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Pagans, Christians and Jews: The Art of Late Antiquity ART ID 111 | Study of Ancient Arts Slide concept by William V. Ganis, PhD NYIT Center for Teaching and Learning with Technology With modifications by Arch. Edeliza V. Macalandag, UAP

ARTID111 Early Christian Art

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Page 1: ARTID111 Early Christian Art

Pagans, Christians and Jews: The Art of Late AntiquityART ID 111 | Study of Ancient Arts

Slide concept by William V. Ganis, PhD NYIT Center for Teaching and Learning with Technology

With modifications by Arch. Edeliza V. Macalandag, UAP

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Early Christian Art

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The period of Late Antiquity was defined by the powerful

religious crosscurrents of the times.

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LATE ANTIQUITY

is a periodization used by historians to describe the time of transition from Classical Antiquity to the Middle Ages, in both mainland Europe and the Mediterranean world.

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The Roman Empire underwent considerable social, cultural and organizational change starting with reign of Diocletian, who began the custom of splitting the Empire into Eastern and Western halves ruled by multiple emperors.

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LATE ANTIQUITY

•Beginning with Constantine the Great, the Empire was Christianized, and a new capital founded at Constantinople.

•Migrations of Germanic tribes disrupted Roman rule from the late 4th century onwards, culminating in the eventual collapse of the Empire in the West in 476, replaced by the so-called barbarian kingdoms.

•The resultant cultural fusion of Greco-Roman, Germanic and Christian traditions formed the cultural foundations of Western Europe.

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LATE ANTIQUITY

•The birth of Christian monasticism in the deserts of Egypt in the 3rd century, which initially operated outside the Episcopal authority of the Church, would become so successful that by the 8th century, it penetrated the Church and became the primary Christian rule within.

•Monasticism was not the only new Christian movement to appear in Late Antiquity, although it had perhaps the greatest influence.

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Chronology of Early ChristianityCrucifixion of Christ ca. 29Crucifixion of St. Peter ca. 64Persecution of Christians

Trajan Decius 249-251Diocletian 303-305

Edict of Milan 313Foundation of Constantinople324Christianity becomes State Religion390Fall of Rome to Alaric the Visigoth410

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THE CATACOMBS AND FUNERARY ART

The new monotheistic religion of Christianity that grew out of Judaism during the Roman Imperial period adapted imagery and architectural forms from other religious cults and secular sources as its adherents sought ways to express and practice their religious beliefs in visual terms and in suitable architectural spaces.

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Synagogue

Dura Europos, Syria | ca. 245-256

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Synagogue InteriorWall paintings of Old Testament scenes

from Dura Europos, Syria

ca. 245-256 | tempera on plaster

The synagogue at Dura-Europos is remarkable not only for its very existence in a Roman garrison town but also for its extensive cycle of mural paintings.

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Synagogue InteriorWall paintings of Old Testament scenes

from Dura Europos, Syria

ca. 245-256 | tempera on plaster

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Reconstruction

Christian Community House

Dura Europos, Syria

ca. 240-256

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BaptisteryChristian Community House

Dura Europos, Syria

ca. 240-256

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Baptistery from Christian

Community House

Dura Europos, Syria

ca. 240-256tempera paintings Christ Walks on Water

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Baptistery from Christian

Community House

Dura Europos, Syria

ca. 240-256tempera paintings Christ the Good

Shepherd

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Baptistery from Christian

Community House

Dura Europos, Syria

ca. 240-256tempera paintings

Christ Healing the Paralytic

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Catacomb showing loculi

Rome

3rd-4th centuries

Christians in Rome buried their dead in subterranean networks

of galleries and chambers called catacombs. Openings were cut into the walls to hold the dead.

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Good Shepherd, Orants, Story of JonahCatacomb of Pietro and Marcellino, Rome, Italyearly 4th century | fresco

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Good Shepherd

Catacomb of Pietro and Marcellino, Rome, Italy

early 4th centuryfresco

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Orant figure

Catacomb of Priscilla, Rome,Italy

3th centuryfresco

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Sarcophagus with Old and New Testament Scenes

from Rome, Italy

ca. 270marble1 ft. 11 1/4 in. x 6 ft. 2 in.

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Sarcophagus with Old and New Testament Scenesfrom Rome, Italy | ca. 270 | marble | 1 ft. 11 1/4 in. x 6 ft. 2 in.

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Sarcophagus with Old and New Testament Scenesfrom Rome, Italy | ca. 270 | marble | 1 ft. 11 1/4 in. x 6 ft. 2 in.

