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Beth Champ, Link

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Linking both sexes in a world of contemporary fashion, lifestyle and photography

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Page 1: Beth Champ, Link

LINK

Page 2: Beth Champ, Link
Page 3: Beth Champ, Link

Linkin

g both

sexes

in a

world

of co

ntemp

orary

fashio

n, life

style

and ph

otogra

phy

LINK

Page 4: Beth Champ, Link
Page 5: Beth Champ, Link

Conten

tsIn

trod

ucti

onCo

ntri

buto

rsLin

k Lus

t Lis

tRos

e Wa

shW

hit

eo

ut

Dark

Vestig

esCoc

ktail

Hour

St

ra

ta

.T

ige

rli

lyA R

efined

Gentl

eman

Faux

Coutur

eI m

a g e

C r e

d i t

sApp

arel

Credit

s

Page 6: Beth Champ, Link
Page 7: Beth Champ, Link

Introdu

ction

Concea

l or r

eveal.

Cover

a secr

et, sh

ine a

new lig

ht, an

d unve

il a hi

dden a

spect.

Cre

ative

layers

stron

gly in

spire

this e

dition

of Li

nk.Pla

y with

soft

pink a

cetate

, grap

hic ill

ustrat

ions,

cut-ou

t win

dows a

nd tra

cing p

aper.

An int

eracti

ve str

ucture

has b

een

create

d, eac

h shee

t an i

ntegra

l stra

tum.

Influen

cing o

ur pho

tograp

hy, m

ateria

ls and

even

our m

onthly

coc

ktail r

ecipe,

the u

rge to

disco

ver wh

at lies

benea

th wil

l tak

e over

from

here

on.

What

do you

think

of up

on hea

ring t

he wo

rd ‘la

yers’?

Elizabe

th Cha

mp, E

ditor

‘How o

nly ce

rtain

people

can p

eel ba

ck cer

tain

layers

in ot

her pe

rsonal

ities’

Page 8: Beth Champ, Link

Contributors

Hayley Jade Browne, Artist‘Photoshop; a build up of layers.’

Helena Roots, Lifestyle Writer‘Lots of different elements of something, that when together

create a whole

Dana Ali, Creative Assistant‘When a person is perceived as being deep, and possessing

hidden inner layers’

Page 9: Beth Champ, Link

Contrib

utors

Heathe

r Barr

ass, C

reativ

e Assi

stant

‘Slate

, how

it la

yers i

tself’

Jazzin

o Tam

ani, F

ashion

Write

r‘Fu

r, wo

ol, le

ather

and ta

rtan.

The m

ore th

e merr

ier!’

Chelse

a Smit

h, Illu

strato

r‘Mi

xed m

edia c

ollage

s’W

Page 10: Beth Champ, Link
Page 11: Beth Champ, Link

Link Lust

ListDedicated Turntable iPhone 4 Case; Urban Outfitters; £20Anorak Kissing Stags Mug; John Lewis; £10

Yard-O-Led Pen Writing Bureau; John Lewis; £215 D.L. & CO Skull Candle; Selfridges; £80.00

Scrabb

le Cus

hion;

Dot Ma

ison;

£20 e

ach

Page 12: Beth Champ, Link
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Page 26: Beth Champ, Link
Page 27: Beth Champ, Link

Whi

te O

ut

White

; The

achro

matic

color

of m

aximu

m ligh

tness;

the

color

of ob

jects

that r

eflect

nearl

y all

light o

f all

visib

le wa

veleng

ths

Shirt

; A ga

rment

for t

he upp

er bod

y made

of cl

oth,

with a

colla

r, sle

eves,

and bu

ttons

down t

he fro

nt.

Page 28: Beth Champ, Link
Page 29: Beth Champ, Link

Clean,

crisp

and c

ut to

perfec

tion.

A garm

ent th

at can

be w

orn re

gardle

ss of

age, s

ex, so

cial s

tatus

or bac

kgroun

d. A

piece

so ver

satile

that

it is

approp

riate

for t

he gar

den p

arty

and

the m

eeting

, the

BBQ

and t

he we

dding,

the

cinem

a and

the

staff

party.

