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By Robert Quist & Mark Hamilton The Manipulation of Standard Hollywood Film Techniques in Citizen Kane Edited by: Dr. Kay Picart @ 2002

By Robert Quist & Mark Hamilton

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The Manipulation of Standard Hollywood Film Techniques in Citizen Kane. By Robert Quist & Mark Hamilton. Edited by: Dr. Kay Picart @ 2002. Purpose. - PowerPoint PPT Presentation

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Page 1: By Robert Quist & Mark Hamilton

By Robert Quist & Mark Hamilton

The Manipulation of Standard

Hollywood Film Techniques in Citizen Kane

Edited by: Dr. Kay Picart @ 2002

Page 2: By Robert Quist & Mark Hamilton

PurposePurpose

To outline the basic film techniques in comparison with Citizen Kane using John Belton’s “Classical Hollywood Cinema: Style” and “The Studio System.”

Page 3: By Robert Quist & Mark Hamilton

Film as a Character-Film as a Character-Centered ArtCentered Art

“ “Classic Hollywood cinema is a _________-________ cinema.”

Both the narrative and the techniques focus on the main characters.

Choose the correct term for the missing word: camera-centered, spectator-centered, character-centered

Page 4: By Robert Quist & Mark Hamilton

Film as a Character Film as a Character Centered ArtCentered Art

“ An example of the narrative centering around the main character is given at the beginning of Shadow of a Doubt.

Page 5: By Robert Quist & Mark Hamilton

Film and NarrativeFilm and Narrative

“ Until now, we have talked about the narrative of film and how it seeks to involve the viewer, treating him or her not as an audience member, but as a ________ or _______.

Choose the correct term for the missing words: audience member, spectator, character, witness.

Page 6: By Robert Quist & Mark Hamilton

Film and NarrativeFilm and Narrative

In other words, the viewer is transported into the action in a more life-like way.

Page 7: By Robert Quist & Mark Hamilton

Film TechniquesFilm Techniques“ Now we are going to discuss the

techniques that filmmakers use to focus on the characters and more importantly to get the spectator to adopt the main character’s psyche.

Page 8: By Robert Quist & Mark Hamilton

Film TechniquesFilm Techniques

“ During the early Soviet Cinema, a man named Lev Kuleshov developed an editing method that was so influential that filmmakers and film scholars call it the Kuleshov effect.

Page 9: By Robert Quist & Mark Hamilton

The Kuleshov EffectThe Kuleshov Effect

“ The Kuleshov effect can be loosely summed up in the fol-lowing formula:

Abstract + Abstract = Concrete “ It is the juxtaposition or the edit-

ing of two non-relating images to create a psychological effect.

Page 10: By Robert Quist & Mark Hamilton

The Kuleshov EffectThe Kuleshov Effect

“ Basic examples would be: a shot of a man, followed by: a shot of a snowy landscape.

“ Instead of thinking of these as two unrelated images we fill in the gaps in our minds and put this man in the landscape settings.

Page 11: By Robert Quist & Mark Hamilton

The Studio and the The Studio and the Kuleshov EffectKuleshov Effect

“ Since most film were shot in a studio, this was an inexpensive way of making the film ___________.

Choose the correct terms for the missing two words: more / less and realistic / unrealistic.

Page 12: By Robert Quist & Mark Hamilton

The Studio and the The Studio and the Kuleshov EffectKuleshov Effect

“ By clever use of Kuleshov effect Wolfgang Peterson, the maker of Das Boot (The Boat) makes us believe that these men are actually in a sub in the ocean.

Page 13: By Robert Quist & Mark Hamilton

The Studio and the The Studio and the Kuleshov EffectKuleshov Effect

“ He edits in shots of the ocean and shots of charges exploding in the ocean. Then we put two and two together or fill in the gaps and believe that these men are actually there.

Page 14: By Robert Quist & Mark Hamilton

The The Mise-en-SceneMise-en-Scene“ The mise-en-scene is the most

obvious part of film. There are four parts of the mise-en-scene.The costumes and makeup The sets

on location in the studio

figure expression and movement The lighting

Page 15: By Robert Quist & Mark Hamilton

The Camera (in 5 Acts)The Camera (in 5 Acts)When discussing camera,

scholars use five areas:AngleDistanceHeightLevelMovement

Page 16: By Robert Quist & Mark Hamilton

The Camera (Act 1)The Camera (Act 1)

Angle shots are those in which the camera is either:

“ placed high and looking down“ placed low looking up.

