Lagerfeuer Liederbuch - SALZ-Freizeit · 2014. 6. 19. · Liederbuch 2014 . 2 On the Road again (Willi Nelson) C (F) E7 (A7) On the road again just can't wait to get on the road again

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Lagerfeuer -

Liederbuch

2014

2

On the Road again (Willi Nelson)

C (F) E7 (A7)

On the road again just can't wait to get on the road again

Dm (gm)

The life I love is making music with my friends

F (Bb) G7 (C) C (F)

And I can't wait to get on the road again

C7 (F7) F (Bb) C (F)

On the road again like a band of gypsies we go down highway

F (Bb) C (F)

We're the best of friends insisting that the world keep turning our way

G7

And our way is

C (F) E7

on the road again just can't wait to get on the road again

Dm


F G7 C (F)


C (F) E7 (A7)

On the road again goin' places that I've never been

Dm (gm)

Seein' things that I may never see again

F (Bb) G7 (C) C (F)


C7 (F7) F (Bb) C (F)

On the road again like a band of gypsies we go down highway

F (Bb) C (F)

We're the best of friends insisting that the world keep turning our way

G7

And our way is

C (F) E7 (A7)

On the road again just can't wait to get on the road again

Dm (gm)


F (Bb) G7 (C) C (F)


3

Les Champs-Èlysées (Joe Dassin)

G H7

Ich ging allein durch diese Stadt

e G7

Die allerhand zu bieten hat

C G A7 D7

Da sah ich dich vorüber geh'n und sagte "Bonjour"

G H7

Ich ging mit dir in ein Café

e G7

Wo ich erfuhr, du heißt René

C G

Wenn ich an diese Stunde denke

a D G

Singe ich nur

G H7 e G7

Oh Champs-Élysées

C G A7 D7

Oh Champs-Élysées

G H

Sonne scheint, Regen rinnt

e G7

Ganz egal, wir beide sind

C G

So froh wenn wir uns wiederseh'n

C D G

Oh Champs-Élysées

Wie wunderschön der Abend war G H7

Da drüben in der kleinen bar e G7

Wo Joe in der Guitarre spielte C G

Nur für uns zwei A D

Da habe ich die ganze Nacht G H7

Mit dir getanzt, mit dir gelacht e G7

Und als wir wieder gingen C G

War es zehn nach drei a D G

G H7 e G7

Oh Champs-Élysées

C G A7 D7

Oh Champs-Élysées

G H


e G7


C G


C D G

Oh Champs-Élysées

4

Wir kennen uns seit gestern erst G H7

doch wenn du nun nach Hause färst e G7

Dann sagen zwei Verliebete leise C G

"Au revoir" A D

Von 'La Concorde' bis zum 'Étoile' G H7

Erklingt Musik von überall e G7

Ja das ist eine Liebe, die hält hundert Jahr C G a D G

G H7 e G7

Oh Champs-Élysées

C G A7 D7

Oh Champs-Élysées

G H


e G7


C G


C D G

Oh Champs-Élysées

Wild World (Cat Stevens)

Am La la la la D7 la la la la la G la

La la la la Cmaj7 la la la la la la F la

La la la la Dm la la la la la E la la

E7

1. Am Now that I've D7 lost every thing to G you

You say you Cmaj7 wanna start something F new

And it's Dm breaking my heart you're E leaving

E7 Baby I'm grievin'

Am But if you want to D7 leave take good G care

Hope you have a Cmaj7 lot of nice things to F wear

But then a Dm lot of nice things turn E bad out G7 there

C Oh G baby baby it's a F wild world

G It's hard to get F by just upon a C smile


G I'll always re-F-member you like a C child, girl D E

2. Am You know I've seen a D7 lot of what the world can G do

5

And it's Cmaj7 breaking my heart in F two

Because I Dm never want to see you E sad girl

E7 Don't be a bad girl


Hope you make a Cmaj7 lot of nice friends out F there

But just re-Dm-member there’s a lot of bad E and be-G7-ware





3. Am D7 G Cmaj7 F Dm E E7 Baby I love you


Hope you make a Cmaj7 lot of nice friends out F there

But just re-Dm-member there’s a lot of bad E and be-G7-ware








G I'll always re-F-member you like a Cchild, girl

Those were the days (Mary Hopkins)

1. Once upon a time, there was a tavern a Where we used to raise a glass or two A7 d Remember how we laughed away the hours, d a Think of all the great things we would do H7 E7 Those were the days, my friend a We thought they'd never end d We'd sing and dance forever and a day G G7 C We'd live the life we'd choose d We'd fight and never lose a For we were young and sure to have our way E7 a Lalalalala

6

2. Then, the busy years went rushing by us a We lost our starry notions on the way A7 d If, by chance, I'd see you in the tavern, d a We'd smile at one another and we'd say H7 E7 Those were the days, my friend a We thought they'd never end d We'd sing and dance forever and a day G G7 C We'd live the life we'd choose d We'd fight and never lose a For we were young and sure to have our way E7 a Lalalalala

3. Just tonight, I stood before the tavern a Nothing seemed the way it used to be A7 d In the glass, I saw a strange reflection d a Was that lonely woman really me? H7 E7 Those were the days, my friend a We thought they'd never end d We'd sing and dance forever and a day G G7 C We'd live the life we'd choose d We'd fight and never lose a For we were young and sure to have our way E7 a Lalalalala

4. Through the door, there came familiar laughter a I saw your face and heard you call my name A7 d Oh, my friend, we're older but no wiser d a For in our hearts, the dreams are still the same H7 E7 Those were the days, my friend a We thought they'd never end d We'd sing and dance forever and a day G G7 C We'd live the life we'd choose d We'd fight and never lose a For we were young and sure to have our way E7 a Lalalalala

7

Udo Jürgens - 17 Jahr, blondes Haar

Bb g

Ein Tag wie jeder Tag, ich träum von Liebe, Eb F d Eb F Doch eben nur ein Traum - aha aha. Bb g

Menschen wohin ich schau, Großstadtgetriebe, Eb F Bb D7 Und auf einmal sah ich sie, sie.

G e a D7 17 Jahr, blondes Haar, so stand sie vor mir.

G e a D7 17 Jahr, blondes Haar, wie find ich zu ihr. A f# hm E7

17 Jahr, blondes Haar, so stand sie vor mir. A f# hm E7 17 Jahr, blondes Haar, wie find ich zu ihr.

C a Sie hat mich angelacht, und war vorüber, F G e F G7

Da war's um mich geschen - aha aha C a Menschen wohin ich schau, Großstadtgetriebe

F G7 C E7 Und überall such ich sie, sie.

A f# hm E7 17 Jahr, blondes Haar, so stand sie vor mir. A f# hm E7

17 Jahr, blondes Haar, wie find ich zu ihr.

8

Imagine (John Lennon)

C F C F

C Imagine there's no F heaven

C it's easy if you F try

C no hell be-F low us

C above us only F sky

F Imagine Am all the Dm7 people

G living for to-G7-day a-ha...

C Imagine there's no F countries

C it isn't hard to F do

C Nothing to kill or F die for,

C and no religion F too


G living life in G7 peace You-hoo

F you may G say I'm a C dreamer E7

F but I'm G not the only C one E7

F I hope some G day you'll C join us E7

F and the G world will C be as one

C Imagine no pos-F-sessions

C I wonder if you F can

C No need for greed or F hunger

C a brotherhood of F man


G sharing all the G7 world You-hoo

F you may G say I'm a C dreamer E7

F but I'm G not the only C one E7

F I hope some G day you'll C join us E7

F and the G world will C be as one

9

What's Up? (4 Non Blondes)

2x A Hm D A or (G Am C G) or (C dm F C) 1. 25 years of my life and still Tryin' to to get up that great big hill of Hope, for a desti-nation. 2. I realized quickly when I knew I should That the world was made up of this brotherhood of Man, for whatever that means. Refrain:

And so I cry sometimes, when I'm lying in bed just to get it all out, what's in my head, then I I am feeling, a little pe- culiar. And so I wake in the morning, and I step outside And I take a deep breath, and I get real high, and I scream from the top of my lungs, "What's going on?"

And I say, "Hey yeah yeah hey, hey yeah yeah." I said, "Hey, what's going on?" And I say, "Hey yeah yeah hey, hey yeah yeah." I said, "Hey, what's going on?"

3. And I try, oh my god, do I try I try all the time, in this insti-tution. And I pray, oh my god, do I pray I pray every single day, for a revo-lution. Refrain:

And so I cry sometimes, when I'm lying in bed just to get all out, what's in my head, then I I am feeling, a little pe-culiar. And so I wake in the morning, and I step outside And I take a deep breath, and I get real high, and I scream from the top of my lungs, "What's going on?"

3x And I say, "Hey yeah yeah hey, hey yeah yeah." I said, "Hey, what's going on?"

slow down

25 years of my life and still Tryin' to get up that great big hill of Hope, for a desti-nation

10

Summer Dreaming (Kate Yanai)

F a/E Bb C Come on over have some fun - Dancin' in the mornin' sun a D7 g C Look into the bright blue sky - Come and let your spirit fly F a/E Bb C Livin it up this brand new day - Summer sun, it`s time to play a D7 g C Doing things that feel so good - Get into the motion a d g7 C a d what a feelin' it's never been so easy when I'm drea-min' g C summer dreamin' when you're with me F a/E Bb C

F a/E Bb C just another lucky day - no one makes me feel this way a D7 g C watch the waves and feel the sand - kiss me now and take my hand F a/E Bb C hear all the laughter in the street - smilin' in the summer heat a D7 g C cool touch of your hand in mine - we can be together a d g7 C a d what a feelin' it's never been so easy when I'm drea-min' g C summer dreamin' when you're with me F a/E Bb C

F a/E Bb C now, lovin' you just feels so right, lightin' up the darkest night a D7 g C boy turn up the radio - don't you ever let me go (turn it up) F a/E Bb C all the tears I've cried before - they can't touch me anymore a D7 g C now that you are by my side - it's all I need to know a d g7 C a d what a feelin' it's never been so easy when I'm drea-min' g C summer dreamin' when you're with me F a/E Bb C

