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Carlos Castaneda's TensegrityVolume Three:Energetically Crossing From One Phylum To AnotherThe following is a transcript of the passes as demonstrated on the Tensegrity video tape #3. It is hoped that the descriptions will further aid you in performing the passes, as you watch the video. This transcript in no way replaces the video tape and it is highly recommended that you purchase the tape and work with it

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I am Kylie Lundahl and these are my associates, Nyei Murez and Reni Murez.This is volume three of a series of video cassettes on what we callTensegrity. Which is to us an art, the art of utilizing in a modernsetting some magical passes discovered and developed by seers wholived in Mexico in ancient times. The performance of the magicalpasses was and still is the means to allow our consciousness to focuson the binding force that consolidates the different component energyfields of a human being into a concrete and definite unit. Modern manhas found out through the research of scientists, that there is abinding force that holds together the component elements of an atom.

By the same token, the component elements of cells are held togetherby a similar force and are driven to combine themselves into tissuesand organs. The seers who lived in Mexico in ancient times believedthat human beings taken as conglomerates of energy fields are heldtogether by some energy, some force, some power, that cements thoseenergy fields into one single energetic unit. Those seers taught fromgeneration to generation up to the present day that enhanced awarenessis the end result of canceling out our system of interpreting energyas sensory data. This system, which is taught to us from the momentwe are born up to the time that we become experts in handling it,gives us as a consequence the coherent perception of the world weknow. To cancel it out means that we can perceive energy directly asit flows in the universe instead of interpreting it as sensory data.

An outcome of seeing energy directly as it flows in the universe isthe perception of a human being as a luminous sphere, that is to say,as a conglomerate of energy fields held together as a luminous ball.

The interest of those seers of antiquity was the pragmatic utilizationof whatever force is holding the luminous sphere together. They saidthat the sphere was not held together by wrappings or energeticbindings, but by some sort of vibration that rendered everything atonce alive and in place. Their obsession to find out the nature ofthat vibratory force was tinted by their concreteness that made themwant to hold and control it. Modern day practitioners of the art ofthose seers of antiquity have found out that it is not possible to be

concrete and utilitarian about that vibratory force. They have optedfor the only rational thing that one can do, merely to becomeconscious of that force with no other purpose in sight except theelegance and well being brought about by knowledge.

The movements that we are going to present are an orderly sample ofattempts made by seers of ancient times to catch a glimpse from adifferent angle of the force that binds us together. We havereinterpreted their maneuver. In basing ourselves on the modern daytaxonomy of the animal kingdom, we have concluded that those seersattempted to leave the phylum Chordata, to which human beings belong,and enter into the phylum Arthropoda.

Pass #1:Opening Oneself To IntentThis is a basic magical pass which has been altered minimally for

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presentation. It is called "Opening Oneself To Intent" because that iswhat is literally accomplished with this pass. The idea of seers isthat intent is a perennial force that exists in the universe likegravity or electromagnetism and that this force obeys thesolicitations of man if they are made with determination andpersistence. The cognitive mood of those seers of ancient Mexico seemsto have preceded the agricultural revolution and the advent of

supplicants. To propitiate deities in order to seek help was not partof their cognitive system. For them, the only possible approach was toorder intent, to tell it what to do. Their artistry however, was tovoice their orders with the appropriate force but without anyarrogance. The solicitation to intent in this case is to allow us tocross out of our phylum.This magical pass involves the motion of the upper trunk and the armsand the motion of breath. It symbolizes the incorporation of forcesexternal to oneself by making an overt gesture of beckoning them andby intaking the response through one's breath. It begins with themovement of the left arm to right shoulder and quick inhalation,filling the upper lungs with air to serve as a source of immediate

energy. It is followed almost immediately by a gesture of the rightarm that extends forward - a symbol of offering oneself to thesurrounding forces. Then a sharp exhalation and a movement of the leftarm using the right arm as a launching pad to shoot one's energy outinto infinity. Observe that the left shoulder must be moved forward asfar out as possible, a movement that renders the upper trunk almost inprofile. The left arm is retracted again, using the right as a runnerwhile one takes a deep breath. The left hand returns to the rightshoulder and from there it extends forward in an arc keeping the leftshoulder as far out as possible. The right arm follows the left armdrawing a similar arc and this facet of the magical pass ends with theshoulders extended as far forward as possible and the back arched tocompensate the forward movement of the shoulders. The palms are up and

the thumbs are retracted, resting on the middle of the palms. Then theword "intent" is voiced. A very deep breath is taken as the arms arepulled sharply to the sides until the fingertips touch the rib cage. Adeep exhalation is made, helped by turning the palms down and pushingdownward with the thumbs in a natural position. The fingers are heldtogether with the little finger separated from the rest.

