m,•aM"""·'·c..,,,h Plu,h<>, D,r,,·tor- K, _ o~_ , Dr11~u,. 7,,,.,,,,.,,1,, Aninci,,,eandrnovin!'rlay nploringfncndsh1p,1isgF.1,11y and , hallo,.ne<>.thca,p,ra11on, and fcal'thaidray, u,all1ogc1hcr. On1ha,ibrant<dcbFJ11onofhfo and .1 p,t"nc,1ra,in!'1n<,ghtmm1hc Jarl e,"deo(ouMh'O> THEB((KITTTHEAIIE t u.a~ ll l ll\lrtS1,SlhMelou-nt Aug4·13 l11t-Thu lplll; llon6.l»ffl; ftlB.l},m; Solt 'ip,,. 11~ lpmWHAogS UJHllD SIi

'" AWAY h, \!uh,u/G~M Plo,.'>or D11,e1or·N,i/ /l ,,,.fi,l:l Sror,: ' ""~JJ/JA,.J,lli"" 1,.,,,.,,. ~t!!.,"J/1n. R1>S, ll '11/iom<.l1>~n

Go,. ·, taleof a summerhobd,y for!hrc<,fam1hcs"·on Grecn RoomA,.ards,n l9S6for8cst Ncw Play. Re<tProduc11onand Bc,1 D,rc<tio11.T1\ooni;in•l turn 1<baclfor 1he l990n:-runof1hi< upllfung play. NElLIHTHLIIIE tu.a.~

0.14-27 MonllOpm; lut-T!..S.ISpr,;fnS1S~ l.lllpm;~ l.l~LpmW.dO~lO .UlHAID S18

"' DIVINE METROPOLIS Concri.,db>·Si,ph,nU,rydHrlpu M•Jjtb:,Kur1\\1'1/I Dir,,ror:Sr,p~rnU,r_.-d /ldprr C,1or,ogrophtr.J(JMO('vno,I/ s,.,,._. ,...i,ConMII, Acombina1ionofmusical cumcJy.u1x:r~ J.11dc•b=1 cclcbraung1hcmusiralgcniu,of Kun We1II. An 1nno, ai1,·esclllng fea1urcs11comemporary urhanscapc'"'h1chsurroundsthc audience. Worldpn:rruc1': GEORG!Fl.llfUSTUOIQ \'idorionM,u,11"1 S.,24, U ,27,7S, 791f'I. IOpm llmMp161""..d1ps, UIHUD m .90 C{onc. m .90)

HOTIL SORRENTO i,y /lnn~o, Ro:,-,on P/a)OOA (),r,rtn, il•hrryMrlfo, n.-u wo1ldlyw1><:. h1gh·nymg ,men au n:unit«I with u ch 01hcr

~HO W ~TOPPE R~ MELBOUKN!:. INTEKNAT IONAL tival (r~ w mmus Spolc10) is mort 1han ccasb1gasla>t year·sevent. ll 1ghlig.h1S

1ncludcDVS(p1min1cncled). a cootro,·cr;ialRrit ish !W1Ce uwpchcaded byAustr.ilianop,alria1c choreographcr L1oydNewwn"hich prescn1Slf Onk The oompany <pociaho;c< m confrontat,onal phy~1c..li1y- rum,mg up wHLI~, hulling themselves around and cutting thcmselvc~ w nh knivn

A new rmtical Gi~<'lle. sci in a mental 1nsmuuc-1. w11l bt:pn,,..cnttd by theSwedish Cullbcrg Ballc1.

Tre>lle The;it1': Company from Rrilam will re,L1ge:,l61h ccnmry rnadrigal 'iC!Ung i1 onagiam wblc top. o,·er sever-~I da)"S, S1ation House Opera ,. ;11··as>emblc drcams'" u<ing build1ng bloc~s

Four 11(:W A,.,..1mlian pieces will be ,;c,.,n: Dn·mr MerfOJ'()/1j.S1<:phenLloydllelpc1"scelcbrauonof the musical gtmu, of Kurt Weill: 5,..,,.w,u11~ In l~ghJ. Kim C:upcnkr"s uibme tu Lloyd Rtt~ wunng Norman Kaye: Moh)' Diet · the la1es1 from Nigcl Trilfi11 andSa001JtJ1,y, d1rtttedbyArirnc Ta)lorand cnmpo,ed byOavidChc,swonh-a con1emporary music drama b.:lsc(lonthc truc story ofadcafmu!cchi!d found "andc:ring the ~tfctl.lofa Mo icanhordcr town aflera p!anecrash

R1chardWhcm:tt will direr:t aconccnversionof Niwn In C~iNJ. THE "'ntemporary American opera hy John Admm and hb n:ni, t Alice Goodman; Plac,do Domingo does hJ~ siuff: and to a completely diffen:n1beat. Africa0yt1poolsthemu•ica l ,·oicc of Afnca w,1h ,;en;.m1oml \Ot.lnds and colour;.

And w i1 gocs on s1reet lhca1re; Botamca; S1d A,ery·s HotlywooJ rhotogruphs; The ~

EdwanJ1ans- an e~h,bittondocumen1ing1hc lifcof Vio let Trefusu,.onc tunc loverofVitaSackvillc• Wes1; cellist Paul Torte her and much. much. much mon:1

RITUALS OY TUE BHARATAM DANCE Company comprises three contemporary work$. crratedby lhccompany"s director Owidrabhanu. Focussing on lhe A~ianmigran1eApcricncein Au>lnlia. lhe cemral work is The Burning To1<ers, anabstrac1impre,sioni11ic piece thailooksat 1!le pligh1 of unmigr-.,m O,in= durir,g !he Go!d Rush period.The Brodec,plores 1he fatcof Asianwomcn brought m live m Australia 1mmed1atcly after marriage. Tile D,·eam i, an ab)irn,;1 work dr"Jwir,g ils 1mp,rnuon fromaboriglll.ll dc1igns.lndilluwiuions. "The wor~ 1c31Uie~ d1dgeridoo pbymg hy Til'Ccan muiic,.m NawJn~ Khechog. Before touring Penh later in August

·1re Uharatam Dance Company will ,1agc R11u11/,; al V.A.C.·sGct.>ri;e Fanfa,; S1ud1o. Aug8·1 1.

AWAY l.S A .SHOW THAT NF.VER GOES AWAY - a1 lc;i,,t not sma: it first premiered more than four yc:m; ago. Talen!N playwnght Mw;hi,c! Gow"s ,mryofholidaymal ,:,,;andthcirworricsand woes isa wartno,ndfunnyplaythatisa wonderful pon rayal of Au11ralian life. "The onginal team an.: n:uniting for l'layhox "snew production-award winning din:,;1or. Neil Armfield and lhe cast th.at mcludcs JuliaBlake.CliffEllcn. JillianMurrayand Rm .. W1L11.1ms ard John Wood

AWAY o ?tnsOc,obcr j atllle Pla)boA.

anJ their oldcrsi,ter.fatherand qu1ck·,.11tedncphcwa1tera dccadc. Privaictcnsionssurfacc bc1" ·eenthe 1wo,.ho haveleft1ho, rcla~cdcoas1al surroundsoflhc Pcninsulaand thosc whoha,·e <13}Cd MULTHlHEAIXI. C.UB.Moifloult t171~St. ltl, ~_t1Mor .. A"'l29 · S.,8 Mon1hu,'io18pm:fril~8.~ ;-lp,n lhu.&,,gJ0.~6 .UlSCAID SIS Sll _,,

SH SIS"""'

AMFIPARNASO Tr,r1/r TArm1eC""'p:,,nyo{Enjlllnd Accordmg maBBCRadio2 n:viewcr:""Oncof the fuMICSt. mostfarcical situatioru; I have ever scen." L"Amjip,JFIWJO ISOru:10 Vcchi",cxquiJite 19S7 madrigal Of"'ra rrnownedforiu witand panache. Thlsvmion isan me ,erentlyrnodcm1scd storys..,1 on ag,anltabletop m an llahan rc,taurantwhichfollows lhclive'l offive disda1nfulwaneB. young lovers.anupwardly mobile wimp

::u~t~l~g:1~~ delive ry boy on 3

IHE .I.IHEHAf.UMIHEAIRE l88(oim!l, Melioun1< s.p1a.22 ... UJSWO $26

m.m LE JOKE COMEDY NIGHTS EveryTuosday.Fndayand s ,curday Melboume"stop1tand· up comicsdo 1he1r bcststufffora laugh. tEJOXI 64Smill<l1,~ TH, fri, Sal rnH.UD sn Dnia ...dSMw!luoONJl

S11 0....-...d9.,,,1Jui,fri.lat)

LEND ME A TENOR l>y K,n t.,,d>,i~ Dirtuo,: o ,,..,,1c,1morr Sw,s· U, 80,cch. RAON/aB~"A"'°" C lucl,md.Ohio. 1934 Thcfa1eof acharity pcrfonnanc.,,s Jtopard1\Ctlwhc11 1hcfamou~ ltali~n tenor hired topcrfomi !be lcad m01hdlofall<in1oa drunken , 1upor and i,prc,u111edde...J. l-los un:u,um,ngassis1am"'ilhope,01,c ambaion,sc,ic~ lhcmon1<n1 subscqucmlywinnmgacclairn. Confusion reignswhen1he1enor awaken,and thc 5i:,15;m:sct upon by 1wo ,.. ooningfcrnale< HERMAJEID'STHEAnE ,,.,1s.wa- ror1y1.ugt A"!ll· S.pJO _, .. .l.ll'iC.1.10 Sll.90

5)190

AffiCARD (D3l6ll H77 fRONTROW Page Twelve

A FHICA 0 1'1;"! me1111s ""i,i,ng Lill' A/rim!"". 11 cry of celebr111ion

11rroH 1hr e111ire African comi,ttnl AFR/(,\ urr.1 11 a/.,o a high·

entr{ly en/ertm11ml'nl f raiurinR dance. mruic. JQll{I, m1.1Jb 1.111d

MOBY DICK Ni/l.elT,ojfi1r", ,,Jap<1ta1ilJ'I bJHerrna• Mell·i/lt D1r,oo,:Ni11,ITrijfi11 Dtso/l.ntr: /\'i~r/Trif{ill Sr.irs: JohnO"May, Ri,hanJP,prr Astorrnyvoyagcm10Cap1am Ahab"shcanofda.kncsswith slUnningmusicandvi<ualeffoct< 111mrNTHEATRE t U.1.1/i~ ll1Si,,,1S1, S1hMelboi.o111 Stp20--29 11at-Thoipm; fri, 'io16pmonl9pm .UlSCARO S22

"' NOTHING SACRED byC, 01gt F. Walkrr Mtlbowr1tt Tkt a1reC0111pany Diruror: Rosu l/Qdgrnan S1ars:llrlenMorst . Powl E"JIIIJh Blscdon lvan Turgenev·sgrcat novcl. .. FalhorsAndSons"'. lh1s playisset m J862ku.,ia and ccntrr<on ch~ ,,...orld·s fi rs, 111hitos1. lrKvcren!. !heatrk alLyd.aring and une~pe,.tedly hilarious IHEPUYHOl/SE 'flllcrio:t.lrl!Wfll 1'!11-S.pS mD11pm WodlLJJ12 UfSCARO 52'1

"' A ROMANTIC EVENING WITH PAM AYRES ThisOmish comcdiennc is ,cnowncdforhcrwi11ycomic

IHl f'LAlHOUS! l'Khrion Arl! (111!11 Aug 12

AN EVENING WITH PETER USTINOV SirPctcr Ustinov n:miniscesand sa11riscsa ho,cofleading public t1gure,fromlhe lhca1rcwor1dand thcintemationalpolitical an:11a Thc,how wasa ;cll--0u1 in L.ondon. hplays fourdatesm Mclboumcbcfortleavingfor Sydney ~nd llnsbanc lugU·31

(OMEDYTHEATRE <ivlxhiMtion&Lonio!0:1 !1111tfbwrr..

RUMORS i,yNei/Simon Direc/ar. Graeme Bfondrll Sa1r,. JaeiW.-.,,,r,L,-,.;sFi1111,Jr,.

=:~;:. t;:~·;:;,,~~;::;;~:'"'· /forde,5. fl j// Yoong Thcl0th annivcr;arypany o f 1hc 1kpu1y Mayor of Nl"W Yorl b,;,gn"wi1h abang. On 1hcarrival ofthcfirst guem, 1h.e Righ1 Honourablc onc1s ups1a ,rs 1rymi

1r1.1di1ion1.1/ ros11,mes.

Among 1hr f ift y

performers 011 stagr

ill hr p;gmirs fro m

1hr Afri,an rahi ·

fort({.;, N1grr1(1t1

piprrs am/dn.111w1ns

GuiP1ea11 acrab1.11s 1.111d

Pende Jonrrrsfrom

Lairt. SuListingI

10 .Jtom bim<elf And 1hc evening coo11nues1odcsencr.nc (OMI.DYTl!LlliE C..W:ibmM&I.OllldoltSIMtkirnt nlAug lS 8pmlolon-Sal; l prn W,4; 2pmSol llTSC.1.10 m(Mor..Jlr,)

$3J (fri-Sttl S2l (...tl S31(Mon.Jhu) Sll lfri-Sal) S21(mol)

SWIMMING IN LIGHT 1,y K;.,c,.,p,nter Thta,rroflrnag, O,r,c,or: KimCarptnUF Sror5· Nvrw,an Koyr. Chrisn·n, Ma~Mr) ln honnurnfthcgreatanis1.L1oyd Rces.K,mCarpcnte1 ha,,dcvi:,cda newp1occ1oponraythe PS)Cho!og,calandphysical wor1d oflhcpaimcru1work. GEOR&[FI.IRFAXSlUDIO 'f~ .lrll(uh1 Sof, 13-22 Mon-1\u8.l~. lri6pm. 8.3Dpn .IJTS(UO S22

'" THIS OLD MAN COMES ROLLING HOME byOoro1hyll, .. •m Mrl/Jo,,rM The~lrr Company l)"umr- Gal, l:.d .. ·ard1 Tom Dockcny's Redfern during !h~ re<llc<~ '50< wassquoelcd bc-1..,.«n a burgeoningc;iy and t~c wburb\grccncrpai>lun:s. llcwc lts nostalg1cproduct1onlocms w,1h banlors.bntiscD.mi,fiuand bo,.trou,childr,:,n RUSS(LilTHLlnE A'llS·Sof,22 J,...fr18pnl; lloo•.lOpm;SatSprn. 8prn ll!l! lprn Wel! Sepl Affl C.1.10 S24

"' WENDY HARMER SHOW Su,c,;1\-<'ndyllarme,.Danny Kai= ComWyanJrnusicfrom Australia"~mo,1 popular com diennc. LASTU.U&II 64lllitl,!1, {oliv-d tl'Uug 11 Mon-\o11.llliv, .IJTSCARO DttMo.d ihow S161Mod;

S13!1uol;S30 !W.d-lh,,) $30 (Mon); Sl2(Tve); S34 (We41hul

WOMAN IN MIND ~.;~~;;4~~:~~;~·1a,t, Srar,: JrxmSydn,y A)-cl:.boumnh1larn1csai,d d,s1urbswh1le,imultancously makingu• laugh. SuswittrJpp,t"d mamarriage10apompou1 , icru.