Nächste Seite

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F a/E Bb C Come on over have some fun - Dancin' in the mornin' sun a D7 g C we can keep this dream alive - - if we try F a/E Bb C hear all the laughter in the street - smilin' in the summer heat a D7 g C cool touch of your hand in mine, we can be together a d g7 C a d It’s what I’m feelin' it's never been so easy when I'm drea-min' g C summer dreamin' when you're with me a d g7 C a d what a feelin' it's never been so easy when I'm drea-min' g C summer dreamin' when you're with me F a/E Bb C

(fade)

Thank you for the Music (Abba) G Bbdim a7 D7 G d7 G7 I'm nothing special, in fact I'm a bit of a bore C E7 a a7 D7 D7b13 If I tell a joke, you've probably heard it before G D But I have a talent, a wonderful thing G G7 C cm 'Cause everyone listens when I start to sing e I'm so grateful and proud a a7 D7 All I want is to sing it out loud Refrain: So I say G am D7 G Thank you for the music, the songs I'm singing e e7 A7 D7 Thanks for all the joy they're bringing G a hm e7 C Who can live without it, I ask in all honesty cm What would life be? G G7 E Without a song or a dance what are we? a C So I say thank you for the music D7 G Bbdim a7 D7 For giving it to me

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Mother says I was a dancer before I could walk G Bbdim a7 D7 G d7 G7 She says I began to sing long before I could talk C E7 a a7 D7 D7b13 And I've often wondered, how did it all start? G D Who found out that nothing can capture a heart G G7 C cm Like a melody can? e Well, whoever it was, I'm a fan a a7 D7 So I say G am D7 G Thank you for the music, the songs I'm singing e e7 A7 D7 Thanks for all the joy they're bringing G a hm e7 C Who can live without it, I ask in all honesty cm What would life be? G G7 E Without a song or a dance what are we? a C So I say thank you for the music D7 G For giving it to me

cm6 G cm6 G I've been so lucky, I am the girl with golden hair cm6 H7 e e7 I wanna sing it out to everybody a am7 D7 What a joy, what a life, what a chance!

G am D7 G Thank you for the music, the songs I'm singing e e7 A7 D7 Thanks for all the joy they're bringing G a hm e7 C Who can live without it, I ask in all honesty cm What would life be? G G7 E Without a song or a dance what are we? a C So I say thank you for the music D7 G For giving it to me

13

Groovy kind of love (Phil Collins)

When I'm feeling blue G All I have to do D Is take a look at you e Then I'm not so blue a When you're close to me a I can feel you heart beat G I can hear you breathing a In my ear D Wouldn't you agree? G Baby, you and me got a groovy kind of love D G

Any time you want to G You can turn me on to D Anything you want to e Any time at all a When I kiss your lips a Ooh, I start to shiver G Can't control the quivering inside a D Wouldn't you agree? G Baby, you and me got a groovy kind of love D G

When I'm feeling blue G All I have to do D Is take a look at you e Then I'm not so blue a When I'm in your arms a Nothing seems to matter G My whole world can shatter a I don't care D Wouldn't you agree? G Baby, you and me got a groovy kind of love D G

We got a groovy kind of love We got a groovy kind of love Ooh, ooh We got a groovy kind of love

14

Ein ehrenwertes Haus (Udo Jürgens)

C G In diesem Mietshaus wohnen wir seit einem Jahr und sind hier wohlbekannt. F C Doch stell dir vor, was ich soeben unter uns'rer Haustür fand: C E a D es ist ein Brief von unsern Nachbarn, darin steht, wir müssen raus! C G C

Sie meinen du und ich wir passen nicht, IN DIESES EHRENWERTE HAUS.

Weil wir als Paar zusammen leben und noch immer ohne Trauschein sind. Hat man sich gestern hier getroffen und dann hat man abgestimmt. Und die Gemeinschaft aller Mieter schreibt uns nun: "Zieh'n Sie hier aus!" Denn eine wilde Ehe, das paßt nicht IN DIESES EHRENWERTE HAUS.

Es haben alle unterschrieben; schau' dir mal die lange Liste an: die Frau non nebenan, die ihre Lügen nie für sich behalten kann, und die vom Erdgeschoß, täglich spioniert sie jeden aus, auch dieser Kerl, der seine Tochter schlägt, SPRICHT FÜR DIES' EHRENWERTE HAUS.

Und dann die Dicke, die den Hund verwöhnt, jedoch ihr eig'nes Kind vergißt, der Alte, der uns stets erklärt, was hier im Haus verboten ist, und der vom ersten Stock, er schaut die ganze Zeit zum Fenster raus, und er zeigt jeden an, der mal falsch parkt, VOR DIESEM EHRENWERTEN HAUS.

Der graue Don Juan, der starrt dich jedesmal im Aufzug schamlos an, die Witwe, die verhindert hat, daß hier ein Schwarzer einzieh'n kann, auch die von oben, wenn der Gasmann kommt, zieht sie den Schlafrock aus; sie alle schämen sich für uns, DENN DIES IST JA EIN EHRENWERTES HAUS.

Wenn du mich fragst, diese Heuchelei halt' ich nicht länger aus. Wir packen uns're sieben Sachen und zieh'n fort AUS DIESEM EHRENWERTEN HAUS.

15

Mackie Messer (Bert Brecht)

Und der Haifisch, der hat Zahne C6 d

Und die tragt er im Gesicht G7 C6

Und MacHeath, der hat ein Messer a d

Doch das Messer sieht man nicht. G7 C6

Ach, es sind des Haifischs Flossen

Rot, wenn dieser Blut vergießt

Mackie Messer trägt 'nen Handschuh

Drauf man keine Untat sieht

An 'nem schönen blauen Sonntag

Liegt ein toter Mann am Strand

Und ein Mensch geht um die Ecke

Den man Mackie Messer nennt

Und Schmul Meier bleibt verschwunden C6 d

Und so mancher reiche Mann G7 C6

Und sein Geld hat Mackie Messer a d

Dem man nichts beweisen kann G7 C6

Denn die einen sind im Dunkeln

Und die ander'n sind im Licht

Und man siehet die im Lichte

Die im Dunkeln sieht man nicht

Jenny Towler ward gefunden

Mit 'nem Messer in der Brust

Und am Kai geht Mackie Messer

Der von allem nichts gewußt

Und die minderjährige Witwe C6 d

Deren Namen jeder weiß G7 C6

Wachte auf und war geschändet a d

Mackie, welches war dein Preis G7 C6

Denn die einen sind im Dunkeln

Und die ander'n sind im Licht

Und man siehet die im Lichte

Die im Dunkeln sieht man nicht

Und der Haifisch, der hat Zähne

Und die trägt er im Gesicht

Und MacHeath, der hat ein Messer

Doch das Messer sieht man nicht

16

Ich war noch niemals in Köln-Kalk (Köbes Underground)

A C Und nach dem Abendessen sagte er, D E lass mich noch eben Zigaretten holen gehn. A C Sie rief Ihm nach: Nimm Dir die Schlüssel mit, D E ich muss noch eben nach der Kleinen sehn. fis cis Er zog die Tür zu, ging stumm hinaus, D cis ins renovierte Treppenhaus. D E A Es roch nach Hämmsche und nach Spießigkeit. F C F C Und auf der Straße dachte er, wie wenn das jetzt ein Aufbruch wär. F G E A Er müsste einfach gehen für alle Zeit, für alle Zeit. Refrain: D E Ich war noch niemals in Köln-Kalk cis fis Ich war noch nie in Raderthal h E A Ging nie durch Bilderstöckchen in zerissenen Jeans. D E Ich war noch niemals in Köln-Poll cis fis Und Flittard ist bestimmt ganz toll h E A Einmal Schäl-Sick sein und aus allen Zwängen fliehn.

Und als er auf der Mainzer Straße stand, A C da fiel ihm ein er hatte alles in der Hand. D E Die Monatskarte KVB, die Traveller-Checks A C Vielleicht fuhr heute Nacht ja noch die Sechs. D E Er könnt vom Chlodwigplatz ein Taxi nehm, fis cis Auch vom Mietwagen-Süd wär sehr bequem D cis Die Sehnsucht wurde wieder in Ihm wach D E A Noch einmal voll von Träumen sein F C Auf eigene Faust über den Rhein. F C Er dachte über seinen Aufbruch nach, seinen Aufbruch nach. F G E A

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D E Ich war noch niemals in Köln-Kalk cis fis Ich war noch nie in Raderthal h E A Ging nie durch Bilderstöckchen in zerissenen Jeans. D E Ich war noch niemals in Köln-Poll cis fis Und Flittard ist bestimmt ganz toll h E A Einmal Schäl-Sick sein und aus allen Zwängen fliehn.

Dann steckte er die Zigaretten ein, fis cis und ging wie selbstverständlich Heim. D cis An Opera und Chlodwigeck vorbei. D E A Die Frau rief: Mann wo bleibst Du bloß F C Im Fernsehn geht gleich Tatort los. F C Sie fragte: War was - Nein! Was soll schon sein? Was soll schon sein? F G E A D E Ich war noch niemals in Köln-Kalk cis fis Ich war noch nie in Raderthal h E A Ging nie durch Bilderstöckchen in zerissenen Jeans. D E Ich war noch niemals in Köln-Poll cis fis Und Flittard ist bestimmt ganz toll h E A Einmal Schäl-Sick sein und aus allen Zwängen fliehn.

Ich war noch niemals in Köln-Sülz D E Denn da kriegt man es an der Milz. cis fis Und durch Porz-Ensen fließt bei Hochwasser der Rhein. h E A Nach Rodenkirchen will ich nicht, D E Da hab ich Angst ich treffe Dich. cis fis Am Eigelstein zerschlägt man Dir Dein Nasenbein. h E A Ich war noch niemals in Köln-Brück, D E von dort kehrt niemand mehr zurück. cis fis Will nicht nach Klettenberg, da wohnt der kardinal. h E A Ich war noch niemals in Köln-Pesch, D E das ist genauso öd wie Esch. cis fis Leben in Heimersdorf ist eine echte Qual. h E A

18

Moon River (Henry Mancini)

C Am Fmaj7 C

Moon River, wider than a mile

Fmaj7 C d6 E7

I'm crossing you in style some day

Am C7/G

You dream maker

F Bb7-5

You heartbreaker

Am7 a6 H7

Wherever you're going

e A7 d7 G7

I'm going your way

C a F C

Two drifters off to see the world

F C d6 E7

There's such a lot of world to see

Am Am7/G a6 F7 C

We're after the same rainbow's end

F C

Waitin' round the bend

F C

My Huckleberry friend

Am Dm7 G7 C

Moon River and me

http://www.ultimate-guitar.com/tabs/a/andy_williams/moon_river_crd.htm
























19

Katrin (Bläck Föös)

C a d G

Ich wor fass schon jenseits von Eden, Adios amore, good bye

C a d G

Et Jlöck op d'r Welt kütt zu jedem / An mir jing et einfach vorbei.

a F C a

Do koms du, jo du, un sprengtest die Ketten entzwei

d

E Wunder wod wohr, d'r Himmel wor do

G

Far mich war dat ech Zauberei

C a d G

Oh Katrin, ich han mich verlore, verlore an dich

C a d G

Oh Katrin, ich bin neu jebore, neu jebore durch dich.