Pass #2:Pouring Intent Into Two Pouches Of The BodyThe seers of ancient Mexico believed that human beings have threeenergetic pouches. One is over the liver and gallbladder, another isover the pancreas and spleen and the third one is over the kidneys andadrenals. These three pouches serve as reservoirs of energy. The pouchto the right, over the liver, they believe to be the center of quick,immediate action. The pouch to the left, over the pancreas, wasconsidered the center of feeling, and the third, the one over thekidneys and adrenals, was thought to be the center of sustained andpurposeful action. After beckoning intent, the next logical step,according to the seers of antiquity, was to fill the two frontalpouches of the human body as a conglomerate of energy fields. Hencethe name of the second magical pass, "Pouring Intent Into Two PouchesOf The Body". Their consideration was that intent must precedeanything that we do. In order to cross out of our phylum, we mustfirst set up the intent to do so, by pouring intent on the two pouchesfor feeling and immediate action.

This pass begins by a tap on the floor with the ball of the left foot.The left leg is extended maximally to the front. The whole legretracts to be parallel with the right leg, then the heel is tapped

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sharply on the floor, while the tip of the foot is extended fullyupward. Two heel taps follow, one with the left foot, combined with ahop and the other with the right. At the end of this movement, thetips of both feet are pulled up and back, the tips of the feet comedown and the hands go sharply to the hips in order to brace the spineand neck for a sharp turn of only the head to the left. Both handsmove sharply from being draped over the hips to cover the areas of

liver, gallbladder, pancreas and spleen. The left hand is pulledbackward all the way and it moves in a very broad circle from theextreme left to the extreme right, turns around the body and then fitsagain over the pancreas/spleen as if a knife is returned to it'ssheath. Then the right arm is pulled just like the left one, all theway backwards, and makes a sweep from the extreme right to the extremeleft around the body. The hand again is placed over theliver/gallbladder area, as if another knife has been inserted in it'ssheath. The eyes are kept fixed on the left side, piercing intoinfinity. The eyes are moved to the front, again piercing infinity.The left arm is pulled backwards, as if pulling an invisible knife andanother arc is drawn from the extreme left forward to the front,

returning the knife to it's sheath. The right arm repeats the samepattern. When the two invisible knives are inside their covers, thehands are dropped to the sides then the right leg is extendedmaximally to the front. It taps the ground with the ball of the foot,retracts back to be level with the left leg, taps the floor with theheel once, taps it again combined with a hop and then a tap of theleft heel. The hands are again draped over the hips to brace the neckand spine for a quick turn to the right. The next movement is to takea couple of steps as if walking away.

Seers believe that energy dispersed to the right side of the luminousegg is not of any value for purposes of traveling out of our phylum.

Pass #3:Breaking The Alignment Of The Left And Right BodiesSeers proceed with this pass which is called "Breaking The AlignmentOf The Left And Right Bodies", guided by their certainty that theuniverse is composed of twin forces in action. They believe that thehuman body is actually two bodies put together into one, the right andthe left, and what modern biologists call bilateral symmetry is notquite symmetrical. Seers say that the left body always lags behindthe right one and this anomaly when the body is perceived as fields ofenergy gives the impression that the left side of the luminous sphereis somehow opaque, fading. It's roundness doesn't seem complete. Itseems to droop. To break the alignment purposefully gives a jolt ofenergy to the lagging left side. This maneuver, according to seers, isone of the most important of the magical passes because it preparesthe two bodies for the tremendous jolt of going from one phylum toanother even though it is a momentary, fleeting experience.This pass begins with a quick movement of the left forearm making an"L" shape in relation to the rest of the body as the right hand shootsbackwards to aid the force of the lifting arm. Then the left arm movesback with the hand open, as far back as the shoulder articulation willallow it, while the right forearm in a slap-like movement follows theleft arm in order to balance it. All the weight of the body istransferred to the right leg. The left leg and the left arm move infront of the body - the leg by taking a dislocated step and the arm bymaking a slap-like motion to the center of the body. This movement

ends by the left foot pointing forward as if kicking at the same timethat the hand also points forward with joined fingers and the word"intent" is voiced. The same movements are executed with the right

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leg and the right arm.

