May 2014
LIKE US ON FACEBOOK: facebook.com!barnardbulletinFOLLOW US ON TWITTER: twitter.com!barnardbulletin
THE BULLETIN !"!#!"!MaY 2014
Maitland Quitmeyer '14 Gillian Osswald '14 Editors-in- Chief
LAYOUT ASSISTANTSRachel Dunphy '16 Lizzie Rogers '16Sofia Geck '17REmy Park '17
HEAD COPY EDITOREloise Giegerich '16
PUBLIC RELATIONS
SOCIAL MEDIA Natalia Quintero Ochoa '15
FEATURESSarah Schreiber '16
Rachel Taratuta Titus '17
POLITICS & OPINIONGloria Noel '14
ARTS & ENTERTAINMENTRebecca Deczynski '16
NEW YORK CITY LIVINGRachel Dunphy '16
HEALTH & STYLEAdrienne Nel '16
BARNARD BULLETIN3009 Broadway
New York, NY 10027
bulletinedboard"gmail.com
Rhea Schmid '15 Art Director
Mora Grehl '15Layout Director
DESIGN COORDINATORSLily Kaplan '16
Jordana Roat '16Amanda Brown '15
SENIOR DESIGNER Divya Sundaram '17
COPY EDITORSMelanie Shapiro '15Laura Garrison '15
Isabella Alimonti '15
But really,
with all of our Bulletin Love,
Gillian and Maitland
THE BULLETIN !"!3!"!MAY 2014
A Letter from the Editors
!e end is nigh. In this issue, we’re looking to the future and (as soon-to-be-alumnae ourselves)
catching up with Barnard alum Greta Gerwig in an attempt to ward o" thoughts of our impending
graduation. Plus, we’re getting our pop culture #x with a dose of Kimye, a dash of good ol’ public access
television, and a behind-the-scenes look at the goings-on of TV writers’ rooms in the city.
We know, we know, without hordes of schoolwork, you just won’t know what to do with yourselves this
summer. Don’t worry, we’ve packed our issue with awesome ideas, from going to a museum that’s-
-gasp!--not the Met, having a girls’ night in, or getting involved with a volunteer project in the city.
You’ll also have plenty of time to take a page from our centerpiece and have that awkward de#ne-the-
relationship conversation with your beloved New York City.
Well, we’ve come to that point: our last issue as HBIC at the Bulletin. We’ve loved every second of act-
ing important, hunching over the computer, and changing other people’s words. !ank you to all of our
sta" for your hard work, dedication, and creativity. !anks readers, for sticking with us and reading
through the year with us. It’s been a privilege, etc.
THE BULLETIN !"!#!"!May 2014
Contents Letter from the Editors
Behind the Scenes
Health & Style
Spring in Your Step
It Just Doesn’t Gel
Features Housing Horrors
Centerpiece
Kimye en Vogue
!e Cost of Living in New York
New York City Living
Girls’ Night InVolunteering 101
35
6
8
10
14
16
15
34
36
Trending
Politics and Opinion
Barnard Medals of Distinction 20
Politics in the Age of Information 22
Arts & Entertainment
From Viewers Like You
Making Art History Present
Greta Versus
28
30
32
L’wren Scott Calling Out the Catwalk
11
12
Lean in or Sleep in 23
Local Impact Politics 24
NYC Writing Rooms 25
The Accountability Project 26
Not The Met 33
Bites Beyond the Bubble
Goodbye to the Seniors 39
37
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Let it Go
THE BULLETIN !"!6!"!May 2014
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Let it Go
Idina Menzel
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THE BULLETIN !"!7!"!May 2014
The Walker
Fitz and the Tantrums
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April Come she Will
Simon & Garfunkel
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Keri Noble
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THE BULLETIN !"!8!"!MAY 2014
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By Ava Tuncliffe
THE BULLETIN !"!9!"!may 2014
Illustrations by So!a Davis
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Though, eventually, the first crack appeared. And then the first chip. And then the walls came tumbling down and picking at my gel manicure
became my new favorite pastime.{ }
by Adrienne Nel
THE BULLETIN !"!10!"!MAY 2014
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THE BULLETIN !"!11!"!May 2014
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Illustration by Judy Gong
THE BULLETIN !"!23!"!MAY 2014
Climbing the Corporate Ladder:
By Danielle Owen
Lean In or Sleep In?