+ t03) 6122716

ha~mgacquircd an abommable ~,s1c r-i11·law andawn1hat won"t talk tohcr.shedrcamsofihe pcrfcc1familythacdmeson hcr every whim PU.rHOUS[ 'fltlort.!Alls (11tkl .t.l14 · Atg11 J,.11 Supp11PonyJul 2• 8pmT ... fti; 6.lOpm Mon; Spm, 8pm ~ l,m J.tlSW.d .IJTSCAIID m ,. THE ZENITH BROTHERS Dir,ru,r Jnm,r; o , .,rh""'fl-' D,,,-h,,r1~1son,IDe>tl,i!t<,PJ Thi, a ll.F1cnchcompany. l~~t by France·sf.-ourite comic taknl, JcromeDeschmp,.combines lhc tradi1ionof~ilcmmov1eslap>1ick ,.-j(h an absunlist~urrcali, rn iu lhc spiri1ofFellini. 11l(AJH(NA£UMIHEAJR[ 118(ohlt,Melbomie it,75·2'1 Tui-lot 8~m .IJTSCAIIO S26

'"

CHAMBER MUSIC LUNCHTIME SERIES Dir,ctOl":Sreph,n.\lclnl)rt CHnaJia.npiw1i,1Co11sta11<e O,annon-Douglas isspccillgucst anil!forlhis.erics devOlcd to lhc grcat chambcrmu,iccomposers of thel9'thcemul)",including Schubcn.SchumannandBrahms ASS£Mm'HALL lS6(ollr!ll1, Mtlbo\r111 S.,IMl, S.p24·28 l pm Mon•fri + $10 Fi11oimoitfOlll1t11SI

THE CHILDRINS CRUSADE Compn:er:r.ahri, / Pi,rnr Cundu<1u,: W,,,-wic·k s ,~~gard, RMPS ("l,ni,. AUJtralinn Ch,ldrmJ Choir,La"ri>1onGirls Sclroo/Cho,r, Mal,wnS)mpMnyOrrh,.ll,a Amassi,·cworkforadultchoir. children"schoirandon:hest,a Unavailableonreconlandno1 pcrfomicdinMclboumcfor almn<t4'lycars. M!UOURN[CONCERTHALL AttsC1tth1, S1 l1ilaldMtl>our111 Sop9 2.l0pm .WH.AIIO S21(Hes) S16l8l

m m THE MAGNIFKINT BACHS Compo,r,s:J.S.Oa,h.C.P.l:.". Oach ColWlMcror:WorwfrkStrngurds 5TPAUl5 CAIBEORAL Ctf fflnston &And.. S11, Md,o.,i• NH9 .IJTSWD S16

"' MORTON TO MONK: 60 YEARS Of CLASSIC JAZZ PorudisrC<1yJaz:{J"ndfrom Manachu.utts Amclodictributetosomeofthc mo'l11mpnnan1rnusic inja,_, history. PUYHOUSt: Y"iooriOIM!Con_, Sof, 19 8prn UJS CARD Sl5 l(onc. 510)

NIGHTS IN THE GARDINS Of SPAIN Di, Komn,nmusiku Zurich ,.-irh Nirn,Corti An in,pin:dcombina11onofmusic anddancefmmSpa111foarnring FlamcncodancerNinaConi Mn.BOURNECONC£RTHALL V"l<lorionAns (en~, S.,2S 8,m U'l'lWD m l(OIIC.510)

THE PHONES \local comedy group LASTLAU~H 64 )'flilt,S1, Collin~ '"'14·S.,9 !<11-Sa! .UlSCARO S?6(Mon); S2& n111t.

S30(Wod, 1hul Sl2-SH

RANTOS COLLIGIUM \foJm: SpirosRulllos

AffiCARD (0316122717

CoJUiuc1or:illki58a/1a1 Sopro•o. Mari/ynRirAo,dson /Jos,. lonCousm, /101• 1/ei-lOrMcDuno/,J LJS,1 UM . Constellotumsfor Solo\'io/i11&Stri11gs JUUAN YU. Ntwpi,a for /4 Solo Instruments ROSS €DWARDS Mw,ic far Harn atuJSmng, SlfOSTAKOVIClf ·S)",p/w,iy No / 4 for Soprnno, Bau & Orr:hnlro

GRLll ".W. NO!IOIIIIGaliry GIV"l(IO{io Stpl9 8prn AfflCAtD Sl0

ELCIMMARON byl/a,uWunr,llen" l)fr«10,:JohnWll,or, Froturn:L}ndrmTerrar,ni tborilone),No,·~Ensrmbfr A11 d«:!nfyingpieceofmusic lheatrcabout l:.s1oban Mon1eJo who wasl.:idnapp,t"dasachi ldby slavc-1radcrs. Af1er ~is escape into lhcjunglc hcemergcdtofightin Cuba·~ wa,oflndcpcndcnccfrom ll!95101K9K.Thcau1horme1 Monltjuinl972.aJ!cd110ycars. HetookMontejo"suaclwonls an:11umedtho,mimochisopera Dircctor Wihonhas1umcdthis o traordinaryMory in(o dramatic pieceofmus1cll\ea1re. JH[ BECkITT THLITRE t u.a.~ 111Sllr!St, St!, lhbo111ot S.,24, 26, 28, 29 8pm .UlSCAIO m

m THI FALL 01 THE HOUSE OF USHER byPht/opGlau Cllcimbrr/rludrOp,ro D1r,ctor: Oougla,llor10n Miuu:ol Direaion. B,ion Stm;q Drstgnrr:Tt1•aParklr EdgarAllen Pa:'shaunting taleof forebodingandsclf-destructionis 11\e pcrfoctvehiclcforGla«'s t~a.lponraitureandmoody

NElllllTHEATRE tU B.llbltioul, II I Sut ll.SlhN"-" ... 29·Sof, 9 Wtd.So11.30prn; 'io1, SultSpm .u:rswo m

m VICTORIAN STATE OPERA NORMA l'i11Crnw8rll,n1 \r,c,,...iaS/attOµroChorns Sta,e0,d~>traof\1noriu Desig,...,.K,nn,rhRo,.·r/1 Cunduc1ar:RicMrdDi>'all Nor""' Ghe•o D1rn!lro1·0 Adolgisa:BerNJdttr,Co,llen Po/hor,e : Hor<1Hoffrnann Oro,-rso.Not/Mantln Clorild,: Murgar,1Hoggan F/o,·w:Jtff'l\'eo1•,r

SIA1tJHE.I.IIE Yo:l«itrtl.ltsC .. n Aot l. 7, lS, 11, 231.JOpm ~lpmA.g l l .l.ffl CAIIO S6l1Alt1!S0!1bsl + S661Alnl S>4!1bsJ l H SIOto ol,,. , ,im h r o,u 101 N11•1i

DON GIOVANNI \\'o/fgang Amadrws Mo,a'1 l'lc1orianStQ/tOf)lro \'l,ro,,aS1ai,Opr,aChorus. S10110rrhr,1,ao/Vicr01ia Di,,aor.Jeao-Pi, rrrM/g,wn Conduaor. RicM,d D1ml/ lk,isnu. KrnnrrhRu~·,11 Don r,,-,,.,,,,.,,;. w~,. Orry Do11,111 Anrlll. Mori, An~·,/ DonnnF/>·,ra·FliJn\l"ilso,, Le(HNrllo.Rul(',1/Q"·rll DonOnm·,n·G/1n11\\"in<laJ, Zulina Moriun,Gu,m/ry Mmmn·r.lrnt<Fla..,"n SJ.1.TETHLIIIE \'"'°"""Al"""*' ,.,a, 10, 20, 22, 2i;, 30, s.i,4 I .JOp,o; ma1lpnluglS AJIHUO S61(U eiJS0(8Rnl + S66t.l hs1S>4 (8 Rn) l dilSl~ 1oobo .. ,rimlo,Opnl11N1ilU

FAUST CN/l"/e11',aoc()i>Go•nori \r,c101i"'1S1a1rOp,ra l'ktarioS1turOp,mClt01~,. Sta1'0rr:hrwon[Vitroria Co1Wl~ct,.,,_ ,4n,Jr,"' Gtrrn, Doruin,·fon/Mrlg,

Sns: Joh11GMnr,.,. CouumrJ · Drid,,Clonry Fa,.,r· PamctPlYM·rr .llors~mtt" D,tx,,ah Riedel .\ltph,s1ophe/r1; 8ar,,11 T•,,,,.nyan .'•larth,. lrrnr'll'augA Valrnrfo.PnrrCvlr1n<111·Wt1'gh1 S1tbel:Fto11<1Jo11r, mn 111um 'fKlorim>ArllC.nlr, A'l 16, 21, 2~, 27, 29, Sof,6, 8 7.30p.; .-tlp,1S.,I .lffiCill S611Aln1 S49(U .. 1 + S66(Unl SS4(U nl 1j jS lt 11 , . ,.,,,Hu lotO,u lo1Niilh

DON PASQUAL! Gottano Donizmi V.e1aria11Srott0ptro V.ClorioSro,eOptraCMrus S1u1r o ,,1,n1raaf\lc1oria Diru/01 SIIIOrt Mound, r D0signrr:Ro1rrK,rk Oan l'wqualr:lJoMldSltan.ts DrMalorrsl4 RoStrUmkr ErntJ/0. IJa,•,d//oiJson Noro11t1·Chr,<1iMDwglas mn THum V"K111nr1,k11(1ffl"1 Now8,14, 1•, 1f, 2Z. 74, 27 1.30pm; Dtc 1 1pa, .rnswo ~ I IA hsl SO ll lnl + Si6(U .. ) 5S4(II .. ) .f.djSI01, ,1,,. "l"' l"Dpnl11 N11•"

SAMSON ET OALILA C<JmilleSa,.1Som, \'k1arw11S1artOprra \irtor,o S,airOprraC/tnru, S1tJ1e 0 rrhr,r,.,,of\7aoria Co,,dur11>S · RrtltnrdD1>11// Dirrcro, Lindyl/,11r,r .&,s: Doug/05Srhnmll Co,/WtlnCu,,,rRol,brn, Swn.011 · An1Mn)· Rodr11 D,,/i/11. Sltulryl'eNnr 1/!~/rie,rofDogon M,cho,I

Anci,n1H,brt"" No,/Mong,n SIAIE TMUTlE l'lllnnl.rll (Mlte 7.lllp,o llr,12, IS, 20, 23, 16,28,30, O..l ; lfll' Ntv17 .UJH.UO S67[U.,f$SS(1Rn)

LEND ME A TfNOR is curremly tht longe.11 runni~g play on

8ro11d,..ay, h1.1s wo11 Mo Tony A1111rds. four Drama Desk A11ards.

1hue Ou1er Crit,cs Circle A1,•11rds and lht 0/il-itr ,i,,..a,d for Bat Cnm,d) in /9/J6 /11 London ii was originol/y directed by Dal'id

+ Sl2(H01I S60llll1J l ddS10101~0,, ,,;,.,1,, o .. ,;,, 111•"

THI PEARL FISHERS Geo,g,sB"<l \1cror/a• Srai,Opu a 11croriaSwtr Opua Charus.

~:i':c:1:~::i,;g::, Duertor- /Jnd)•Humr D~isgnu: KtMrlhRo,.,11 U,la:D,borah R~de/ Nad1': Pa1rtek Powtr Zu'lla:M1chot /L,,.-;s No•rabad.NorlM01>gin SJATE IME.mf VvllfWIM>Cenn 0.. 3,6. S 7.~ IID CAIIO S6Hll11J S49flle!) + S66(U11JS>4llbs) • ld SlOloolo,, ,,10, fo, o, ,.,,,•i10u

IF ONLY Dirtc/or:UoydNtw:wn DV8Physiro/TMal" A~ani garJcchorcugraphcr d irector. Lloyd Newson. bring~ hi< dynamiccompanyk! Austrnliain a di~play of contemporary dance IHE PU\'HOU~ V"Nloririol.rl\( ... , Sop 2t l H <J , .... Sat8'ffl UfS CAIID S1l

'" RITUALS ~~\:o:::;;. f•lllCe C-.pany THE GEORGEr,.tlW mJDIO 'fN!oriaoltl!Cllli"e ltg8·1 1 1!pm mat7pm l.ug ll .UlSCAlD S19·S40

S1:J.S40

TheAustratianBo11, t THE LEAVES ARE FADING GALA PERFORMANCE EQUUS IRlPLEBIU /he iluirn,lianBal/tl SlATE~TlE i"""""""Ans(e,m, Oct\9, 20, 23·21, 19, 30 1.lOpm

Oct 20,27 1.30pm .IJTSCAIID S45IA1e!ISJ9(U a l

S491Ale!I S43(ll• J

COPPELIA Thr,l1<51ral,an801/r1 SlAJETHEATR! r.a....Am(tnh OctH, 9·13 1.x..n Oct8, U Slnlt Oct6, 13 1.30pm .UlSCAIIO S4HH 11)SJt (llt1)

S49!Ale!1 S4l!llt1l

GISELLE Co.Jlb<:,g8allr1ofS,.·,dr11 CM,,ogmph1r · Mo1<£l: Thisnewver,ion ofGi.1el1cis radicallyrc-sctinalunatic asylum. THEl'LAYHOUSE V"t<llrionAns (enlto S.,13,14, IS, 17, lla,. .lffi(.1,10 SJO -+ SlSS18

s~r1h,ta1,51fi/m.Ja1\'illag,. Hoyts. o,uJG,,o/,rUnionat d,sc<rnntpriru.Onlrryour diJcm,m film ,,,,,.,J,,,.from Tl,r Trus1on6/12777.Forlot!lford. TrakCiorMa,\'a//u,1/oalld

Gilmort 1,ho is in

Aul'lraliu /IUW (hr \'ISl/td

here prel'iously rodiru/

Song A11J Dunc, and

Beyond Rrasonablt

Douhr ) 1u /rnd 11n

Austroli11n casr in "'ha/ prOnJIJtS /0 bt Ont of 1he

funnirsl musicals /on-rr

he S/1.1grd. Thr Trus/ has

orgoniseda Supper P1.1r1y

wirh the stars from LEND

M E A TENOR ar lftr

MaJtSlpi.1[10 1he Jhow

onThursdayAugust9

Ste listings ond

/lfemben· D111ry

lef1:li:Burchas/lfaggie

and Tony lfaney as Max

in Ken Lud1..-ig"s LEND

ME A TENOH

Br1gh1on8oy.pr,srn1 yourAm Cordarrhr8o.r0ffer,

UHE AFFAIRE DE FEMMES n1r,r1r,r-CloudeCMbro/ Srar,:/,abelltllupp,rr Marie. a provincial woman suppons her family 1n war-tom Francebyillcgalmcans.Thc Vichygovcmrnentrnakcsan e<amplcofller.s«kmg to n:storr lh~moralsof thccoumry. LONGFORDONEMA StJ ... ulld.SGulil lona Ch,lu•11opm fo,,onloo1l• t1

@MU\IM@ LEND ME A TENOR r.,.,, Wc".-c inv,ted1hccastof1his intcmutiunatcom<:dyscnsationto joinusfor a deliciou,Suppcrand par1y atHer Majcsty"softertlle ,how.Showandwpp,t"r$40 (Drinl.:savailablcfromtheb:irat staff prices).

L1SMISIRA8LIS f.tS.,28 Anigh1forthc emhu,iasts .. it's lhcla,1publicpcrfunnanccofU1 Mi, in Melboumcandw~hove securcdcxce ltcntsealSforlh1s finalc.$50andwc·llprot,.,bly have a nighicapaf1crthc<how10 ,...,.nnii><:rale

TRUST CHRISTMAS PARTY WNO. I t Weknowifsearlybulmakca nOlcin your diuy ... we're r lonningaChriscmasCabaret NightinThcTrust"sCtubrooms· dancing.music.,uppcrwdwe"re uying lo tocp lh~ cost to a very rcasonabk $25pcrpcrson.

