- 1. Feb. 17 th2010Shana Agid Eduardo Staszowski Anna Meroni
Assignment Two
2. 4 modules each stages has tools, cases, theories and methods
for cooperative design and produces original results. 1observing /
understanding 2co-creating 3developing4prototyping 3. 4 Assignments
1observing / understanding 2co-creating 3developing4prototyping
ASSIGNMENT1 Precedents ASSIGNMENT2 Observing/Understanding
ASSIGNMENT3 Co-creating ASSIGNMENT4 Developing/Prototyping 4.
Assignment 2 | Observing & UnderstandingGoals
- The primary objective for this assignment islearning to
understand and depict contexts and the people we work with/for , in
order to develop empathy within the
audience/constituencies/stakeholders involved in a project and
learn from their expertise and experiences.
- Getting to know and communicating the stories
- Developing and applying a tool(s)aiming at
observing/understanding a real situation.
5. Assignment 2 | Observing & Understanding3 main phenomena
should be observed
- What happens in the bodega?
- What happens nearby the bodega having direct relation to
it?
- What happens in the neighborhood that is innovative and
creative, and that might be in relation with the bodega?
6. Assignment 2 | Observing & Understandinga.Observing the
General Context
- Whats the mood of the neighborhood?
- Find the hot spots of the neighborhood (meeting points, service
points, key people...)
- What kind of people live and work there?
- Questions of race, class, gender, and age might play a role in
what kinds of bodegas are there and what they stock, so paying
attention to these kinds of ideas is important, but also remember
that how people look to you, or the assumptions you might make
about them could be very different from how they identify
themselves.Try not to make assumptions about people, and not to
relate assumptions about race, class, or gender to assumptions
about desires, needs, concerns, etc.
7. Assignment 2 | Observing & Understandingb.Observing the
Physical Traces
- What do you see in terms of the:
- Personalization, identification, group membership (how do
people make the space their own?)
- Communication and messages
- Can you imagine behaviors, motivations and preferences behind
the traces you collect?
8. Assignment 2 | Observing & Understandingc.ObservingPeople
and Behaviors
- What do you see in terms of:
- *If youre talking to people, how do they talk about
themselves?, are people older, younger, coming in groups, by
themselves?
- How do people act in the bodega
- What is done on a regular basis or occasionally
- The motivations of the behaviors (e.g. why does someone shop or
not shop in the bodega?)
9. Assignment 2 | Observing & Understandingd. Understanding
Peoples Wishes
- What do people wish the bodega offered?
- What service is lacking in the neighborhood?
- How would the dream bodega look like?
10. Assignment 2 | Observing & Understanding2 Outcomes and
Deliverables
- A presentation of the stories and of what you have discovered
through a minimum of5 interviews or conversationswith employees,
owners, and customers in the bodegas: this should be amultimedia
presentation, roughly 5 minutes long, and self-explanatory . It can
be a slideshow, an assembly of movies, a mix of things (movies,
images, notes and sketches taken during the observation), with
audio and text.
11. Assignment 2 | Observing & Understanding2 Outcomes and
Deliverables
- 2. A presentation of the tool(s) and of method of working you
have developed. This presentation shows thebackstageof your work
and should describe it clearly. It can be aslide show, detailed
with texts, diagrams and images, explaining thewhat ,howandwhyof
your work .
12. Tools 13. Interviews (individual and collective)
- Interviews are tools of observation. Interviewing involves
asking questions and getting answers from participants
- face-to-face individual interviews
- face-to-face group interviewing
- structured: a series of questions asked
- semi-structured: an interview guide > a list of questions
and topics that need to be covered, but allowing digressions
- unstructured: there is a plan and an intention.
- informal: informal talks in the field
- focus groups: structured group interview processes moderated by
a group leader
14. Interviews (individual and collective)
- the focus of your inquiry (research question)
- what you want to learn from the person you're speaking
with
- how much time you have and the kind of access you have
- how much you already know about your question, and how to
manage this knowledge
- ask one question at a time - avoid two-part questions
- let people finish their thoughts, and then ask follow-up
questions
- try to listen rather than thinking about your next question -
its easy to miss important points!