THE BULLETIN !"!24!"!MAY 2014
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Local Impact Politics
“We can do better.”
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Digital Illustration by Art Board
THE BULLETIN !"!25!"!MAY 2014
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THE BULLETIN !"!26!"!MAY 2014
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BY DIVYA SUNDARAM
Digital Illustration by Divya Sundaram
THE BULLETIN !"!27!"!MAy 2014
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Digital Illustration by Divya Sundaram
THE BULLETIN !"!28!"!MAY 2014
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by Rebecca Deczynski
THE BULLETIN !"!29!"!MAY 2014
Digital Illustration by Art Board
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Rekindled under the name Cosmos: A Spacetime Odyssey, the series follows in the footsteps of Sagan’s PBS original and follows the same journey to enlighten and interest the public in science, particularly astronomy, yet it aims to do so in a way that brings big ideas closer to home and on a more approachable platform.
THE BULLETIN !"!30!"!MAY 2014
MAKING ART HISTORY PRESENTA REFLECTION ON THE ANNA HYATT HUNTINGTON PROJECT
BY ELLEN DULSKY WATKINS
THE BULLETIN !"!31!"!MAY 2014
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AS THE GALLERY DOORS OPENED IN JANUARY, I SAW THE WORK THE
TEAM PUT IN TRULY SPRING TO LIFE...IT WAS GIRL MEETS GALLERY SPACE
MEETS WORLD, AND IT WAS LOVE AT FIRST SIGHT.
IN THAT MOMENT, ANNA’S SCULPTURE BECAME NOT SIMPLY A WORK OF ART TO BE MEMORIZED AND FORGOTTEN, BUT A SYMBOL
OF COURAGE FOR ALL YOUNG WOMEN – WHETHER ARTISTS,
SOLDIERS, OR ART HISTORIANS.
Digital Illustration by Divya Sundaram
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THE BULLETIN !"!32!"!MAy 2013
Greta VersusBy Rebecca Deczynski
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THE BULLETIN !"!33!"!MAY 2014
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
41*63/&#-$<.$)"#$()1'.$1%$)"#$&/(6&'3)&1/$<#"&/-$&)9$3($;#77$3($L,1)#($%'1*$)"#$3')&()$7&/:&/2$&)$<34:$)1$)"#$(6"#'#$1%$8*#'&43/$%17:$3')B$$ R/#$ 1%$ )"#$ *1()$ ()'&:&/2$ 23'=*#/)($1/$-&(673.$;3($3$21;/$<.$S11($>3/$-#/$8::#'$%'1*$)"#$T#)"#'73/-(9$3$("&*=*#'&/29$%711'$7#/2)"$/,*<#'$'#(67#/-#/)$
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
8*#'&43/$ -#41'3)&1/$ )"'1,2"$ )"#$ 32#(B$!"&($ (#3(1/$ %#3),'#($ 3$ )#4"/&L,#$ 4377#-$M363//&/29$ &/$;"&4"$3$-##6$<734:$ (,'%34#$&($-#41'3)#-$3/-$A3'/&("#-$;&)"$&*&)3)&1/$734L,#';1':B$!"#$-&(673.$43(#$&($(*3779$<,)$634:#-$;&)"$'#7&4($1%$YZ)"$4#/),'.$7&A&/29$%'1*$%&'#6734#$%3/($)1$)'3.(B$$ !"#$ 8*#'&43/$ J17:$ 8')$ 5,(#=
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
Not the met
"Though there's not much to see, as the museum is only one !oor with three wings, the
museum makes up for it in detail."
