01 Lecture Early Christian _ Byzantine

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    History of Architecture IIEach style of Architecture is generally evolved from preceding style

    or styles and series of changes and modifications.

    The Worshiping Community

    Early Christian and Byzantine

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    Early Christian100-800 AD

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    Religious Influences:

    Transformation of religionand cultureat the ruins ofthe Roman Empire

    Oppression:At the beginning of Christianity prior to

    100 AD , Christians built no churches for the followingreasons:

    -Poverty.

    -The need to hide from persecution.

    -The ethos of Christianity at this stage was to avoidand separate between religion and state to leave

    away worshiping of gods and emperors in the same

    manner.

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    Religious Influences:

    The ethos of Christianity at the beginning focusedon the negligence of the material world- the physical

    space the worshippers were looking for meeting

    Christ in any place and at any time.

    Waiting the Christ led the Apostles to live together in

    communities; they met in their work spaces or in

    ordinary houses in rooms opened to a back courtyard.This communal practice led to the development of the

    catacombs.

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    Catacombs of St. Paul, RabatRome, Catacombs of Priscilla

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    Religious Influences:

    Also, this early period has witnessed a negligence ofthe masonry structures temples , roads, bridges.

    This period later was known by the Dark Ages, the

    period of the crumbling of the ancient Roman Empire.

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    Religious Influences:

    Christianity began to spread from about the year 100 to aboutthe year 500. After about 500 Christian art shows the beginnings

    of Byzantine style.

    Confession of Christianityas a religion 313 AD by Constantinewhich lead to Early Christian art and architecture and existence

    of church architecture.

    Commonly known as Constantine I, Constantine the Great,

    or Saint Constantine,was Roman Emperor from 306 to 337.

    Well known for being the first Roman emperor

    to convert to Christianity

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    Christians were prepared to build larger and more

    handsome edifices for worship than the catacombs and

    meeting places they had been using.

    The usable model at hand, when Constantine I , wanted

    to memorialize himself, was the familiar conventional

    architecture of the Basilica. These had a center nave

    with one aisle at each side and an apse at one end: on

    this raised platform sat the bishop and priests.

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    Religious Influences:

    Constantine declared himself as the 13thapostle

    and dedicated his new capital Constantinople to the

    Virgin Mary, along with, he set up a statue of DelphicApollo in the Hippodrome, and a temple to Rhea

    (mother of the gods) in his new market place.

    Lasted for 700 yearsand led directly to thesubsequent architectural phase the Romanesque.

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    Architectural Influences:

    Early Christian architecture was influenced by:1. Roman art and architecture.

    2. Local effects in the empire (Syria, Egypt, Asia Minor).

    Early Christian buildings utilized as possible from thematerials of Roman temples.

    Particular interior design for churches.

    Departed from the Basilica which was found first

    during the Roman Empire as a secular justice hall.

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    Architectural Influences:Major architectural achievements of Constantine are

    the construction of :

    1. An entirely new city of Constantinople as animperial capital.

    2. The church of St. John Lateran in Rome (313-320).

    3. The church of the Nativity in Bethlehem (339).

    In 380 Theodosius had declared all religions other

    than Christianity heretical, temples were taken off,

    their stones were reused in building the new churches,such as The Corinthian columns in the basilica of

    Santa Sabina in Rome 422-432.

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    Santa Sabina in Rome 422-432

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    Building Types:

    1-Catacombs: undergroundlong spaces leading to

    cemeteries. Found in the

    first era of Early Christian

    period. Could be considered

    as a reference for the Nave

    concept (Linearity).

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    Building Types:

    2-Churches:

    2.a. Basilica:But on a largescale. Rectangular in shape with

    a major horizontal axis directing

    the eye through the entablature

    of columns towards the altar andthe apse. Twin colonnades

    separated the nave from the side

    aisles.

    Origins was the Roman justicehall, catacombs and the Roman

    dwelling house (sequential

    spaces).

    Roman Architecture :Roman

    Basilica Floor Plan

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    altar

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    Building Types:

    3. Rotondo: Circular or octagonal type surroundedby an ambulatory.

    The ambulatory(a place for walking, from ambulare, to walk) is

    the covered passage around a cloister.

    The term is sometimes applied to the procession way around

    the east end of a cathedral or large church and behind the

    high altar.

    4. Baptisteries.

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    AmbulatoryBaptisteries

    cloister

    A hit t l Ch t i ti

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    Architectural Characteristics:Basilican churches:

    Main parts:

    -Atrium: the main approach to the church. Open to thesky and surrounded by arcades.

    -Narthex: Porch, open into the Nave and Aisles.

    Lighted by a clear-storey of small windows.

    -Nave: Place of worship with Aisles and place offuneral. Spanned with a barrel vaults or groined vaults

    or trussed timber roof.

    -Aisles: passageway to either side of the nave that is

    separated from the nave by colonnades or arcades, a

    row of pillars, or columns. Their width is half the width

    of the Nave. Generally, there is two Aisles on both

    sides built lower than the Nave to allow to have clear-store .

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    Architectural Characteristics:Basilican churches:

    -Galleries: Above the Aisles, may existed for women.-Bema: Higher podium separates the Nave from the

    Sanctuary, Apse and Altar. Bema may be the

    reference of the cross-form churches later in the Early

    Christian eras.

    -Ambo: A space to read parts of the holy book in front

    of the Bema. It may exist on either sides.

    -Altar: A place which symbolizes the sacrifices toGod(s).

    -Apse: the place where the Bishop took his center. It

    symbolizes the sacred of the place, ends the axis of

    the church layout.

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    Basilica, typical plan

    St. Peter's, Rome

    A. apse

    B. transeptC. nave

    D. aisles

    E. narthex

    F. atrium

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    Transept

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    Church of Hagia Sophia Holy Wisdom)

    begun by Constantine

    Bema

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    Basilicas became increasingly used to house the

    choirs and big assemblies that were part of the new

    official religion.