ANGLE

Page 17: By Robert Quist & Mark Hamilton

The Camera (Act 2)The Camera (Act 2)

Distance shots can be a(n): extreme long shot (panorama shot) long shot (landscape outside of a house)medium (person from waist up)medium close up (person from chest up)close up (a person’s face) or extreme close up (eyes / nose fill frame)

DISTANCE

Page 18: By Robert Quist & Mark Hamilton

The Camera (Act 3)The Camera (Act 3)

“ Height refers to the level at which the camera is positioned.

“ Most Hollywood films are on ________.

HEIGHT

Choose the correct term for the missing words: head level / eye level / chest level / full body in view level.

Page 19: By Robert Quist & Mark Hamilton

The Camera (Act 4)The Camera (Act 4)

Most Hollywood films are level rather than canted. Canted refers to the tilt of the camera to either the right or the left side, i.e. One is higher than the other, even though they should be the same level.

LEVEL

Page 20: By Robert Quist & Mark Hamilton

The Camera (Act 5)The Camera (Act 5)

Movement terms include: Tracking Tracking

a mobile framing that travels through space in any direction.

PanPan a camera movement which produces a horizontal scanning.

TiltTilt the camera moves up or downward while remaining in a stationary position.

CraneCrane camera is high above the ground, moves through the air in all directions.

MOVEMENT

Page 21: By Robert Quist & Mark Hamilton

Three Point LightingThree Point Lighting

» Three point lighting

_____ Lighting_____ Lighting_____ Lighting

All can use either Low or High Key Lighting.

Find the three missing terms from your reading.

Page 22: By Robert Quist & Mark Hamilton

Three Point LightingThree Point Lighting

» The Three-Point Lighting favors ________ lighting.

» Most Hollywood films use ________ lighting.

Choose the correct term for the missing words: 1) high-key / low-key 2) high-key / low-key

Page 23: By Robert Quist & Mark Hamilton

SoundSound

» Most Hollywood films mix the sound

» This allows the spectator to _______________________ which normally would not stand out, but be a part of the “noise.”

Find the missing phrase from your reading.

Page 24: By Robert Quist & Mark Hamilton

SoundSound

» Hollywood films also edit the sound to include effects which would not be heard in a real setting.

» Sound, therefore, is both a part of the Mise-en-Scene and the editing process.

Page 25: By Robert Quist & Mark Hamilton

MusicMusic

» The musical score helps to _________________.

» The initial live music in the Silent Era of film was an attempt to ________________ ___________________.

Find the missing terms from your reading.

Page 26: By Robert Quist & Mark Hamilton

MusicMusic

» Music in both silent and sound films used and use Leitmotif techniques to aid the narrative.

» The Bride of Frankenstein provides an effective example.

Page 27: By Robert Quist & Mark Hamilton

EditingEditing

“ In order to make smooth transitions from edit to edit, filmmakers use:

FadesFades a shot gradually brightens (i.e. Fade-in) or darkens (i.e. Fade-out).

Dissolves Dissolves the first shot gradually disappears as the second shot appears at the same rate.

Wipes Wipes a line appears across the screen, wiping out the first shot as the second follows behind the line (i.e. dragging an image into the picture like a curtain)

Page 28: By Robert Quist & Mark Hamilton

EditingEditing

» If the edit exists within the scene, editors will often just join the parts together in a cut.

» Editing is also useful in struc-turing the narrative.

» Citizen Kane, for example relies on flashbacks.

Page 29: By Robert Quist & Mark Hamilton

Summary of TechniquesSummary of Techniques

» To make a good film, all the above are part of assuring that the spectator lives vicariously through the main characters.

Page 30: By Robert Quist & Mark Hamilton

Citizen KaneCitizen Kane and Standard and Standard Hollywood Film TechniquesHollywood Film Techniques

“ Citizen Kane (abbreviated CK) shows a departure from the Standard Holly-wood style by using:___________________________________________________________________________________________________________________

Find the five missing terms from your reading.

Page 31: By Robert Quist & Mark Hamilton

CK’sCK’s Narrative Structure Narrative Structure

» Bordwell and Thompson discuss how the film revolves around the reporter’s (Thompson) search.