by Jackie Xu
THE BULLETIN !"!#$!"!MAY 2014
!"#$%&'(&'%)*+*,&-$$.&/'0.$)&"*11&+"&)$')12($,3&4$$#2(5,3&'()&%$')2(5,3&6+*&-'(#&#+&1$#&1++,$&'()&$47%'0$&'&7%2$"&%$/%2$8$&"%+4&'0')$420&12"$9&:;$#;$%&6+*<%$&'&7'%=;+//$%3&'&5'11$%6=-'1.$%3&+%&'&>%+')-'6&,;+-=5+$%3&(25;#&12"$&2(&?$-&@+%.&2,&;'%)&#+&7$'#9&>*#&-;$(&#;$&#;+*5;#&+"&#'.2(5&#;$&A&#%'2(&#+&>%++.16(&;',&6+*&6'-(2(53&'()&6+*%&$4/#6&-'11$#&)2,=,*')$,&6+*&"%+4&)2,;2(5&+*#&#;$&)+11'%,&"+%&'&/$%"+%4'(0$.$#&+%&)+-(#+-(&4$'13&2#&0'(&7$&$',6&#+&"'11&0'/#28$&#+&#;$&7'('1&4'5($#2,4&+"&#;$&?$#"12B&+%252('1&,$%2$,&)*&C+*%&'()&'&,*5'%6&#%$'#&"%+4&:$,#,2)$9&D"&#;'#&,'4$&+1)=,'4$&+1)&1'E6=$8$(2(5&%+*#2($&;',&6+*&%+112(5&6+*%&$6$,3&"$'%&(+#9&F$%$<,&;+-&6+*&0'(&,.2/&#;$&,*7-'6&0%+-),&'()&#;$&72(5$=-'#0;2(59&@+*%&"%2$(),&'()&6+*%&-'11$#&-211&#;'(.&6+*9
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
Girls’ Night Inby: Zoe Miller
THE BULLETIN !"!35!"!MAY 2014
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
Digital Illustration by Art Board
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
Digital Illustration by Art Board
THE BULLETIN !"!36!"!may 2014
!"#$%&'()$()*+,-&.!"#$"#%&'()*+&%,$"#%&-#.(/#&,&012&314$#%&5(%&,&'()62&21%7&16&$"#&.1$'&(%&8(7)6$##%&,4&,6&,5$#%94."((7&$)$(%&,$&:18#%41+#&;")%."&%12"$&,%()6+&$"#&.(%6#%<&$"#%#&,%#+7#44&(==(%$)61$1#4&$(&"#7=&>1+4&16&$"#&.1$'?
!"#$%&'(($)*+,&-@"#%#&14&,7A,'4&4(/#$"162&-12&2(162&(6&16&B#A&C(%><=#.1,77'&+)%162&$"#&4)//#%?&D((>&5(%&.((7#6$4&4##>162&8(7)6$##%4&$(&"#7=&A1$"&7(214$1.4<&,6+&'()&/12"$#6&-#&7).>'()2"&$(&4.(%#&4(/#&5%##&$1.>9#$4?&E#%5(%/162&,%$4&.#6$#%4&,6+&()$+((%&5#4$18,74&,%#&2((+&=7,.#4&$(&4$,%$&'()%&4#,%."?
!"#$%&&'$()&$*+,&-&..;(//1$&$(&,&5#A&+,'4&8(7)6$##%162&,$&,&7(.,7&5((+&-,6>&(%&4()=&>1$."#6?&@"#4#&(%2,61F,$1(64&,%#&."%(61.,77'&)6+#%4$,55#+&,6+&.,6&,7A,'4&)4#&,6&#G$%,&"#7=162&",6+?&B($&$(&/#6$1(6<&'()&.,6&+(&1$&%12"$&,%()6+&$"#&.(%6#%&16&!#4$&H,%7#/<&(%&16&6#12"-(%"((+4&,77&(8#%&$"#&.1$'?
."#$/0',&1,2$1,$/'34-@,>#&,&I)1.>&/(/#6$&$(&=#%)4#&(=$1(64&(6&$"#&BC;&E,%>4&(551.1,7&A#-41$#<&,6+&'()*77&516+&(==(%$)61$1#4&$(&2#$&168(78#+&16&,6'$"162&5%(/&2,%+#6162&,6+&5(%#4$%'&$(&#+).,$1(6&,6+&4=#.1,7#6$4?&C()&.,6&8(7)6$##%&16&=,%>4&,77&,%()6+&$"#&518#&-(%()2"4<&,6+&$"#&."%(6(7(21.,77'&714$#+&(55#%1624&$'=1.,77'&%#I)1%#&.(//1$/#6$4&(5&7#44&$",6&,&+,'?