FROHTRDW PageThirtaen + 103)612 2716

Page 13: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

VlC

ARTS CARD (Ol) 6'18 1611 ..., (02} -98 1432

AFRICA·OYEI Fir<y 1rib:il pcrfonrn,rsfrom e,gh1 Afncanco,rnlnc,pr,,,cn1an c,plo,ionofuaditional,ong co<tume,musicand d,ncc Sl.ll( JH(ATR! 'fK1«ir:fl¥ll ( tm1 »pU,14, l S,19,20,21, 21 Wtd'..c11J:lpm ¼, Hl.30pn, /JIHUD SlllUl<I S2l llh1I

S:lt.Sll

LES MISERABLES ,1f,uoc anJ I>""' 1/mn s~uh/1/ C/ouJ,.M,chrlSch,Jnt,e,K D11umr T,i·n,ll'wnn

~:::.,:'"' c~um,,. Anrli<m,

Unlxa1abkc<lmb1n,u<J11o f 1htatre,mu,ic,,tmo,phcre,and Cameron Mackm1osh producuon c,travtgoncc. f'IIHUSSTH!ATIH 'ipmg ~.MtloloN s.. .... ,., ... 1

h Sol; mr! '..cl

"' NIXON IN CHINA Compcstr John Ad/Ims

Lihmrw A/1<eG<>oJmu11 o"""'' /1,,h,mJl\ hnmt S1an:Th,.,,.,,,c,1.,,,~J,. \fe,/.,·n o~a,f, ~, :~lhi,';;;:;~~,h~,~~,;n:1:7,~ hie· a,1,rrmgcrcauon.fullof charm~nd ,.;t and, ,n thecnd. btauty". The New Ym~ Time, MlliOU.llllCO~CERT~ll r.oo,i,r, "1l(tn, Hp,15, 11 1 .. ,n.. 1.)0pm lmCAlD Sll + Sl8,S30

PHANTOM Of THE OPERA Camm>" MJcl,nr,,_,hCo S,wr, . An1J,,,n_, " ~'low. \ /ar,na P,ior.D~l,BumJ~, B•sc<lon1hc l<E<n<la') phantom ,1ol)·ofl>eaul}'Shd !hc infa1ua1cd b,:-a,1 rtiNCBSTHLITU OptooDt<I (0111<1Tm1""'1·,a 1owrorl u

SABAT JESUS b)Atm:,T~.)lor '""'f"J',r · Qo,·,J (.h,sM~nh The truc my"cry ofadcafmu1c child ,.,ho~pparrn1ly <uN,vcd a des,n :m cra,huo\k"co. llaBOUlljETOWHIIALL ~~,..,. .. S., lH S, 17-27 lil<n-Thu8p,o;lti,\o16pl,. 9pm mm10 m .,

ABINGDON SQUARI h, Mam1/r,,...fo1••1 Oo1r<1u1 RoJ//orin AcdaimM American pla} \l.·right Fomo ... 1llbc-1n Melt>owi1cfur lheAu~lrahanprrmiercof ihi,.hcr Obie A.,,mJ.wmnmg study of m;u:lnc»ai,d.scxual rcprcssion Stt ,ncarly.20thccmury Ncw Yorl:.ayoung womai,·srnamagc "ilh o mon3Sy<ars her scnoor. breaks down as •hcc~plorcs her o-..·nnccds. TH( uornnu,m.E t UMaW..!t 111 ~ 11.s,~ itp ll, 1', 10!,nt ~ll,12 6/,ffi. tprn AfflWD Sl1

m

ATLANTA 1,,-J,~m,•aM"""·'·c..,,,h Plu,h<>, D,r,,·tor- K, _ o~_ , Dr11~u,. 7,,,.,,,,.,,1,, Aninci,,,eandrnovin!'rlay nploringfncndsh1p,1isgF.1,11y and , hallo,.ne<>.thca,p,ra11on, and fcal'thaidray, u,all1ogc1hcr. On1ha,ibrant<dcbFJ11onofhfo and .1 p,t"nc,1ra,in!'1n<,ghtmm1hc Jarl e,"deo(ouMh'O> THEB((KITTTHEAIIE t u.a~ ll l ll\lrtS1,SlhMelou-nt Aug4·13 l11t-Thu lplll; llon6.l»ffl; ftlB.l},m; Solt 'ip,,. 11~ lpmWHAogS UJHllD SIi

'" AWAY h, \!uh,u/G~M Plo,.'>or D11,e1or·N,i/ /l ,,,.fi,l:l Sror,: ' ""~JJ/JA,.J,lli"" 1,.,,,.,,. ~t!!.,"J/1n. R1>S, ll '11/iom<.l1>~n

Go,. ·, taleof a summerhobd,y for!hrc<,fam1hcs"·on Grecn RoomA,.ards,n l9S6for8cst Ncw Play. Re<tProduc11onand Bc,1 D,rc<tio11.T1\ooni;in•l turn 1<baclfor 1he l990n:-runof1hi< upllfung play. NElLIHTHLIIIE tu.a.~

0.14-27 MonllOpm; lut-T!..S.ISpr,;fnS1S~ l.lllpm;~ l.l~LpmW.dO~lO .UlHAID S18

"' DIVINE METROPOLIS Concri.,db>·Si,ph,nU,rydHrlpu M•Jjtb:,Kur1\\1'1/I Dir,,ror:Sr,p~rnU,r_.-d /ldprr C,1or,ogrophtr.J(JMO('vno,I/ s,.,,._. ,...i,ConMII, Acombina1ionofmusical cumcJy.u1x:r~ J.11dc•b=1 cclcbraung1hcmusiralgcniu,of Kun We1II. An 1nno, ai1,·esclllng fea1urcs11comemporary urhanscapc'"'h1chsurroundsthc audience. Worldpn:rruc1': GEORG!Fl.llfUSTUOIQ \'idorionM,u,11"1 S.,24, U ,27,7S, 791f'I. IOpm llmMp161""..d1ps, UIHUD m .90 C{onc. m .90)

HOTIL SORRENTO i,y /lnn~o, Ro:,-,on P/a)OOA (),r,rtn, il•hrryMrlfo, n.-u wo1ldlyw1><:. h1gh·nymg ,men au n:unit«I with u ch 01hcr

~HO W ~TOPPE R~ MELBOUKN!:. INTEKNAT IONAL tival (r~ w mmus Spolc10) is mort 1han ccasb1gasla>t year·sevent. ll 1ghlig.h1S

1ncludcDVS(p1min1cncled). a cootro,·cr;ialRrit ish !W1Ce uwpchcaded byAustr.ilianop,alria1c choreographcr L1oydNewwn"hich prescn1Slf Onk The oompany <pociaho;c< m confrontat,onal phy~1c..li1y- rum,mg up wHLI~, hulling themselves around and cutting thcmselvc~ w nh knivn

A new rmtical Gi~<'lle. sci in a mental 1nsmuuc-1. w11l bt:pn,,..cnttd by theSwedish Cullbcrg Ballc1.

Tre>lle The;it1': Company from Rrilam will re,L1ge:,l61h ccnmry rnadrigal 'iC!Ung i1 onagiam wblc top. o,·er sever-~I da)"S, S1ation House Opera ,. ;11··as>emblc drcams'" u<ing build1ng bloc~s

Four 11(:W A,.,..1mlian pieces will be ,;c,.,n: Dn·mr MerfOJ'()/1j.S1<:phenLloydllelpc1"scelcbrauonof the musical gtmu, of Kurt Weill: 5,..,,.w,u11~ In l~ghJ. Kim C:upcnkr"s uibme tu Lloyd Rtt~ wunng Norman Kaye: Moh)' Diet · the la1es1 from Nigcl Trilfi11 andSa001JtJ1,y, d1rtttedbyArirnc Ta)lorand cnmpo,ed byOavidChc,swonh-a con1emporary music drama b.:lsc(lonthc truc story ofadcafmu!cchi!d found "andc:ring the ~tfctl.lofa Mo icanhordcr town aflera p!anecrash

R1chardWhcm:tt will direr:t aconccnversionof Niwn In C~iNJ. THE "'ntemporary American opera hy John Admm and hb n:ni, t Alice Goodman; Plac,do Domingo does hJ~ siuff: and to a completely diffen:n1beat. Africa0yt1poolsthemu•ica l ,·oicc of Afnca w,1h ,;en;.m1oml \Ot.lnds and colour;.

And w i1 gocs on s1reet lhca1re; Botamca; S1d A,ery·s HotlywooJ rhotogruphs; The ~

EdwanJ1ans- an e~h,bittondocumen1ing1hc lifcof Vio let Trefusu,.onc tunc loverofVitaSackvillc• Wes1; cellist Paul Torte her and much. much. much mon:1

RITUALS OY TUE BHARATAM DANCE Company comprises three contemporary work$. crratedby lhccompany"s director Owidrabhanu. Focussing on lhe A~ianmigran1eApcricncein Au>lnlia. lhe cemral work is The Burning To1<ers, anabstrac1impre,sioni11ic piece thailooksat 1!le pligh1 of unmigr-.,m O,in= durir,g !he Go!d Rush period.The Brodec,plores 1he fatcof Asianwomcn brought m live m Australia 1mmed1atcly after marriage. Tile D,·eam i, an ab)irn,;1 work dr"Jwir,g ils 1mp,rnuon fromaboriglll.ll dc1igns.lndilluwiuions. "The wor~ 1c31Uie~ d1dgeridoo pbymg hy Til'Ccan muiic,.m NawJn~ Khechog. Before touring Penh later in August

·1re Uharatam Dance Company will ,1agc R11u11/,; al V.A.C.·sGct.>ri;e Fanfa,; S1ud1o. Aug8·1 1.

AWAY l.S A .SHOW THAT NF.VER GOES AWAY - a1 lc;i,,t not sma: it first premiered more than four yc:m; ago. Talen!N playwnght Mw;hi,c! Gow"s ,mryofholidaymal ,:,,;andthcirworricsand woes isa wartno,ndfunnyplaythatisa wonderful pon rayal of Au11ralian life. "The onginal team an.: n:uniting for l'layhox "snew production-award winning din:,;1or. Neil Armfield and lhe cast th.at mcludcs JuliaBlake.CliffEllcn. JillianMurrayand Rm .. W1L11.1ms ard John Wood

AWAY o ?tnsOc,obcr j atllle Pla)boA.

anJ their oldcrsi,ter.fatherand qu1ck·,.11tedncphcwa1tera dccadc. Privaictcnsionssurfacc bc1" ·eenthe 1wo,.ho haveleft1ho, rcla~cdcoas1al surroundsoflhc Pcninsulaand thosc whoha,·e <13}Cd MULTHlHEAIXI. C.UB.Moifloult t171~St. ltl, ~_t1Mor .. A"'l29 · S.,8 Mon1hu,'io18pm:fril~8.~ ;-lp,n lhu.&,,gJ0.~6 .UlSCAID SIS Sll _,,

SH SIS"""'

AMFIPARNASO Tr,r1/r TArm1eC""'p:,,nyo{Enjlllnd Accordmg maBBCRadio2 n:viewcr:""Oncof the fuMICSt. mostfarcical situatioru; I have ever scen." L"Amjip,JFIWJO ISOru:10 Vcchi",cxquiJite 19S7 madrigal Of"'ra rrnownedforiu witand panache. Thlsvmion isan me ,erentlyrnodcm1scd storys..,1 on ag,anltabletop m an llahan rc,taurantwhichfollows lhclive'l offive disda1nfulwaneB. young lovers.anupwardly mobile wimp

::u~t~l~g:1~~ delive ry boy on 3

IHE .I.IHEHAf.UMIHEAIRE l88(oim!l, Melioun1< s.p1a.22 ... UJSWO $26

m.m LE JOKE COMEDY NIGHTS EveryTuosday.Fndayand s ,curday Melboume"stop1tand· up comicsdo 1he1r bcststufffora laugh. tEJOXI 64Smill<l1,~ TH, fri, Sal rnH.UD sn Dnia ...dSMw!luoONJl

S11 0....-...d9.,,,1Jui,fri.lat)

LEND ME A TENOR l>y K,n t.,,d>,i~ Dirtuo,: o ,,..,,1c,1morr Sw,s· U, 80,cch. RAON/aB~"A"'°" C lucl,md.Ohio. 1934 Thcfa1eof acharity pcrfonnanc.,,s Jtopard1\Ctlwhc11 1hcfamou~ ltali~n tenor hired topcrfomi !be lcad m01hdlofall<in1oa drunken , 1upor and i,prc,u111edde...J. l-los un:u,um,ngassis1am"'ilhope,01,c ambaion,sc,ic~ lhcmon1<n1 subscqucmlywinnmgacclairn. Confusion reignswhen1he1enor awaken,and thc 5i:,15;m:sct upon by 1wo ,.. ooningfcrnale< HERMAJEID'STHEAnE ,,.,1s.wa- ror1y1.ugt A"!ll· S.pJO _, .. .l.ll'iC.1.10 Sll.90

5)190

AffiCARD (D3l6ll H77 fRONTROW Page Twelve

A FHICA 0 1'1;"! me1111s ""i,i,ng Lill' A/rim!"". 11 cry of celebr111ion

11rroH 1hr e111ire African comi,ttnl AFR/(,\ urr.1 11 a/.,o a high·

entr{ly en/ertm11ml'nl f raiurinR dance. mruic. JQll{I, m1.1Jb 1.111d

MOBY DICK Ni/l.elT,ojfi1r", ,,Jap<1ta1ilJ'I bJHerrna• Mell·i/lt D1r,oo,:Ni11,ITrijfi11 Dtso/l.ntr: /\'i~r/Trif{ill Sr.irs: JohnO"May, Ri,hanJP,prr Astorrnyvoyagcm10Cap1am Ahab"shcanofda.kncsswith slUnningmusicandvi<ualeffoct< 111mrNTHEATRE t U.1.1/i~ ll1Si,,,1S1, S1hMelboi.o111 Stp20--29 11at-Thoipm; fri, 'io16pmonl9pm .UlSCARO S22

"' NOTHING SACRED byC, 01gt F. Walkrr Mtlbowr1tt Tkt a1reC0111pany Diruror: Rosu l/Qdgrnan S1ars:llrlenMorst . Powl E"JIIIJh Blscdon lvan Turgenev·sgrcat novcl. .. FalhorsAndSons"'. lh1s playisset m J862ku.,ia and ccntrr<on ch~ ,,...orld·s fi rs, 111hitos1. lrKvcren!. !heatrk alLyd.aring and une~pe,.tedly hilarious IHEPUYHOl/SE 'flllcrio:t.lrl!Wfll 1'!11-S.pS mD11pm WodlLJJ12 UfSCARO 52'1

"' A ROMANTIC EVENING WITH PAM AYRES ThisOmish comcdiennc is ,cnowncdforhcrwi11ycomic

IHl f'LAlHOUS! l'Khrion Arl! (111!11 Aug 12

AN EVENING WITH PETER USTINOV SirPctcr Ustinov n:miniscesand sa11riscsa ho,cofleading public t1gure,fromlhe lhca1rcwor1dand thcintemationalpolitical an:11a Thc,how wasa ;cll--0u1 in L.ondon. hplays fourdatesm Mclboumcbcfortleavingfor Sydney ~nd llnsbanc lugU·31

(OMEDYTHEATRE <ivlxhiMtion&Lonio!0:1 !1111tfbwrr..

RUMORS i,yNei/Simon Direc/ar. Graeme Bfondrll Sa1r,. JaeiW.-.,,,r,L,-,.;sFi1111,Jr,.

=:~;:. t;:~·;:;,,~~;::;;~:'"'· /forde,5. fl j// Yoong Thcl0th annivcr;arypany o f 1hc 1kpu1y Mayor of Nl"W Yorl b,;,gn"wi1h abang. On 1hcarrival ofthcfirst guem, 1h.e Righ1 Honourablc onc1s ups1a ,rs 1rymi

1r1.1di1ion1.1/ ros11,mes.