Pass #4:Realigning The Left And Right BodiesWe have now been told that seers of antiquity used these two passeswhich are called "Breaking The Alignment Of The Left And Right Bodies"and "Realigning The Left And Right Bodies" as two consecutive units.

Since their idea was that human beings are composed of two differentbodies that interact with each other in the most symbiotic ofrelationships, the final result of breaking the alignment of the leftand right bodies and realigning them again is the creation of a newbeing. We were taught that this pass fixes or solidifies the new stateof alignment of left body, thereby permitting a successful performanceof the crowning accomplishment of the seers of antiquity - travelingacross the boundary of the phylum of human beings.This pass starts with a light kick of the right foot in front of thebody just for impulse, followed by a hop and a harder kick of the leftfoot. It's a case of shifting the balance from the left leg to theright leg in a quick succession. At the same time that the left leg is

retrieved to its normal position, the left hand shoots in a straightup position and a deep inhalation is taken. The thumb holds the lasttwo fingers curled to the palm while the index and middle fingersremain extended upwards and opened in a "V" shape. The palm of thehand faces to the right. Still holding the breath, the right calf islifted and the ankle comes to rest above the left knee while the righthand, held in the same position as the left, makes an arc and comes torest on the "V" shape made by the index and middle finger of the lefthand. The palm of the right hand faces outward, the fingertips of theleft hand are held at the level of the forehead. The left and rightarms frame the face. At this point, the word "intent" is voiced. Thesame movements are repeated with the other side.

Pass #5:Stabbing Energy In Search Of A NewPosition Of The Assemblage PointThe seers of ancient Mexico found out that in the luminous ball ofenergy there is a point of even more intense luminosity located behindthe shoulder blades at an arm's distance. They knew that perception isassembled there, hence the name "assemblage point". Seers see thatbillions of energy fields in the form of luminous filaments comingfrom the Universe at large, every which way, converge on that pointcreating the perception of the world we know. Seers believe that theassemblage point is indeed not only where perception is assembled, butwhere energy is interpreted. They do not believe that it is the mindof man that interprets energy but that the assemblage point in itscapacity of interpreter engages the totality of the human body tointerpret energy. Seers also knew that the position of the assemblagepoint is common to all mankind, but that it is arbitrary and that thatposition can shift. When it shifts to another location anywhere alongthe periphery or the interior of that luminous sphere, another set ofbillions of energy fields in the form of filaments converge on thatnew spot forcing the assemblage point to assemble the perception andinterpretation of a new world immensely different than the world ofdaily affairs.The first movement of this pass is a forceful jump forward with theleft foot. The hands are held with the index finger supported by thethumb and protruding out. The other three fingers are folded against

the palm. A forceful inward stab of the two index fingers is made infront of the umbilical region and then in front of the chest,maintaining a minimum of two inches at all times between the index

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finger of each hand. The elbows are kept pointing to the ground. Thebody bends forward slightly, the whole foot is flat and there is astab one time behind the left thigh. Then there is a forcefulstep-jump to the front with the right foot. The body stoops to stabone time behind the right thigh. The two feet are then aligned andthere is a stab behind the thighs with the legs held in a sittingposition. From there the left hand moves out to make a circle, the

right arm does the same, the body is held erect. After completing acircle, the left hand shoots out to the front pointing the index tothe horizon at the chest level. The right index is placed instantlyat the place where the deltoid muscle is inserted into the bones ofthe shoulder. The index finger of the left hand stabs forwardforcefully one time. Two other circles are drawn in front of the bodyand the movement is repeated, ending with the right arm pointingoutward and left index pressing the right shoulder. Another stabforward is made with the right index finger. Two more circles aredrawn, one with each hand beginning with the right arm, and the leftindex is thrust to the zenith. Then it stabs one time to the zenithand one time to the right. Another two circles are drawn and the same

movements are repeated with the right hand.