15. Questionnaire
- A questionnaire consists of a series of questions and other
prompts for gathering information from respondents. Standardized
questions and answers make it simple to compile data.
- Your questionnaire needs to clearly articulate what problem is
to be addressed.You can use two forms of questions:
- open-ended: asks the respondent to formulate his own
answer
- closed-ended questions: the respondent pick an answer from a
given number of options
16. 17. Proust Questionnaire
- What do you regard as the lowest depth of misery ? Where would
you like to live ?What is your idea of earthly happiness ? To what
faults do you feel most indulgent ? Who are your favorite heroes of
fiction ? Who are your favorite characters in history ?Who are your
favorite heroines in real life ?Who are your favorite heroines of
fiction ?Your favorite painter ?Your favorite musician ?The quality
you most admire in a man ?The quality you most admire in a woman
?Your favorite virtue ?Your favorite occupation ?Who would you have
liked to be ?Your most marked characteristic ?What do you most
value in your friends ?What is your principle defect What to your
mind would be the greatest of misfortunes ?What would you like to
be ?What is your favorite color ?What is your favorite flower ?What
is your favorite bird ?Who are your favorite prose writers ?Who are
your favorite poets ?Who are your heroes in real life ?Who are your
favorite heroines of history ?What are your favorite names ?What is
it you most dislike ?What historical figures do you most despise
?What event in military history do you most admire ?What natural
gift would you most like to possess ?How would you like to die
?What is your present state of mind ?What is your motto ?
18. 19. Self Documentation: Cultural Probe, User Diary 20. Self
Documentation | Cultural Probes
- Cultural probes are a way to collect probes and artifacts,
based on the users self-reports.
- This is one way to access environments that are difficult to
observe directly and also to capture more of what people feel.
- Selected volunteers are given probe packs, kits like the one
below. The participants use the items in the pack over a period of
a few weeks and then return the pack. The items in the pack depend
on the circumstances, but are all designed to stimulate thought as
well as capture experiences.
- http://www.usabilitybok.org/methods/cultural-probe
21. Cultural probes kit: pack used by designers at the Royal
College of Art, London, to study the way people see their own
homes. 22. Sonic City cultural probes pack: how people interact
musically with the city, documenting a single everyday path with a
digital still camera, taking pictures of obstacles, resources and
what would catch attention. 23. A cultural probe pack (Robert James
Djaelani) 24. Self Documentation | User Diary
- User Diary is a self reporting tool, aiming to capture the
subjective experience of a person in a specific situation or in
his/her everyday life, by using traditional diaries, notebooks and
camera. It is a design tool to gain insight into patterns of
behaviour andto p robe matters of emotions that might be overlooked
in the presence of a researcher. User Diaries can help to
understand areas of unmet needs that can be covered by new
services, or to capture the emotional impact in a persons life of
an interaction.
- User Diary is normally obtained by supplying people/users with
a diary and asking them to keep a written record of their
impressions, circumstances and activities related to the relevant
aspects of their lives. A simple guide is often supplied to help
the person focus on specific activities. For doing this, a
pre-printed notebook can facilitate the work.
25. UserDiary, Your Experience Matters (thinkpublic) 26.
Emotional Maps
- The Emotional Map is a tool to map and then describe emotional
touchpoints along peoples journies through the service. It helps
all the subjects involved in a design process to understand the
experiences of the users, their challenges and where priorities for
improving the experience lay, giving everyone an opportunity to
evaluate and decide on those priorities.
- The Emotional Map is built directly by each subject involved in
the service, with the support of the designer. Everybody is asked
to map and describe the experience within the given context of the
service, or/and extend their reflection beyond this, yet maintain a
manageable scale while considering all environments she/he comes in
contact with during the service journey. The result is a paper map
evidencing the different touch-points and the related
emotions.
27. Emotional Map: NHS(thinkpublic) 28. Guerrilla
Ethnography
- Going in the context, living the experiences, questioning the
reasons, discovering the behaviors. A vision from within.
