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Getting Started I began this sculpture lesson by telling stories and show- ing colorful visuals of the diverse and beautiful art- work made by Native American Indians. Students researched the history of totems online to find an assortment of pictures from www.totempoles.info. I also made handouts with line drawings of actual totems from the book Looking at Totem Poles by Hillary Stewart. We discussed artistry, ingenuity, and rich- ness of legend. The Assignment Each sculpture was to include two or three fig- ures—wolves, dogfish, hawks, killer whales, beavers, frogs, bears, thunderbirds, ravens, etc. I demonstrated drawing techniques and how to create sym- metry in the work. We used 12 x18" (30.5 x 46 cm) tracing paper to design our figures. Students sketched a 5 x 13" (13 x 33 cm) rec- tangle centered on the tracing paper. A line of symmetry was drawn down the center of the rectangle. Horizon- tal lines were used to divide up the animals and figures. Faces and bod- ies were placed with the line of sym- metry directly down the center. This darkened line drawing became the pattern for the totem. A clean soda bottle was covered with narrow vertical strips of Kraft paper, using a paste of diluted white glue. Next, layers of the strips of paper were glued in a horizontal direction. The next day, a line of symmetry was drawn with a ruler down the center of the bottle. Stu- dents carefully taped their sketches, with the pencil lead side down, to their form. They matched the lines of symmetry on both the tracing paper and the bottle. Students trans- ferred their designs to the bottles by tracing over the drawing using a lot of pressure on their pencils. We used a wide assortment of found materials to embellish the totem form—cardboard scraps, old buttons, pipe cleaners, packing peanuts, egg cartons, paper towel rolls, meat trays, and anything stu- Totem Poles from Recycled Materials dents wanted to bring in from home. We used glue guns and masking tape to attach the parts such as wings and appendages. When all three- dimensional features were firmly attached, students covered the entire form with two layers of small pieces of torn Kraft paper and glue or wheat paste. I demonstrated acrylic painting techniques—color mixing, blending, highlight- ing, and shadowing. Students carefully applied paint, paying attention to details observed in traditional totems. Some students added beads and feathers. Assessment We used class critiques and a self-evaluation sheet for learning assessment. Rubrics were determined during the introduction of the lesson, and reviewed as each part was completed. The class held a group “powwow” and lined the totems up in a long row. We discussed imagination, originality, attention to detail, the resourcefulness of using recycled materials, and saving a little bit of the earth as well. Visit www.davis-art.com/ SchoolArts to download the self- evaluation sheet. Diane Lufrano is an art teacher at Thomas Grover Middle School in West Windsor, New Jersey. [email protected] WEBSITE www.totempoles.info WEB SchoolArts November 2004 Middle Level T he Haida, Tlingit, and Kwakiutl nations that stretch from Alaska to British Columbia believed that the totem is like a person born into a family, except that instead of a brother or sister, he is the story- teller. The traditions and family history outline the story that is reflected in the meaning of the pole. Diane Lufrano Student work, grade eight.

Middle Level Totem Poles from Recycled Materials · Totem Poles by Hillary Stewart. We discussed artistry, ingenuity, and rich-ness of legend. The Assignment Each sculpture was to

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Getting StartedI began this sculpture lessonby telling stories and show-ing colorful visuals of thediverse and beautiful art-work made by NativeAmerican Indians. Studentsresearched the history oftotems online to find anassortment of pictures fromwww.totempoles.info. I alsomade handouts with linedrawings of actual totemsfrom the book Looking atTotem Poles by HillaryStewart. We discussedartistry, ingenuity, and rich-ness of legend.

The AssignmentEach sculpture was toinclude two or three fig-ures—wolves, dogfish,hawks, killer whales,beavers, frogs, bears, thunderbirds,ravens, etc. I demonstrated drawingtechniques and how to create sym-metry in the work. We used 12 x18"(30.5 x 46 cm) tracing paper todesign our figures. Studentssketched a 5 x 13" (13 x 33 cm) rec-tangle centered on the tracing paper.A line of symmetry was drawn downthe center of the rectangle. Horizon-tal lines were used to divide up theanimals and figures. Faces and bod-ies were placed with the line of sym-metry directly down the center. Thisdarkened line drawing became thepattern for the totem.