Both hands come down and stab inward once in front of the solarplexus, and another time closer to the solar plexus and a third timealmost touching it. Then there are three inward stabs to the back,each moving further away from the body like a mirror image of thepreceding stabs. From the back, the arms are brought over the head tothe sides, each arm held at a 45 degree angle from the body. Two morestabs follow, drawing a letter "B" ending close to the groin. Thefingers are pointing down this time. The left leg is raised with abent knee and one stab is executed right in front of the knee andanother stab right behind it. The same movements are done with theright leg. Two ascending circles are drawn until the arms are over

the head. The back is rounded to permit the sliding of the assemblagepoint. The upper trunk moves to dislodge it all the way to the groundwhere it is quickly picked up by the two index fingers, the hamstringskept as tight as possible. After it is picked up, the bodystraightens and the assemblage point is drawn upward to the solarplexus where is pushed in and secured with a vibratory movement of theindex fingers. A deep inhalation is taken then with the hands rotatingforward, and then an exhalation is made as the hands come down to thesides of the body.

Pass #6:Preparing To Cross OverThis magical pass, "Preparing To Cross Over" is very complex and itpertains to calling our dispersed energy to come and rally around anew possibility. Far-fetched as it may seem, but the more excitingconsidering its impossibility, the possibility of entering into a newphylum. Seers of antiquity realized that the way in which we perceivethe world was by interpreting the impulses of energy at large. Thisact of interpretation is taught to us from the moment we are born. Itbecomes so ingrained in us that we lose sight of the fact that it isan arbitrary system of interpretation. Those seers' idea was that ifwe had sufficient energy, we could not only cancel out our system ofinterpretation but we might even be able to enter into other systems.We were taught that with this pass, it is possible to accumulateenough energy by summoning it from the body itself in order to break

the energetic boundaries that separate what modern man considers to bethe basic divisions of the animal kingdom.This pass begins with the slow and rhythmical contraction of the five

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fingers over the palms of both hands while the palms are held upwardto a count of three, then the hands are turned quickly downwards andthey scratch to a count of three. The body squats in three differentdegrees of acuteness until the hands are touching the ground in frontof the body while the fingers scratch the surface, again to a count ofthree. The body straightens and then the thumb and the first twofingers are held like claws over the palms and they are contracted

rhythmically to the count of three. The hands are turned over to facethe ground and the fingers are contracted again to a count of three.Then the body stoops in three stages until the hands reach the groundagain and the three fingers move on the ground's surface to the countof three. Next, both hands in the three finger prong grab the leftpart of the left thigh, above the knee with the left hand below theright one. They gnaw at the muscles of the left thigh, the muscles ofthe waist and the muscles of the ribs until the hand reaches the unionof the deltoid muscles and the left pectoral. Then they make a roundhalf circle or crescent under the left breast with the left handleading until the right hand reaches the area below the left breast atwhich time it changes to a point in front of of the left hand and

leads the motion of the two hands which gnaw at the pectoral musclesuntil the thumb of the left hand reaches the left axilla. The righthand keeps on moving, gnawing at the trapezius muscle over the leftshoulder. Then the whole sequence of movements are repeated with theright side of the body.

Then the hands grab the outside of the calves at the level of theankles and gnaw the muscles to the upper part of the knees. They goacross, above the knees to the inner side of the calves. They gnawtheir way back to the ankles, they come around the front of the anklesto the back of the calves and gnaw up the back of the calves to thethigh, then to the buttocks and they end up on the area of thekidneys. The left hand moves then over the right shoulder to rest in

the three prong position and gnaw the muscles over the right shoulderblade. It goes back to the area of the left adrenals and kidneys whilethe right hand draws another circle in front of the face to rest andgnaw on the area of the left shoulder blade. From there, the two handsclamp on the inner thigh above the knees and gnaw their way up to thegenitals, over the bladder and intestines to end on the area of thenavel. The fingers gnaw that area for 3 counts. Then the movement endsby opening the arms, palms facing the front and bringing them to thesides of the body.