29. 30. Reporters book
- TheReporters book is a tool conceived to help researchers
involved in a filed observationto focus their work and to do it
effectively,overcoming difficulties without limiting their
individual personalities.
- It is special notebook with texts reminding the researcher the
issue to raise and discuss, the kind of pictures to take and the
information to capture.
31. Reporters Book (EMUDE) 32. Reporters Book (EMUDE) 33.
Reporters Book (EMUDE) 34. Reporters Book (EMUDE) 35. Reporters
Book (EMUDE) 36. Sketches
- Sketching is a powerful and inspiring way to look at the world.
A slow way to look around.
37. http://inviaggiocoltaccuino.blogspot.com/ In Viaggio col
Taccuino 38. In Viaggio col Taccuino 39. In Viaggio col Taccuino
40. In Viaggio col Taccuino 41. http:// www.urbansketchers.com /
Urban sketchers 42. Urban sketchers 43. Urban sketchers 44. Urban
sketchers 45. Pictures
- Taking pictures has never been easier than today
apparently!
46. Philips Design: ethnographic pictures. 47. Philips Design:
ethnographic pictures. 48. Philips Design: ethnographic pictures.
49. Philips Design: ethnographic pictures. 50. MartinParr 51. Anne
Testuin Arles rencontres 2004 52. Leo P. Polhuisin Arles rencontres
2004 53. Richard Billinghamin Sensation 1997 54. Stephen Gillin
Arles rencontres 2004 55. Viewpoint #13 Rainbow Youth 56. Color #19
57. Vivian Maier 58. Vivian Maier 59. Vivian Maier 60. Vivian Maier
61. Vivian Maier 62. Vivian Maier 63. Colors #28 64. 65. 66. 67.
68. Claudio Gianferro 69. Claudio Gianferro 70. Claudio Gianferro
71. Claudio Gianferro 72. Massimo Siragusa 73. Massimo Siragusa 74.
Massimo Siragusa 75. Massimo Siragusa 76. Stefano Boeri /
Multiplicity, USEin Mutations 2000 77. 78. Stefano Boeri /
Multiplicity, USEin Mutations 2000 79. Color #19 80. Rem Koolhaas,
Alaba Lagosin Mutations 2000 81. Lara Baladiin Arles rencontres
2004 82. Gabriele Basilico inEating as design 83. Gabriele Basilico
inEating as design 84. Gabriele Basilico inEating as design 85.
Gabriele Basilico inEating as design 86. Moodboard
- The Moodboard is a photocomposition aiming to present the mood,
the atmosphere of a place and its people.
87. MCS, MILANO CAR SHARING, Italy Moodboard (EMUDE) 88. OMAABI
- SELF HELP COMMUNITY, Estonia Moodboard (EMUDE) 89. VEGETABLE BOX,
Germany Moodboard (EMUDE) 90. LES JARDINS DES CRS, France Moodboard
(EMUDE) 91. BIOMERCATINO: THE LITTLE ORGANIC MARKET, Italy
Moodboard (EMUDE) 92. ORANSSI -HOUSING COMPANY, FinlandMoodboard
(EMUDE) 93. NIDI IN CASA - NURSERIES AT HOME, ItalyMoodboard
(EMUDE) 94. BICYCLE FLEA MARKET, FinlandMoodboard (EMUDE) 95.
HAPPIHUONE - CULTURAL GREENHOUSE, FinlandMoodboard (EMUDE) 96.
PEDAGOGICAL SHOP,FranceMoodboard (EMUDE) 97. LIVING ROOM
RESTAURANT, The NetherlandsMoodboard (EMUDE) 98. SENIOR CLUB,
PolandMoodboard (EMUDE) 99. ALFRED FOOD AND DRINKS DELIVERY,
PolandMoodboard (EMUDE) 100. BRACKA STREET FESTIVAL,
PolandMoodboard (EMUDE) 101. Stop Motion
- The Stop Motion, or stop-action, or frame-by-frame motion, is a
tool to visualize the development of a situation or a place, based
on a technique of animation that creates dynamic sequences out of
static pictures.