» “The very beginning of the film sets up a mystery.”

Page 32: By Robert Quist & Mark Hamilton

CKCK as a Mystery? as a Mystery?

Even though the narrative resembles a detective-like mystery, the film is not a Sherlock Holmes “Whodunit.”

Page 33: By Robert Quist & Mark Hamilton

CKCK as a Mystery? as a Mystery?

The most noticeable difference appears at the end where Thompson gives up his search.

Yet, the mystery is solved for the spectator.

Page 34: By Robert Quist & Mark Hamilton

CKCK as a Mystery? as a Mystery?

Thompson’s discoveries regarding Kane’s life provided more meaning to the spectator than the reference to Rosebud.

Page 35: By Robert Quist & Mark Hamilton

A Psychological A Psychological Point of ViewPoint of View

Bordwell and Thompson note that although we follow Thompson’s search, the camera functions as an _____________________. “the style also suggest the narrations’ ability to plumb the characters’ minds.” (54)

Choose the correct term for the blank: dependent character, omniscient narrator, independent character.

Page 36: By Robert Quist & Mark Hamilton

ConclusionConclusion» Reading 6 provides an introduction

to conventional cinematic techni-ques,

» while Reading 7 shows how these technique may be manipulated or even broken.

» Together they facilitate a better understanding of cinema.

Page 37: By Robert Quist & Mark Hamilton

The Use of Camera in The Use of Camera in CKCK

» Hollywood is well-known for its “invisible camera” technique where the camera’s presence is meant to be as innocuous as possible.

Page 38: By Robert Quist & Mark Hamilton

The Use of Camera in The Use of Camera in CKCK

» The normal spectator hardly notices the camera at all because of relatively less camera movement and shots and scenes inconspicuously edited together.

Page 39: By Robert Quist & Mark Hamilton

The Use of Camera in The Use of Camera in CKCK

» How does Citizen Kane break the conventions of the “invisible camera?”

» How is the camera a character in this movie?

QUESTIONS:QUESTIONS:

Page 40: By Robert Quist & Mark Hamilton

» For each one of the following scenes I will show, think how the camera works as a character by itself, going where very few humans go.

The Use of Camera in The Use of Camera in CKCK

Page 41: By Robert Quist & Mark Hamilton

The Opening SequenceThe Opening Sequence

Establishing Shot

How is the camera a character here?

Page 42: By Robert Quist & Mark Hamilton

Match DissolveMatch Dissolve

Match Dissolve

Also called a “Graphic Match”

Page 43: By Robert Quist & Mark Hamilton

The Death SequenceThe Death Sequence

How is the camera a character here?

Death Sequence

Page 44: By Robert Quist & Mark Hamilton

The “El-Rancho” SceneThe “El-Rancho” Scene

How is the camera a character here?

El Rancho Scene

Page 45: By Robert Quist & Mark Hamilton

The “El-Rancho” SceneThe “El-Rancho” Scene

Question: How does the camera show us the night-club?

How is the camera a character here? Death Sequence

Page 46: By Robert Quist & Mark Hamilton

Angle ShotsAngle Shots

High-angle shot and low-angle shot

The camera looks _____ upon or ______ to the character respectively.

Choose the correct term for the missing words: 1) up / down 2) up / down

Page 47: By Robert Quist & Mark Hamilton

The Breakfast MontageThe Breakfast Montage

How is the camera a character here?

Breakfast Montage

Page 48: By Robert Quist & Mark Hamilton

The Mise-en-SceneThe Mise-en-Scene

How is the camera a character here?

Mise-en-Scene

Page 49: By Robert Quist & Mark Hamilton

The Warehouse SceneThe Warehouse Scene

How is the camera a character here?

Warehouse Scene

Page 50: By Robert Quist & Mark Hamilton

The Last SceneThe Last Scene

Only a camera can zoom in like that, not a human being. The close up of the words “Rosebud” at the sled’s head make us very well aware of one of Welles’s projects.

This is a movie, not a filmed stage production with a stationary camera.

Page 51: By Robert Quist & Mark Hamilton

Parting Shots...Parting Shots...

Make sure to learn the technical terms that experts use when talking about film.

Enjoy your next movie!

THE ENDTHE END!