A stap

le tha

t has

underp

inned

men’s

, wom

en’s a

nd chi

ldren’

s ward

robes

for ye

ars,

and ha

s evol

ved as

time h

as pas

sed. W

ill the

white

shirt

ever f

all ou

t with

fashi

on?

For a

garm

ent t

hat w

as int

roduce

d cen

turies

ago,

the

white

shir

t has

done

exc

eption

ally

well.

Ever

sinc

e Ma

rie An

toinet

te don

ned a

long

white

musl

in shi

rt for

a por

trait

in 179

3 (wh

ich of

cours

e caus

ed a P

arisia

n scan

dal) t

he sta

tement

pie

ce has

gone

from

stre

ngth

to str

ength.

By

the e

nd of

the 1

9th c

entury

the

shir

t wa

s a

strong

sym

bol o

f weal

th; th

ose w

ho wo

re it

did n

ot wo

rk, a

nd the

refore

did

not n

eed t

o be

concer

ned a

bout

stainin

g the

snow

y wh

ite f

abric.

For wo

men,

it was

Coco C

hanel

who t

ook th

e lead

and d

itched

her c

orset

for a

loose

collar

ed wh

ite sh

irt. W

ith th

e wom

en’s w

orkfor

ce exp

anding

post

World

War T

wo, t

he sim

ple pi

ece st

arted

to cem

ent it

self i

n wom

en’s w

ardrob

es. Lo

oking

back o

ver th

e las

t cent

ury, t

he wh

ite sh

irt has

resur

faced

countl

ess ti

mes i

n popu

lar cu

lture.

A sunn

y aft

ernoon

in R

ome,

a del

icate

young

woma

n can

be

seen

peerin

g int

o a

hairdr

essers

. Her

hair is

tradi

tional

and h

er dre

ss is c

onserv

ative.

The p

etite

female

we

ars a

white

shirt

button

ed up

to the

neck,

with

long

full s

leeves

brigh

t in t

he sun

shine.

Her s

hirt i

s tuck

ed int

o her

high-w

aisted

midi

skirt,

full

with p

leats

and

accent

uating

her m

iniscul

e wais

tline.

She gl

ances

down t

he str

eet be

fore s

teppin

g int

o the

hair

dresse

rs and

out

of sig

ht.

Who

is tha

t bea

utiful

ly sty

lish y

oung

woma

n? It

is of

course

Audre

y Hepb

urn (o

r Prin

cess A

nne sh

ould w

e say)

, who

made

the w

hite

shirt

fashio

nable

after

her a

ppeara

nce in

fifti

es fil

m ‘Ro

man H

oliday’

.

Page 30: Beth Champ, Link
Page 31: Beth Champ, Link
Page 32: Beth Champ, Link
Page 33: Beth Champ, Link

The lis

t goes

on…

Kim Ba

ssinge

r put

on a m

asculin

e num

ber fo

r ‘9 a

nd a H

alf We

eks’.

An and

rogyno

us aes

thetic

was

offere

d by

Patti

Smith

on th

e cove

r of h

er alb

um

‘Horse

s’ in 1

975. U

ma Th

erman

paired

her c

igaret

te pan

ts wit

h a cl

assic l

oose s

hirt f

or a d

ance w

ith Jo

hn Tra

volta

in ‘Pul

p Fict

ion’.

Repres

enting

the m

en, we

have

Prince

who

sporte

d the

white

shirt

with r

etro p

uffed

jabots

, and

who c

an for

get ou

r secr

et age

nt Jam

es Bon

d, loo

king h

andsom

ely cl

assic c

ountle

ss tim

es in t

ailored

bleac

hed sh

irts?

The fi

lm and

musi

c indu

stries

certa

inly sp

read t

he wo

rd of

the w

hite s

hirt.

People

sta

rted t

o real

ize th

at it

was n

ot jus

t for

work.

This

piece

could

be bot

h sexy

and

cons

ervati

ve, c

ontem

porary

and

classi

c, ma

sculine

and

feminin

e. The

fash

ion

indust

ry con

tinued

to fe

ed the

white

shirt

fire,

creati

ng sm

oke sig

nals t

hat re

ached

million

s arou

nd the

globe

. Desi

gners

starte

d to i

nterpr

et the

white

shirt

individ

ually

and di

versel

y, wit

h the

outcom

e bein

g an a

bundan

ce of

shirts

for e

very o

ccasio

n.