C C+ F d

Ich well niemols em Lääve ohne dich mih sin,

C d G C

denn nur met dir hät min Lääve wirklich Sinn.

Hallo Engel mit joldblonde Hoore,

ich soh dich vun drusse do ston

Mi Hätz, dat su lang deef jefrore,

Dat schmilze wie Ies en d'r Sonn,

Un d'r Duff en d'r Luff / ich jing ren un du häs mich bedeent

Sats Hello again! Et war ja su schön,

da Moment, noh dem ich mich jesehnt.

Oh Katrin, ich han mich verlore...

Gesprochen: "Oh Katharina, die Sache mit Werner kann ich dir nicht vergessen. Auch

die Geschichte mit Peter...

Doch als Willy mir erzahlte, daa Hartmut gesagt hat, du hattest auch Ganter und

Ernst, da war es so, als warde... "

Ich han Stunde jesesse, nur ding BIG MÄCS jejesse far DICH, DICH, DICH.

Oh Katrin, ich han mich verlore...

20

Wunder Gibt Es Immer Wieder

G C G Viele Menschen fragen, G C G

was ist schuld daran, C F C G warum kommt das Glück nicht zu mir. G C G

Fangen mit dem Leben G C G viel zu wenig an.

a h C D Dabei steht das Glück schon vor der Tür.

C D h Wunder gibt es immer wieder e a D G

heute oder morgen können sie geschehn. C D h Wunder gibt es immer wieder e a D G

wenn sie dir begegnen, mußt du sie auch sehn.

G C G Viele Menschen suchen G C G

jeden Tag auf/s neu C F C G jemand der sein Herz ihnen gibt.

G C G Und wenn sie schon glauben, G C G er kommt nie vorbei,

a h C D finden sie den einen der sie liebt.

C D h Wunder gibt es immer wieder e a D G

heute oder morgen können sie geschehn. C D h Wunder gibt es immer wieder

e a D G wenn sie dir begegnen, mußt du sie auch sehn.

21

Sag mir was Du denkst (Peter Kraus, Conny Foboess)

http://www.youtube.com/watch?v=aZ3NPEsDEK4 F d g C P: Twedubadubadu C: A Scoibiduija P: sag mir was Du denkst C: möchtest Du das wissen? P: Du ich weiß es längst C: meinst Du etwa Küssen P+C: tun als ob nichts wär F A P+C: fällt mir schrecklich schwer d G7 P+C: seit ich Dich sah C F P: Twedubadubadu C: A Scoibiduija C: sag mir was ins Ohr P: was darf ich Dir sagen C: Schlag doch etwas vor P: Na meinst Du ich kanns wagen P+C: dann geb ich es zu P+C: ich hab keine Ruh P+C: seit ich Dich sah Zwischenteil: P+C: findest Du nicht auch Bb P+C: daß wir so gut zusammenpassen F P+C: Du zu mir und ich zu Dir C F P+C: findest Du nicht auch Bb P+C: daß zwei die sich wie wir verstehn F P+C: sich immer immer wieder wiedersehn G C P: sag mir was Du denkst C: möchtest Du das wissen? P: Du ich weiß es längst C: meinst Du etwa Küssen P+C: tun als ob nichts wär F A P+C: fällt mir schrecklich schwer d G7 P+C: seit ich Dich sah C F P: Twedubadubadu C: A Scoibiduija P: Twedubadubadu C: A Scoibiduija P: Twedubadubadu C: A Scoibiduija

http://www.youtube.com/watch?v=aZ3NPEsDEK4

22

Drink doch eine met (Bläck Föös)

C G F G7 C Ne ahle Mann steht für der Weetschaftsdüür, der so jään ens eine drinke däht,

Fj7 e d G

Doch hä hätt veell zu wenig Jeld, su lang hä och zählt.

C G F G7 C

In d'r Weetschaft es de Stimmung jroß, äver keiner süht dä ahle Mann,

Fj7 e d G

Doch do kütt einer met enem Bier, un sprich en einfach an.

C G a e

Drink doch eine met, stell dich nit esu ahn!

F C G

Du steihst he de janze Zick eröm

C G a e

Häs de och kei Jeld, dat is janz ejal

F G7 C

Drink doch met un kümmer dich nit dröm.

Mancher sitz vielleicht allein zu Hus

dä su jään ens widder laache dät,

Janz heimlich do waat hä nur do drop

dat einer zo im sät:

Drink doch eine met,

stell dich nit esu ahn!

Du steihst he de janze Zick eröm

Häs de och kei Jeld, dat is janz ejal

Drink doch met un kümmer dich nit dröm.

23

En unserem Veedel (Bläck Föös)

D e Fis h h/A G

Wie soll dat nur wigger jonn? Wat bliev dann hück noch ston?

D A7 G D

Die Hüsjer un Jasse, die Stündcher beim Klaafe. Es dat vorbei?

e Fis h h /A G

En d’r Weetschaff op d’r Eck - ston die Männer an d’r Thek.

D A7 G D

Die Fraulückcher setze - beim Schwätzje zosamme. Es dat vorbei? D A D/A

A7

A7 D e

Wat och passeet, dat eine es doch klor:

A7 D

Et schönste, wat m’r han, schon all die lange Johr,

Fis7 h D7

es unser Veedel.

G A

Denn he hält m’r zosamme,

D G A7 D

ejal, wat och passeet, en unserem Veedel. (e C#dim7 D)

Uns Pänz, die spille nit em Jras. D e Fis

Un fällt ens einer op de Nas, h h/A G

die Bühle un Schramme, D

die fleck m’r zosamme, A7

dann es et vorbei. G D D A D/A A7

Wat och passeet,

dat eine es doch klor:

Et schönste, wat m’r han,

schon all die lange Johr,

es unser Veedel.


ejal, wat och passeet,

en unserem Veedel.

Dat es doch klor:

Mer blieven, wo mer sin,

schon all die lange Johr,

en unserem Veedel.


ejal, wat och passeet.

En unserem Veedel.

24

Wenn de Sunn schön schinck (Bläck Föös)

Fj7 6 g C7 g C F 6 j7 6

Wenn plötzlich et Barometer fällt, dann will d'r Pap si Sonndachsjeld.

Fj7 6 g C7 g C F 6 j7 6

Es hä dann klammheimlich durch de Dür dann kritt de Mam et ärme Dier.

g C Fj7 d g C F 7

1000 mol es ihr dat schon passet, doch se weed nit schlau.

g C Fj7 d g G C

Ävver jetz fängk sie et anders ahn, denn sie hät 'ne Plan:

g7 C7 g7 C7

Wenn de Sonn schön schingk weed et Wedder widder wärm

Fj7 6 j7 6

dann pack sich d'r Pap de Mama en dä Ärm.

g7 C7 g7 C7 Fj7 F7

Wenn de Sonn schön schingk deit dat dä zwei su jot, su jot.

g7 C7 g7 C7

Doch wenn de Sonn nit schingk Un et Wedder es nit wärm,

Fj7 6 j7 6

dann pack sich de Mam dä Papa en dä Ärm.

g7 C7 g7 C7 Fj7 F7

Wenn de Sonn nit schingk kütt dä Papa trotzdem nit ze koot,

g7 C F

doheim blieve deit och ens jot.

De Mam hätt dä Drieh jetz endlich russ

Hück bliev d’r Papa brav ze huss

Ejal wat dä Wedderfrosch verzällt

Dat Barometer nit mieh fällt.

1000 mal war ihr dat schon passet

hück weiß se jenau

wie ma Männer öm de Finger drieht

dafür es se Frau.

25

All you need is love (Beatles)

G D e G D e D7 G D7 Love, love, love, love, love, love, love, love, love. G D e There's nothing you can do that can't be done. G D e Nothing you can sing that can't be sung. D7 G D7 Nothing you can say but you can learn how to play the game It's easy. G a7 D G a7 D All you need is love, all you need is love,

G H7 e G C D7 G All you need is love, love, love is all you need.