Among 1hr f ift y

performers 011 stagr

ill hr p;gmirs fro m

1hr Afri,an rahi ·

fort({.;, N1grr1(1t1

piprrs am/dn.111w1ns

GuiP1ea11 acrab1.11s 1.111d

Pende Jonrrrsfrom

Lairt. SuListingI

10 .Jtom bim<elf And 1hc evening coo11nues1odcsencr.nc (OMI.DYTl!LlliE C..W:ibmM&I.OllldoltSIMtkirnt nlAug lS 8pmlolon-Sal; l prn W,4; 2pmSol llTSC.1.10 m(Mor..Jlr,)

$3J (fri-Sttl S2l (...tl S31(Mon.Jhu) Sll lfri-Sal) S21(mol)

SWIMMING IN LIGHT 1,y K;.,c,.,p,nter Thta,rroflrnag, O,r,c,or: KimCarptnUF Sror5· Nvrw,an Koyr. Chrisn·n, Ma~Mr) ln honnurnfthcgreatanis1.L1oyd Rces.K,mCarpcnte1 ha,,dcvi:,cda newp1occ1oponraythe PS)Cho!og,calandphysical wor1d oflhcpaimcru1work. GEOR&[FI.IRFAXSlUDIO 'f~ .lrll(uh1 Sof, 13-22 Mon-1\u8.l~. lri6pm. 8.3Dpn .IJTS(UO S22

'" THIS OLD MAN COMES ROLLING HOME byOoro1hyll, .. •m Mrl/Jo,,rM The~lrr Company l)"umr- Gal, l:.d .. ·ard1 Tom Dockcny's Redfern during !h~ re<llc<~ '50< wassquoelcd bc-1..,.«n a burgeoningc;iy and t~c wburb\grccncrpai>lun:s. llcwc lts nostalg1cproduct1onlocms w,1h banlors.bntiscD.mi,fiuand bo,.trou,childr,:,n RUSS(LilTHLlnE A'llS·Sof,22 J,...fr18pnl; lloo•.lOpm;SatSprn. 8prn ll!l! lprn Wel! Sepl Affl C.1.10 S24

"' WENDY HARMER SHOW Su,c,;1\-<'ndyllarme,.Danny Kai= ComWyanJrnusicfrom Australia"~mo,1 popular com diennc. LASTU.U&II 64lllitl,!1, {oliv-d tl'Uug 11 Mon-\o11.llliv, .IJTSCARO DttMo.d ihow S161Mod;

S13!1uol;S30 !W.d-lh,,) $30 (Mon); Sl2(Tve); S34 (We41hul

WOMAN IN MIND ~.;~~;;4~~:~~;~·1a,t, Srar,: JrxmSydn,y A)-cl:.boumnh1larn1csai,d d,s1urbswh1le,imultancously makingu• laugh. SuswittrJpp,t"d mamarriage10apompou1 , icru.

+ t03) 6122716

ha~mgacquircd an abommable ~,s1c r-i11·law andawn1hat won"t talk tohcr.shedrcamsofihe pcrfcc1familythacdmeson hcr every whim PU.rHOUS[ 'fltlort.!Alls (11tkl .t.l14 · Atg11 J,.11 Supp11PonyJul 2• 8pmT ... fti; 6.lOpm Mon; Spm, 8pm ~ l,m J.tlSW.d .IJTSCAIID m ,. THE ZENITH BROTHERS Dir,ru,r Jnm,r; o , .,rh""'fl-' D,,,-h,,r1~1son,IDe>tl,i!t<,PJ Thi, a ll.F1cnchcompany. l~~t by France·sf.-ourite comic taknl, JcromeDeschmp,.combines lhc tradi1ionof~ilcmmov1eslap>1ick ,.-j(h an absunlist~urrcali, rn iu lhc spiri1ofFellini. 11l(AJH(NA£UMIHEAJR[ 118(ohlt,Melbomie it,75·2'1 Tui-lot 8~m .IJTSCAIIO S26

'"

CHAMBER MUSIC LUNCHTIME SERIES Dir,ctOl":Sreph,n.\lclnl)rt CHnaJia.npiw1i,1Co11sta11<e O,annon-Douglas isspccillgucst anil!forlhis.erics devOlcd to lhc grcat chambcrmu,iccomposers of thel9'thcemul)",including Schubcn.SchumannandBrahms ASS£Mm'HALL lS6(ollr!ll1, Mtlbo\r111 S.,IMl, S.p24·28 l pm Mon•fri + $10 Fi11oimoitfOlll1t11SI

THE CHILDRINS CRUSADE Compn:er:r.ahri, / Pi,rnr Cundu<1u,: W,,,-wic·k s ,~~gard, RMPS ("l,ni,. AUJtralinn Ch,ldrmJ Choir,La"ri>1onGirls Sclroo/Cho,r, Mal,wnS)mpMnyOrrh,.ll,a Amassi,·cworkforadultchoir. children"schoirandon:hest,a Unavailableonreconlandno1 pcrfomicdinMclboumcfor almn<t4'lycars. M!UOURN[CONCERTHALL AttsC1tth1, S1 l1ilaldMtl>our111 Sop9 2.l0pm .WH.AIIO S21(Hes) S16l8l

m m THE MAGNIFKINT BACHS Compo,r,s:J.S.Oa,h.C.P.l:.". Oach ColWlMcror:WorwfrkStrngurds 5TPAUl5 CAIBEORAL Ctf fflnston &And.. S11, Md,o.,i• NH9 .IJTSWD S16

"' MORTON TO MONK: 60 YEARS Of CLASSIC JAZZ PorudisrC<1yJaz:{J"ndfrom Manachu.utts Amclodictributetosomeofthc mo'l11mpnnan1rnusic inja,_, history. PUYHOUSt: Y"iooriOIM!Con_, Sof, 19 8prn UJS CARD Sl5 l(onc. 510)

NIGHTS IN THE GARDINS Of SPAIN Di, Komn,nmusiku Zurich ,.-irh Nirn,Corti An in,pin:dcombina11onofmusic anddancefmmSpa111foarnring FlamcncodancerNinaConi Mn.BOURNECONC£RTHALL V"l<lorionAns (en~, S.,2S 8,m U'l'lWD m l(OIIC.510)

THE PHONES \local comedy group LASTLAU~H 64 )'flilt,S1, Collin~ '"'14·S.,9 !<11-Sa! .UlSCARO S?6(Mon); S2& n111t.

S30(Wod, 1hul Sl2-SH

RANTOS COLLIGIUM \foJm: SpirosRulllos

AffiCARD (0316122717

CoJUiuc1or:illki58a/1a1 Sopro•o. Mari/ynRirAo,dson /Jos,. lonCousm, /101• 1/ei-lOrMcDuno/,J LJS,1 UM . Constellotumsfor Solo\'io/i11&Stri11gs JUUAN YU. Ntwpi,a for /4 Solo Instruments ROSS €DWARDS Mw,ic far Harn atuJSmng, SlfOSTAKOVIClf ·S)",p/w,iy No / 4 for Soprnno, Bau & Orr:hnlro

GRLll ".W. NO!IOIIIIGaliry GIV"l(IO{io Stpl9 8prn AfflCAtD Sl0

ELCIMMARON byl/a,uWunr,llen" l)fr«10,:JohnWll,or, Froturn:L}ndrmTerrar,ni tborilone),No,·~Ensrmbfr A11 d«:!nfyingpieceofmusic lheatrcabout l:.s1oban Mon1eJo who wasl.:idnapp,t"dasachi ldby slavc-1radcrs. Af1er ~is escape into lhcjunglc hcemergcdtofightin Cuba·~ wa,oflndcpcndcnccfrom ll!95101K9K.Thcau1horme1 Monltjuinl972.aJ!cd110ycars. HetookMontejo"suaclwonls an:11umedtho,mimochisopera Dircctor Wihonhas1umcdthis o traordinaryMory in(o dramatic pieceofmus1cll\ea1re. JH[ BECkITT THLITRE t u.a.~ 111Sllr!St, St!, lhbo111ot S.,24, 26, 28, 29 8pm .UlSCAIO m

m THI FALL 01 THE HOUSE OF USHER byPht/opGlau Cllcimbrr/rludrOp,ro D1r,ctor: Oougla,llor10n Miuu:ol Direaion. B,ion Stm;q Drstgnrr:Tt1•aParklr EdgarAllen Pa:'shaunting taleof forebodingandsclf-destructionis 11\e pcrfoctvehiclcforGla«'s t~a.lponraitureandmoody

NElllllTHEATRE tU B.llbltioul, II I Sut ll.SlhN"-" ... 29·Sof, 9 Wtd.So11.30prn; 'io1, SultSpm .u:rswo m

m VICTORIAN STATE OPERA NORMA l'i11Crnw8rll,n1 \r,c,,...iaS/attOµroChorns Sta,e0,d~>traof\1noriu Desig,...,.K,nn,rhRo,.·r/1 Cunduc1ar:RicMrdDi>'all Nor""' Ghe•o D1rn!lro1·0 Adolgisa:BerNJdttr,Co,llen Po/hor,e : Hor<1Hoffrnann Oro,-rso.Not/Mantln Clorild,: Murgar,1Hoggan F/o,·w:Jtff'l\'eo1•,r

SIA1tJHE.I.IIE Yo:l«itrtl.ltsC .. n Aot l. 7, lS, 11, 231.JOpm ~lpmA.g l l .l.ffl CAIIO S6l1Alt1!S0!1bsl + S661Alnl S>4!1bsJ l H SIOto ol,,. , ,im h r o,u 101 N11•1i

DON GIOVANNI \\'o/fgang Amadrws Mo,a'1 l'lc1orianStQ/tOf)lro \'l,ro,,aS1ai,Opr,aChorus. S10110rrhr,1,ao/Vicr01ia Di,,aor.Jeao-Pi, rrrM/g,wn Conduaor. RicM,d D1ml/ lk,isnu. KrnnrrhRu~·,11 Don r,,-,,.,,,,.,,;. w~,. Orry Do11,111 Anrlll. Mori, An~·,/ DonnnF/>·,ra·FliJn\l"ilso,, Le(HNrllo.Rul(',1/Q"·rll DonOnm·,n·G/1n11\\"in<laJ, Zulina Moriun,Gu,m/ry Mmmn·r.lrnt<Fla..,"n SJ.1.TETHLIIIE \'"'°"""Al"""*' ,.,a, 10, 20, 22, 2i;, 30, s.i,4 I .JOp,o; ma1lpnluglS AJIHUO S61(U eiJS0(8Rnl + S66t.l hs1S>4 (8 Rn) l dilSl~ 1oobo .. ,rimlo,Opnl11N1ilU

FAUST CN/l"/e11',aoc()i>Go•nori \r,c101i"'1S1a1rOp,ra l'ktarioS1turOp,mClt01~,. Sta1'0rr:hrwon[Vitroria Co1Wl~ct,.,,_ ,4n,Jr,"' Gtrrn, Doruin,·fon/Mrlg,

Sns: Joh11GMnr,.,. CouumrJ · Drid,,Clonry Fa,.,r· PamctPlYM·rr .llors~mtt" D,tx,,ah Riedel .\ltph,s1ophe/r1; 8ar,,11 T•,,,,.nyan .'•larth,. lrrnr'll'augA Valrnrfo.PnrrCvlr1n<111·Wt1'gh1 S1tbel:Fto11<1Jo11r, mn 111um 'fKlorim>ArllC.nlr, A'l 16, 21, 2~, 27, 29, Sof,6, 8 7.30p.; .-tlp,1S.,I .lffiCill S611Aln1 S49(U .. 1 + S66(Unl SS4(U nl 1j jS lt 11 , . ,.,,,Hu lotO,u lo1Niilh

DON PASQUAL! Gottano Donizmi V.e1aria11Srott0ptro V.ClorioSro,eOptraCMrus S1u1r o ,,1,n1raaf\lc1oria Diru/01 SIIIOrt Mound, r D0signrr:Ro1rrK,rk Oan l'wqualr:lJoMldSltan.ts DrMalorrsl4 RoStrUmkr ErntJ/0. IJa,•,d//oiJson Noro11t1·Chr,<1iMDwglas mn THum V"K111nr1,k11(1ffl"1 Now8,14, 1•, 1f, 2Z. 74, 27 1.30pm; Dtc 1 1pa, .rnswo ~ I IA hsl SO ll lnl + Si6(U .. ) 5S4(II .. ) .f.djSI01, ,1,,. "l"' l"Dpnl11 N11•"

SAMSON ET OALILA C<JmilleSa,.1Som, \'k1arw11S1artOprra \irtor,o S,airOprraC/tnru, S1tJ1e 0 rrhr,r,.,,of\7aoria Co,,dur11>S · RrtltnrdD1>11// Dirrcro, Lindyl/,11r,r .&,s: Doug/05Srhnmll Co,/WtlnCu,,,rRol,brn, Swn.011 · An1Mn)· Rodr11 D,,/i/11. Sltulryl'eNnr 1/!~/rie,rofDogon M,cho,I

Anci,n1H,brt"" No,/Mong,n SIAIE TMUTlE l'lllnnl.rll (Mlte 7.lllp,o llr,12, IS, 20, 23, 16,28,30, O..l ; lfll' Ntv17 .UJH.UO S67[U.,f$SS(1Rn)

LEND ME A TfNOR is curremly tht longe.11 runni~g play on

8ro11d,..ay, h1.1s wo11 Mo Tony A1111rds. four Drama Desk A11ards.

1hue Ou1er Crit,cs Circle A1,•11rds and lht 0/il-itr ,i,,..a,d for Bat Cnm,d) in /9/J6 /11 London ii was originol/y directed by Dal'id

+ Sl2(H01I S60llll1J l ddS10101~0,, ,,;,.,1,, o .. ,;,, 111•"

THI PEARL FISHERS Geo,g,sB"<l \1cror/a• Srai,Opu a 11croriaSwtr Opua Charus.

~:i':c:1:~::i,;g::, Duertor- /Jnd)•Humr D~isgnu: KtMrlhRo,.,11 U,la:D,borah R~de/ Nad1': Pa1rtek Powtr Zu'lla:M1chot /L,,.-;s No•rabad.NorlM01>gin SJATE IME.mf VvllfWIM>Cenn 0.. 3,6. S 7.~ IID CAIIO S6Hll11J S49flle!) + S66(U11JS>4llbs) • ld SlOloolo,, ,,10, fo, o, ,.,,,•i10u

IF ONLY Dirtc/or:UoydNtw:wn DV8Physiro/TMal" A~ani garJcchorcugraphcr d irector. Lloyd Newson. bring~ hi< dynamiccompanyk! Austrnliain a di~play of contemporary dance IHE PU\'HOU~ V"Nloririol.rl\( ... , Sop 2t l H <J , .... Sat8'ffl UfS CAIID S1l

'" RITUALS ~~\:o:::;;. f•lllCe C-.pany THE GEORGEr,.tlW mJDIO 'fN!oriaoltl!Cllli"e ltg8·1 1 1!pm mat7pm l.ug ll .UlSCAlD S19·S40

S1:J.S40

TheAustratianBo11, t THE LEAVES ARE FADING GALA PERFORMANCE EQUUS IRlPLEBIU /he iluirn,lianBal/tl SlATE~TlE i"""""""Ans(e,m, Oct\9, 20, 23·21, 19, 30 1.lOpm

Oct 20,27 1.30pm .IJTSCAIID S45IA1e!ISJ9(U a l

S491Ale!I S43(ll• J

COPPELIA Thr,l1<51ral,an801/r1 SlAJETHEATR! r.a....Am(tnh OctH, 9·13 1.x..n Oct8, U Slnlt Oct6, 13 1.30pm .UlSCAIIO S4HH 11)SJt (llt1)

S49!Ale!1 S4l!llt1l

GISELLE Co.Jlb<:,g8allr1ofS,.·,dr11 CM,,ogmph1r · Mo1<£l: Thisnewver,ion ofGi.1el1cis radicallyrc-sctinalunatic asylum. THEl'LAYHOUSE V"t<llrionAns (enlto S.,13,14, IS, 17, lla,. .lffi(.1,10 SJO -+ SlSS18

s~r1h,ta1,51fi/m.Ja1\'illag,. Hoyts. o,uJG,,o/,rUnionat d,sc<rnntpriru.Onlrryour diJcm,m film ,,,,,.,J,,,.from Tl,r Trus1on6/12777.Forlot!lford. TrakCiorMa,\'a//u,1/oalld

Gilmort 1,ho is in

Aul'lraliu /IUW (hr \'ISl/td

here prel'iously rodiru/

Song A11J Dunc, and

Beyond Rrasonablt

Douhr ) 1u /rnd 11n

Austroli11n casr in "'ha/ prOnJIJtS /0 bt Ont of 1he

funnirsl musicals /on-rr

he S/1.1grd. Thr Trus/ has

orgoniseda Supper P1.1r1y

wirh the stars from LEND

M E A TENOR ar lftr

MaJtSlpi.1[10 1he Jhow

onThursdayAugust9

Ste listings ond

/lfemben· D111ry

lef1:li:Burchas/lfaggie

and Tony lfaney as Max

in Ken Lud1..-ig"s LEND

ME A TENOH

Br1gh1on8oy.pr,srn1 yourAm Cordarrhr8o.r0ffer,

UHE AFFAIRE DE FEMMES n1r,r1r,r-CloudeCMbro/ Srar,:/,abelltllupp,rr Marie. a provincial woman suppons her family 1n war-tom Francebyillcgalmcans.Thc Vichygovcmrnentrnakcsan e<amplcofller.s«kmg to n:storr lh~moralsof thccoumry. LONGFORDONEMA StJ ... ulld.SGulil lona Ch,lu•11opm fo,,onloo1l• t1

@MU\IM@ LEND ME A TENOR r.,.,, Wc".-c inv,ted1hccastof1his intcmutiunatcom<:dyscnsationto joinusfor a deliciou,Suppcrand par1y atHer Majcsty"softertlle ,how.Showandwpp,t"r$40 (Drinl.:savailablcfromtheb:irat staff prices).