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
Volunteering 101by Rachel Dunphy
Photo Illustration by Art Board
THE BULLETIN !"!37!"!May 2014
BITES BEYONDTHE BUBBLE BYmaitland quitmeyer
Luke’s Lobster426 Amsterdam Ave
Nothing says summer like a lobstah roll. No, not lobster. Lobstah. We’re
not talking about your average chi-chi crustacean; this New England creation is far more. No longer do poor New Yorkers have to shell out thirty bucks for a white-table-cloth lobster roll or drive several hours to the coast of Maine. For an authentic bite of joy before the year is over, just head thirty-!ve blocks south to Luke’s Lobster. Tucked into a buttered split-top roll, the lobster chunks (no mince meat here) are piled high and topped with a sprinkle of secret spices. Luke’s Lobster rolls blur the line between Maine and Connecticut style. For the uninitiated, Maine style lob-ster rolls feature chilled lobster cemented with mayonnaise, while Connecticut style are served warm with melted butter. "ese are truly the best of both worlds—the perfect combination of fresh lobster meat, a swipe of mayo, and a drizzle of lemon
butter. But don’t let the condi-ments fool you—the lobster is the true star of this show. If lob-ster isn’t your thing, try a shrimp or crab roll, or even one of their delicious soups. Better yet, bring a pal and split the “Noah’s Ark,” which includes three rolls (one of each seafood), four crab claws, and all the !xin’s. If you don’t trust me, just look online. Luke’s Lobster ranks sixth place on the Daily Meal’s list of “America’s 20 Best Lobster Rolls Outside of Maine” and even made Re!nery 29’s list of “"e 19 Best Lobster Rolls.” Why the rave reviews? Fresh lobster at a good price is hard to pass up. "e eponymous Luke himself hails from Maine, where 100% of the lobsters are !shed and shelled before being shipped to the city. Luke’s Lobster has all the ambiance of a Maine lobster shack, down to the lobster traps outside their door, but with the convenience of a metropolitan New York location. Hop on a
stool at one of their rustic wood-en plank tables, but be warned, the small space !lls up quickly. On a beautiful spring day, take your roll to go—Central Park is only a quick stroll away. Lobster food baby weighing you down? Wash down the sandwich with a whoopie pie on the walk back to Barnard. Trust me, you won’t regret the splurge. At !#een bucks a pop, the lobster rolls aren’t exactly cheap, but the rich $avor (and, of course, the melted butter) will certainly satisfy. For three dollars more, add potato chips, a pickle, and one of their local Maine sodas for the complete experience. Try their Maine root beer for a particularly refresh-ing combination. Don’t forget to pick up a punch card on your next visit—when you buy ten lobster rolls, you get the eleventh free. Believe me, I’m already well on my way.
Goodbye to the Seniors
I came to my !rst Bulletin meeting for the Oreos. Little did I know I would be
initiating a lasting relationship with this intelligent and innovative publication. I
have to say I’m happy to be leaving the Bulletin--happy because I leave as part of an
extraordinary community of Bulletin alumnae; happy because I leave the magazine
in the hands of a group of formidable female writers, editors, artists, and designers;
happy, because as I leave, I gain the privilege of stepping back and watching these
women continue to take the Bulletin to new heights.
My !rst week at Barnard, I walked alone into the Bulletin o"ce, hoping my swagger masked my
apprehension as I asked for a copy editor application. Four years later, this senior is glad the baby
freshman did. I am proud to have worked with so many of my bright and talented peers as we
continue to move the magazine into the future. I look forward to admiring the work of future classes
of Barnard women. Don’t be alarmed if you see an old woman ri#ing through stacks of the Bulletin
in Liz’s place in the coming years. It’s only me.
Gillian Osswald
Maitland Quitmeyer
As a member of the Bulletin sta$ from my !rst year to senior year, it has been incredible to
see the magazine grow over the years. Under the direction of enthusiastic leadership and
with the help of inspired artists, the Bulletin has progressed completely into the age of mod-
ern technology and design. %e articles are smart and relevant, and the design is perfectly
complementary. As a graduating senior, I will miss the experience of being a part of the
magazine’s growth and being part of a small cultural enclave on campus. I look forward to
seeing more of it’s successes as an alumna!
Gloria Noel
!"#$%&'()#&*(+,---