G D e There's nothing you can make that can't be made. G D e No one you can save that can't be saved. D7 G D7 Nothing you can do but you can learn how to be in time It's easy. G a7 D G a7 D All you need is love, all you need is love,


G D e G D e D7 G D7 Love, love, love, love, love, love, love, love, love. G a7 D G a7 D All you need is love, all you need is love,


G D e There's nothing you can know that isn't known. G D e Nothing you can see that isn't shown. D7 G D7 Nowhere you can be that isn't where you're meant to be. It's easy. G a7 D G a7 D All you need is love, all you need is love,


26

Michelle

Intro: Dm C#+ Dm7 Dm6 Gm6 A D g C Bb A Bb A Michelle, ma belle, these are words that go together well, my Michelle D g C Bb A Bb A Michelle, ma belle, sont les mots qui vont tres bien ensemble, tres bien ensemble Dm cm F7 Bb I love you, I love you, I love you, that's all I want to say A7 d g until I find a way d C#+ d7 d6 g A I will say the only words I know that you'll understand. D g C Bb A Bb A Michelle, ma belle, these are words that go together well, my Michelle D g C Bb A Bb A Michelle, ma belle, sont les mots qui vont tres bien ensemble, tres bien ensemble Dm cm F7 Bb I need you, I need you, I need you, I need to make you see A7 d g oh what you mean to me d C#+ d7 d6 g A until I do I'm hoping you will know what I mean D g C Bb A Bb A Michelle, ma belle, these are words that go together well, my Michelle D g C Bb A Bb A Michelle, ma belle, sont les mots qui vont tres bien ensemble, tres bien ensemble Dm cm F7 Bb I want you, I want you, I want you, I think you know by now A7 d g I'll get to you somehow d C#+ d7 d6 g A until I do I'm telling you so you'll understand D g C Bb A Bb A Michelle, ma belle, sont les mots qui vont tres bien ensemble, tres bien ensemble Bb d g A7 D g D I will say the only words I know that you’ll understand, my Michelle Bb6 C7 Bb A

27

Father And Son (Cat Stevens)

It's not G time to make a D change, just re-C-lax and take it Am7 easy

You're still G young that's your Em fault,

there's so Am much you have to D know

Find a G girl, settle D down, if you C want to, you can Am7 marry

Look at G me, I am Em old, but I'm Am happy D

I was G once like you are Hm7 now, and I C know that its not Am7 easy

to be G calm, when you've Em found something Am going on. D

But take your G time, think a Hm7 lot, think of C everything Am7 you've got

For you will G still be here Em tomorrow, but your D dreams may G not

G C [Riff]

G C

How can G I try to ex-Hm-plain? when I C do he turns Am7 away again

it's G always been the Em same, same old Am story D

From the G moment I could Hm talk I was C ordered to Am7 listen

now there's a G way and I Em know I D have to G go away

and I D know I C have to G go

G C [Riff] (2x)

Break:

G D C Am7 G Em Am D G D C Am7 G Em D G D C G

G C [Riff] (2x)

It's not G time to make a D change, just sit C down and take it Am7 slowly

You're still G young, that's your Em fault

there's so Am much you have to go D through

Find a G girl, settle D down, if you C want to you can Am7 marry

Look at G me, I am Em old, but I'm Am happy D

All the G times that I Hm7 cried, keeping C all the things I Am7 knew inside

It's G hard, but it's Em harder to ig-Am-nore it. D

If they were G right, I'd a-Hm7-gree, but it's C them they know, not Am7 me

Now there's a G way, and I Em know that I D have to G go away.

I D know I C have to G go.

28

Let It Be (Beatles)

C G Am F

C G F Em Dm C

When I C find myself in G times of trouble, Am Mother Mary F comes to me

C Speaking words of G wisdom, let it F be Em Dm C

And C in my hour of G darkness, she is Am standing right in F front of me


Let it Am be, let it G be, let it F be, let it C be

C Whisper words of G wisdom, let it F be Em Dm C

And C when the broken G hearted people, Am living in the F world agree

C There will be an G answer, let it F be Em Dm C

But C though they may be G parted, there is Am still a chance that F they will see





C whisper words of G wisdom, let it F be Em Dm C 2x

F Em Dm C Em F G F C

Guitar Solo


C whisper words of G wisdom, let it F be Em Dm C

C And when the night is G cloudy, there is Am still a light that F shines on me

C Shine on till to-G-morrow, let it F be Em Dm C

I C wake up to the G sound of music, Am Mother Mary F comes to me





C whisper words of G wisdom, let it F be Em Dm C

F Em Dm C Em F G F C

29

Sailing (Rod Stewart)

I am E sailing, I am cism sailing, home A again 'cross the E sea.

I am fis sailing stormy cism waters, to be A near you H to be E free.

I am E flying, I am cism flying, like a A bird 'cross the E sky.

I am fis flying passing cism high clouds, to be A with you H to be E free.

Can you E hear me, can you cism hear me, thru' the A dark night far E away.

I am fis dying forever cism trying to be A with you H who can E say.

We are E sailing, we are cism sailing, home A again 'cross the E sea.

We are fis sailing stormy cism waters, to be A near you H to be E free

30

Always Look On The Bright Side Of Life (Monty Python)

Some Am things in life are D7 bad

they can G really make you Em mad

Am other things just D7 make you swear and G curse Em

when you're Am chewing on life’s D7 gristle

don't G grumble - give a Em whistle

and A7 this’ll help things turn out for the D best

And G always Em look at the Am bright D7 side of G life Em Am D7

G always Em look on the Am light D7 side of G life Em Am D7

If Am life seems jolly D7 rotten

there's G something you've for-Em-gotten

and Am that's to laugh and D7 smile and dance and G sing Em

when you are Am feeling in the D7 dumps

G don't be silly Em chumps

just A7 purse your lips and whistle that's the D thing



For Am life is quite ab-D7-surd

and G death's the final Em word

you must Am always face the D7 curtain with a G bow Em

for-Am-get about your D7 sin

give the G audience a Em grin

en-A7-joy it's your last chance any-D- how

So G always Em look on the Am bright D7 side of G death Em Am D7

G just be-Em-fore you Am draw your D7 terminal G breath. Em Am D7

Am Life's a piece of D7 shit

G when you look at Em it

Am life's a laugh and D7 death's a joke - it's G true Em

you Am see it's all a D7 show

keep them G laughing as you Em go

just re-A7-member that the last laugh is on D7 you

2x



6x

And A always F#m look at the Hm bright E7 side of A life F#m Hm E7

A always F#m look on the Hm light E7 side of A life F#m Hm E7

fade out

31

Was sollen wir trinken (Bots)

Em D

|: Was wollen wir trinken, 7 Tage lang,

Em D Em

was wollen wir trinken, so ein Durst. :|

G D G

Es wird genug für alle sein,

Em D

wir trinken zusammen, roll das Faß mal rein,

C D Em

wir trinken zusammen, nicht allein.

Em D

|: Dann wollen wir schaffen , 7 Tage lang,

Em D Em

dann wollen wir schaffen, komm faß an. :|

G D G

Und das wird keine Plackerei,

Em D

wir schaffen zusammen, 7 Tage lang,

C D Em

ja, schaffen zusammen, nicht allein.

Em D

|: Jetzt müssen wir streiten, keiner weiß wie lang,

Em D Em

ja, für ein Leben ohne Zwang. :|

G C G

Dann kriegt der Frust uns nicht mehr klein,

Em D

wir halten zusammen, keiner kämpft allein,

C D Em

wir gehen zusammen, nicht allein

32

Streets Of London (Ralph McTell)

C Have you seen the G old man, in the Am closed-down Em market

F picking up the C papers, with his D7 worn-out G7 shoes?

C In his eyes you G see no pride, Am and held loosely Em at his side

F yesterday's C papers, telling G7 yesterday's C news

So F how can you Em tell me, you're C lone-Am-ly

D7 and say for you that the sun don't G shine? G7

C Let me take you G by the hand, and Am lead you through the Em streets of London

F I'll show you C something, to G7 make you change your C mind

C Have you seen the G old gal, Am who walks the Em streets of London

F dirt in her C hair, and her D7 clothes in G7 rags?

C She's no time for G talking, she Am just keeps right on Em walking

F Carrying her C home, in G7 two carrier C bags





And C in the all-night G cafe, at a Am quarter past e-Em-leven

F same old C man sitting D7 there, on his G7 own

C Looking at the G world, over the Am rim of his Em tea-cup

F Each tea lasts an C hour, then he G7 wanders home a-C-lone





And C have you seen the G old man, out-Am-side the seaman's Em mission?

His F memory's fading, C with those medal D7 ribbons that he G7 wears

And C in our winter G city, the rain Am cries a little Em pity

For F one more forgotten C hero, and a G7 world that doesn't C care





33

Ein Bett im Kornfeld (Jürgen Drews) Sommerabend über blühendem Land,

Schon seit Mittag stand ich am Straßenrand, bei jedem Wagen, der vorüberfuhr, hob ich den Daumen. Auf einem Fahrrad kam da ein Mädchen her, und sie sagte: "Ich bedaure Dich sehr!"

Doch ich lachte und sprach: "Ich brauch' keine weichen Dauen." Ein Bett im Kornfeld, das ist immer frei,

denn es ist Sommer, und was ist schon dabei? Die Grillen singen, und es duftet nach Heu, wenn ich träume. Mmm... Ein Bett im Kornfeld zwischen Blumen und Stroh,

und die Sterne leuchten mir sowieso, ein Bett im Kornfeld mach' ich mir irgendwo ganz alleine.

Etwas später lag ihr Fahrrad im Gras, und so kam es, dass sie die Zeit vergaß. Mit der Gitarre, hab' ich ihr erzahlt von meinem Leben. Auf einmal rief sie: "Es ist höchste Zeit,

schon ist es dunkel, und mein Weg ist noch weit!" Doch ich lachte und sprach: "Ich hab' Dir noch viel zu geben!"

Ein Bett im Kornfeld, das ist immer frei, denn es ist Sommer, und was ist schon dabei? Die Grillen singen, und es duftet nach Heu, wenn wir träumen.

Mmm... Ein Bett im Kornfeld zwischen Blumen und Stroh, und die Sterne leuchten uns sowieso, ein Bett im Kornfeld mach' ich uns irgendwo ganz alleine.

34

Immer wieder geht die Sonne auf (Udo Jürgens)

a F

Wenn ein Traum, irgend ein Traum, G C Sich nicht erfüllt. Wenn die Liebe zu Ende geht.

F d E Wenn selbst die Hoffnung nicht mehr besteht, Nur Einsamkeit. a F

Wenn ein Blatt, irgend ein Blatt Vom Baume fällt, G C Weil der Herbstwind es so bestimmt,

F d E Wenn das Schicksal uns etwas nimmt, Vertrau der Zeit.

Refrain: A h Denn immer, immer wieder geht die Sonne auf

E A Und wieder bringt ein Tag für uns sein Licht. A h Ja, immer, immer wieder geht die Sonne auf,

E cis Denn Dunkelheit für immer gibt es nicht, fis h E

Die gibt es nicht, die gibt es nicht. a F

Hör ich ein Lied, irgend ein Lied, Das wir gekannt, G C denk' ich noch immer, Wie schön es war

F d E - wir waren glücklich, Wird mir dann klar, denn du warst hier. a F

Und wenn dir irgend ein Mensch von mir erzählt, G C ich hätt' vergessen, dann denk' daran:

F d E Ich glaub' an morgen, Denn irgendwann stehst du vor mir.

Refrain

35

Ohne Krimi geht die Mimi nie ins Bett Bill Ramsey

Ohne Krimi geht die Mimmi nie ins Bett, nie ins Bett, nie ins Bett, nie ins Bett,

Ohne Krimi tut's die Mimmi leider nicht, und es brennt die ganze Nacht das Licht.