L1SMISIRA8LIS f.tS.,28 Anigh1forthc emhu,iasts .. it's lhcla,1publicpcrfunnanccofU1 Mi, in Melboumcandw~hove securcdcxce ltcntsealSforlh1s finalc.$50andwc·llprot,.,bly have a nighicapaf1crthc<how10 ,...,.nnii><:rale

TRUST CHRISTMAS PARTY WNO. I t Weknowifsearlybulmakca nOlcin your diuy ... we're r lonningaChriscmasCabaret NightinThcTrust"sCtubrooms· dancing.music.,uppcrwdwe"re uying lo tocp lh~ cost to a very rcasonabk $25pcrpcrson.

FROHTRDW PageThirtaen + 103)612 2716

Page 14: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

AllS <ARD (04) 723 238

AUNT DAISY byP,ur/loMt< Di•t<1or s,,.,un 8mnm CUITT.U'OINT Tllf.AJU C..OuffitPltt~!!,Pmmw<lcnM StpM9 6.li,pm0ina,l.4Sl"'Showl11t-lm /JIHUO lmlr, lh<:wSl9,ShowSl9

ISol$4J&S21l D,w,1lhow $.41,!.howS11 iSo!S41IS2l)

BLITHE SPIRIT b.J'f,/IH/C:o-..ard D1rn-1orJ,f!K,•vforJ-8roMn .SrarJ:fmmo A.,ananr.lltJw,wnd Edl·,ns

((NTREPOIMllHLITRE CIIOudi l PIT!Sli, ~Nor!I Stp M9 61i,pmD1M',l.4)1111Sho,,J...,.IIIII IJl'itu:o 0imeo1111owm.11ns1,

1$d:SaiHS?ll lhm1<&~$41,lhowS?I (SclSIHSlll

<AROUSEL byRodRrrJ und/fomm,,srr,n flu,rM, Ra1·,.ood lla....1AorM Siar, Br,n1B'Odit, Da,.,nTal/1, Jr•nf"lli>rdUalo~d.S1..,.,nPra<1 o,~,JB11d~" l'or1he en,iro family - ~colourful mcny-go-roundofupsanddo,.ns, fullof vibf"'.u>lchonictcrs,aot,oo, Wl'IC<:and1n~tan1lyrccogni1abk SOTIJ;,,incluJ,ng .. You'llNc, t t Wal,<Alone""[f[LovedYou .. and ·Toe Ca.io=I Walll"'. MH(UH TIUAIH 9hoa•1$1,ltrwlci.,,,Auddood u.ia ,.,11 Ul?"'llb.1111.lh,,I.ISpm Wod,Fri,So!, l,o,So!!S""9

<AT ON A HOTTIN ROOF byffflnrH,, 11:il/rn"" Dirrrr<Jr R,.)""""11/t1M·1A11rn, Puh~r Pn:,cwinningdramaof ~ed,1>,wionanddesire. Bnck.

an ,mJ>Olrnl alcoholic is mamcil rn \ 1au;ic.(thc"ca1·). Magg1c dc,spcra1c•ywantsarh1!dand Bnck"sfa1herdcspcra!clywantsa grillldson ilERClllYTHEAm 1m111<,~~ro1 ..... Wl,nj

S.,Hld l3 l .1Sp-ftlut, Wcd.m6.30pmlbl,lhu l.fflWO m,sn

Sll, Sl0

CONJUGAL RITES b)R<J, ,,lluJI Fll<IMM fh,,Jtf, l),,uw, c,.,,w1v11 Tl"'""'' .~1or1 r,,.,0,;,y Banlw.Ji,nnF1,;i,,r Afic1L;.t<l!111g midJ k agc th" ('<>ui>Jcan,nowadJ""'"EIOl\t" ch1ngc,inlhc1rn:la11on,h1pa, 1hc:yappmach50.She"<going 00Ck1ov,·ortwahanew

~.".~'.~·::~;:,: :.!:::~h1~z·· camingmoreandno longcr k«ps tkehomefire, buming fO.fflllHIHLI.JJ:E U;,po,Wll!St, Dllill*lt J.t, ?o-Atg l9 ......... ,mwo m.sc

m.sc

THE LIBRARY AT THE END OF THE WORLD b,· Mu,ga,<t,tfohJ \ fo<>r ·Ooro•hy /11,rhunon Anangcl i,,c111dow11 1ofic>Jou1 "hylh1ngshaveconlt loastand-s1ill oncanhandfind1acollcc1ioR ofama,ingbe,ngs il\tludLnga ,.om,nwhohasthcpower tostill anc..nhqu>ke"·ilhhc,tap d.....-ing. Asmuchappcal for adulaasforchildren. counTHwn 20W..<Mlt<St,Ormdurdi • ., ,~s.,• S,..Mon.Sol.lj,o,lhu.~ll li.'1)1pm ,mwD sis ,. MACBETH bJ Will,~mShat,.<p,or, Do.,·n<lu~rh~o," Dirwo, : Colm McC<III Srar,. Rodmck ll<,m.Ca1hy o,,,.·nti Fouldc:cdsandfcllpu'p<)sc •hnunclinth1< 1a!eofovcr-riding amb11,on.&duccdbythclustfor po...,e,.M;>cbc1handh.iswifo3n,a d1abolical.yctchansma11c,ouple. Thisstanlingproduciion.,a pro~ok,ng m,,g~1 onto pcr,,ept,oM ofpo,.cr 1oda) OOWHSTACilTHLI.JJ:E (oriridtfl•rM1, Wellinpr, u,~ lllgU 6.)0pmlbi.ihJ, lpnf,i.Sol,lpmfri AR!'SWO SHS19

S?/72

M.BUTIERFLY byDa,·,dl/"°"' D1ffl:,Or. l:/nrlloo,ur Galliman!,a fn:nchd1plomal falLs inlO';ewnhabcautiful Chn,c:<c"P"rn<ingcr. flebec,omcs oti..:,;aJbyhef. Thereis <omclh,,gabou1hcr1ha1 ,~cryonc knowi huthe.

COUJ!Tl!Wl( 20Wor<Nl!tlSt, Orilldudt S., 15-0tl 13 8po,16or>Sol, &pmO.., Sc!12St~lJ191 Affi(AlO SIi

'" SPEAKEASY A mu<icalfeatunng>0ttg~1heera 01proh1b111or>.depn:is,onandAI C3J>OnC, l,l(R(Ur1 Tl!£AIJ:E 9 Fri,nc,Sr, Kl'lllWlll.oo.\arid S., 14-0tt ll &pml,o,Wfd. fri.\ol.f.1%,m!l.oil,rhu A.ITTcm m

"'

MADAME BUTTEll:FLY Giarnmo Purrini l\',/ilnRIO•CityOp,ro D1ru101:£/r,cl/ooprr Sta,$ Ma/.,,., l fo)l)1, RonSr,,·,ns. Barry· Mora An American <nld,cr. on lu,e ,n Nagasak,.arranf_ts hosmamagc ~:~:~-.:~:1·1~1~'.::nad'.~~. m:uriage...,ithhosMadame Bu11erfly. 11.ll(OPER.I.MO!IS( Mcrnn~W~ Odll, 13, 16, 18, 20 .,. ur;wo SlO. Sll, SJO

SH,S40,S3S

NEW ZEALAND SYMPHONY ORCHESTRA Mlffim FOWLIJ COOIIWIWN&lON Sa1Hug. !swn AUOOA/jn JOWNHAll Sot !I A.t, lp. Conducw,.Yo,,,Ta/,,,; Ctllo:Fra,ulltlmtr:W,, SCHUBERT . o,,,,,.,r RMamund, PROKOFIEV . Sin/M•a Conctr1<mrr DVORAK -SymphonyNolJ

PAlMERSIONHOflHOPERA HOUSE WtdUogBpn HAPl(RMUHIClt/.LlltfATIE 1\o 9 Aog !I"" AUO:IJ.!fDIOWNHAll lri l OAog S.4%,m ConJucfOr: YoovTa/nu r,ano. M«/,,,d /1""""'"' SCIIURF.RT·Symplrony NoS RACIIMANINOI' - PiollO Cone~r10,,,, I E:LGAR -t.n,g....,l'ariot,ons

MIUtAU FOMIRCEl«l.EWEWN&lON So11Uog8p,o C<!ff<fut:rorYo,,,, Talmi /ft\YIJN - Symphony N o4S

~HOW ~TOPPER ~ 11UGUST IS A BIG MONll-1 F(,R MOVIE

releases and now Ans Qlrd holders can purchase discoumlilm,oucllersfor

l ln}'lscinemas around New Zealand. Read all 'JbuJti1inthe film Lis!lngssec11oi1thispage. 'Thtifo/l°"insfilm$ate al/ Jfoy1s,.,,ftast.

BACK TO THE FVfUREflf TI.is is the next best thing to the original Bad T" The Fulllr<!. There ·s another time machine mishap and Many (Michael J. Fox) and Doc (Christopher Lloyd) find them~lvci; back in tiie01dWe.st ofl88S

,1/RD ON A \VIRE An aclion-packed comedy romance thet teams Goldie Hawn and Mel G ibson. Bad m the "60s, Rick (Gibson)vanishcd ju~twhen Marianne (Hawn) thought she was on a good

thing. Whcnthc ir very differentli,·esniect up againinthe"SOs. thesparksrca.llystarttofly.

D/£ 1/ARDflf Broce Willis relums as Dctcccive Joh,1 McClancinthissequcltolhe l988 hitin whichour hcrobat1Jesrothless terrori~ts single-handcdly. Thistimehc's dra;,m imoa deadlygameot ca1and mouscwi1hancli1e spccial fon;cs unit whkhhassei1.ed abus11ing airport terminal in Wi15hington D.C.

THE UfflE MERMAID This Hans Christian Anck:rson fai,ytalc bring~ back all the anima1ionmagicthatmadc Dbncy s uch a houschold word. Ayoung mcrmaid is prcparcd to sacrifiu: anythingto be with her human prince charming. Winner or twu Academy Awards.

"Far,w~lr BRUCKNER - Symphony No 7

HAPIERMUNICIPf.l THE.ITU 6Stp lJU1 PAOORSTONNOflTHOPWHOIISE 1Stp lprn Ml(HA!lfO'HlU CEHIIEWllilN&lON I S.pip,,, AOIUClITTHUCKWO 15 Stp!jam Conducwr: OUo Kor,u 110/m: K)'o/;o T<1kt:o"·a HEltlHOVF.N - SJmphony l Sl8ELJUS - ViolinConur1o SALL/EN · S}mplrony6 ("'0rld premitff NZ comm,u,011)

AOTU CO!llEAUCKL\ND l3 Stp 8pm ConJucU>r:JoM/foplci,u Sopri,no:K,r,TrKana,..,. Pro1••• d,1 .. 1, ,11,.il,•!o ,1 , ,rn ...

MICHill fOWIEI CHITTE WEWHGlOH 22Stp 8pm AOTUCENIR[AUCKWO 29 Stp8pm Comfu,;f{)f, F,un:·Pi,u/Dt<Au Sopronr.,: Dorynf.dm~nd.U>n Am/ira Molltt /mtzw) AmhonJ Bttr/ell(ttMI') G,.,n,Dictsun?bu.a) .. -uh (in 11',liinglM) Tk~ Orph~us Choir OJll"e/1,ngl<,n und T~ fr.\/m1/Smgersof l\'i-//1,rgton; (1111\ucli!w,J/ rlu, lludlor.dC~orol Sociuy antlTA,AucllalldDorian Cl,o1randrh< 1/ami/fOn CMc Choir SPEIRS. Contico dd Sol~ BEE:THOVEII'. S}·mphMy 9. "Choral""

AUO:WDTOWN HAU ~1 Hp.1.4Spr. Conducw,:ftan!·l'ou/Drck,r P1ana: M irh,u/ llo«slO~n Dt./JUSSY - lbtria RACIIMIININO\'. p,,,,.IJ Cr;,rrtrto4 DEBUSSY , Prtf,uJtcar11prr1-Mui, J"1,nFawnr HAVEL - Raf1$oditci!Jpog110I,

NEW ZEALAND POST NATIONAL YOUTH ORCHESTRA CONCERT Condlll:tor:Doro~Salomon .. -uh Th~ National ro.,,1, Ciro,, n/NZ

CHllm HURCHJOWNHAU ,,., .. CRESSWELL-h:,on /Ji,.HN!>TEIN • Ch,cf.,s1,r P1alm1 RAVEL - Di,plrm, 1JndChlor (romplnr)

CHllllCHURCHTOWNltAU. 2S., 1.30pm Cnndu..io, DoronSolomon ,,ahTh,/l'ur,onalYmuhM«Jic Gro"P' RAVEL · Daphni,andCh/~ S11iu l Nov wor.l by Plril,p Norman Pro1ro" dotoil, ,.,,.ii,~!,"'""••••.

.WSCARD (04)723 238 FRONT ROW Pag, Fourteen

Ca1hy Downes and Roderick lforn stur ill Downstugt·s

production of MACBETH. Shaktsptart"s tole of umbition

TAIAO DANCE COMPANY Clwrtogrophy:S1,pf.tnB,ads"'1" Su,rs:Pi1aTrTa".Ho.li ,\h1('<'n,, Lt1rh1//t/in<·oo.HoUJnn, ll"or1h111Rf0n, foan~ Mn,. Co,,.,.·a I/Qn:,br. llr,Rt11tTtWh,1a Alook31 lOycar,dnnce mvolvemembyS1ephen Bradshaw iWOM[KfTHEAlltf Ur>Yt~olA..U.od 0d l -78pm MEMORIALIHEAIR[ YortorioUnivern'/ol Welngti~ Off lo-14 8im REl'OOOflTHEATRE l4ol;boreSt,Ou~tdMdt Od18,209im A.ITTl'.AID Sl8

'" THE NEW ZEALAND SCHOOL OF DANCE STUDENT PRODUCTION n,u O. f>)·ni,m,c , Div~rse i,r.d Danct This show,sco·chorcographedby expc,nenccdand emerging chon:og.raphcrsfrorn lhc>1<:hool. l{l'{JJDRYJN[Am!: Onon~Wel.vlon Stp ~1S8pn !'rimyo11o"llffl<lltnctd

THE ROYAL NEW ZEALAND BALLET IU.TIOIIA.L JOOR LA SYLPHIDE Chor<ograplotr: llu8u$1 8oumon,·11/r,f<'·JMgtdbyPa,J G11t111Q.SO. M•Jic:1/rrr,anU),·,mtjold S1ar1.·Fio,wT0n.lin. M~m•lu=• The prem,ercpcrformanceof/.,,, Sylphui,on 1832,~w lhccunaon risc ontl,e beg,nning of thcncMs1 and mostcrcauve pcriod ,n ba.Jlct hi,1ory.Tha1audienccwaslhcfirst tosecthe long.whitcromantic tu1u, palcpink:1J1tin shoc,and lhc , u.<tain~tl 11scof g=~ful pointc wo,k, Tht 1hemeofasupcmatural bcini;folling in love wilha m0<1at is:ismag,cal andmodcmnowru it wu lhcn. Programa!<0include,IISq"""' W11hm ,I Cirt':lt and Muntod<a WfillNGTON SIATEOPEU HOUSE , ., 21-s., 1 AUOOANO AOTtA CflfTIE Stp3-7

IIAMIIIONFOUNOER5 1H£AJJ:E s., 11-12 TAURANG~BAYCOUJITIUAm llo,31J• Dwd

HA.STIHGS.wJN!CIIILTKfAm h(4.5

P.W.U:RSTON NOmfOPUAHOll$( h( J.8

NEWl'lYMOUJH OPEaAHOUU: hc l l-12

and e1•il alluded 10

anua/ historical figuresomlrrferrrd

10 issr:es of the d1JJ

i,icluding 1<11111. Jame s I and his ohsession with w it c: hr r af I

Oown~tagr rarrws

allusions through

10 figures from

today lr"s a

.Hart ling

produe1ion of

MACBE,TH tha1 is

full of corrnp1uion

and grnd Sre listings

WAll!iAHUIOPlRA HOUIE

"'" AffifARD mAo.dlond S30 W~IJlgtor, S2SR,giom )40 &.dclond SJ!Wellng10n )301'tions

Ull(UDPJllllllllAl lOOl l" GiOPIN W1llio11uNOWOPIN; Au klu/NOWOPEN Ho11ihn A09!0;lmugoNo,9, Ho1!ia11 N" ll; Pol•or,,., N.,,O l o,16; Noo l/111nth N1> lf ; Wn1o••l lo, !l.

