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Executive Director, Orquesta Filarmónica de Boca del Río

Enrique Márquez: Executive director, Orquesta Filarmónica de Boca del Río

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Enrique Márquez resume and professional bio.

Text of Enrique Márquez: Executive director, Orquesta Filarmónica de Boca del Río

  • Executive Director,Orquesta Filarmnica de Boca del Ro

  • I strongly believe in making a difference. I believe music education is a means to ac-cess performance, values, aspiration, as well as a heightened sense of expression and beauty. Ac-cess to music or an artistic education, is the core activity in the furthering of the arts at present, globally, and in the long term. The arts are a fun-damental element in the social, intellectual and emotional development of culture and societies.

    I had the privilege of being brought up in a mu-sical middle-class household, my parents were both musicians and worked at a public state university in Mxico, the Universidad Veracruzana. I grew up lis-tening to Brahms and Revueltas, talking with them about theater and art. My parents, to their abilities, supported my dreams and believing in myself.

    I have worked both in the private and public sectors, lived, studied and worked in 4 countries, travelled and performed in over 30 countries in the

    EM-

    Welcome

    Americas, Asia and Europe. Presented my Carnegie Hall debut recital in 2005, and have had the privi-lege to work with celebrated maestros, including Kurt Masur, Lorin Maazel, Valery Gergiev, Gustado Dudamel and Carlos Miguel Prieto, in some of the worlds finest concert halls, as well as in remote and hardship locations, such as Canaima Venezuela and Port-au-Prince, Haiti. Attended Harvard Universitys Graduate School of Education.

    I have been in charge of the Orquesta Fi-larmnica de Boca del Ro since inception. From hiring a staff, audition the orchestra, develop programs and activities, form a board of direc-tors, form a Not-for-Profit organization. At pres-ent, we are about to launch the construction of a Cultural Center in Boca del Ro, which will be the home of the orchestra, and the center-piece of an urban development plan.

    Thank you for taking the time to go over this document.

    Enrique Mrquez

  • E arliest music education stages, starting out at 5 years old studying at the Centro de Iniciacin Musical Infan-til, in Xalapa, Mxico, where I first learned about solfege and theory, about choir, string quartet and examinations. Moving on to perform with the Universidad Ve-racruzana youth orchestra. I decided to become a musician, and concluding this early period by attending the Interlochen Arts Academy, an arts boarding school in Michigan, where I had the chance to per-form with the likes of violinist Hilary Hahn, cellist Janos Starker and Neeme Jrvi.

    Centro de Iniciacin Musical Infantil (cimi)Orquesta Juvenil Universidad VeracruzanaInterlochen Arts Academy

    1986--1998Welcome

    Centro de Iniciacin Musical Infantil (CIMI)

    1 | Enrique Mrquez

  • Neeme Jrvi

    1996~1998

    Orquesta Juvenil Universidad Veracruzana

    Shizuoka tour, Japan, 1994

    1993~1996

    1994

    1993

    Enrique Mrquez | 2

  • M usic development years. Hard work, serious practice, touring, performing, making friends. International experiences, performing in the worlds greatest concert halls with top conductors and soloists. Performances with Kurt Ma-sur, Gustavo Dudamel, Leonard Slatkin, Met people who highly influenced the way I think and the way I am, role models that shaped my worldview, and that en-couraged a life of service to others.

    Indiana University BloomingtonManhattan School of MusicJeunesses Musicales World OrchestraYouth Orchestra of the Americas International House New York

    1998--2004

    Kurt MasurAtar Arad

    3 | Enrique Mrquez

  • Concert for Gerhard Schrder

    Anne-Sophie Mutter

    1999~2001

    BerlinLeipzigWeimar Hanover ViennaWarsawZagreb

    PragueBern Belgrade Skopje Amsterdam

    Visited cities touring with Jeunesses Musicales International

    Enrique Mrquez | 4

  • Carlos PrietoGustavo Dudamel

    2002~2005

    Jos Antonio Abreu

    Washington DCBoston New YorkMonterrey Mexico CitySan JosPanama CityQuitoLima

    Buenos AiresMontevideoBogotCaliMedellin SantiagoCaracasSao PaoloRio de Janeiro

    Visited cities touring with YOA

    5 | Enrique Mrquez

  • With Valery Gergiev at Carnegie Hall

    With Gustavo Dudamel and the Simn Bolvar Symphony Orchestra in Caracas With Leonard Slatkin and Yo-Yo Ma

    With Valery Gergiev at Carnegie Hall

    2002~20042005~2006

    Living at International House, making friends from all walks of life opened up my world tremendously, and made me realize the great power and wide reach music education and music making can have in the lives of people and in soci-ety as a whole.

