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At the front of the bodice, pouches of cascading lace or gathered fabric gave emphasis to the low bust line. The straight sleeves of the late 1890s developed into bloused effects gathered into wrist bands. Very deep high lace fabric collars that reached right under the chin elongated the neck. They were often kept in place with wire covered in silk that was twisted into a series of hooks and eyes from one piece of wire. Little wire or boning supports covered with buttonhole silk were sometimes dispersed every few inches of the collar to maintain the rigid effect. Right - High neck blouse 1906. High necks were usual by day, but by night exceptionally low sweetheart, square and round décolleté necklines allowed women to wear quantities of fine jewellery. No cleavage was visible as the bust was suppressed into a monobosom. The skirts were often gored and created an elongated trumpet bell shape like the gently opening head of a longiflorum lily. Modified versions were less extreme over the hips, simply flowing to more width at the hemline.

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  • At the front of the bodice, pouches of cascading lace or gathered fabric gave emphasis to the low bust line. The straight sleeves of the late 1890s developed into bloused effects gathered into wrist bands.Very deep high lace fabric collars that reached right under the chin elongated the neck. They were often kept in place with wire covered in silk that was twisted into a series of hooks and eyes from one piece of wire. Little wire or boning supports covered with buttonhole silk were sometimes dispersed every few inches of the collar to maintain the rigid effect.Right - High neck blouse 1906.

    High necks were usual by day, but by night exceptionally low sweetheart, square and round dcollet necklines allowed women to wear quantities of fine jewellery. No cleavage was visible as the bust was suppressed into a monobosom.The skirts were often gored and created an elongated trumpet bell shape like the gently opening head of a longiflorum lily. Modified versions were less extreme over the hips, simply flowing to more width at the hemline.

  • Incredible Edwardian Hats

    After the slimmer silhouette arrived, hats developed much wider brims. Lavish trims such as feathers often stuck out well beyond the brim. The hats were named Merry Widow hats after the popular operetta of the era.

  • Feathers

    Feathers were used excessively as decoration on hats and as boas. The fur skin of whole animals such as foxes and even two foxes were used as wraps about the shoulders.

  • Edwardian Small Accessories

    GlovesWashable kid gloves were always worn with outdoor garments both winter and summer. Fancy gloves were also made in suede and silk and covered with fine embroidery.ParasolsParasols were still used as decorative accessories and in summer they dripped with lace and added to the overall fussy prettiness.BagsHandbags were not fashionable in the era, but small decorative delicate bags with a dainty strap that hung from the wrist were sometimes used. Ladies carried little money as goods were charged to accounts and only minimal make up was usual so none was carried.

  • Men's fashion

    The long, lean, and athletic silhouette of the 1890s persisted. Hair was generally worn short. Beards were less pointed than before and moustaches were often curled.

  • Coats, waistcoats, and trousers

    The sack coat or lounge coat continued to replace the frock coat for most informal and semi-formal occasions. Three-piece suits consisting of a sack coat with matching waistcoat and trousers were worn, as were matching coat and waistcoat with contrasting trousers, or matching coat and trousers with contrasting waistcoat. Trousers were shorter than before, often had turn-ups or cuffs, and were creased front and back using the new trousers.

    The blazer, a navy blue or brightly-colored or striped flannel coat cut like a sack coat with patch pockets and brass buttons, was worn for sports, sailing, and other casual activities.

  • Shirts and neckties

    Formal dress shirt collars were turned over or pressed into "wings". Collars were overall very tall and stiffened. Dress shirts had stiff fronts, sometimes decorated with shirt studs and buttoned up the back. Striped shirts were popular for informal occasions.The usual necktie was a narrow four-in-hand. Ascot ties were worn with formal day dress and white bow ties with evening dress.

  • Accessories

    Top hats remained a requirement for upper class formal wear; soft felt Homburgs or stiff bowler hats were worn with lounge or sack suits, and flat straw boaters were worn for casual occasions.Shoes for men were mostly over the ankle boots. Toe cap, lace up boots in black, gray, or brown were the most common for everyday wear. Formal occasions called for formal boots with white uppers (spat style) and buttons on the side. In the Edwardian times basic lace up oxford shoes were introduced.

  • Children fashion

    Styles for Edwardian girls at the start of the century look remarkably like those of 1800. Pale cream, white, ivory, and softer daintier lighter fabrics take over from the heavy plush and thick materials popular in the 1890s. Voile silk and dotted Swiss muslin were used for the main dress. Self coloured embroidery on the main fabric was complimented by pastel toned and sugar almond coloured sashes. Sashes of lemon, pale mauve, pink and aquamarine all created look so familiar to us from a 100 years before.Short sleeves began to be seen on small girl's dresses. Frills and deep embroidered hemlines, cape collars or yokes gave opportunity for decorated areas. For outdoor wear girls often wore straw boater hats.

  • 190019051905

  • Humuta Mihaela Patlagica Bianca