Di,,:oumfilm1ickeisforlloyts mm·i,s arc now o ,·oi/ol,M ,., Ar1s Cardholh'1.Discoumsupp/y/o ollus1ionse.rcrp1Samrdoys,if1,r Spm.p"bl,clio/iduysa•,dfilm f,st/,.,,/s. For only $6 (bcob of ffrt flrkt1sarrSJO)yoi,canJe, unJofrlief<ll/<1,../,,tfilms 1J111f mor,. Pf,asrpMncyourArls Cardojficrfordrwil<.

OpeningAugusl BACK TO THI FUTURE Ill s,,,,s. M frf.,u!J. Fo:r ChriMophuU(JJ(i

THE LITTLE MERMAID DiM~)' anlm,itioncloJ<ic

BIRD ON A WIRE Sturs. Mt/G,l>Jon.Ga/dit llowa

DIE NARD Sta,sB,•coWilli,

NUNS ON THE RUN Stuts . £r,c ldk. Robbi, Coh,i,nr

INTERNAL AFFAIRS S1ars.Richord Gett. llndyGarcia

THE HUNT FOR RED OOOBER Srars: StanConllt'rJ,Al«Ba/dwin

BAD INFLUENCE s,,,,.:RobU,,.~.hmts S{}"du. Usa/am,s

WHEN THE WHALES <AME Srur,: lfrl,nM/rr, n. Pau/Swfitld

STELLA s,~,s n ,,,~,Midltt

OpeningO<tober THE ADVENTURES OF FORD FAIRLANI Stor,<· 11,.,,rrw DiuClay. Wayn, MM1on, h i,cil/a Pr~<lr). EJO"Nd/1

Operiing Decemlm TEENAGE MUTANT NINJA TURTLIS \CUOUlllGOffllMIII OIIHIINT(lllll IUIHCl !O("U Gll!lHDUINOll(I.

{=QJL lW ., , 1r

POSSUM MAGIC BY FAX Mana$h Unil-rrsi1y's Alexander Thfatre ,s known far

ond wide for the q1Jali1y of III .1hnw.1 for children. A

faxed booking rtrtiud for the July premiere of

POSSUM MAGIC. The M1Jsical .<howed jusr how .,,,de

1hi.1Melbournt ,·enue·sreputarion has spread. The

an.rioio: ticket sa/;r, wos a Chinese hufinessmanfrom

Taipei . By /ht time this /i11/e s1ory i; printed.

POSSUM MAGIC will

hove ended its run.

Mercurio , tht brainsuus1f1Jr

1he SJdney DaMt Compo11y's

comt up with idea of roir L-~~~~~-=----j p/aying by1htirdoncers. Femole dancers w;// swap roles with male dancers on o/ternau

nights. This prom1us ro ketp nud,enas gutSHng nnd also keep

1hing$fruhintheproctss

icalresourccin Aumaliais. according10MrPetcrW011~. a half-becuiresite boundedby Phillip.Bridge. Young and Bem smectsinSydoey. Mr Wans is directorof1heHistonc Houses Trust which recently received S20millionfromtheNSW Oovcmmentaud S)'dney Cily Councilto buildamu.,;eumon thatprecious pieceof land whicb, apanfromatin-shcd owned by cbc Dcpanmcnt of l'ublicWorks.hasbccnvacant since 1845.

Tlles,tc ,s actuallythat of the first Go~emment House. the foundations of which were discoveredonLyas recently as l982. Thepmpo\ed1hree-s1orey museum building will comprise athcatrene. bookshop.rcstau1-amandaseriesof galterie.s on thcrnpfloor.one of which will contair>ascalereconmuclion of Governor Phillip"s original

1hrec-roomhouse. Onen1erins thcmuseum.visilors willcrossa glass floor showcasing the remains ofaprivy - '"Phillip's dum1y."asonctruMspokesman casually de.scribed it.

Anothcrmuseum issetto opcninSydncywitbin a ycar. The.$70million wun-10-bt:-compte1edNa!ionalMaritime Moseumhas lainidleformost ofthelaMtwoyears.whilcthe Srnteand f edeml sovcmments wrar1gledovcr whoshnuldpay. NSW Premier Gremer blames cost over-runsonthcprcvious Go\"emrnen,.s··bopcle.ssrush" to completetheDarlingHarbnur developmcm intimcfor the Bicentennial . His Government is upcctir>g1ocoushup around .$2."imi!lionof thetaxpayers· moncy tocoverthecos1sof compld ingthcconstruction. Meanwhile. the empty museum h~bccndevouring aboutSS

miltionof!Hllpayers'moneya yearonadministr.nionand salariesforapaids1affof 70to work in thecmpty museum.

HOUSEWIFE SUPERSTAR MARRIES BARDS DAUGHTER Anauctionin NewYork recentlyextracted.$:B5.000for an oldscript.Amanuscripl actoally:anonginalof Shakespeare ·s Rapt Of Luc,ur Litcratut't'frommorcreccnt 1imcs wasalsosubjec1 1o suung b1ddmg...,·ith poet S1cphen Spender's hand-printed first bookNforExprrimrn1sfe1ching $40.000.

Meanwhilcinhaly, Aostralia'scul1uralanacbtand hou.'ICwifernpcr.1arBarry Humphrin,was biddingfor anotherofSpendc.r·!icreations -his daughter Lizzie.

WitnessingllumphnC$"founh triptothcaltarv.e re follow funny people.Pamela· Stephenson and Billy Connolly. frcshfromlhcirri:cent Australian tours.

IN THE COMPANY Of MURPHY AND MERCURIO SydRCyDanccCompany'ssoft bruising.employed two endurnnce a1htc1e.~ running face tosweatingfaccatop jogging machincsforthc entire perfonnancc. And while che company"sdanc~trippedthe ligbtfanmsticoll aroundthc joggcra.GracmeMurpbyand Pau!Men:uriowcre drcaming up new gimm,cks which would '"mokegoodcopy .. and hclpput bum!ionseats forthcSydncy Dance Company. In Tht C()mptJny Of WolMM is their

FRONTROW PageAltffl

la1e~1 neat ion and the hook resourceful u~c of the lubricanl emails dancers swapp,ng roles spra~. WD40. onal1cmatenish1s-females pcrformmalerolesandvie<: vu.,;,. Thosew,~h;ngto compare n01e~ and~c 1hc wholepic1urcareadvised10 bookoccordingly(dc1a,bon wh,ch gendcrforwha1n,gh1can begleancdfromtheshow\ season brochure).

Murphysaysinhispress material: '" Having conceived a work set in a brolhcl. pwpled wi thcharacters playedby theenl!reSydney Dance CompJn). it ~eemcd tome thattoswitchgender withou1 altering the choreography would be a fasc inatmgcxercise. The resuhofthiscxperimentis In The Company Of \\lo/Men ... The Company recommends that this work is'·suitable foranaduh audil'nce."

IN THE WAKE OF CIVILIZATION An exhibition organisers are smiling . Attendances are gnr,d: a quarter of a mi llion Melburn1ansare expectedto see '"Civi lization··. the antiquarian ellhibicion from the British Museum. But mnreexcit ing:visitorsdon "t liketogohomeempty-handed. Within two months of opening "Civilization"at the Australian National Gal'ery.$1 million had been hank,'d from sales of mercha1.:lising. Durmgthe past ten yeai, ~., incredible Sl4millionhasbecnmadc frommerchandis ingsoldb)· the International Cultural Corporation of Aumalia (orgafWSer~ uf the NSW Art Gallery"s current cxhibition. ··TheAgeofSuhan SiileymantheMagnificen("). Not s urprisingly the Siikymanorganisershad theirmanfranticall)· fi lhng his trave l bagsful l or trinkecsinthebazaarsof Istanbul recently. T he Australian Museum has also taken note. Sale~ of"The fossi l Rock"or'·Evolution Shume·· casscuetapes. and other dinosaur parapherna lia haskepttheMuseum'scash registers ringing.

WELL-OILED SYDNEY FILM FESTIVAL Du1ing 1hcrecen1Sydoey Film Fe.stivalattheStateTheam:. one 16mmprojector decidedto closcupshut1ersatthc commencement of a screening. Unmoved was young Melbourne director Akhi Vcllis. stratcgicallyplacedinthe fromrowforthefestival dcbul of his own lowbudgetfilm Nir.·011aSrru1

After iL~ StOfHtart bcginnings, lhefilmwas cvcnruallygiven asmooth premiere-thanks to

CATS' NINE LIVES J ust when you thought you had heard 1he la,1 ofC1Jt.1 .. Composer Andrew Lloyd Webber hasl inkcd withno le~s than S1ephen Spielberg forananimatcdfilm version oftherecordbreakingfeline musical.Lloyd Webber's musical£,•i1aisalso1obc commilleU lo ~dluluid. Madonna b )Cl 10 ~tar a~ E,a Peron

NEW MELBOURNE FUNNY SPOT Stitchesisthenameof Melhourne ',;newc,tcomedy spot.The venue 1sthe bram-child ofagroupofcomcdy entrepreneurs who aim to providea"centrcfor in1dligcntandad,cnturo11s arts in Melbourne. including the culinary ans··.

Say~ Stitchc~ • Entertain-ment Direc1or. Andre" Ba}ly (founder of the Comedy Room and founding director of Flying Pig Theatre Company); ··Performances will be the bcs1ofacccssiblccomic thca1rc around. put together undertheguidanceof1he smaneM young theatre directo rs we can find. ""

The venue features an int ima1c IOO-seatcafcand baropendaily from 11am to lam forcoffee,snacks. drinks. lunch and d inner. h is alsoa300-scat!heatre rcs1auraotforbothin-house production and guests l ike the Do ug Anthony Allstars. MarkLiule. Rachel Berger and Glynn Nicholas.

PYRAMID COLLAPSE HITS VICTORIAN ARTS ManyViciorianartscompanies andcxhibitonarcsuffcringas a resuhoftherecentcollapse of 1he f>yramidbuildingsocie1y.

The Gee long Performing An,Ccnme h~d$100.000ucd up m f'yram1d while Bamstonn Theam: Company. which tours 5'hoolsinccntra1Victoria. bad $32.000 inve.sted inchcfailed society. Graffiti Dance Companylost.$10.000and Halftixisbelievcdtohavclosl $60,000.

Perltapsthehardest hitwere artcxhibitors.Srulp11,r, Tritnnial.an imponant mtemational evemtobeheld in conjunction withlheMelboume AnsFc.rnvalhBs lost .$160.000. GertrudcS1A"ists Si>,1cc).lhe Mclboumes1ud10andexh1b1Uon ccotrehad .$70,000invesled with Pyramid.

The Victorian MinisU)· for Artsisconsideringoptions!O assist the ailing companies. However.the tough times contmuewithalOpcrccnt decreascingovemmentfunding inthcncx1budge1.

Page 15: THE TRUST FLIGHT DECK Mila/ and Douglas Wilson. II. Direclors Andrtw Briger, lloJd Waddy and Rodnt,- Staborn. bthind lhtm lht design for tht lndeptndtnl Tll.ta/rt l'acadt. IZ. Adam

AllS <ARD (04) 723 238

AUNT DAISY byP,ur/loMt< Di•t<1or s,,.,un 8mnm CUITT.U'OINT Tllf.AJU C..OuffitPltt~!!,Pmmw<lcnM StpM9 6.li,pm0ina,l.4Sl"'Showl11t-lm /JIHUO lmlr, lh<:wSl9,ShowSl9

ISol$4J&S21l D,w,1lhow $.41,!.howS11 iSo!S41IS2l)

BLITHE SPIRIT b.J'f,/IH/C:o-..ard D1rn-1orJ,f!K,•vforJ-8roMn .SrarJ:fmmo A.,ananr.lltJw,wnd Edl·,ns

((NTREPOIMllHLITRE CIIOudi l PIT!Sli, ~Nor!I Stp M9 61i,pmD1M',l.4)1111Sho,,J...,.IIIII IJl'itu:o 0imeo1111owm.11ns1,

1$d:SaiHS?ll lhm1<&~$41,lhowS?I (SclSIHSlll

<AROUSEL byRodRrrJ und/fomm,,srr,n flu,rM, Ra1·,.ood lla....1AorM Siar, Br,n1B'Odit, Da,.,nTal/1, Jr•nf"lli>rdUalo~d.S1..,.,nPra<1 o,~,JB11d~" l'or1he en,iro family - ~colourful mcny-go-roundofupsanddo,.ns, fullof vibf"'.u>lchonictcrs,aot,oo, Wl'IC<:and1n~tan1lyrccogni1abk SOTIJ;,,incluJ,ng .. You'llNc, t t Wal,<Alone""[f[LovedYou .. and ·Toe Ca.io=I Walll"'. MH(UH TIUAIH 9hoa•1$1,ltrwlci.,,,Auddood u.ia ,.,11 Ul?"'llb.1111.lh,,I.ISpm Wod,Fri,So!, l,o,So!!S""9

<AT ON A HOTTIN ROOF byffflnrH,, 11:il/rn"" Dirrrr<Jr R,.)""""11/t1M·1A11rn, Puh~r Pn:,cwinningdramaof ~ed,1>,wionanddesire. Bnck.

an ,mJ>Olrnl alcoholic is mamcil rn \ 1au;ic.(thc"ca1·). Magg1c dc,spcra1c•ywantsarh1!dand Bnck"sfa1herdcspcra!clywantsa grillldson ilERClllYTHEAm 1m111<,~~ro1 ..... Wl,nj

S.,Hld l3 l .1Sp-ftlut, Wcd.m6.30pmlbl,lhu l.fflWO m,sn

Sll, Sl0

CONJUGAL RITES b)R<J, ,,lluJI Fll<IMM fh,,Jtf, l),,uw, c,.,,w1v11 Tl"'""'' .~1or1 r,,.,0,;,y Banlw.Ji,nnF1,;i,,r Afic1L;.t<l!111g midJ k agc th" ('<>ui>Jcan,nowadJ""'"EIOl\t" ch1ngc,inlhc1rn:la11on,h1pa, 1hc:yappmach50.She"<going 00Ck1ov,·ortwahanew

~.".~'.~·::~;:,: :.!:::~h1~z·· camingmoreandno longcr k«ps tkehomefire, buming fO.fflllHIHLI.JJ:E U;,po,Wll!St, Dllill*lt J.t, ?o-Atg l9 ......... ,mwo m.sc

m.sc

THE LIBRARY AT THE END OF THE WORLD b,· Mu,ga,<t,tfohJ \ fo<>r ·Ooro•hy /11,rhunon Anangcl i,,c111dow11 1ofic>Jou1 "hylh1ngshaveconlt loastand-s1ill oncanhandfind1acollcc1ioR ofama,ingbe,ngs il\tludLnga ,.om,nwhohasthcpower tostill anc..nhqu>ke"·ilhhc,tap d.....-ing. Asmuchappcal for adulaasforchildren. counTHwn 20W..<Mlt<St,Ormdurdi • ., ,~s.,• S,..Mon.Sol.lj,o,lhu.~ll li.'1)1pm ,mwD sis ,. MACBETH bJ Will,~mShat,.<p,or, Do.,·n<lu~rh~o," Dirwo, : Colm McC<III Srar,. Rodmck ll<,m.Ca1hy o,,,.·nti Fouldc:cdsandfcllpu'p<)sc •hnunclinth1< 1a!eofovcr-riding amb11,on.&duccdbythclustfor po...,e,.M;>cbc1handh.iswifo3n,a d1abolical.yctchansma11c,ouple. Thisstanlingproduciion.,a pro~ok,ng m,,g~1 onto pcr,,ept,oM ofpo,.cr 1oda) OOWHSTACilTHLI.JJ:E (oriridtfl•rM1, Wellinpr, u,~ lllgU 6.)0pmlbi.ihJ, lpnf,i.Sol,lpmfri AR!'SWO SHS19

S?/72

M.BUTIERFLY byDa,·,dl/"°"' D1ffl:,Or. l:/nrlloo,ur Galliman!,a fn:nchd1plomal falLs inlO';ewnhabcautiful Chn,c:<c"P"rn<ingcr. flebec,omcs oti..:,;aJbyhef. Thereis <omclh,,gabou1hcr1ha1 ,~cryonc knowi huthe.