A clean soda bottle was coveredwith narrow vertical strips of Kraftpaper, using a paste of diluted white

glue. Next, layers of the strips ofpaper were glued in a horizontaldirection. The next day, a line ofsymmetry was drawn with a rulerdown the center of the bottle. Stu-dents carefully taped their sketches,with the pencil lead side down, totheir form. They matched the linesof symmetry on both the tracingpaper and the bottle. Students trans-ferred their designs to the bottles bytracing over the drawing using a lotof pressure on their pencils.

We used a wide assortment offound materials to embellish thetotem form—cardboard scraps, oldbuttons, pipe cleaners, packingpeanuts, egg cartons, paper towelrolls, meat trays, and anything stu-

Totem Poles from

Recycled Materialsdents wanted to bring in from home.We used glue guns and masking tapeto attach the parts such as wingsand appendages. When all three-dimensional features were firmly

attached, students covered theentire form with two layers ofsmall pieces of torn Kraftpaper and glue or wheat paste.

I demonstrated acrylicpainting techniques—colormixing, blending, highlight-ing, and shadowing. Studentscarefully applied paint, payingattention to details observedin traditional totems. Somestudents added beads andfeathers.

AssessmentWe used class critiques and aself-evaluation sheet forlearning assessment. Rubricswere determined during theintroduction of the lesson,and reviewed as each partwas completed. The classheld a group “powwow” andlined the totems up in a long

row. We discussed imagination,originality, attention to detail, theresourcefulness of using recycledmaterials, and saving a little bit ofthe earth as well.

Visit www.davis-art.com/SchoolArts to download the self-evaluation sheet.

Diane Lufrano is an art teacher at ThomasGrover Middle School in West Windsor,New Jersey. [email protected]

W E B S I T E

www.totempoles.info

WEB SchoolArts November 2004

Middle Level

The Haida, Tlingit, and Kwakiutl nations that stretch from Alaska toBritish Columbia believed that the totem is like a person born intoa family, except that instead of a brother or sister, he is the story-teller. The traditions and family history outline the story that is

reflected in the meaning of the pole.

Diane Lufrano

Student work, grade eight.

Name______________________________________Period________

1. Why did the Native American Indians make totem poles?________________________________________________________________________________________________________________________________________________________________________2. How tall were they?________________________________________________________________________________________________________________________________________________________________________3. What were they made from and with what tools?_______________________________________________________________________________________________________________________________________________________________________4. What figures did you sculpt on your totem pole?________________________________________________________________________________________________________________________________________________________________________5. What parts of the figures did you make three-dimensional?________________________________________________________________________________________________________________________________________________________________________6. What materials did you use to build them?____________________________________________________________________________________7. Is there anything you could have done differently to make your totem better?________________________________________________________________________________________________________________________________________________________________________8. What is sculpture in the round?________________________________________________________________________________________________________________________________________________________________________

*Rate the following questions on a scale of 1–10 with 10 being the best 1. How well did you sculpt the added pieces?_____2. Do your add-on pieces follow the shape of the parts you were sculpting?_____3. Is your totem symmetrical, or are some figures off center?_____4. Do the animals and figures look like what you intended them to look like?_____5. Can other people tell what they are?_____6. Is your painting neat and carefully done?_____7. Did you paint any designs on your wings or on the totem pole?_____

* Total possible points for totem is 100 points which equals an A.Fill in what you feel you deserve on your totem. Be Honest!

possible rate teacherpoints yourself points________

A) Sketch/design of totem pole B) Correct techniqueC) Demonstration of sculpture in the

round with added sculptural piecesD) Choice of colors/careful paint

application and touch upE) Overall look/artistry

Total possible points 100=A Final Grade ________

Totem Pole Self-Evaluation

2020

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2020