- It is possible to make a physically manipulated object appear
to move on its own, or to visualize a context and the people in
it.
102. SMS Stop Motion Studies, David Crawford
http://www.stopmotionstudies.net/sms13/index_01.html 103.
http://www.dailymotion.com/video/k4v8dvlgmr06y9m7oY Fallon, UK:
Sony Bravia Advertisement 104. Design Documentaries
- The Design Documentary brings the techniques and ideas
documentary filmmakers use to video ethnography for design. The aim
of the tool is to tell stories about relevant practices and motives
of people through a short film.
- This allows the team to identify with the future users of their
designs. The team can step into the shoes of the future users and
think from their perspective about the services they are
designing.
- The films are mostly used to inform and inspire design teams in
conceiving workshops as well as during later stages of the design
process.
- Design documentaries are empathic conversations between the
researchers making the film and the people in the film. This can be
literally a conversation, but also a constructed conversation, when
the film observes people and has a voice-over from the
filmmaker.
105.
http://www.youtube.com/user/stby4heartlands#p/u/10/ghb4CFUHJvc
http://www.youtube.com/user/stby4heartlands#p/u/19/flxFfIGdnIw 106.
http://www.designdocumentaries.com/ > FILMS Debra: design
documentary (STBY) 107. Video blog
- Video Blog is a tool to share video collected during research
with the design team. By putting individual video clips online and
tag them, designers can organize the clips anyway they prefer. At
the same time a video blog has pages that bring a selection of the
clips together in stories. Both stories and tagged clips help
designers to explore issues around a certain question or topic they
encounter while designing.
- Video Blog uses any blogging tool. It is most easy to upload
the video clips to sites such as Vimeo or YouTube and embed their
reference code in the posts and the pages of the blog. Each post
contains one video clip and is tagged with relevant keywords for
the project. Next to this, the pages function of the blog is used
to present stories about relevant topics for the design. Such
stories can take several formats, for instance it can be a persona,
a guided tour, or a day in the life of someone or something.
108.
http://bas.blogs.com/artatheartlands/how-the-artists-interface.html
Video Blog: Heartlands (STBY) 109. LES: our context Bodegas in the
Lower East Side. 110. 24 bodegas for 12 groups (possible to find
other)
http://maps.google.it/maps/ms?hl=it&ie=UTF8&msa=0&msid=116637995387679287629.00047e411df643c82ade3&z=15
111. Groups
- 2_AMANDA ,JORDAN ,JENNY ,YILING
- 3_ELLEN ,JOYCE ,SOOJIN ,ROSTI ,SAM
- 4_MELIS ,JENNIFER ,NINA ,ALYSSA
- 5_ERIC ,COLLEEN ,SANDRA ,TESS
- 6_STEVEN ,ERICA ,KERRIE(CHANTELLE)
- 7_CELIA ,ISABELLA ,ATHINA ,MONICA
- 1 st SEMINAR, 17 Feb> groups 1 + 5
- 2 nd SEMINAR, 24 Mar. > groups 6 + 7 + 4
- 3 rd SEMINAR, 21 Apr. > groups 2 + 3 + 4
112. Groups / Bodegas
- 1_NANCY ,KATIE ,PAYALbodegas: 1-2
- 2_AMANDA ,JORDAN ,JENNY ,YILING bodegas: 3-5
- 3_ELLEN ,JOYCE ,SOOJIN ,ROSTI ,SAM bodegas: 4-6
- 4_MELIS ,JENNIFER ,NINA ,ALYSSA bodegas: 7-8
- 5_ERIC ,COLLEEN ,SANDRA ,TESS bodegas: 9-10
- 6_STEVEN ,ERICA ,KERRIE bodegas : 11-12
- 7_CELIA ,ISABELLA ,ATHINA ,MONICA bodegas: 13-14
- http://tinyurl.com/yf6bd8f
113. Lets do it.