‘The

Pirate

Coll

ection

’ by

Vivien

ne We

stwood

was

typica

lly e

ightie

s and

scre

amed

histor

ical

refere

nces;

drama

tic c

ollars

and

big c

uffs,

with

bold

struct

ures

and t

hicker

fabr

ics.

The m

inimalis

tic a

nd refi

ned a

esthet

ic of

the 9

0s wa

s see

n in

white

shir

ts des

igned

by Ma

rtin M

argeila

, Cal

vin K

lein a

nd Pra

da.

Howeve

r it w

as a

certai

n coll

ection

launc

hed in

1985

that w

as key

in em

phasiz

ing

the w

hite

shirt.

Of

course

, Don

na Kar

an’s

Capsul

e Wa

rdrobe

stat

ed the

whit

e shi

rt as

a ‘st

aple’

alongs

ide t

he bel

ted t

rench

and b

ootleg

jean

s. Suc

h a

statem

ent u

rged

wome

n aro

und t

he wo

rld t

o inv

est in

thei

r ‘Sev

en Eas

y Pie

ces’

in a

bid t

o cre

ate a

n eff

ortles

sly s

tylish

, int

erchan

geable

ward

robe.

Was

the

white

shir

t at t

he hea

rt of

this?

Yes.

Did it

dese

rve to

be

there?

Of c

ourse.

Today,

the w

hite s

hirt is

still f

avoure

d by m

any de

signer

s and

fashio

n hous

es. Miu

Miu of

fers

sparkl

ing em

bellish

ed col

lars o

n the

tradit

ional

piece,

whilst

Burbe

rry Pr

orsum

offer

s a

histor

ic twis

t with

pleat

ed bib

s. But

tonles

s shir

ts wit

h luxu

rious

textur

es are

produ

ced

by Val

entino

, and

Marc

Jacobs

has c

rafted

elega

nt wh

ite sh

irts wit

h billo

wing s

leeves

. T

he wh

ite s

hirt

can b

e rew

orked

in so

many

differ

ent w

ays,

and p

aired

with

almost

anyt

hing.

Perhap

s som

e bla

ck tai

lored

culott

es, w

ith a

scal

loped

edge

and s

mart

fit,

comple

te wit

h litt

le em

bellish

ed poc

kets?

Or

maybe

a p

air o

f jac

quard

panele

d sat

in pan

ts, fi

nished

with

a b

aroque

styl

e pai

sley

print?

Page 34: Beth Champ, Link
Page 35: Beth Champ, Link

Men m

ay wa

nt to

jazz u

p the

black

work

trouse

rs wit

h a st

ateme

nt jac

ket.

Would

you g

o for

a velv

et tux

edo ja

cket i

n the

deepes

t shad

e of b

urgund

y? Or

pos

sibly

a more

minim

alist a

pproac

h with

a nav

y over

coat i

n the

softes

t wool

, with

the

sharp

est ta

iloring

? Alt

hough

there

are en

dless

combin

ations

for t

his st

aple

piece,

mayb

e the

white

shirt

is abo

ut to

wave

it’s fl

ag?

Fashio

n is

consta

ntly

evolvin

g and

chan

ging,

but s

urely

the w

hite

shirt

can o

nly e

volve

to a

certai

n ext

ent.

A gar

ment

can o

nly a

dapt

to cur

rent

trends

and

impact

s bef

ore it

just

isn’t

reco

gnizab

le any

more.

Thi

s rai

ses a

n imp

ortant

ques

tion;

will

the w

hite

shirt

lose

its s

taple

status

? Yes

the

shirt

is ver

satile,

but

will

it be

able

to ada

pt to

what

the f

uture

holds?

Maybe

the

only

restric

ting

quality

of

the s

hirt

is in

fact

the c

olour.

Con

tradic

tory,

yes,

but if

colo

ur wa

s not

a r

estrai

nt on

this

piece

there

would

be

so mu

ch mo

re mil

eage.