    Enrique Mrquez | 6

  • BerlinCarnegie Hall

    2004--2005This year in a way culminated 20 years of practice, learning, devel-oping. Since performing with the Jeu-nesses Musicales World Orchestra in Berlin in 1999, and having worked with members of the Berlin Philarmonic, it was my dream to study in Berlin and be in close contact with an ensemble that sets the highest standards worldwide. In 2004 I was accepted to study at the Universitt der Knste in Berlin, as a student one can practice at the concert hall, which allowed me to observe many rehearsals and attend concerts. It was a dream come true. Lots of effort went into finding funding for my studies there.

    The Berliner Philharmoniker main concert hall

    7 | Enrique Mrquez

  • Having won the Artists International competition in New York, I was award-ed a Carnegie Hall debut recital, which took place on March 12, 2005, at age 24. The period in Berlin and performing in Carnegie Hall in a way culminated years of music study and performance across many people and places.

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  • A new stage in life, from the stage to back stage. From performing to creating, developing and implement-ing programs. Creation, another learning curve, working in a different capacity to make music available to society. This pe-riod allowed me to develop in the field of cultural policy, arts administration and music education.

    Chamber Music Society of Lincoln CenterCity University LondonIn Harmony Lambeth, London Harvard UniversityMESDA GroupBoston University

    2005--2013

    9 | Enrique Mrquez

  • Enrique Marquez: Alumnus Profilevideo on youtube.

    http://goo.gl/lyiF8v

    Enrique Mrquez | 10

  • http://goo.gl/EDoVjV

    MESDA Group: A Two-Year Journey, Reflections and Horizons video on youtube.

    11 | Enrique Mrquez

  • B eing a professor at Mexicos In-stituto Tecnolgico de Monterrey (ITESM), teaching Analysis of Cultural In-dustries allowed me to share what I had learned in almost 20 years of experience in the arts with a new generation of students. It was a vastly rewarding experience, be-ing able to design a syllabus, readings and exploring the cultural industries through enriching class discussion.

    In collaboration and with the sup-port of Boca del Ros Mayor, Miguel An-gel Yunes, I was in charge of creating, de-veloping, implementing and launching the Orquesta Filarmnica de Boca del Ro, an ensemble with a unique profile across the industry; it is versatile, dedi-cated to musical excellence, and with a

    Instituto Tecnolgico de Monterrey - ITESM Orquesta Filarmnica de Boca del Ro

    2013--2015

    Jorge Mester, conductor Orquesta Filarmnica de Boca del Ro

    strong commitment to social responsibil-ity. The collaboration of renowned guest artists and our experienced Music Direc-tor, Maestro Jorge Mester, along with quality programming, guarantees the quality of the concert seasons. Orches-tra Chamber Music Ensembles perform free concerts in churches, schools, nurs-ing homes, hospitals, universities, public spaces and shopping malls, giving us a presence in a wide sector of the city. Orquestando Armona is the orchestras free after-school social development program aimed at children, that uses the transformative power of music as a means to cultivate a higher state of con-science and to develop citizens with high values and aspirations.

    Enrique Mrquez | 12

  • I have had the amazing opportunity to be part of a team along with architect Michel Rojkind and Miguel Angel Yunes, dreaming up, designing and building a world-class cultural center, which along with an extensive programming and ac-tivities, will be the home of the Orquesta Filarmnica de Boca del Ro. The cultural center is the main element in an urban development plan which will bring in-vestment in commercial areas as well as housing to downtown Boca del Ro, an area that has struggled economically over the years.

    Boca del Ro Cultural Center

    http://goo.gl/blxlRc

    Orquesta filarmnica de Boca del Ro video on Youtube.