COUJ!Tl!Wl( 20Wor<Nl!tlSt, Orilldudt S., 15-0tl 13 8po,16or>Sol, &pmO.., Sc!12St~lJ191 Affi(AlO SIi

'" SPEAKEASY A mu<icalfeatunng>0ttg~1heera 01proh1b111or>.depn:is,onandAI C3J>OnC, l,l(R(Ur1 Tl!£AIJ:E 9 Fri,nc,Sr, Kl'lllWlll.oo.\arid S., 14-0tt ll &pml,o,Wfd. fri.\ol.f.1%,m!l.oil,rhu A.ITTcm m

"'

MADAME BUTTEll:FLY Giarnmo Purrini l\',/ilnRIO•CityOp,ro D1ru101:£/r,cl/ooprr Sta,$ Ma/.,,., l fo)l)1, RonSr,,·,ns. Barry· Mora An American <nld,cr. on lu,e ,n Nagasak,.arranf_ts hosmamagc ~:~:~-.:~:1·1~1~'.::nad'.~~. m:uriage...,ithhosMadame Bu11erfly. 11.ll(OPER.I.MO!IS( Mcrnn~W~ Odll, 13, 16, 18, 20 .,. ur;wo SlO. Sll, SJO

SH,S40,S3S

NEW ZEALAND SYMPHONY ORCHESTRA Mlffim FOWLIJ COOIIWIWN&lON Sa1Hug. !swn AUOOA/jn JOWNHAll Sot !I A.t, lp. Conducw,.Yo,,,Ta/,,,; Ctllo:Fra,ulltlmtr:W,, SCHUBERT . o,,,,,.,r RMamund, PROKOFIEV . Sin/M•a Conctr1<mrr DVORAK -SymphonyNolJ

PAlMERSIONHOflHOPERA HOUSE WtdUogBpn HAPl(RMUHIClt/.LlltfATIE 1\o 9 Aog !I"" AUO:IJ.!fDIOWNHAll lri l OAog S.4%,m ConJucfOr: YoovTa/nu r,ano. M«/,,,d /1""""'"' SCIIURF.RT·Symplrony NoS RACIIMANINOI' - PiollO Cone~r10,,,, I E:LGAR -t.n,g....,l'ariot,ons

MIUtAU FOMIRCEl«l.EWEWN&lON So11Uog8p,o C<!ff<fut:rorYo,,,, Talmi /ft\YIJN - Symphony N o4S

~HOW ~TOPPER ~ 11UGUST IS A BIG MONll-1 F(,R MOVIE

releases and now Ans Qlrd holders can purchase discoumlilm,oucllersfor

l ln}'lscinemas around New Zealand. Read all 'JbuJti1inthe film Lis!lngssec11oi1thispage. 'Thtifo/l°"insfilm$ate al/ Jfoy1s,.,,ftast.

BACK TO THE FVfUREflf TI.is is the next best thing to the original Bad T" The Fulllr<!. There ·s another time machine mishap and Many (Michael J. Fox) and Doc (Christopher Lloyd) find them~lvci; back in tiie01dWe.st ofl88S

,1/RD ON A \VIRE An aclion-packed comedy romance thet teams Goldie Hawn and Mel G ibson. Bad m the "60s, Rick (Gibson)vanishcd ju~twhen Marianne (Hawn) thought she was on a good

thing. Whcnthc ir very differentli,·esniect up againinthe"SOs. thesparksrca.llystarttofly.

D/£ 1/ARDflf Broce Willis relums as Dctcccive Joh,1 McClancinthissequcltolhe l988 hitin whichour hcrobat1Jesrothless terrori~ts single-handcdly. Thistimehc's dra;,m imoa deadlygameot ca1and mouscwi1hancli1e spccial fon;cs unit whkhhassei1.ed abus11ing airport terminal in Wi15hington D.C.

THE UfflE MERMAID This Hans Christian Anck:rson fai,ytalc bring~ back all the anima1ionmagicthatmadc Dbncy s uch a houschold word. Ayoung mcrmaid is prcparcd to sacrifiu: anythingto be with her human prince charming. Winner or twu Academy Awards.

"Far,w~lr BRUCKNER - Symphony No 7

HAPIERMUNICIPf.l THE.ITU 6Stp lJU1 PAOORSTONNOflTHOPWHOIISE 1Stp lprn Ml(HA!lfO'HlU CEHIIEWllilN&lON I S.pip,,, AOIUClITTHUCKWO 15 Stp!jam Conducwr: OUo Kor,u 110/m: K)'o/;o T<1kt:o"·a HEltlHOVF.N - SJmphony l Sl8ELJUS - ViolinConur1o SALL/EN · S}mplrony6 ("'0rld premitff NZ comm,u,011)

AOTU CO!llEAUCKL\ND l3 Stp 8pm ConJucU>r:JoM/foplci,u Sopri,no:K,r,TrKana,..,. Pro1••• d,1 .. 1, ,11,.il,•!o ,1 , ,rn ...

MICHill fOWIEI CHITTE WEWHGlOH 22Stp 8pm AOTUCENIR[AUCKWO 29 Stp8pm Comfu,;f{)f, F,un:·Pi,u/Dt<Au Sopronr.,: Dorynf.dm~nd.U>n Am/ira Molltt /mtzw) AmhonJ Bttr/ell(ttMI') G,.,n,Dictsun?bu.a) .. -uh (in 11',liinglM) Tk~ Orph~us Choir OJll"e/1,ngl<,n und T~ fr.\/m1/Smgersof l\'i-//1,rgton; (1111\ucli!w,J/ rlu, lludlor.dC~orol Sociuy antlTA,AucllalldDorian Cl,o1randrh< 1/ami/fOn CMc Choir SPEIRS. Contico dd Sol~ BEE:THOVEII'. S}·mphMy 9. "Choral""

AUO:WDTOWN HAU ~1 Hp.1.4Spr. Conducw,:ftan!·l'ou/Drck,r P1ana: M irh,u/ llo«slO~n Dt./JUSSY - lbtria RACIIMIININO\'. p,,,,.IJ Cr;,rrtrto4 DEBUSSY , Prtf,uJtcar11prr1-Mui, J"1,nFawnr HAVEL - Raf1$oditci!Jpog110I,

NEW ZEALAND POST NATIONAL YOUTH ORCHESTRA CONCERT Condlll:tor:Doro~Salomon .. -uh Th~ National ro.,,1, Ciro,, n/NZ

CHllm HURCHJOWNHAU ,,., .. CRESSWELL-h:,on /Ji,.HN!>TEIN • Ch,cf.,s1,r P1alm1 RAVEL - Di,plrm, 1JndChlor (romplnr)

CHllllCHURCHTOWNltAU. 2S., 1.30pm Cnndu..io, DoronSolomon ,,ahTh,/l'ur,onalYmuhM«Jic Gro"P' RAVEL · Daphni,andCh/~ S11iu l Nov wor.l by Plril,p Norman Pro1ro" dotoil, ,.,,.ii,~!,"'""••••.

.WSCARD (04)723 238 FRONT ROW Pag, Fourteen

Ca1hy Downes and Roderick lforn stur ill Downstugt·s

production of MACBETH. Shaktsptart"s tole of umbition

TAIAO DANCE COMPANY Clwrtogrophy:S1,pf.tnB,ads"'1" Su,rs:Pi1aTrTa".Ho.li ,\h1('<'n,, Lt1rh1//t/in<·oo.HoUJnn, ll"or1h111Rf0n, foan~ Mn,. Co,,.,.·a I/Qn:,br. llr,Rt11tTtWh,1a Alook31 lOycar,dnnce mvolvemembyS1ephen Bradshaw iWOM[KfTHEAlltf Ur>Yt~olA..U.od 0d l -78pm MEMORIALIHEAIR[ YortorioUnivern'/ol Welngti~ Off lo-14 8im REl'OOOflTHEATRE l4ol;boreSt,Ou~tdMdt Od18,209im A.ITTl'.AID Sl8

'" THE NEW ZEALAND SCHOOL OF DANCE STUDENT PRODUCTION n,u O. f>)·ni,m,c , Div~rse i,r.d Danct This show,sco·chorcographedby expc,nenccdand emerging chon:og.raphcrsfrorn lhc>1<:hool. l{l'{JJDRYJN[Am!: Onon~Wel.vlon Stp ~1S8pn !'rimyo11o"llffl<lltnctd

THE ROYAL NEW ZEALAND BALLET IU.TIOIIA.L JOOR LA SYLPHIDE Chor<ograplotr: llu8u$1 8oumon,·11/r,f<'·JMgtdbyPa,J G11t111Q.SO. M•Jic:1/rrr,anU),·,mtjold S1ar1.·Fio,wT0n.lin. M~m•lu=• The prem,ercpcrformanceof/.,,, Sylphui,on 1832,~w lhccunaon risc ontl,e beg,nning of thcncMs1 and mostcrcauve pcriod ,n ba.Jlct hi,1ory.Tha1audienccwaslhcfirst tosecthe long.whitcromantic tu1u, palcpink:1J1tin shoc,and lhc , u.<tain~tl 11scof g=~ful pointc wo,k, Tht 1hemeofasupcmatural bcini;folling in love wilha m0<1at is:ismag,cal andmodcmnowru it wu lhcn. Programa!<0include,IISq"""' W11hm ,I Cirt':lt and Muntod<a WfillNGTON SIATEOPEU HOUSE , ., 21-s., 1 AUOOANO AOTtA CflfTIE Stp3-7

IIAMIIIONFOUNOER5 1H£AJJ:E s., 11-12 TAURANG~BAYCOUJITIUAm llo,31J• Dwd

HA.STIHGS.wJN!CIIILTKfAm h(4.5

P.W.U:RSTON NOmfOPUAHOll$( h( J.8

NEWl'lYMOUJH OPEaAHOUU: hc l l-12

and e1•il alluded 10

anua/ historical figuresomlrrferrrd

10 issr:es of the d1JJ

i,icluding 1<11111. Jame s I and his ohsession with w it c: hr r af I

Oown~tagr rarrws

allusions through

10 figures from

today lr"s a

.Hart ling

produe1ion of

MACBE,TH tha1 is

full of corrnp1uion

and grnd Sre listings

WAll!iAHUIOPlRA HOUIE

"'" AffifARD mAo.dlond S30 W~IJlgtor, S2SR,giom )40 &.dclond SJ!Wellng10n )301'tions

Ull(UDPJllllllllAl lOOl l" GiOPIN W1llio11uNOWOPIN; Au klu/NOWOPEN Ho11ihn A09!0;lmugoNo,9, Ho1!ia11 N" ll; Pol•or,,., N.,,O l o,16; Noo l/111nth N1> lf ; Wn1o••l lo, !l.

Di,,:oumfilm1ickeisforlloyts mm·i,s arc now o ,·oi/ol,M ,., Ar1s Cardholh'1.Discoumsupp/y/o ollus1ionse.rcrp1Samrdoys,if1,r Spm.p"bl,clio/iduysa•,dfilm f,st/,.,,/s. For only $6 (bcob of ffrt flrkt1sarrSJO)yoi,canJe, unJofrlief<ll/<1,../,,tfilms 1J111f mor,. Pf,asrpMncyourArls Cardojficrfordrwil<.

OpeningAugusl BACK TO THI FUTURE Ill s,,,,s. M frf.,u!J. Fo:r ChriMophuU(JJ(i

THE LITTLE MERMAID DiM~)' anlm,itioncloJ<ic

BIRD ON A WIRE Sturs. Mt/G,l>Jon.Ga/dit llowa

DIE NARD Sta,sB,•coWilli,

NUNS ON THE RUN Stuts . £r,c ldk. Robbi, Coh,i,nr

INTERNAL AFFAIRS S1ars.Richord Gett. llndyGarcia

THE HUNT FOR RED OOOBER Srars: StanConllt'rJ,Al«Ba/dwin

BAD INFLUENCE s,,,,.:RobU,,.~.hmts S{}"du. Usa/am,s

WHEN THE WHALES <AME Srur,: lfrl,nM/rr, n. Pau/Swfitld

STELLA s,~,s n ,,,~,Midltt

OpeningO<tober THE ADVENTURES OF FORD FAIRLANI Stor,<· 11,.,,rrw DiuClay. Wayn, MM1on, h i,cil/a Pr~<lr). EJO"Nd/1

Operiing Decemlm TEENAGE MUTANT NINJA TURTLIS \CUOUlllGOffllMIII OIIHIINT(lllll IUIHCl !O("U Gll!lHDUINOll(I.

{=QJL lW ., , 1r

POSSUM MAGIC BY FAX Mana$h Unil-rrsi1y's Alexander Thfatre ,s known far

ond wide for the q1Jali1y of III .1hnw.1 for children. A

faxed booking rtrtiud for the July premiere of

POSSUM MAGIC. The M1Jsical .<howed jusr how .,,,de

1hi.1Melbournt ,·enue·sreputarion has spread. The

an.rioio: ticket sa/;r, wos a Chinese hufinessmanfrom

Taipei . By /ht time this /i11/e s1ory i; printed.

POSSUM MAGIC will

hove ended its run.

Mercurio , tht brainsuus1f1Jr

1he SJdney DaMt Compo11y's

comt up with idea of roir L-~~~~~-=----j p/aying by1htirdoncers. Femole dancers w;// swap roles with male dancers on o/ternau

nights. This prom1us ro ketp nud,enas gutSHng nnd also keep

1hing$fruhintheproctss

icalresourccin Aumaliais. according10MrPetcrW011~. a half-becuiresite boundedby Phillip.Bridge. Young and Bem smectsinSydoey. Mr Wans is directorof1heHistonc Houses Trust which recently received S20millionfromtheNSW Oovcmmentaud S)'dney Cily Councilto buildamu.,;eumon thatprecious pieceof land whicb, apanfromatin-shcd owned by cbc Dcpanmcnt of l'ublicWorks.hasbccnvacant since 1845.