Imagin

e the

endl

ess c

ombin

ations

of

patter

ns,

colour

s, sha

des a

nd pri

nts t

hat c

ould

be inc

orpora

ted in

to a

classi

c fit

ted

shirt.

Mayb

e all

this

time

the

‘white

shir

t’ sho

uld h

ave ju

st bee

n ‘th

e shi

rt’?

Many

would

argu

e tha

t the

whit

e shi

rt is

not a

n exp

ressiv

e pie

ce of

clothi

ng.

To som

e, wh

ite s

hirts

are a

ll far

too

similar

and

lack

the o

rigina

lity t

hat is

con

stantl

y sea

rched

for

to ach

ieve

a per

sonal

sense

of sty

le.

White

shi

rts b

y Bur

berry,

Jil S

ander

and C

hloe

could

all b

e hel

d up

to an

audien

ce and

gene

rate

a res

ponse

of ‘Th

ey all

look

the s

ame’.

Is t

he wh

ite s

hirt

too

boring

, too

safe

for t

he con

tempor

ary m

an and

wom

an? U

nique

style

is str

ived

for;

does

a wh

ite s

hirt

make

an ind

ividual

catc

h you

r eye

in a

sea

of sui

ts?

In add

ition,

the wh

ite sh

irt can

easily

evoke

memo

ries o

f scho

ol day

s. The

distre

ss of

weari

ng a s

chool

unifor

m in

your t

eenage

years

is po

tentia

lly th

e most

frust

rating

fac

tor re

gardin

g educ

ation;

the y

ears w

hich a

re int

egral

for fi

nding

your o

wn im

age

and se

nse o

f styl

e. Eve

ryone

must

remem

ber th

e ang

er fel

t when

leg

warm

ers,

earrin

gs, b

adges

and ja

ckets

were

confis

cated.

When

you

are fi

fteen

and t

old

to rol

l dow

n your

skirt,

or le

ngthen

your

tie, o

r turn

down

your

collar

, you

feel

stripp

ed of

your i

ndivid

uality.

A des

perate

attem

pt at

standi

ng out

among

st thr

ee hun

dred s

tudent

s dres

sed ex

actly

the sa

me as

you…

gone.

If a g

limpse

of a

white

shi

rt and

tie is

too no

stalgic

for y

ou to

bear,

there

must

be ma

ny rig

ht alo

ngside

you.

Page 36: Beth Champ, Link
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Page 39: Beth Champ, Link

Consid

ering

how an

yone o

f any

age or

gende

r can

wear

the w

hite s

hirt,

it’s qu

ite

surpri

sing h

ow it

hasn’

t beco

me le

ss imp

ortant

in fa

shion.

Whic

h make

s one

wonde

r, wil

l it ev

er bec

ome l

ess ‘d

ressy’

? As

a stap

le wo

rn by

both m

en and

wome

n, sch

ool

childr

en and

busin

essper

sons,

it is p

ossible

in the

futur

e that

the w

hite s

hirt w

ill no

longer

be a s

mart

wardr

obe ch

oice b

ut mu

ch mo

re cas

ual. T

he for

mal p

iece c

ould d

ecline

on

the sm

art-om

eter d

own t

o the

level

of app

arel t

hat is

regard

ed as

safe.

Maybe

alo

ngside

casua

l ward

robe c

hoices

such

as the

black

t-shi

rt or

the bo

otleg

jeans.

When

a tren

d is ov

er-wo

rn, le

ss int

erest

is take

n and

it even

tually

wanes

and w

ithers

. The

white

shirt

is cons

idered

as a

timele

ss cla

ssic,

consta

ntly r

emain

ing in

fashio

n and

appear

ing on

the r

unway

season

after

seaso

n. How

ever,

with t

rend c

ycles

becom

ing

small

er and

small

er, th

e whit

e shir

t’s st

ability

surel

y must

be at

stake

. Com

bined

with

innova

tive n

ew pi

eces h

itting

the r

unway

every

season

, it is

possi

ble th

e whit

e shir

t wil

l fall

into

the tr

end cy

cles.