Jeden Abend geht die Mimmi in die Heia um Halb Zehn,

aber niemals ohne vorher an den Bücherschrank zu geh'n.

Keinen Goethe, keinen Schiller holt sie aus dem Schrank heraus,

Nein, einen superharten Thriller sucht sich Mimmi aus.



Ich möchte schlafen, doch die Mimmi will lesen.

Ich möchte schlafen, doch die Mimmi ist erst auf Seite 104,

wo der Killer aus Manhattan Zyankalisuppe kocht,

für den Richter, der ihn damals in Chicago eingelocht.

Ich muß alles miterleben, denn das Beste liest sie laut.

Ich liege zitternd neben ihr und hab 'ne Gänsehaut.



Ich kann nicht schlafen, denn die Mimmi muß lesen,

die nächste Leiche wart' ich gar nicht erst ab und schleiche aus dem Bett,

aus dem Zimmer, aus der Wohnung, auf die Straße in die Bar,

denn dort machen ein paar Klare mir den Schädel wieder klar.

Bei dem Mixer an der Theke bin ich Dauerabonnent,

bei ihm bleib ich, solang bei mir zu Haus das Licht noch brennt.



Mimmi hat den Krimi und die Interpol und ich den Alkohol.

Mimmi hat den Krimi und die Interpol und ich den Alkohol.

Prost!

36

Hungry Heart (Bruce Springsteen)

INTRO: C Am7 Dm7 G7sus C Am7 Got a wife and kids in Baltimore Jack Dm7 G7sus I went out for a ride and I never went back C Am7 Like a river that don't know where it's flowing Dm7 G7sus I took a wrong turn and I just kept going C Am7 Everybody's got a hungry heart Dm7 G7sus Everybody's got a hungry heart C Am7 Lay down your money and you play your part Dm7 G7sus Everybody's got a huh-uh-un-gry heart C Am7 I met her in a Kingstown bar Dm7 G7sus We fell in love I knew it had to end C Am7 We took what we had and we ripped it apart Dm7 G7sus Now here I am down in Kingstown again

C Am7 Everybody's got a hungry heart Dm7 G7sus Everybody's got a hungry heart C Am7 Lay down your money and you play your part Dm7 G7sus Everybody's got a huh-uh-un-gry heart SOLO: Eb Cm7 Fm7 Ab/Bb Eb Cm7 Fm7 G7sus Everybody needs a place to rest Everybody wants to have a home Don't make no difference what nobody says Ain't nobody like to be alone

37

Everybody's got a hungry heart...

38

Über sieben Brücken musst Du gehn (Karat)

Manchmal geh' ich meine Straße ohne Blick, D G D oder G C G manchmal wünsch' ich mir mein Schaukelpferd zurück, D C oder G F manchmal bin ich ohne Rast und Ruh, h oder e manchmal schließ ich alles Türen nach mir zu. A e A oder D a D Manchmal ist mir kalt und manchmal heiss, D G D oder G C G manchmal weiss ich nicht mehr, was ich weiss, D C oder G F manchmal bin ich schon am Morgen müd, A e D h oder D a G e und dann such ich Trost in einem Lied: G A D oder C D G Über Sieben Brücken mußt Du geh'n, D A D A oder G D G D Sieben dunkle Jahre überstehn, D G A oder G C D Sieben Mal mußt Du die Asche sein, f# h oder h e Aber einmal auch der helle Schein. G A D oder C D G Manchmal scheint die Uhr des Lebens still zu steht'n, D G D oder G C G manchmal scheint man immer nur im Kreis zu geh'n, D C oder G F manchmal ist man wie vom Fernweh krank, h oder e manchmal sitzt man still auf einer Bank. A e A oder D a D Manchmal greift man nach der ganzen Welt, D G D oder G C G manchmal meint man, daß der Glücksstern fällt, D C oder G F manchmal nimmt man, wo man lieber gibt, A e D h oder D a G e manchmal haßt man das, was man doch liebt. G A D oder C D G Über Sieben Brücken mußt Du geh'n, D A D A oder G D G D Sieben dunkle Jahre überstehn, D G A oder G C D Sieben Mal mußt Du die Asche sein, f# h oder h e Aber einmal auch der helle Schein. G A D oder C D G

39

Jamaica Farewell (Harry Belafonte)

D Down the way where the G nights are gay,

And the A sun shines daily on the D mountaintop.

I took a trip on a G sailing ship,

But when I A reached Jamaica I D made a stop.

But I'm sad to say I'm Em on my way,

A7 Won't be back for D many a day.

My heart is down, my head is Em turning around;

I had to A7 leave a little girl in D Kingston town.

D Sounds of laughter G everywhere,

And the A dancing girls swing D to and fro.

I must declare my G heart is there,

Though I've A been from Maine to D Mexico.





D Down at the market G you can hear,

Ladies A cry out while on their D heads they bear,

Akkay rice, salt G fish are nice,

And the A rum is fine any D time of year.





D Down the way where the G nights are gay,

And the A sun shines daily on the D mountaintop.

I took a trip on a G sailing ship,

But when I A reached Jamaica I D made a stop.









40

Hey Jude (Beatles)

Hey F Jude dont make it C bad

take a C7 sad C7sus4 song and C7 make it F better

Re-B-member to let her into your F heart

and then you can C7 start to make it F better

Hey F Jude dont be a-C-fraid

you were C7 made C7sus4 to go C7 out and F get her

The B minute you let her under your F skin

then you be-C7-gin to make it F better Fmaj7 F7

And anytime you feel the B pain hey Bmaj7 jude re-Gm7-frain

dont carry the C7 world upon your F shoulders Fmaj7 F7

For well you know that its a B fool who Bmaj7 plays it Gm7 cool

by making his C7 world a little F colder

Da da da F7 da da C7 Da da da da F C C7

Hey F Jude dont let me C down

You have C7 found C7sus4 her now C7 go and F get her

Re-B-member to let her into you F heart

then you can C7 start to make it F better Fmaj7 F7

So let it out and let it B in hey Bmaj7 Jude be-Gm7-gin

your waiting f

or C7 someone to per-F-form with Fmaj7 F7

And dont you know that its just B you hey Bmaj7 jude you'll Gm7 do

The movement you C7 need is on your F shoulders

Da da da F7 da da C7 Da da da da F C C7

Hey F Jude dont make it C bad

take a C7 sad C7sus4 song and C7 make it F better

Re-B-member to let her under your F skin

and then you'll be-C7-gin to make it F better

F Na na na Eb na na na na B Na na na na Hey F Jude (Repeat and fade)

41

Über den Wolken (Reinhard Mey)

G Am D7 G

Wind nord - ost, Startbahn null - drei, bis hier hör ich die Motoren.

Am D7 G

Wie ein Pfeil zieht sie vorbei und es dröhnt in meinen Ohren.

Am D7 G

Und der nasse Asphalt bebt, wie ein Schleier staubt der Regen,

Am D7 G

bis sie abhebt und sie schwebt - der Sonne entgegen.

G Am D7 G

Über den Wolken, muß die Freiheit wohl grenzenlos sein.

Am D7 G

Alle Ängste, alle Sorgen, sagt man, blieben darunter verborgen und dann,

C G D7 G

würde, was uns groß und wichtig erscheint, plötzlich nichtig und klein.

G Am D7 G

Ich seh´ihr noch lange nach, seh´sie die Wolken erklimmen,

Am D7 G

bis die Lichter nach und nach ganz im Regengrau verschwimmen.

Am D7 G

Meine Augen haben schon jenen winz´gen Punkt verloren. Am D7 G

Nur von fern klingt monoton das Summen der Motoren.

G Am D7 G


Am D7 G


C G D7 G


G Am D7 G

Dann ist alles still, ich geh´, Regen durchdringt meine Jacke. Am D7 G

Irgend jemand kocht Kaffee in der Luftaufsichtsbaracke.

Am D7 G

In den Pfützen schwimmt Benzin - schillernd wie ein Regenbogen.

Am D7 G

Wolken spiegeln sich darin - ich wär gern mit geflogen.

G Am D7 G


Am D7 G


C G D7 G


(x2) fade out

http://www.ultimate-guitar.com/tabs/d/dieter_thomas_kuhn/ber_den_wolken_crd.htm








































































42

Poems, prayers and promises John Denver

D G(add A) D

1) I've been lately thinking about my life's time

2) Days they pass so quickly now, the nights are seldom long

G(add A)

1) all the things I've done and how it's been,

2) time around me whispers when it's cold.

D G(add A) D

1) and I can't help believin' in my own mind

2) The changes somehow frightens me, still I have to smile

G(add A)

1) I know I'm gonna hate to see it end.

2) it turns me on to think of growing old.

D G(add A) D

1) I've seen a lot of sunshine slept out in the rain

2) It's tho' my life's been good to me there's still so much to do

G(add A)

1) spent a night or two all on my own

2) so many things my mind has never known

D G(add A) D

1) I've known my lady's pleasures had myself some friends

2) I'd like to raise a fam'ly I'd like to sail away

G(add A)

1) spent a time or two in my own home.

2) dance across the mountains on the moon.

G A7 D G

Ref.) I have to say it now it's been good life all in all,

D Bm Em

it's really fine to have a chance to hang around.

A7 G A7 D G

and lie there by the fire and watch the evening tire,

D Bm Em A7

while all my friends and my old lady sit and pass a pipe around

G fis

and talk of poems and prayers and promises

G D Dmaj7

and things that we believe in, how sweet it is to love someone,

G A G fis

how right it is to care, how long it's been since yesterday

Em D Dmaj7

what about tomorrow and what about our dreams

G A D G D

and all the memories we share,

43

RAWHIDE (BLUES BROTHERS)

Am

Rollin' Rollin' Rollin' (4x) Rawhide

Am C

1. Rollin' Rollin' Rollin', though the streams are swollen

keep them doggies rollin', Rawhide!

Am G Am

Rain and wind and weather, hell bent for leather,

G F E

wishin' my gal was by my side.

Am G Am

All the things I'm missin', good viddies, love and kissin',

G Am G Am

are waitin' at the end of my ride.

CHORUS

Am

Move 'em on, head 'em up, head 'em up, move 'em on,

E

move 'em on, head 'em up, Rawhide!

