Madonna in Prayer, Sassoferrato, c.1640-1650, oil on canvas, 47.8 x 38.7 cm

Giovanni Sassoferrato, Madonna in Prayer, c.1640-1650. 47.8 x 38.7 cm, oil on canvas. National Gallery of Victoria, Melbourne.

The Virgin Annunciate, Cavallino, c. 1645-1650, oil on canvas on wood panel, 85.4 x 70.0 cm

Bernardo Cavallino, The Virgin Annunciate, c.1645-1650. 85.4 x 70.0 cm, oil on canvas on wood panel. National Gallery of Victoria, Melbourne.drawing like

Rembrandt school

Martyrdom of St Lawrence, de Ribera, 1620-1624, oil on canvas, 206.2 x 154.5 cm

Jusepe de Ribera, Martyrdom of St Lawrence, 1620-1624. 206.5 x 154.5 cm, oil on canvas. National Gallery of Victoria, Melbourne.

Romantic Landscape with Mercury and Argus, Salvator Rosa, 1655-1660, oil on canvas, 123.5 x 203.4 cm

Salvator Rosa, Romantic Landscape with Mercury and Argus, 1655-1660. 123.5 x 203.4 cm, oil on canvas. National Gallery of Victoria, Melbourne.

John Brack, Nude with dressing gown, 1967. 115.7 x 81.5 cm, oil on canvas. National Gallery of Victoria, Melbourne.

The green light (man), John Brack, 1964, oil on canvas, 96.6 x 129.4 cmJohn Brack, The green light (man), 1964. 96.6 x 129.4 cm, oil on canvas. National Gallery of Victoria, Melbourne.

Collins St, 5p.m., John Brack, 1955, oil on canvas, 114.8 x 162.8 cm

John Brack, Collins St, 5pm, 1955. 114.8 x 162.8 cm, oil on canvas. National Gallery of Victoria, Melbourne.

John Brack a member of the anitopdeans a group who identified as being Australian and drawing the Australian way of life?

Untitled (red), Mark Rothko, 1956, glue, oil, synthetic polymer paint and resin on canvas, 209.5 x 125.3 cm

Rothko, Untitled (red), 1956. 209.5 x 125.3 cm, glue, oil, synthetic polymer paint and resin on canvas. National Gallery of Victoria, Melbourne.

Cass, Rita Angus, 1936, oil on canvas on board, 37 x 46 cm, Christchurch Art Gallery Te Puna o Waiwhetu

Rita Angus, Cass, 1936. 37 x 46 cm, oil on canvas on board. Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch.

John Pule, Shark, Angel, Bird, Ladder, 2008. 200 x 400 cm, oil, enamel, ink and polyurethane on two stretched canvases. Te Papa, Wellington.

The uphill road, Paul Czanne, 1881, oil on canvas, 61.4 x 74.3 cm Impression

Paul Czanne, The Uphill Road, 1881. 61.4 x 74.3 cm, oil on canvas. National Gallery of Victoria, Melbourne.

A Crown for the Kermadec King, Gregory OBrien, 2011, Acrylic on Canvas, 46 x 46 cmGregory OBrien, A Crown for the Kermadec King, 2011. 46 x 46 cm, acrylic on canvas.

Contemporary art produced since world war II

The Virgin and Child, Simon Marmion, c.1465-1475, oil on wood panel, 36.5 x 27 cm

Simon Marmion, The Virgin and Child, c. 1465-1475. 36.5 x 27 cm, oil on wood panel. National Gallery of Victoria, Melbourne.

Portrait of the painter Manuel Humbert, Amedeo Modigliani, 1916, oil on canvas, 100.2 cm x 65.5 cm

Figure 14. Amedeo Modigliani, Portrait of the painter Manuel Humbert, 1916. 100.2 x 65.5 cm, oil on canvas. National Gallery of Victoria, Melbourne.

1938, Ben Nicholson, 1938, oil on canvas, 71.5 x 91.6 cm

Figure 15. Ben Nicholson, 1936, 1936. 71.5 x 91.6 cm, oil on canvas. National Gallery of Victoria, Melbourne.

The Banquet of Cleopatra, Giambattista Tiepolo, 1743-1744, oil on canvas, 250.3 x 357 cm

Figure 16. Giambattista Tiepolo, The Banquet of Cleopatra, 1743-1744. 250.3 x 357 cm, oil on canvas. National Gallery of Victoria, Melbourne.

Shearing of the Rams, Tom Roberts, 1890, oil on canvas on composition board, 122.4 x 183.3 cm

Figure 17. Tom Roberts, Shearing of the Rams, 1890. 122.4 x 183.3 cm, oil on canvas on composition board. The National Gallery of Victoria, Melbourne.

The Heidelberg School

The pioneer, Fredrick McCubbin, The Pioneer, 1904, Oil on Canvas, 225.0 x 295.7 cmFigure 18. Fredrick McCubbin, The Pioneer, 1904. 225.0 x 295.7 cm, oil on canvas. National Gallery of Victoria, Melbourne.

Daraughsman Drawing a Recumbent Woman. Durer, 1525. Woodcut illusion fromThe Teaching of Measurements. 7.5 x 21.5.

Figure 19. Albrecht Durer, Daraughsman Drawing a Recumbent Woman, 1525. 7.5 x 21.5 cm, woodcut illusion. Albertina, Vienna.

Greater visualization of perspective.

Mechanical something.

Figure 20. Amde Ozenfant, Still Life, Nature Morte, 1920. 80.5 x 100.3 cm, oil on canvas. National Gallery of Victoria, Melbourne.

Figure 21. Agnolo Gaddi, Madonna and Child with St John the Evangelist, St John the Baptist, St James of Compostela and St Nicholas of Bari, c. 1388-90. 97.5 x 53.5 cm, tempera and gold on wood panel. National Gallery of Victoria, Melbourne.

Figure 22. Nicholas de Stal, Still Life (Nature morte), 1953. 65.0 x 81.2 cm, oil on canvas. National Gallery of Victoria, Melbourne.