Imagin

e whit

e shir

ts are

only

worn

for a

few mo

nths

every

four y

ears.

Envisa

ge wa

lking i

nto yo

ur offi

ce on

a rain

y Mond

ay mo

rning,

to

be gre

eted w

ith th

e most

vibran

t abun

dance

of col

our an

d prin

t. Ma

genta,

turqu

oise,

musta

rd, sc

arlet

and em

erald.

Houn

dstoot

h, pol

ka dot

s, che

cks, s

tripes

and pa

isley.

The wh

ite sh

irt…?

What

white

shirt?

Maybe

the

white

shir

t is

not y

et rea

dy to

surren

der it

self

to the

futu

re of

fashio

n. It

has re

maine

d a co

nstant

throu

gh mu

ltiple

social,

cultu

ral, e

nviron

menta

l and

polit

ical i

mpact

s; a

much

greate

r for

ce wil

l be

needed

to

shift

the s

hirt

from

its h

igh s

tatus.

The

white

shir

t pos

sesses

such

a p

ositiv

e rep

utatio

n, for

bot

h me

n and

wom

en, a

nd is

a fun

dament

al sta

ple in

millio

ns of

wardr

obes.

The b

eauty

of the

whit

e shi

rt is

that

one d

oes n

ot hav

e a

certai

n loo

k, or

be par

ticula

rly f

ashion

cons

cious

to we

ar it.

It is

effo

rtless

and

definit

ive.

Perhap

s tho

se wh

o cla

im wh

ite s

hirts

are a

ll too

simil

ar can

simp

ly not

app

reciat

e the

det

ails

that

distin

guish

shirt

from

shirt.

The

but

tons,

the c

uffs,

the c

ollar,

the

fit,

the f

abric;

what

makes

a r

eal s

hirt.

Those

who d

isagre

e?

Well,

it is

very

poss

ible y

ou are

yet

to fin

d you

r per

fect

white

shir

t.

Words

by El

izabet

h Cham

p

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Page 55: Beth Champ, Link

Cokatil

Hour;

Roman

Candle

Diffic

ulty:

Easy

Cranbe

rry Ju

iceVod

kaGre

nadine

Bue Cu

raco

Sugar

Lemon Ice

Wet t

he rim

of th

e mart

ini gla

ss and

dip i

n suga

r. Pou

r the

cranbe

rry ju

ice an

d vodk

a into

a sha

ker wi

th the

ice. S

hake a

nd pou

r into

the m

artini

glass.

Caref

ully p

our gr

enadin

e dow

n the

inside

of th

e glas

s so i

t sett

les at

the b

ottom

. Slow

ly add

the

blue

curaco

. Garn

ish wi

th a l

emon

rind.

Page 56: Beth Champ, Link
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Strata.

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Photog

raphs

by Eliz

abeth

Champ

Page 64: Beth Champ, Link
Page 65: Beth Champ, Link

In the

hear

t of

Edinbu

rgh’s

most

celebr

ated

and f

ashion

able

post

code,

nestle

d am

ongst

the h

igh-en

d bar

s and

shop

s of

George

Stre

et, is

Tige

rlily;

a res

tauran

t, bar

and

hotel

in one

. On

a we

t and

dism

al day

you

would

be

forgiv

en for

abse

ntmind

edly

walkin

g by

Tigerl

ily yet

, at

night,

when

the

grand

buildin

g is

bathed

in a

n eth

ereal

red g

low a

nd the

ope

n doo

rs rev

eal a

tem

pting

warm

light

to

passer

s-by,

to wa

lk pas

t wo

uld b

e a

mistak

e.

On ent

ering

the m

ain b

ar you

are

struck

by

the h

igh c

eilings

of

the G

eorgia

n sty

le bui

lding,

typica

l of

Edinbu

rgh,

couple

d wit

h the

full

size

d tra

dition

al fir

eplace

and

comfor

table

cluste

r of

sofas,

none

of

which

woul

d loo

k out

of

place

in a

family

living

room.