Am

Cut 'em out, ride 'em in, ride 'em in, cut 'em out,

F E Am

cut 'em out, ride 'em in, Rawhide!

Am C

1. keep movin' movin' movin', though they are disapprovin'

keep them doggies movin', Rawhide!

Am G Am

Don't try to understand them, just rope, throw and brand 'em,

G F E

soon we'll be livin' high and wide.

Am G Am

My heart's calculatin', my true love will be waitin',

G Am G Am

be waitin' at the end of my ride.

44

DON'T THINK TWICE, IT'S ALRIGHT by Bob Dylan

G D Em

It ain't no use to sit and wonder why, babe

C G D

It don't matter anyhow

G D Em

And it ain't no use to sit and wonder why, babe

A7 D D7

If you don't know by now.

G G7

When the rooster crows at the break of dawn

C A7

Look out your window and I'll be gone

G D Em C

You're the reason I'm travellin' on

G D G D

Don't think twice, it's alright.

And it ain't no use in turning on your light babe

the light I never knowed

and it ain't no use in turning on your light babe

I'm on the dark side of the road

Well I wish there was something you would do or say

to try and make me change my mind and stay

we never did too much talking anyway

But don't think twice, it's all right

So it ain't no use in calling out my name, gal

like you never done before

and it ain't no use in calling out my name, gal

I can't hear you any more

I'm a thinkin' and a wonderin', walkin' down the road

I once loved a woman, a child I am told

I give her my heart but she wanted my soul

Don't think twice, it's all right

So long honey babe

where I'm bound, I can't tell

goodbye is too good a word babe

so I'll just say fare the well

I ain't a sayin' you treated me unkind

you coulda done better but, I don't mind

you just kinda wasted my precious time

Don't think twice, it's all right

45

GHOST RIDERS IN THE SKY.

|Am |C |C

An old cowboy went ridin' out one dark and windy day,

|Am |C |C

at bolder ridge he rested as he went along his way

|Am |Am

when all at once a mighty herd of red eyed cows he saw

|F |F |Am

driving through the ragged sk-----ies and up a cloudy draw.

|Am |C

Their brands were still on fire and their hooves were made of steel

|Am |C

their horns were black and shiny and their hot breath he could feel

|Am |Am

a bolt of fear cut through him as they thundered through the sky

|F |F |Am

For he saw the riders coming hard... and he heard their mournful cry

|Am |C |Am

Yipie i oh Yipie i ay

|F |Am

Ghost riders in the sky.

|Am |C

As the riders loaped on by him he heard on call his name

|Am |C

if you want to save your soul from hell a riding on our range

|Am |Am

cow-boy change your ways today or with us you will ride.

|F |F |Am

driving with the devils herd.... a-cross this moonlit sky.

|Am |C

Their face was drawn there eyes were blurred their shirts all soaked

with sweat

|Am |C

He's ridin' hard to catch that herd but he 'aint caught 'em yet

|Am

'cause they've all to ride forever on that range up in the sky

|F |F |Am

oh the horses start to shi---re as they ride on through they cry

|Am |C |Am


|F |Am


|Am |C

As the riders loaped on by him he heard one call his name

|Am |C

if you want to save your soul from hell a riding on our range

|Am |Am

cow-boy change your ways today or with us you will ride.

|F |F |Am

driving with the devils herd.... across this moonlit sky.