Pass #7:The ButterflyThe concept that prompted us to select this magical pass forpresentation was expressed by the seers of antiquity when theydeclared that what binds the nerves of man is something they calledthe "substance of mankind". We believe that they were referring toviruses because they spoke of that substance as being alive andcapable of quick changes. Seers asserted that the virtue of thesubstance of mankind was that it changed with tremendous speed. Modernman has found out beyond the shadow of a doubt, that the only constanttruth about viruses is that they change with tremendous speed. Thoseseers of antiquity counted on that speed of mutation in order toelicit in themselves, drastic behavioral changes. They related suchchanges to the introduction into their nervous systems of substancesthat belonged to different types of life. They didn't do this through

inoculation, but through intending. From this, we have been led toassume that they believed that the substance that composes thesynapses of nerves might be made out of what modern man calls viruses.

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They claim that all they needed was a tenuous insinuation of adifferent substance, as if intending it brings the advent of thesubstance itself and that the resulting mutation in the entire body isonly a matter of time. The seers of ancient Mexico sought avidly theadvent of this mutation. They were driven by the certainty that anypurposeful change whatsoever in what modern man would call the viralcontext of the body gives as a result, a much sturdier, more

intelligent, determined, human being. Those seers of ancient Mexicowere the living proof of that sturdiness. By performing "TheButterfly" magical pass, modern seers, inheritors of the knowledge ofthose seers of antiquity, believe that for an instant a new viralpossibility presents itself to the body, if not to change it, at leastto allow the effect of noxious viruses to be contained or the virusesthemselves to be driven away. All the magical passes performed up tothis one have been preparatory. They have served to buttress the bodyfor crossing into another phylum. Seers of ancient Mexico believedthat the total effect of this crossing was manifold. Each of thoseeffects was considered more than a justification for it's performance.The seers of antiquity never talked about this magical pass in terms

of a total transformation. They described the results of this pass asthe human capability of sending a beam of awareness into other formsof life. Their grand accomplishment was that that beam engaged thetotality of their available awareness so they were absolutelyconscious of the perceptual conditions of other forms of life, withoutactually becoming those other forms of life; therefore, the overtreason for this magical pass is to allow human beings the possibilityof a fleeting awareness, of which they may not necessarily beconscious, of the binding force that joins the butterfly together, thesame force that acts on human beings.

The first facet of this magical pass is to bring the arms, palmsfacing up, very gently to the front of the body and then align the

elbows with the rest of the body with a forceful tug. An inhalation ismade by bringing the arms backwards fully extended and leaning thetrunk forward. An exhalation follows as the hands turn forcefully andmake the palms face each other while they are held behind the back inflight position. It must be pointed out that the adrenals are thepivoting point for the trunk to jut forward. The eyes are kept downand then a very deep inhalation is taken as both arms come to thefront like two wings. The eyes follow the movement and become fixed onthe aperture between the fingers of the two extended hands. There isan exhalation then while the hands return forcefully to the back ofthe body. This movement is done three times. The hands are thenlifted very quickly so that the palms face the ground. Then the weightgoes to the right leg and the left leg is lifted with the knee bentand the toe pointing down. The left leg then moves in a pedal-likemotion three times from the front to the back then the right leg doesthe same.

The arms come forward with the palms facing the front as an exhalationis made. An inhalation follows as the arms extend backwards with thepalms to the ground. The arms turn forcefully with the palms facingeach other as the air is expelled from the lungs. Both arms bend atthe elbow to make an "L" shape. The palms face back and the shouldersare kept lifted as an inhalation is taken. An exhalation follows asthe hands come together, palms facing each other, held vertical to theground. The arms draw half a circle and they are fully extended to the

sides, fingers together and pointing upwards, index and middle fingersextended, the others contracted and held by the thumb over the palm.The arms rotate at the shoulders and draw a lateral circle and join in