How

ever,

stray

a cou

ple o

f fee

t fro

m thi

s sec

tion

of the

Tige

rlily

labyri

nth a

nd, a

s opp

osed

to tra

dition

alism

and h

ome-s

tyle

comfor

ts, y

ou are

face

d wit

h shi

mmeri

ng tile

d wa

lls,

moder

n ligh

t fix

tures

in bol

d hot

pink

, hig

h bac

ked b

lack

leathe

r cha

irs a

nd boo

th sea

ting

areas.

This

cultur

e clas

h of o

ld ver

sus ne

w, of

conven

tional

versu

s cont

empor

ary, i

s carr

ied th

rough

to the

exte

nsive

bar m

enu. T

igerlil

y off

ers a

n ext

ensive

range

of

over s

ixty

cockta

ils, f

rom

the c

lassic

s of

the C

osmopo

litan,

Daiqui

ri and

Pina

Cola

da, t

o the

obsc

ure a

nd com

menda

ble

concoc

tions

that

Tigerl

ily is

famed

for,

such

as the

atm

ospher

ic hom

age t

o Sco

tland

‘A Kra

ken B

ru’,

a coc

ktail

that

serves

up

to thr

ee peo

ple a

nd con

sists

of thr

ee typ

es of

rum,

guava

and g

rapefr

uit j

uices,

and

cherry

syru

p, pre

sented

in a

punc

h bow

l und

er a

gloom

y fog

. Ther

e tru

ly is

a coc

ktail

for a

ny per

son, f

or any

mood

, and

for a

ny sit

uation

.

Tigerl

ily doe

s not

just

offe

r a

wide

range

of coc

ktails,

but

also

an all

-encom

passin

g win

e me

nu, im

pressi

ve arr

ay of

spirits

(ava

ilable

to be

purcha

sed b

y the

bott

le and

serv

ed at

the t

able,

if you

woul

d pre

fer)

and b

eer,

lager

and a

les o

n dra

ught,

served

from

ele

gant

swan-

neck

pumps

by the

youn

g yet

unde

niably

com

petent

and

charis

matic

staf

f.

Tigerl

ily ach

ieves

what

so ma

ny bar

s att

empt

at yet

fail.

It ma

nages

to com

bine

a ran

ge of

stylist

ic fea

tures

withou

t seem

ing co

nfused

, and

it off

ers bo

th hig

h-end

luxury

and a

fforda

ble

good v

alue b

argain

s. It

would

be ea

sy for

a pla

ce suc

h as T

igerlil

y to f

eel el

itist b

ut it d

oes no

t, sim

ply be

cause

it has

someth

ing to

offer

anyon

e. Wh

ether

your p

refere

nce is

a glas

s of c

hampag

ne in

a rese

rved b

ooth b

edecke

d with

candl

es and

mode

rn fix

tures,

or ta

pas st

yle sh

aring

boards

of

food i

n fron

t of t

he fir

e, Tig

erlily

can ca

ter fo

r you;

and w

hat’s

more,

it can

do so

in st

yle.

Words

and i

mages

by He

lena R

oots

T I G

E R L

I L Y

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Faux Couture

High s

treet

labels

have

raised

the b

ar of

afford

able s

tyle s

o desi

gners

are ra

ising t

heirs

with o

ut-of-

the-bo

x desi

gns an

d unbe

atable

qualit

y.

It has

never

been

easier

to m

imic th

e look

s that

parad

e the

catwa

lks to

day an

d to b

e fair

a lot

of

us can

’t aff

ord th

e look

s on t

he run

way.

When

choosi

ng bet

ween

a £50

dress

and a

£500

dress,

for

many

it’s a

no-bra

iner.

Whilst

that

means

the h

igh st

reet h

as nev

er bee

n more

creat

ive an

d succ

essful

, des

igners

are c

ertain

ly fee

ling th

e pinc

h. So

it seem

s that

desig

ners f

rom al

l corn

ers fr

om th

e worl

d are

steppi

ng up

to the

plate

to sh

ow of

f thei

r skill

and p

rove t

hat hi

gh-end

is st

ill the

best.

With t

he eco

nomic

downtu

rn, hi

gh str

eet st

ores h

ave be

en usi

ng all

mean

s poss

ible to

keep

ahead

and

keep

their

profit

s up.