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Sarcophagus of Junius Bassus

from Rome, Italy | ca. 359 | marble | 3 ft. 10 1/2 in. x 8 ft.

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Raising of Lazarus Fall of Adam and Eve

Sarcophagus of Junius Bassus

from Rome, Italy | ca. 359 | marble | 3 ft. 10 1/2 in. x 8 ft.

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Christ Entering JerusalemSarcophagus of Junius Bassus

from Rome, Italy | ca. 359 | marble | 3 ft. 10 1/2 in. x 8 ft.

Christ Enthroned

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(restoration drawing)

Old Saint Peter’s Basilica

Rome, Italy

ca. 320

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Old Saint Peter’s Basilica (plan)

Rome, Italy

ca. 320

1. Nave

2. Aisles

3. Apse

4. Transept

5. Narthex

6. Atrium

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Old Saint Peter’s Basilica (section)

Rome, Italy | ca. 320

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Santa SabinaRome, Italy | ca. 422-

432

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Santa SabinaRome, Italy | ca. 422-

432

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Santa SabinaRome, Italy | ca. 422-

432

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Santa CostanzaRome, Italy | ca. 337-351

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Santa CostanzaRome, Italy | ca. 337-351

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Santa CostanzaRome, Italy | ca. 337-351

Longitudinal Section

Plan

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Santa Costanza vault mosaic

Rome, Italy

ca. 337-351tessera mosaic

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Christ as Sol Invictusfrom the Mausoleum of the

Julii

Rome, Italy

late 3rd centurytessera mosaic

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Santa Maria Maggiore

Rome, Italy

432-440tessera mosaic

Drowning of the Egyptians in the Red Sea

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Santa Maria Maggiore

Rome, Italy

432-440tessera mosaic

Hospitality of Abraham

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Mausoleum of Galla Placidia

Ravenna, Italy | ca. 425

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Mausoleum of Galla PlacidiaRavenna, Italy | ca. 425 | tessera mosaics

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Christ as the Good Shepherdfrom the entrance wall of the Mausoleum of Galla PlacidiaRavenna, Italy | ca. 425 | tessera mosaic

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Dome Mosaic of HeavenMausoleum of Galla PlacidiaRavenna, Italy | ca. 425 | tessera mosaic

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St. Apollinare Nuovo

Ravenna, Italy

dedicated 504

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St. Apollinare NuovoRavenna, Italy | dedicated 504

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Saint Apollinare Nuovo

Ravenna, Italy

dedicated 504

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Saint Apollinare Nuovo

Ravenna, Italy

dedicated 504tessera mosaic

Raising of Lazarus

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Saint Apollinare Nuovo

Ravenna, Italy

dedicated 504 | tessera mosaic

Miracle of the Loaves and Fishes

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Saint Apollinare Nuovo

Ravenna, Italy

dedicated 504 | tessera mosaic

Christ Foretelling Peter’s Denial

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Saint Apollinare Nuovo

Ravenna, Italy

dedicated 504tessera mosaic

Ascension of Christ

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Vienna GenesisEarly 6th century

tempera, gold, silver on purple vellum12 1/4 x 9 1/4 in.

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Vienna Genesis

Early 6th centurytempera, gold, silver on purple vellum12 1/4 x 9 1/4 in.

Genesis chapter 32

Jacob travels to meet EsauJacob travels over the Jabbok brookJacob wrestles with the AngelJacob blessed by the AngelJacob’s 11 sons

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Vienna Genesis

Early 6th centurytempera, gold, silver on purple vellum12 1/4 x 9 1/4 in.

Genesis chapter 24:15

Rebecca Leaves Nahor Rebecca and Eliezer at the Well

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Rossano Gospels

early 6th centurytempera on purple

vellum11 x 10 1/4 in.

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Rossano Gospels

early 6th centurytempera on purple vellum11 x 10 1/4 in.

Matthew chapter 27

Christ before Pilate

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Pilate Washing his Hands, Christ Carrying the Cross, Denial of Peter

from a casketca. 420ivory3 x 3 7/8 in.

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Suicide of Judas and Crucifixion

from a casket | ca. 420 | ivory | 3 x 3 7/8 in.

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Sources

• http://www.wadsworth.com/art_d/templates/student_resources/0155050907_kleiner/studyguide/ch11/ch11_1.html

• http://websites.swlearning.com/cgi-wadsworth/course_products_wp.pl?fid=M20b&product_isbn_issn=0155050907&discipline_number=436

• http://en.wikipedia.org/wiki/Late_Antiquity• Art Through the Ages, 12th/11th ed., Gardner