STUDIO ARTSWritten examination

Monday 11 November 2013 Reading time: 9.00 am to 9.15 am (15 minutes) Writing time: 9.15 am to 10.45 am (1 hour 30 minutes)

QUESTION AND ANSWER BOOK

Structure of bookSection Number of

questionsNumber of questions

to be answeredNumber of

marks

A 4 4 26B 3 3 24C 2 2 25

Total 75

• Studentsarepermittedtobringintotheexaminationroom:pens,pencils,highlighters,erasers,sharpenersandrulers.

• StudentsareNOTpermittedtobringintotheexaminationroom:blanksheetsofpaperand/orwhiteoutliquid/tape.

• Nocalculatorisallowedinthisexamination.

Materials supplied• Questionandanswerbookof11pageswithadetachableinsertinthecentrefold.

Instructions• Detachtheinsertfromthecentreofthisbookduringreadingtime.• Writeyourstudent numberinthespaceprovidedaboveonthispage.

• AllwrittenresponsesmustbeinEnglish.

At the end of the examination• Youmaykeepthedetachedinsert.

Students are NOT permitted to bring mobile phones and/or any other unauthorised electronic devices into the examination room.

©VICTORIANCURRICULUMANDASSESSMENTAUTHORITY2013

SUPERVISOR TO ATTACH PROCESSING LABEL HERE

Figures

Words

STUDENT NUMBER Letter

Victorian Certificate of Education 2013

2013STUDIOARTSEXAM 2

SECTION A–continued

SECTION A

Instructions for Section AYoumayselectthesameartworkoradifferentartworkfromthedetachableinsertforeachquestioninSectionA.Answerallquestionsinthespacesprovided.

Question 1 (6marks)Selectoneartworkfromthedetachableinsert.

Artwork number

Explaintwomethodsthatthecuratorofapublicgallerywouldusetoensuretheconservationandpreservationoftheartworkwhenitisondisplaytothepublic.

Method1

Method2

3 2013STUDIOARTSEXAM

SECTION A–continuedTURN OVER

Question 2 (6marks)Selectoneartworkfromthedetachableinsert.

Artwork number

Describethetechniquesandprocessesthatwereusedintheproductionoftheartwork.

2013STUDIOARTSEXAM 4

SECTION A–continued

Question 3 (4marks)Selectoneartworkfromthedetachableinsert.

Artwork number

Outlinetheconsiderationsneededwhenpresentingthisartworkforexhibitioninacuratedonlineartgallery.

5 2013STUDIOARTSEXAM

END OF SECTION ATURN OVER

Question 4 (10marks)Select oneartworkfromthedetachableinsert.

Artwork number

Discusstheaestheticqualitiesintheartworkandexplainhowartelementshavebeenusedtoachievethesequalities.

2013STUDIOARTSEXAM 6

SECTION B–continued

Question 5 (6marks)Selectoneartworkfromthedetachableinsert.YoumayselectanartworkthatwasusedinSectionAoradifferentartworkfromthedetachableinsert.

Artwork number

Youaretheownerofacommercialexhibitionspace.Explainthemethodsthatyouwouldusetopresentandpromotetheartwork.

SECTION B

Instructions for Section BAnswerallquestionsinthespacesprovided.

7 2013STUDIOARTSEXAM

SECTION B–continuedTURN OVER

Question 6 (10marks)Refertoartworks12and13inthedetachableinsert.DiscussthelegalconsiderationsandmoralrightsthatshouldbeconsideredbeforeMorimura’sappropriationofKahlo’spaintingcouldbeexhibitedorpublished.

2013STUDIOARTSEXAM 8

END OF SECTION B

Question 7 (8marks)Discusshowanartworkthatyouhavestudiedthisyearreflectstheartist’sinterpretationofahistoricalorculturalcontext.

Artist

Artwork

9 2013STUDIOARTSEXAM

SECTION C–continuedTURN OVER

Question 8 (10marks)Compareandcontrastparticularcharacteristicsoftwoexhibitionspacesthatyouhavevisitedthisyear.

Exhibition space 1

Exhibition space 2

SECTION C

Instructions for Section CAnswerallquestionsinthespacesprovided.

2013STUDIOARTSEXAM 10

SECTION C – Question 9–continued

Question 9 (15marks)Analysetwoartworksbyeachofthetwoartiststhatyouhavestudiedthisyeartoshowhowtheyusedmaterialsandtechniquestodevelopindividualstyles.

Artist 1

Artwork 1

Artwork 2

11 2013STUDIOARTSEXAM

Artist 2

Artwork 1

Artwork 2

END OF QUESTION AND ANSWER BOOK

1 2013 STUDIOARTS INSERT

INSERT FOR QUESTIONS 1–6

TURN OVER

30.4 × 25.4 cm1. Lee Miller (USA), Joseph Cornell, black and white

photograph, 1933

39 × 46 cm3. Reg Mombassa (New Zealand), Amphitheatre, Cassilis, charcoal and

coloured pencil on paper, 2010

2. Sandy Drobny (artist,/California, USA), Shooting Hoops (apron), basketballs, leather jacket, handbag strap, kid’s notebook, netting, 2006

Due to copyright restriction, this material is not supplied.

2013 STUDIOARTS INSERT 2

180 × 60 cm4. Paddy Jupurrurla Nelson (Australia;

Yumurrpa to Watikinpirri, NT), Karrku (outside the cave), acrylic on canvas, 1996

7. Film still from Psycho (1960), directed by Alfred Hitchcock, screenplay by Joseph Stefano, produced by Alfred Hitchcock; Pictorial consultant: Saul Bass

235 cm (H)6. Michelangelo (Italy), Moses, marble, c. 1513–1516;

akg-images/Rabatti-Domingie

5. Patsy Hely (Australia), Orange Banksia Teaset, slipcast earthenware with painted underglaze decoration, c. 1984

Due to copyright restriction, this material is not supplied.

Due to copyright restriction, this material is not supplied.

Due to copyright restriction, this material is not supplied.

3 2013 STUDIOARTS INSERT

TURN OVER

180 × 220 cm9. Henri Matisse (France), The Red Room, oil on canvas, 1908

151.1 × 200.1 cm (image and sheet)8. Charmaine Hardy (Australian born 1974) and Simon Strong (Vietnamese born

1974), The mower (1999), from the Domestic Gods series (1999), colour digital print, National Gallery of Victoria, Melbourne; purchased with funds arranged by Loti Smorgon for Contemporary Australian Photography, 2000

46.5 × 47 cm10. Margaret Preston (Australia), Australian rock

lily, hand-coloured woodcut on paper, c. 1933

Due to copyright restriction, this material is not supplied.

2013 STUDIOARTS INSERT 4

END OF INSERT FOR QUESTIONS 1–6

Photographic print available in a range of sizes13. Yasumasa Morimura (Japan), An inner dialogue with

Frida Kahlo (Hand Shaped Earring), photograph, 2001, © 2001 Yasumasa Morimura; image courtesy of the artist and Luhring Augustine, New York

11. Dale Chihuly (USA), Thames Skiff 1 (in front of a glasshouse, Royal Botanic Gardens, Kew, UK), blown glass installation, 2005

1skiff – boat

59.5 × 40 cm12. Frida Kahlo (Mexico), Self-Portrait Dedicated

to Dr Eloesser, oil on hardboard, 1940

Due to copyright restriction, this material is not supplied.