The b

est e

xample

of t

his is

H&

M. Eve

ryone

will h

ave h

eard

of at

least

one

collab

oratio

n they

’ve do

ne and

that

is jus

t icin

g on a

very

large

cake.

Maiso

n Mart

in Ma

rgiela

, Vers

ace

and La

nvin h

ave al

l team

ed up

with t

he bra

nd to

create

colle

ctions

that

sold o

ut in

minute

s. Not

only

that b

ut cre

ating

exclus

ive co

llecti

ons, h

osting

exclu

sive e

vents

and la

unchin

g awa

rds to

find

emerg

ing

talent

, the

store

really

has b

ecome

a dom

inant

figure

in af

fordab

le sty

le.

Design

ers ar

e neve

r one

to shy

away

from

a chal

lenge.

It se

ems t

his ri

se of

high s

treet

fashio

n has

brough

t out

some o

f the

most

innova

tive a

nd cre

ative

work

ever s

een on

the r

unway.

Avant

-garde

is no

lon

ger th

ought

of as

weird

or da

ring b

ut sty

lish an

d almo

st the

norm

. Chri

stophe

r Kane

is on

e of t

hese

new wa

ve of

design

ers, p

ushing

the l

imits o

f what

fashi

on is.

Nothi

ng is

out of

range

, from

acryl

ic win

g bol

t fast

enings

to ne

on las

er cut

leath

er; th

is boy

trans

forms

the o

rdinar

y into

the s

pectac

ular.

The c

onsum

er cul

ture

has n

ever b

een m

ore f

ocused

on

quality

and

luxury

. Clo

thing

is our

ultim

ate

statem

ent in

who

we ar

e and

what

our lif

estyle

is. I

n a so

ciety

of “lo

okbook

ers” a

nd “in

stagra

mers”

it

feels

like be

ing un

ique i

s hard

er tha

n ever

. And

this n

ew w

ave of

pseud

o-cout

uriers

is sa

tisfyi

ng the

hun

ger fo

r the

differ

ent an

d indi

vidual

.

It is

alwa

ys a g

ood lit

mus t

est to

obser

ve wh

at dir

ection

desig

ners t

ake on

what

the co

nsume

r want

s. Fas

t fash

ion ha

s lost

its ap

peal a

nd now

we wa

nt tru

ly ind

ividual

and i

ntrica

te clo

thing.

Silho

uettes

are

alien a

nd scu

lptura

l, usi

ng the

body

is a m

obile

canvas

and m

orphin

g wear

ers in

to livi

ng art

, mate

rials

that a

re rem

iniscen

t of N

ASA ar

e used

to pr

oduce

exquis

ite dr

esses

and st

yle is

not ab

out re

strain

t but

the ba

lance

betwe

en the

maxi

mal a

nd the

taste

ful. T

he fro

ntier

of fas

hion i

s infi

nite a

nd the

consu

mer

is rea

dy for

anyth

ing.

Words

by Ja

zzino

Tamani

Images

by El

izabet

h Cham

p

Page 94: Beth Champ, Link
Page 95: Beth Champ, Link

Burber

ry Gar

badine

Trenc

h Coat

, £1,1

95Cha

rlotte

Olym

pia Ki

tty Em

broide

red Ve

lvet F

lats,

£465

Alexan

der Mc

Queen

Skull

Print

Cashm

ere Bl

end Sc

arf, £

245

Paul S

mith W

ool Bl

end Le

ather

Sleeve

d Bom

ber, £

840Dun

hill Bl

ack Le

ather

Holdal

l Trav

el Bag

, £1,4

00Dol

ce and

Gabba

na Pla

id Cas

hmere

Scarf

, £335

Page 96: Beth Champ, Link
Page 97: Beth Champ, Link

Zara T

rend C

oat, £

69.99

Simmi

Black

Kitty

Slipper

s, £2

0ASO

S Meta

llic Sk

ull Pr

int Sc

arf, £

12

River

Island

Contr

ast Sl

eeve B

omber

, £50

ASOS O

ld Boy

Leath

er Sat

chel,

£55

All Sa

ints V

alley

Scarf,

£55

Page 98: Beth Champ, Link

iMAGE cREDITSPortraits and Whiteout Illustrations

Hayley Jade Brownehttp://instagram.com/hayley_jade_

Link Lust ListYard-O-Led Pen Writing Bureau; www.johnlewis.com

D.L & Co Skull Candle; www.selfridges.com

Scrabble Cushions; www.dotmaison.comDedicated Turntable iPhone Case; www.urbanoutfitters.com