46

|Am |C |Am


|F |Am


Ring Of Fire - June Carter, Merle Kilgore

~~~~~~~~~~~~ As Performed By Johnny Cash

INTRO: G C G C

G C G

Love Is A Burning Thing

C G

And It Makes A Firery Ring

C G

Bound By Wild Desire

C G

I Fell Into A Ring Of Fire

CHORUS:

D C G

I Fell Into A Burning Ring Of Fire

D

I Went Down, Down, Down

C G

And The Flames Went Higher

And It Burns, Burns, Burns

C G

The Ring Of Fire

C G

The Ring Of Fire

Repeat INTRO Twice

Repeat CHORUS

C G

The Taste Of Love Is Sweet

C G

When Hearts Like Ours Meet

C G

I Fell For You Like A Child

C G

Ohh, But The Fire Went Wild

Repeat CHORUS

Repeat CHORUS

And It Burns, Burns, Burns

C G

The Ring Of Fire

C G

The Ring Of Fire

47

Folsom Prison Blues - Johnny Cash

E

I hear the train a comin'

It's rollin' 'round the bend

And I ain't seen the sunshine

E7

Since, I don't know when

A

I'm stuck in Folsom Prison

E

And time keeps draggin' on

B

But that train keeps a-rollin'

A( Strum once only) E

On down to San Antone

When I was just a baby

My Mama told me, "Son

Always be a good boy

Don't ever play with guns"

But I shot a man in Reno

Just to watch him die

When I hear that whistle blowin'

I hang my head and cry

I bet there's rich folks eatin'

In a fancy dining car

They're probably drinkin' coffee

And smokin' big cigars

But I know I had it comin'

I know I can't be free

But those people keep a-movin'

And that's what tortures me

Well, if they freed me from this prison

If that railroad train was mine

I bet I'd move it on a little

Farther down the line

Far from Folsom Prison

That's where I want to stay

And I'd let that lonesome whistle

Blow my blues away

48

I was born under a wandrin star

C-Dm7 C - Dm7 C- Dm7 C - Dm7

I was born under a wanderin' star,


I was born under a wanderin' star.

F Dm7 F Dm7

Wheels are made for rollin', mules are made to pack;

C C/B Am7 Am7/G D Dm G

I've never seen a sight that didn't look better lookin' back.


I was born under a wanderin' star, a

C Am7 Dm7 G C Dm7 C C/B

Wand'rin', wand'rin' star.

(Bridge:)

Em

Mud can make you prisoner

D

And the plains can make you dry;

Em

Smoke can burn your eyes,

D

But only people make you cry.

Dm

Home was made for comin' from,

C C/B Am7 Am7/G

And dreams of goin' to,

D Dm7 G D7 G7 G6

Which, with any luck, will never come true.


I was born under a wanderin' star.

Do I know where hell is? Hell is in "Hello."

Heaven is "Good bye forever, it's time for me to go."


A wanderin', wanderin' star.

49

Streets of Laredo

C F C G

As I walked out on the streets of Laredo

C F C G

As I walked out on Laredo one day,

C F C G

I spied a young cowboy, all wrapped in white linen

C F C G C

Wrapped up in white linen and cold as the clay

I can see by your outfit, that you are a cowboy

These words he did say as I bodly walked by

Come and sit down beside me and hear my sad story

I'm shot in the breast, and I know I must die

It was once in the saddle I used to go dashing

Once in the saddle I used to go gay

First to the card-house, and then down to Roses

But I got shot in the breast, and I'm dying today

Get six jolly cowboys to carry my coffin

Six dead maidens to bear up my pall

Throw bunches of roses all over my coffin

Roses to deaden the clods as they fall

Then beat the drum slowly and play the fife lowly

Play the dead march as you carry me along

Take me to the green valley, lay the sod o'er me

I'm a young cowboy, and I know I've done wrong

Then go write a letter to my gray-haired mother

And tell her the cowboy that she loved is gone

But please not one word of the man who had killed me

Don't mention his name and his name will pass on

When thus he had spoken the hot sun was setting

The streets of Laredo grew cold as the clay

We took the young cowboy down to the green valley

And there stands his marker we made to this day

We beat the drum slowly, played the fife lowly

Played the dead march as we carried him along

Down to the green valley, laid the sod oe'r him

He was young cowboy and he said he'd done wrong.

50

FAMOUS BLUE RAINCOAT- Leonard Cohen

Am F

It's four in the morning, the end of December

Dm7 Em7

I'm writing you now just to see if you're better

Am F

New York is cold, but I like where I'm living

Dm7 Em7

There's music on Clinton Street all through the evening

Am Bm Am Bm

I hear that you're building your little house deep in the desert

Am G

You're living for nothing now

Am G

I hope you're keeping some kind of record

CHORUS #1:

C G

Yes, and Jane came by with a lock of your hair

Am

She said that you gave it to her

Bm G

That night that you planned to go clear

F Em7

Did you ever go clear?

Am

Ah, the last time we saw you you looked so much older

Your famous blue raincoat was torn at the shoulder

You'd been to the station to meet every train

And you came home without Lili Marlene

And you treated my woman to a flake of your life

And when she came back she was nobody's wife

CHORUS #2:

C G

Well I see you there with the rose in your teeth

Am

One more thin gypsy thief

Bm G F Em7

Well I see Jane's awake she sends her regards

And what can I tell you my brother, my killer

What can I possibly say?

I guess that I miss you, I guess I forgive you

I'm glad you stood in my way

If you ever come by here, for Jane or for me

Well, your enemy is sleeping, and his woman is free

CHORUS #3:

C G

Yes, and thanks, for the trouble you took from her eyes

Am G

I thought it was there for good so I never tried

C G

And Jane came by with a lock of your hair

Am

She said that you gave it to her

Bm G

That night that you planned to go clear

F Em7

Sincerely, L Cohen

51

Sisters of Mercy - Leonard Cohen

A D E A D A

Oh Sis-ters of Mer-cy they are not de-par-ted or gone

C#m G#m C#m G#m E Esus4 E

They were wait-ing for me when I thought that I just cant go on

D A G F#m E Esus4 E

And they brought me their com-fort and later they brought me their song

A D E A D

Oh I hope you into them you who've been trav-ling so long

G/D D/A A7 D G/D D/A A7 D A E

Yes you who must leave everything

That you cannot control

It begins with your family,

but soon it comes round to your soul

Well I've been where you're hanging

I think I can see how you're pinned

When you're not feeling holy

Your loneliness says that your've sinned

They lay down beside me

I made my confession to them

They touched both my eyes

And I touched the dew on their hem

If your life is a leaf

That the seasons tear off and condemn

They will bind yoou with love

That is graceful and green as a stem

When I left they were sleeping

I hope you run into them soon

Dont turn on the lights

You can read their address by the moon

And you wont make me jealous

If I hear that they sweetened your night

D E

A D

We werent lov-ers like that

A E A

And besides it would still be all right

We werent lovers like that

And besides it would still be all right

52

Hallelujah: Leonard Cohen

G Em

I heard there was a secret chord

G Em

that David played and it pleased the Lord,

C 2x (D) G (D)

But you don't really care for music do you.

G /C D

It goes like this the fourth the fifth, Cale 1

/Em /C D

the minor fall and the major lift

/Em(D) D(D7/+?) Em

The baffled king composing hallelujah

C Em C G-D-G

Halleluja, Halleluja, Halleluja, Halleluja

G Em

Your faith was strong but you needed proof

G Em

You saw her bathing on the roof

C G

Her beauty and the moonlight overthrew her Cale 2

G /C D

She tied you to a kitchen chair

/Em /C D

She broke your throne, and she cut your hair

/Em(D) D Em

And from your lips she drew the Hallelujah

C Em C G-D-G

Hallelujah, Hallelujah, Hallelujah, Hallelujah

G Em

You say I took the name in vain

G Em

I don't even know the name

C G

But if I did, well really, what's it to you?

G /C D

There's a blaze of light in every word

/Em /C D

It doesn't matter which you heard

/Em(D) D Em

The holy or the broken Hallelujah

C Em C G-D-G


G Em

Baby I've beeen here before.

G Em

I know this room I've walked this floor.

C G

I used to live alone before I knew you.

G C D Cale 3/Cohen 1

I've seen your flag on the marble arch

Em C D

but love is not a victory march

Em D Em

It's a cold and it's a broken Hallelujah

C Em C G-D-G


G Em

There was a time you let me know

G Em

53

whats really going on below

C G

but now you never show it to me do you?

G C D

I remember when I moved in you Cale 4/Cohen 2

Em C D

and the holy dove was moving too

Em D Em

and every breath we drew was Hallelujah

C Em C G-D-G


G Em

Now maybe there's a god above

G Em

but all I ever learned from love

C G

is how to shoot at someone who outdrew you

G C D Cale 5/Cohen 3

And it's no complaint you hear tonight

Em C D

and it's not some pilgrim who's seen the light

Em D Em

it's a cold and it's a lonely Hallelujah

C Em C G-D-G


G Em

I did my best it wasn't much.

G Em

I couldn't feel so I learned to touch.

C G

I've told the truth, I didn't come to fool you.

G C D

And even though it all went wrong, Cohen 4

Em C D

I'll stand before the Lord of Song

Em D Em

with nothing on my tongue but Hallelujah

C Em C G-D-G


54

SUZANNE- Leonard Cohen

E * + * +

Suzanne takes you down to her place by the river

F#m * + * +

You can hear the boats go by, you can spend the night beside her

E * + * +

And you know that she's half crazy but that's why you want to be there

G#m * + A * +

And she feeds you tea and oranges that come all the way from China

E F#m

And just when you mean to tell her that you have no love to give her

E

Then she gets you on her wavelength

F#m E

And she lets the river answer that you've always been her lover

G#m

And you want to travel with her

A

And you want to travel blind

E

And you know that she will trust you

F#m E

For you've touched her perfect body with your mind

And Jesus was a sailor when He walked upon the water

And He spent a long time watching from his lonely wooden tower

And when He knew for certain only drowning men could see Him

He said, "All men will be sailors then until the sea shall free them"

But He Himself was broken long before the sky would open

Forsaken, almost human, He sank beneath your wisdom like a stone

And you want to travel with him


And you think maybe you'll trust him

For he's touched your perfect body with his mind

Suzanne takes your hand, and she leads you to the river

She is wearing rags and feathers from Salvation Army counters

And the sun pours down like honey on our lady of the harbor

And she shows you where to look among the garbage and the flowers

There are heroes in the seaweed, there are children in the morning

They are leaning out for love and they will lean that way forever

while Suzanne holds the mirror

And you want to travel with her


And you know that you will trust her

For she's touched your perfect body with her mind

55

Alexandra Leaving – Leonard Cohen

F Dm

Suddenly the night has grown colder.

C Bb C F

The god of love preparing to depart.

F Dm

Alexandra hoisted on his shoulder

Bb C F

They slip between the sentries of the heart.

Am7 Bb

Upheld by the simplicities of pleasure

Gm C

They gain the light, they formlessly entwine

F Dm

And radiant beyond your widest measure

Bb C F

They fall among the voices and the wine.

Bb C Dm

It's not a trick, your senses all deceiving

Bb C

A fitful dream, the morning will exhaust

F Am7/e Dm C Bb

Say goodbye to Alexandra leaving.

Bb6 C F

Then say goodbye to Alexandra lost.

F Dm

Even though she sleeps upon your satin

C Bb C F

Even though she wakes you with a kiss.

F Dm

Do not say the moment was imagined

C Bb C F

Do not stoop to strategies like this.

Am7 Bb

As someone long prepared for this to happen

Gm C

Go firmly to the window. Drink it in.

F Dm

Exquisite music. Alexandra laughing.

Bb C F

Your first commitments tangible again.

Bb C Dm

And you who had the honor of her evening

Bb C

And by that honor had your own restored

F Am7/e Dm C Bb

Say goodbye to Alexandra leaving

Bb6 C F

Alexandra leaving with her lord.

Bb C Dm

Even though she sleeps upon your satin

Bb C Dm

Even though she wakes you with a kiss.

Bb C Dm

Do not say the moment was imagined

Gm C

Do not stoop to strategies like this.

F Dm

56

As someone long prepared for the occasion

C Bb C F

In full command of every plan you wrecked

F Dm

Do not choose a coward's explanation

C Bb C F

That hides behind the cause and the effect.

Bb C Dm

And you who were bewildered by a meaning

Bb C

Whose code was broken, crucifix uncrossed

F Am7/e Dm C Bb


Bb6 C F


F Am7/e Dm C Bb


Bb6 C F


57

Chelsea Hotel

C G F C

I remember you well in the Chelsea Hotel

G Am

You were talking so brave and so sweet

C G F C

Giving me head on the unmade bed

F G

While the limousines wait in the street

Am F

Those were the reasons and that was New York

C E/b Am

We were running for the money and the flesh

F C

And that was called love for the workers in song

F G

Probably still is for those of them left

F C

Ah but you got away, didn't you babe

E/b Am

You just turned your back on the crowd

F C

You got away, I never once heard you say

F C

I need you, I don't need you