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front of the face, arms fully extended. The movement is performedthree times. Three smaller circles are drawn in the same fashion afterthe trunk twists and the hands face the left side. The arms moveswiftly to the right as the trunk turns 90 degrees and three morecircles are drawn in the same way. The arms are brought again to thefront and they swing to the left and to the right three times. Thehead rotates from front to back three times as the deltoid muscles

press over the ears as far as they possibly can. Then the arms arebrought down to the level of the liver and pancreas with two extendedfingers pointing up. The two arms jut to the side again, making an "L"shape, keeping the two fingers tight together. From there they shootstraight back. All the contracted fingers are released. The trunkstoops over slightly with great pressure on the adrenals and the armsare brought to the front over the head as both legs are bent at theknees and stand on the ball of the toes. This movement is performedthree times. The hands are flipped over to have the palms face theground and all air is exhaled as the hands come, palms facing front,to rest on the sides of the body.

Pass #8:The Female And Male Winged BeingThis is the last magical pass of our series. It is called the "FemaleAnd Male Winged Being". It has a similar structure to "The Butterfly".It refers to the male and female aspects of a species belonging toanother phylum. It is said that it represents the internal structureand organization of an unnamed male and female winged being. Thisprojection into this unknown being is another way of extending thewebs of perception, this time to enter into unknown possibilities. Theseers' idea was that the female and male winged being was a naturaldevice to enter into the realm of the true unknown. If the viralcontext of every species is unique, to enter into what was abstractlycalled the female and male winged being is indeed the unknown at it's

most minute best.The movements of the female winged being are considered to be moredirect and a source of a very powerful production of heat. The femalewinged being is structurally more sound than the male but lessostentatious. The difference in structure is that the female wingedbeing moors it's sets of four delta wings on the areas of the liver,pancreas and kidneys. The male version on the other hand, attachesit's wings to the sides of those areas. This is considered to be amore shallow attachment than the one of the female, which is directlyon those organ areas. The movements of the male are more flamboyantand have deeper perceptual significance. The male winged being haseyes on it's antennas and brings the view of the world around him ontohis body itself. The seers of antiquity maintained that the creaturesfrom what modern man calls the phylum arthropoda, like the butterflyor the winged being, see the world through liquid eyes, that is tosay, everything is seen as if through a container of pure crystallinegelatin. They affirmed that for such creatures the world is made up ofhues and that each hue has a particular scent. This magical pass hasbeen lost in obscurity for hundreds of years. As it was taught, itseems it had been purposefully dismembered and only single portions ofit were shown as separate units. For example, the steps of "The FemaleAnd Male Winged Being" were taught as two separate units that seemedto be designed for tensing and relaxing the lower extremities. Thesetwo fractions of the pass were purported to massage and stimulate theganglia around the genitals and hips. Likewise, the wing growing

movements were taught for stimulating the ganglia around the shoulderblades and above all for stimulating the liver and pancreas areas.Restoring the magical pass to it's original form was the result of a

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long process of deliberation. The only sober alternative was to putit together, for whatever it may be worth.

The pass starts by raising the arms, parallel to each other about afoot and a half apart, palms facing the ground as a deep inhalation istaken. The top of the body stoops forward, pivoting on the adrenalarea. The inhalation continues as the heels of the two palms are

moored on the areas of the liver and pancreas and the body straightensto a fully erect position. From those two areas the hands rotate tothe hips as an exhalation is made. It must be noticed that the handsdo not drape over the hips but extend out, laterally. The thumb isheld across the palm. The hands slide to the kidneys resting the heelof the palms that are facing one another square on the kidneys. Fromthere, both arms shoot back in a straight line and draw a pair ofdelta wings with an inhalation that ends when the arms are extendedlaterally. The trunk is kept stooped down, the palms of the hands arefacing back. Then they are turned to face the ground and the two armsretrieved to land on the pancreas and liver areas with the tips of thefingers pointing forward as the air is shifted from the lower part of

the abdomen to the top of the lungs without inhaling any more. Thebody straightens up. The two hands are returned to the sides of thehips as an exhalation is made. Next, the hands go back to the frontalposition of the liver and pancreas and another set of two delta wingsis drawn by lifting the arms in a straight line above the head anddown in a triangle to the liver and pancreas areas. An exhalation ismade as the hands move to the sides of the hips.

