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Tula Telfair: Invented Landscapes Michael S. Roth Interviews Henry Adams Wednesday, October 19, 2016 at 6pm Ring Family Performing Arts Hall (former CFA Hall), FREE Wesleyan President Michael S. Roth ’78 interviews Henry Adams, Ruth Coulter Heede Professor of Art History at Case Western Reserve University and Menakka and Essel Bailey ’66 Distinguished Visiting Scholar in the College of the Environment at Wesleyan, about Professor of Art Tula Telfair’s new book, Tula Telfair: Invented Landscapes. Ms. Telfair’s sensuous, seemingly realistic landscapes are produced in a white-walled studio purely from imagination, and in fact function as vehicles for intense and emotional self-probing. Featured essays by Mr. Adams and Mr. Roth explore the technical aspects of Ms. Telfair’s work, her dramatic personal journey from the jungles of Gabon in Africa to the art world of New York, and above all the interplay in her work between concealment and revelation. Co-sponsored by the Center for the Arts and the Department of Art and Art History’s Art Studio Program. CENTER FOR THE ARTS WESLEYAN UNIVERSITY MIDDLETOWN, CONNECTICUT 860-685-335 www.wesleyan.edu/cfa

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Page 1: Tula Telfair: Invented Landscapes - Wesleyan University

Tula Telfair: Invented LandscapesMichael S. Roth Interviews Henry Adams

Wednesday, October 19, 2016 at 6pmRing Family Performing Arts Hall (former CFA Hall), FREEWesleyan President Michael S. Roth ’78 interviews Henry Adams, Ruth Coulter Heede Professor of Art History at Case Western Reserve University and Menakka and Essel Bailey ’66 Distinguished Visiting Scholar in the College of the Environment at Wesleyan, about Professor of Art Tula Telfair’s new book, Tula Telfair: Invented Landscapes. Ms. Telfair’s sensuous, seemingly realistic landscapes are produced in a white-walled studio purely from imagination, and in fact function as vehicles for intense and emotional self-probing. Featured essays by Mr. Adams and Mr. Roth explore the technical aspects of Ms. Telfair’s work, her dramatic personal journey from the jungles of Gabon in Africa to the art world of New York, and above all the interplay in her work between concealment and revelation.

Co-sponsored by the Center for the Arts and the Department of Art and Art History’s Art Studio Program.

CENTER FOR THE ARTS WESLEYAN UNIVERSITY MIDDLETOWN, CONNECTICUT860-685-335 www.wesleyan.edu/cfa