Tlles,tc ,s actuallythat of the first Go~emment House. the foundations of which were discoveredonLyas recently as l982. Thepmpo\ed1hree-s1orey museum building will comprise athcatrene. bookshop.rcstau1-amandaseriesof galterie.s on thcrnpfloor.one of which will contair>ascalereconmuclion of Governor Phillip"s original

1hrec-roomhouse. Onen1erins thcmuseum.visilors willcrossa glass floor showcasing the remains ofaprivy - '"Phillip's dum1y."asonctruMspokesman casually de.scribed it.

Anothcrmuseum issetto opcninSydncywitbin a ycar. The.$70million wun-10-bt:-compte1edNa!ionalMaritime Moseumhas lainidleformost ofthelaMtwoyears.whilcthe Srnteand f edeml sovcmments wrar1gledovcr whoshnuldpay. NSW Premier Gremer blames cost over-runsonthcprcvious Go\"emrnen,.s··bopcle.ssrush" to completetheDarlingHarbnur developmcm intimcfor the Bicentennial . His Government is upcctir>g1ocoushup around .$2."imi!lionof thetaxpayers· moncy tocoverthecos1sof compld ingthcconstruction. Meanwhile. the empty museum h~bccndevouring aboutSS

miltionof!Hllpayers'moneya yearonadministr.nionand salariesforapaids1affof 70to work in thecmpty museum.

HOUSEWIFE SUPERSTAR MARRIES BARDS DAUGHTER Anauctionin NewYork recentlyextracted.$:B5.000for an oldscript.Amanuscripl actoally:anonginalof Shakespeare ·s Rapt Of Luc,ur Litcratut't'frommorcreccnt 1imcs wasalsosubjec1 1o suung b1ddmg...,·ith poet S1cphen Spender's hand-printed first bookNforExprrimrn1sfe1ching $40.000.

Meanwhilcinhaly, Aostralia'scul1uralanacbtand hou.'ICwifernpcr.1arBarry Humphrin,was biddingfor anotherofSpendc.r·!icreations -his daughter Lizzie.

WitnessingllumphnC$"founh triptothcaltarv.e re follow funny people.Pamela· Stephenson and Billy Connolly. frcshfromlhcirri:cent Australian tours.

IN THE COMPANY Of MURPHY AND MERCURIO SydRCyDanccCompany'ssoft bruising.employed two endurnnce a1htc1e.~ running face tosweatingfaccatop jogging machincsforthc entire perfonnancc. And while che company"sdanc~trippedthe ligbtfanmsticoll aroundthc joggcra.GracmeMurpbyand Pau!Men:uriowcre drcaming up new gimm,cks which would '"mokegoodcopy .. and hclpput bum!ionseats forthcSydncy Dance Company. In Tht C()mptJny Of WolMM is their

FRONTROW PageAltffl

la1e~1 neat ion and the hook resourceful u~c of the lubricanl emails dancers swapp,ng roles spra~. WD40. onal1cmatenish1s-females pcrformmalerolesandvie<: vu.,;,. Thosew,~h;ngto compare n01e~ and~c 1hc wholepic1urcareadvised10 bookoccordingly(dc1a,bon wh,ch gendcrforwha1n,gh1can begleancdfromtheshow\ season brochure).

Murphysaysinhispress material: '" Having conceived a work set in a brolhcl. pwpled wi thcharacters playedby theenl!reSydney Dance CompJn). it ~eemcd tome thattoswitchgender withou1 altering the choreography would be a fasc inatmgcxercise. The resuhofthiscxperimentis In The Company Of \\lo/Men ... The Company recommends that this work is'·suitable foranaduh audil'nce."

IN THE WAKE OF CIVILIZATION An exhibition organisers are smiling . Attendances are gnr,d: a quarter of a mi llion Melburn1ansare expectedto see '"Civi lization··. the antiquarian ellhibicion from the British Museum. But mnreexcit ing:visitorsdon "t liketogohomeempty-handed. Within two months of opening "Civilization"at the Australian National Gal'ery.$1 million had been hank,'d from sales of mercha1.:lising. Durmgthe past ten yeai, ~., incredible Sl4millionhasbecnmadc frommerchandis ingsoldb)· the International Cultural Corporation of Aumalia (orgafWSer~ uf the NSW Art Gallery"s current cxhibition. ··TheAgeofSuhan SiileymantheMagnificen("). Not s urprisingly the Siikymanorganisershad theirmanfranticall)· fi lhng his trave l bagsful l or trinkecsinthebazaarsof Istanbul recently. T he Australian Museum has also taken note. Sale~ of"The fossi l Rock"or'·Evolution Shume·· casscuetapes. and other dinosaur parapherna lia haskepttheMuseum'scash registers ringing.

WELL-OILED SYDNEY FILM FESTIVAL Du1ing 1hcrecen1Sydoey Film Fe.stivalattheStateTheam:. one 16mmprojector decidedto closcupshut1ersatthc commencement of a screening. Unmoved was young Melbourne director Akhi Vcllis. stratcgicallyplacedinthe fromrowforthefestival dcbul of his own lowbudgetfilm Nir.·011aSrru1

After iL~ StOfHtart bcginnings, lhefilmwas cvcnruallygiven asmooth premiere-thanks to

CATS' NINE LIVES J ust when you thought you had heard 1he la,1 ofC1Jt.1 .. Composer Andrew Lloyd Webber hasl inkcd withno le~s than S1ephen Spielberg forananimatcdfilm version oftherecordbreakingfeline musical.Lloyd Webber's musical£,•i1aisalso1obc commilleU lo ~dluluid. Madonna b )Cl 10 ~tar a~ E,a Peron

NEW MELBOURNE FUNNY SPOT Stitchesisthenameof Melhourne ',;newc,tcomedy spot.The venue 1sthe bram-child ofagroupofcomcdy entrepreneurs who aim to providea"centrcfor in1dligcntandad,cnturo11s arts in Melbourne. including the culinary ans··.

Say~ Stitchc~ • Entertain-ment Direc1or. Andre" Ba}ly (founder of the Comedy Room and founding director of Flying Pig Theatre Company); ··Performances will be the bcs1ofacccssiblccomic thca1rc around. put together undertheguidanceof1he smaneM young theatre directo rs we can find. ""

The venue features an int ima1c IOO-seatcafcand baropendaily from 11am to lam forcoffee,snacks. drinks. lunch and d inne r. h is alsoa300-scat!heatre rcs1auraotforbothin-house production and guests l ike the Do ug Anthony Allstars. MarkLiule. Rachel Berger and Glynn Nicholas.

PYRAMID COLLAPSE HITS VICTORIAN ARTS ManyViciorianartscompanies andcxhibitonarcsuffcringas a resuhoftherecentcollapse of 1he f>yramidbuildingsocie1y.

The Gee long Performing An,Ccnme h~d$100.000ucd up m f'yram1d while Bamstonn Theam: Company. which tours 5'hoolsinccntra1Victoria. bad $32.000 inve.sted inchcfailed society. Graffiti Dance Companylost.$10.000and Halftixisbelievcdtohavclosl $60,000.

Perltapsthehardest hitwere artcxhibitors.Srulp11,r, Tritnnial.an imponant mtemational evemtobeheld in conjunction withlheMelboume AnsFc.rnvalhBs lost .$160.000. GertrudcS1A"ists Si>,1cc).lhe Mclboumes1ud10andexh1b1Uon ccotrehad .$70,000invesled with Pyramid.

The Victorian MinisU)· for Artsisconsideringoptions!O assist the ailing companies. However.the tough times contmuewithalOpcrccnt decreascingovemmentfunding inthcncx1budge1.

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SHAKESPEARE RULES OK! When word got around that The Trust wa setting up a company devoted to staging The Bard 's works in a mobile version of Shakespeare's original Globe Theatre, almost JOOO actor contacted the new company's director, John Bell within a fortnight.

"They 're coming from Melbourne, Adelaide, Brisbane and even Hobart . It is so encouraging to know that Shakespeare is still as highly regarded by young actors today," says Bell. "Each one sees merit in keeping the works alive and playing on the stages of Australian theatre.

"We 're leaving nothing to chance," says actor/ director John Bell. "This is too great an opportunity to build on the tradition of Shakespeare in Australia to let it slip by unchallenged".

During hi acting career Bell has built up a great affinity with Shake peare 's plays (apart from playing many Shakespearian roles, he spent five years with Britain 's Royal Shakespeare Company). He has also weathered the storm of running a theatre company (for 15 years as director, actor and guiding founder of the imrod).

The new Shakespearian company should be ready to go on the road by January next year. The play are chosen, the back up taff selected and the venues are being finalised for the first tour.

Bell believes that sometimes certain traditions which have anached themselves to the performance of Shakespeare's plays over the years , have made the works seem less relevant to modem times.

" I think we've got to build our own subtext as Australians into Shakespeare's plays," he says. "We've got to find a way that is truthful to us as performers that reflects, as far as possible, the lives of the people who are watching the play. It 's our obligation.

"To try to emulate the Royal Shakespeare of the ational Theatre is not our job. That's their job."

SURPRISE BIRTHDAY FOR THE BARD More than 20 years ago, Sam Wanamaker became obsessed with the idea of rebuilding Shakespeare's Globe Playhouse on its original Thames-side site.

Wanamaker is an accomplished thespian whose career has involved making more than 50 films. He has acted opposite and directed Ingrid Bergman in the play This Too Shall Pass, starred in Macbeth in Chicago and Broadway productions, and he directed Prokofiev 's War And Peace for the opening opera at the Sydney Opera House. But when it came to resurrecting The Globe, everyone shook their heads and said "no way".

On April 23, 1992, 428 years after Shakes-peare 's birth and approximately 400 years after The Bard first began writing plays, The Globe is scheduled to "re-open" . The reconstruction, at a cost of some £8 million, will form part of the International Shakespeare Globe Centre. Future plans for the Centre include the new Inigo Jones Theatre, a pem1anent Shakespeare Globe Exhibition, a., audio-visual Archive and Library, the Globe Education Centre and a Grand Piazza surrounded by hops and restaurants.

Australia is playing a major role in bringing this plan to fruition. The Shakespeare Globe Centre

The Trust extends its apologies to Mr. Macfarlane of Glenunga, S. A., for an incorrect acknowledgement of his Life Membership in The Trust's 1989 Annual Report.

Australia Inc, an affiliated member of The Inter- business involvement in the

national Globe Centre in London, is helping to raise arts, effectively releasing funds from public and private sectors for The substantial sums of money atrons of The Trust Globe reconstruction and building of the into the arts community in International Globe Centre. It is also, like its British Australia. counterpart , a research centre for Shakespearian The proposal has already

work, providing international exchange programs for academics, theatre professionals and performance companies.

The Shakespeare Globe Centre Australia is a founding sponsor of John Bell and The Trust's new touring Shakespeare company (see previous story).

The Shakespeare Competition 1990 is another activity central to the Shakespeare Globe Centre Australia. This inaugural competition includes music, design and performance categories and is currently being held throughout SW and ACT high schools.

Finals of the Shakespeare Competition will be held in the art-deco Hayden Orpheum Picture Palace at Cremome (courtesy of Mike Walsh) form part of the Mini-Shakespeare Festival from Thursday August 23 to Sunday August 26.

The Festival also includes a witty and entertaining portrait of The Bard entitled To Sydney

From Stratford (Shakespeare Spoken And Sung From Schubert To Sondheim) starring acclaimed mezzo-soprano, Elizabeth Campbell and popular film and tage actor Ivar Kants. The show will focus on non-Elizabethan interpretations of songs from Shakespeare, featuring melodies by Schubert and Berlioz as well as more contemporary offerings by John Dankworth and Broadway composer Stephen Sondheim. Jointly devised by The Globe Australia and Music and Heritage, the show will be staged in the high vaulted Gothic Chapter House of St Andrew's Cathedral.

Other activities include a special screening of Franco Zefferelli 's Romeo And Juliet at the Hayden Orpheum Picture Palace and an Othello Master Class by Sam Wanamaker at the Actors ' Centre.

Book for the August 24 finals of the 1990 Shakespeare Competition on 908 4344.

ARTS AND TAXES - A NEW INCENTIVE Megatrends 2000, a new book forecasting social trends, predicts that during the 1990s, the arts will gradually replace port as society 's primary leisure activity.

The Role Of Business In The Arts, an authoritative report from ABSA {Australian Business Support for the Art - a division of The Trust), reflects the accuracy of that prediction with research showing that private sector expenditure on the arts rose 26% during the 1986- 1989 period. To be precise, arts sponsorship by private business in Australia last year totalled $47 million nationally.

But of course, it 's 1990 now and times are tough. Some businesses are cutting back publicity and promotion expenditure by as much as 40 precent. So it is indeed timely that the Federal Government has received a proposal that will both alleviate the corporate tax burden and encourage

been endorsed by all State and Federal Arts Ministers. They, like ABSA, are convinced that business will respond favourably with increased investment in the Arts .

In putting the proposal together, ABSA has been able 10 tap some of Australia 's sharpest corporate brains. Susan Young, ational Tax Manager for Duesburys, co-ordinated the ABSA proposal. Ms Young is confident that the Treasury will be receptive to the proposal because " it will have a minimal effect on revenue. The imputation system and capital gains tax provisions effectively ensure that tax not paid by a company will be recouped by a company's shareholders".

The proposal recommends that tax incentives be used for corporate support of the arts.

ABSA's chief executive, Mr Adam Salzer, explains: "The actual policy concentrates on Section 51 of the Income Tax Assessment Act which allows art sponsorship to fall under the area of normal business expenditure along ide such areas as marketing and advertising.

"Our extensive research (undertaken by consumer research and strategic planners, Yann, Campbell , Hoare & Wheeler) revealed that most businesses already used Section 51 in their support for the arts . Accordingly we are proposing an increase in taxation reduction for business under Section 51.

"Major work has been undertaken in convincing the government that this a tax neutral platform, " he added.

Tax incentives would allow companies to claim more for arts sponsorships than for normal business expenses and would ease the difficulties of obtaining sponsorships being experienced by the arts industry during the current economic downturn.

ABSA sees its proposal as offering government two major benefits:

(I) the arts industry would be les dependent on government grants and resources available to the arts industry could be enhanced;

(2) the incentives proposed would result in minimal long-term revenue loss to the Government

EW SOUTH WALE

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and may in some cases result in revenue gain. Arts funding, at present, is partly supported by

corporate advertising. And because corporate advertising and promotion usually represents expenditure incurred in earning assessable income, it involves no tax expenditure by government. So an increased tax deduction is an attractive option to direct government outlay.

The amount of the increase in tax deductibility for arts sponsorship was a matter for negotiation. "We are pursuing a policy that only those arts bodies who are registered under the Elizabethan Trust or who are registered as non-profit organisations under Section 78 will benefit from the platform," said Mr Salzer. "It will not be for commercial bodies. The objective is for busines to work hand in hand with government. Most government arts policies work with non-profit arts organisations.

" If the government decides to back the platform," aid Mr Salzer, " it could go through in six months but we cannot really predict a date.

" If the platform is accepted it will be the most important thing ABSA will achieve in its entire existence."

How YOU can get involved with restoring a piece of Sydney's Theatre History The Trust is about to commence the restoration of Sydney 's oldest theatre, the historic Independent Theatre at North Sydney. You can become a FOUNDI NG SUPPORTER by sending your tax deductible donation to The Friends of the Independent. Get in on the ground floor of part of a revival in Australia 's Theatrica l Hi tory:

The Friends of the Independent The Australian Elizabethan Theatre Trust P.O. Box 73 , hippendale SW 2008

Yes, I/we wish to become a Founding Supporter for the restoration of the lndependen/ Theatre and enclose my cheque or please debit my credit card for

.. .......... .. Bankcard I Mastercard/ VISA I Amer ican Express (circle type of card) Card Number .. ................ ............. ........ ................. Expiry Date ... . Signature ... Names /for acknowledgemenl- please print) ..

Address .... ..................... .. ...... .. .. .. .. .. .. P/code ......

My donation is given unconditionally to The Trust, however when considering appropriations of grants, I/We request ii to be made to the Independent Theatre Restoration Appeal.

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