The next movement simulates the independent movement of each of theupper delta wings. The movement is performed three times. The handswhich are resting on the hips do not drape over the hips but are keptlifted up to create the adequate pressure on the ganglia of theaxilla. Then a movement of the legs follows. It consists of shaking

of the left foot at the level of the ankle and a quick sidestep thatalmost places the sole of the foot on the inside calf of the rightleg. The exact movement is done with the right foot. Then the leftpalm is placed against the body on the area of the liver andgallbladder and the right palm on the area of pancreas and spleen. Thearms are brought back to the sides of the body with a quick motionthat leaves the two forearms striking out in front of the body as ifthey were not arms but woody insect-like limbs. There is very quickvibratory movement of the forearms protruding back and forth veryfast. This is followed by the forearms moving up and down at greatspeed and then laterally and finally in a rotational movement of thewrist. During these four movements in this magical pass the elbowsand arms are kept tight to the body as if they have been fused withit. The female part of this magical pass ends with an inhalation takenas the forearms are raised to the face. An exhalation follows as thearms are lowered all the way down and the trunk is stooped over.

The male aspect of the winged being begins with a deep breath, similarto the one that started the female form. The hands are moored on theliver/pancreas areas and from there they rotate to the hips as anexhalation is made. From the hips, the hands move straight up abovethe head. Palms facing each other, 6 to 8 inches apart. Then theyextend laterally to the full reach of the arms and down as far back aspossible, drawing a pair of delta wings of gigantic size. Theinhalation ends when the hands are placed on the hips. An exhalation

is made then and the left foot is drawn out to the left withoutturning the body. It taps the ground with the outer edge of the toesthree times. The exact movement is executed with the right leg. Then

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the full weight of the body is placed on the right leg which is bentat the knee and the left foot is placed in front and again taps theground three times with the outer edge of the toes. The trunk is keptstraight, looking onward, the left foot is retrieved to the back whereit taps the ground three times with the tips of the toes. The knee ofthe left leg is kept as straight as it can be. The left foot is drawnback to the front and taps the ground three times. Pivoting on the

ball of the left foot and the heel of the right one, the entire bodyis turned to face the opposite direction. In that position the rightfoot is in front and the exact same movements done with the left footare done with the right. The body pivots again to face the originaldirection and the left foot is drawn back to be parallel to the right.The left hand moves from the hip to the liver and gallbladder area andthe right hand moves to the pancreas and spleen. From this positionthe arms shoot out 45 degrees in front of the body with the indexfinger and the thumb of each hand making a seeing eye.

The wrists are bent to allow the supposed eyes a stereoscopic view ofthe front. Three big circles are drawn by dropping the arms to the

sides as if the eyes were searching. Then the wrists are turnedsharply to allow the eyes to look at each other and three smallcircles are made in the opposite direction. The two eyes are broughttogether to the liver and pancreas areas, then an inhalation is takenby raising the arms upward and around in a circle to be brought backto the liver and pancreas areas over which the eyes are placed onceagain. The left arm is brought forcefully to the side and above thehead with the eye facing forward and the right arm is broughtforcefully down in a straight line with the eye to be placed below thewaist. In this position the trunk turns and the full extension of thearms is obtained. The trunk turns slowly to the other side and theright arm rises above the head and the left arm lowers to below thewaist. In both positions, the eyes look at the arm that is behind the

body. When the arms are brought back to the front, they teeter up anddown three times before they regain their normal balance. The handsare then brought back to the liver and pancreas areas with the fingerspointing out but still holding the seeing eyes which are lookingupward to the ceiling. Then all the fingers are extended and the leftand right arms shoot out, back and forth, up and down, laterally, andthen they crisscross each other. Then the hands rotate at the wrists.The two hands are brought under the axilla and out while stooping thetrunk with a deep inhalation. The hands are kept about a foot and ahalf apart, the trunk and head move to the left as an exhalation ismade. An inhalation is taken when they go back to the frontalposition. An exhalation is made as the trunk and head move to theright. A deep inhalation follows as the head and trunk go to a normalposition while the hands are retrieved to the area of the liver andpancreas. An exhalation accompanies the massaging of these two areas.The hands grab the liver and pancreas, so to speak, and a deepinhalation is taken. The air is expelled from the lungs as the handsare lowered to the sides of the body.

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