Anorak Kissing Stags Mug; www.johnlewis.comEdited and compiled by Elizabeth Champ

Rose WashPhotography by Elizabeth Champ

Dark VestigesPhotography by Elizabeth ChampIllustrations by Chelsea Smith

Instagram/blog

Cocktail HourImage by Elizabeth Champ

Strata.Photography by Elizabeth Champ

TigerlilyImages by Helena Roots

A Refined GentlemanPhotography by Elizabeth Champ

Faux CoutureBurberry Trench coat, Charlottle Olympia shoes, Alexander Mcqueen scarf; www.netaporter.com

Paul Smith jacket, Dunhill bag, Dolce & Gabbana scarf; www.mrporter.com

River Island jacket, ASOS satchel, ASOS scarf; www.asos.comAll Saints scarf; www.allsaints.com

Simmi Shoes; www.simmi.comZara trench coat; www.zara.com

Edited and compiled by Elizabeth Champ

Page 99: Beth Champ, Link

Appare

l Cred

itsRos

e Wash

Gold E

ar Cuf

f & Ha

ir Piec

e - W

ildfox

Rose G

old He

art Pe

ndant

Neckla

ce - A

nita K

oRos

e Gold

Torqu

e - Gi

les &

Broth

erGol

d Leaf

Head

Piece

- Noem

i Klein

Brass

Ciff -

Frenc

h Conn

ection

Cream

Lace

Poncho

- Ann

a Sui

White

Chiffo

n Maxi

Dress

- Chl

oeCre

am La

ce Dre

ss - M

aje

Dark V

estige

s

Sean

Fitted

Grey

Trench

Coat

- Burb

erry

Slim Fi

t Blac

k Trou

sers -

Acne

Red Sl

im Fit

Shirt

- Paul

Smith

Green

Slim Fi

t Shir

t - Su

rface

To Air

Lined

Rust M

ac - G

ibson

Brown

Leath

er Bro

gues -

Paul

Smith

Navy P

irate

Trouse

rs - V

ivienne

West

wood

Sasha

Navy W

ool Ca

pe - A

merica

n Appa

relBla

ck Lac

e Maxi

Dress

- Raq

uel Al

legra

Black

Bodyco

n Maxi

Dress

- Ma

ison M

artin

Margi

elaInd

igo Pe

plum

Jacket

- Bur

berry

Lace U

p Shoe

Boots

- Kur

t Geig

erCri

mson

Contra

st Pet

er Pan

Dress

- Ma

rniNav

y Lace

Maxi

Dress

- Iro

A Refi

ned Ge

ntlem

an

Tortoi

seshel

l Watc

h – Ma

rc Jac

obsBlu

e Dog

Bow Tie

– Al

exande

r Olch

Peach

High C

ollar

Shirt

W– Vi

vienne

West

wood

Brown

Rusti

c Leat

her Br

ogues

– Pau

l Smit

hNav

y Pira

te Tro

users

– Viv

ienne

Westw

oodBro

wn Do

uble B

utton

Blazer

– Be

n Sher

man

White

Slim

Fit Sh

irt –

Hartfo

rdBla

ck Lea

ther S

atchel

– Te

d Bake

rBro

wn Le

ather

Strap

Watch

- Emp

orio A

rmani

Blue H

erring

bone T

ie –

Burber

ry Lon

donGre

y Text

ured S

lim Fi

t Trou

sers –

J.Cre

wSilv

er Rom

an Num

eral W

atch-

Boss b

y Hugo

Boss

Light

Grey T

exture

d Bow

Tie –

Burbe

rry Lo

ndon

Black

Leathe

r Brog

ues –

KG by

Kurt

Geiger

Page 100: Beth Champ, Link

LINK