F C


F Am G

And all of that jiving around


You were famous, your heart was a legend

You told me again you preferred handsome men

But for me you would make an exception

And clenching your fist for the ones like us

Who are oppressed by the figures of beauty

You fixed yourself, you said, "Well never mind

We are ugly but we have the music."

And then you got away, didn't you babe

You just turned your back on the crowd

You got away, I never once heard you say



And all of that jiving around

C G F C

I don't mean to suggest that I loved you the best

G Am

I can't keep track of each fallen robin

C G F C


F G

That's all, I don't even think of you that often

58

Who by Fire – Leonard Cohen

Am G Am

And who by fire

Am G Am

Who by water

C G C

Who in the sunshine

C G C

Who in the night time

Am G Am

Who by high ordeal

Am G Am

Who by common trial

C G C

Who in your merry merry month of may

C G C

Who by very slow decay

Am/e Am/f E

And who shall I say is calling?

And who in her lonely slip

Who by barbiturate

Who in these realms of love

Who by something blunt

And who by avalanche

Who by powder

Who for his greed

Who for his hunger


And who by brave assent

Who by accident

Who in solitude

Who in this mirror

Who by his lady's command

Who by his own hand

Who in mortal chains

Who in power


59

Ich bin Klempner von Beruf, Ein dreifach Hoch dem der dies gold'ne Handwerk schuf!

Denn auch in den größten Nöten

Gibt es immer was zu löten

Immer wieder gibt es Pannen

An WCs und Badewannen,

Ich bin Klempner von Beruf.

Neulich hab' ich einen Boiler installiert,

Der hat gut und gern' zwei Tage funktioniert.

Dann war er drei Tage alt und das heiße Wasser kalt.

Na da hab' ich gar nicht lange repariert,

Sondern sofort einen neuen installiert.

Und da fragt mich doch der Kunde noch nachher,

Ob denn reparier'n nicht doch preiswerter wär'?

Da antwort' ich blitzeschnell: "Ihr uraltes Modell

Stellt die Firma heut' schon gar nicht mehr,

Und Ersatzteile gibt's längst nicht mehr."

Ich bin Klempner von Beruf,

Ein dreifach Hoch dem der dies gold'ne Handwerk schuf!

Selbst in schweren Wirtschaftskrisen

Find' ich Rohre hinter Fliesen,

Ist ein Unglück anzurichten

Und ein Abfluß abzudichten,


Gestern Mittag hat ein Kunde angeklopft,

Bei ihm sei wohl ein Abwasserrohr verstopft

Ich erneu're rasch die Dichtung,

Und dann stimmt auch schon die Richtung.

Wenn man einen Stopfen in die Röhre pfropft

Kann es sein, dass dann der Rücklaufkrümmer tropft.

Doch wahrscheinlich hat ein Doppelflansch geklemmt,

Darum hab' ich gleich die Mauer aufgestemmt

Und das Halbgrundstück durchstochen

Und die Wohnungswand durchbrochen

Und die Nachbarwohnung auch noch überschwemmt,

Es gibt nichts, das einen Klempner hemmt.


Ein dreifach Hoch dem dies gold'ne Handwerk schuf!

Immer werden Hähne tropfen,

Werden Waschbecken verstopfen,

Immer gibt es was zu schweißen,

Abzubau'n und einzureißen,


Letzte Pfingsten war es, glaub' ich um halb acht,

Da rief ein Mann an, völlig aufgebracht.

60

Bei ihm sei ein Rohr gebrochen,

Er selbst nass bis auf die Knochen

Und das sprudelt, und das gluckert, und das kracht.

"Prima", sagte ich, "Das wird sofort gemacht".

An einem nebligen Novembertag

Bracht' ich ihm erstmal den Kostenvoranschlag.

Noch muss er zum Keller schwimmen

Und zur Nacht sein Dach erklimmen,

Denn vor Juni tu' ich keinen Hammerschlag,

So hat jeder seine Sorgen heutzutag'.


ein dreifach Hoch dem dies gold'ne Handwerk schuf!

Es gibt immer ein paar Muffen

Abzubau'n und umzubuffen

Es gibt immer was zu planschen,

An den Hähnen zu verflanschen,


Am Freitag kam eine Reklamation,

Ein Kunde rügte die Installation:

Immer wenn er Wasser zapfe

Samm'le Erdgas sich im Napfe

Und kling'le zufällig das Telefon,

Gäb' es manche heftige Detonation.

Ich löste das Problem höchst elegant

Indem ich Telefon und Hahn verband

Wenn es jetzt im Hörer tutet

Wird die Küche überflutet

Und durch diesen Kunstgriff meisterlicher Hand

Ist jetzt jede Explosionsgefahr gebannt.



Denn in Villen und in Lauben

Gibt es Muttern zu verschrauben

Selbst auf Schlössern, alten stolzen,

Gibt es Schellen zu verbolzen,


Gründlich sein ist jeden Klempners Pflicht,

Donnerstag war eine Leitung nicht ganz dicht.

Mit dem Anzieh'n einer Mutter

Ist das längst noch nicht in Butter,

Denn wenn dabei eine Bogenschelle bricht,

Reduziert sich oft die Druckmanschette nicht!

Folglich habe ich vom Keller bis zum Dach

Alle Rohre neu verlegt, und hab' danach

Auch den Kühlschrank noch erneuert,

Was die Sache zwar verteuert,

Aber dafür sagt mir auch kein Kunde nach,

61

Dass ich bei der Arbeit halbe Arbeit mach'.



Linke Hand die Werkzeugtasche,

Zwanz'gerschlüssel, Thermosflasche,

Rechte Hand meine Rohrzange,

So wird mir so schnell nicht bange,


Und braucht man keine Klempner mehr,

Na dann werd' ich halt Installateur!

62

Castles in the air by Don McLean

E Emaj7

And if she asks you why

A E F#m7

you can tell her that I told you that I'm tired

B7 E F#m7

of castles in the air, I've got a dream

B7 E F#m7

I want the world to share and castle walls

B7 E Emaj7 E6 E

just lead me to despair.

E Emaj7

Hills of forest green

A E F#m7

where the mountains touch the sky a dream come true

B7 E F#m7

I'll live there till I die, I'm asking you

B7 E F#m7

to say my last goodbye ,the love we knew

B7 E Emaj7 E6 E

ain't worth another try.

F#m7 B7 E

Save me from all the trouble and the pain

A A(G#bass) F#m7 F#7 B7 F#m7 B7 F#m7 B7

I know I'm weak but I can't face that girl again

F#m7 B7 E

Tell her the reasons why I can't remain

A E F#m7 F#7 B7 F#m7 B7 F#m7 B7

Perhaps she'll understand, if you tell it to her plain

E Emaj7

But how can words express

A E F#m7

the feel of sunlight in the morning in the hills,

B7 E F#m7

away from city strife, I need a

B7 E F#m7

country woman for my wife, I'm city born,

B7 E Emaj7 E6 E

but I love the country life.

E Emaj7

For I can not be part

A E F#m7

of her cocktail generation, partners waltz

B7 E F#m7

Devoid of all romance the music playes

B7 E F#m7

and everyone must dance I'm bowling out

B7 E Emaj7 E6 E

I need a second chance.

F#m7 B7 E

Save me from all the trouble and the pain

A A(G#bass) F#m7 F#7 B7 F#m7 B7 F#m7 B7

I know I'm weak but I can't face that girl again

63

F#m7 B7 E

Tell her the reasons why I can't remain

A E F#m7 F#7 B7 F#m7 B7 F#m7 B7

Perhaps she'll understand, if you tell it to her plain

E Emaj7

And if she asks you why

A E F#m7

you can tell her that I told you that I'm tired

B7 E F#m7

of castles in the air, I've got a dream

B7 E F#m7

I want the world to share and castle walls

B7 E Emaj7 E6 E

just lead me to despair.

I'm sorry John Denver

G a

1. It's cold here in the city it always seems that way

2. Our friends all ask about you, I say you're doing fine

D7 G

1. and I've been thinking about you almost every day

2. I expect to hear from you almost anytime

a

1. Thinking about the good times thinking about the rain

2. But they all know I'm cryin', that I can't sleep at night

D7 G

1. thinking about how bad it feels a-lone again

2. They all know I'm dying down deep inside.

C D7 G

1. I'm sorry for the way things are in China,

2. I'm sorry for all the lies I told you

3. I'm sorry if I took some things for granted

C D7 G

1. I'm sorry things ain't what they use to be

2. I'm sorry for the things I didn't say

3. I'm sorry for the chains I put on you

C D7 G D e e/D C C/B a

1. but more than anything else I'm sorry for myself



D7 G

1. cause you're not here with me

2. I can't believe you went away

3. for living with-out you

64

IT AIN'T ME BABE by Bob Dylan

G C G D G Go 'way from my window leave at your own chosen speed G C G D G I'm not the one you want, Babe, I'm not the one you need.

Bm Am Bm Am You say you're looking for someone never weak but always strong Bm Am Bm Am

To protect you and defend you whether you are right or wrong C D Someone to open each and every door

G But it ain't me, Babe, C D G

No, no, no, it ain't me, Babe, C D G It ain't me you're looking for, Babe.

F Bb F C F Go lightly from the ledge, Babe, go lightly on the ground, F Bb F C F

I'm not the one you want, Babe, I will only let you down. am gm You say you're looking for someone

am gm who will promise never to part am gm am gm

Someone to close his eyes for you, someone to close his heart Bb C Someone who will die for you and more F

But it ain't me, Babe, Bb C F No, no, no, it ain't me, Babe,

Bb C F It ain't me you're looking for, Babe.

Go melt back in the night, Babe, everything inside is made of stone, There's nothing in here moving and anyway I'm not alone You say you're looking for someone

Who'll pick you up each time you fall, To gather flowers constantly and to come each time you call A love of your life and nothing more

But it ain't me, Babe, No, no, no, it ain't me, Babe, It ain't me you're looking for, Babe.

65

[ A7/4 ] [ Am7 ] [ Em6 ] [ C ] [ G ] [ G/Eb ] The Road - Jackson

Browne

High [ G ] ways and [ G/Eb ] dancehalls Bb Bb+

A go [ G ] od song takes you [ G/Eb ] far Bb Bb+

You [ a ] write ab [ C ] out the moon cm Eb

And you dre [ Am ] am about the [D] stars cm F

Blues in old motel rooms

Girls in daddy's car

You sing about the night

And you laugh about the scars

Coffee in the morning

Cocaine afternoons

You talk about the weather

And you grin about the rooms

Phone calls long distance

To tell you how you've been

You forget about the losses

You exaggerate the wins

But [ Em ] when you [ C ] stop g Eb

To let 'em [ Em6 ] know you've got it [ C ] down g6 Eb

It's [ G ] just [ D ]another [ a ]town [ D ] along the [ G ] road Bb F cm F Bb

Ladies come to see you

If your name still rings the bell

They give you damn near nothing

And they'll say they knew you well

So you tell 'em you'll remember

But they know it's just a game

And along the way their faces

All begin to look the same

Refrain

Well it isn't for the money

And it's only for a while

You stalk about the rooms

And you roll away the miles

Gamblers in the neon

Clinging to guitars

You’re right about the moon

But you're wrong about the stars

Cause when you stop…

Cocaine

66

You take Sally and I'll take Sue

There ain't no diff'rence between the two

Cocaine, runnin' all around my brain

Headin' down Scott

Turnin' up Main

Looking for that girl who sells cocaine


Mm, mama, come here quick

That old cocaine 'bout to make me sick


Late last night about a quarter past four

Ladanyi come knockin' down my hotel room door

Where's the cocaine? It's runnin' all around my brain

I was talking to my doctor down at the hospital

He said, "Son, it says here you're twenty-seven, but that's impossible

Cocaine, you look like you could be forty-five"

Now I'm losing touch with reality and I'm almost out of blow

It's such a fine line, I hate to see it go


By Rev. Gary Davis, with additional lyrics by Jackson Browne and Glenn Frey

© 1977 Chandos Music ASCAP

67

The water is wide

The water is wide and I can't cross over

And neither have I wings to fly

Build me a boat that can carry two

And both shall row My love and I

There is a ship and it sails on the sea

loaded deep as deep can be

But not as deep as the love I'm in

I know not if I sink or swim

I leaned my back up against an oak

Thinkin' it was a trusty tree

But first it bent and then it broke

just like my own false love to me

Oh love is gentle and love is kind

Gay as a jewel when first it's new

But love grows old and waxes cold

And fades away like the morning dew

The water is wide and I can't cross over

And neither have I wings to fly wings

Build me a boat that can carry two

And both shall row My love and I

68

Deep River

C F C Em G7

Deep river, my home is over Jordan

C F D7 Dm

Deep river; Lord I want to cross over

G7 C

Into camp ground

Am Em Am Em

Oh, don't you want to go to the gospel feast

Am Em Am Em

That promised land where all is peace

Chorus

I'll go up to heaven and take my seat

And cast my crown at Jesus feet

Chorus

When I go up to heaven I'll walk about

There's nobody there to turn me out

Chorus

Alternative arrangement

Chorus:

C C+ F C Am Em G7

De ep river, my home is over Jordan

C Dm Ab C F

Deep river; Lord I want to cross over

C

Into camp ground

Am Em Am Em

Oh, don't you want to go to the gospel feast

C E7 Am Dm Fm C Fm C Am G7

That pro mis ed land where all is pe ace

69

Oh, Shenandoah

D G D

Oh, Shenandoah, I long to hear you,

G D

Away, you rolling river

G A Bm G

Oh, Shenandoah, I long to hear you

D F#m Bm A D

Away, I'm bound away, cross the wide Missouri.

D G D

Oh, Shenandoah, I love your daughter,

G D


G A Bm G

Oh, Shenandoah, I love your daughter

D F#m Bm A D


D G D

Oh, Shenandoah, I'm bound to leave you,

G D


G A Bm G

Oh, Shenandoah, I'm bound to leave you

D F#m Bm A D


D G D

Oh, Shenandoah, I long to see you,

G D


G A Bm G

Oh, Shenandoah, I long to see you

D F#m Bm A D


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Lagerfeuer Liederbuch - SALZ-Freizeit · 2014. 6. 19. · Liederbuch 2014 . 2 On the Road again (Willi Nelson) C (F) E7 (A7) On the road again just can't wait to get on the road again