  • Education

    2010-2011 Harvard University Graduate School of Education, Ed. M. Arts in Education.

    2009-2010 City University London, MA. Cul-tural Policy and Management.

    2004-2005 Universitt der Knste Berlin, Vis-iting Student.

    2002-2004 Manhattan School of Music, MM. Viola Performance.

    1998-2002 Indiana University Bloomington, BM. Viola Performance.

    1996-1998 Interlochen Arts Academy. High School diploma.

    1992-1996 Universidad Veracruzana, Xa-lapa, Mxico.

    1988-1992 Centro de Iniciacin Musical Infantil (CIMI), Universidad Veracruzana, Xalapa, Mxico.

    Experience

    2014- Present Founding CEO, OrquestaFi-larmnicadeBocadelRo, Mxico.

    2013 Professor, Instituto Tecnolgico de Mon-terrey (ITESM) Campus Santa Fe, Mxico.

    2012-2013 Affiliate, David Rockefeller Center for Latin American Studies, HarvardUniversity.

    2011-2012 Visiting Fellow, Harvard Univer-sity CulturalAgentsInitiative.

    2011-2013 Consultant: Interdisciplinary Aca-demic Development, Boston University Col-lege of Fine Arts.

    2011-2013 Board Member, HarvardUniver-sityMexicanAssociationofStudents.

    2011-2013 Founder and CEO, MESDAGroup. Cambridge, Massachusetts.

    2010-2011 Producer and Curator, TheVen-ezuela Legacy Series: panel discussionscentered on the social impact of musiceducation, in collaboration with the David Rockefeller Center for Latin American Stud-ies, Harvard University.

    2010 World Economic Forum of YoungGlobal Leaders Arts Leadership in FocusPerformance at Carnegie Hall with the Youth Orchestra of the Americas, conducted by Valery Gergiev and Carlos Miguel Prieto.

    2010 Consultant, In Harmony Lambeth, London, United Kingdom

    2009 Festival Coordinator of the MusicFes-tivaloftheAmericas at Stowe, Vermont.

    2007-2008 Executive Assistant to the Dean of Performance at the Manhattan SchoolofMusic. Manager of the KurtMasurCon-ductingSeminar.

    2006-2015 Benefit performances music for Music Life International at Carnegie Hall with members of the New York Philharmon-ic, Berlin Philharmonic, the Metropolitan Opera Orchestra.

    2006-2007 Full-time Executive Intern at the ChamberMusicSocietyofLincolnCenter, New York.

    2003-2005 Appointed member of the Board of Directors of the YouthOrchestraoftheAmericas, serving two terms.

    2007-2009 Member of the InternationalHouseNewYorkAlumniCouncilSteeringCommittee.

    2003 Featured in award-winning documen-tary Discovery, about the Youth Orchestra of the Americas.

    CONACULTA Mexican Government culture grant recipient.

    PerformanceExperience: 2005 CarnegieHall debut recital with guest artist Paquito DRivera. Being the first and only Mexican vio-list to have debuted and performed a solo recital at Carnegie Hall.

    Principal viola of the Jeunesses Musicales World Orchestra, Youth Orchestra of the Americas, Philharmonic Orchestra of the Americas, DiCapo Opera Theater in New York and the Wie-ner Schloss Philharmonie 2004 tour to China.

    Chambermusicperformances in Boston, Buenos Aires, Lima, Miami, Montevideo, New York and Sao Paolo.

    Featured: Revista Proceso, La Jornada, Lderes Mexicanos, Diario de Xalapa, Imagen de Veracruz, Mexico, Berliner Zeitung, Germany.

    PerformancesforHeadsofState: Germany, Gerhard Schrder. Mxico, Felipe Caldern, Vicente Fox and Ernesto Zedillo. Po-land, Aleksander Kwasniewski. United States First Lady Laura Bush. Venezuela, Hugo Chvez.

    Orchestral performances accompanying Yo-Yo Ma, Joshua Bell, Anne-Sophie Mutter, Robert Redford, Paquito DRivera, Andy Garcia, Carlos Santana, Janos Starker, Aretha Franklin, Patti LaBelle, Christian Tetzlaff, Sarah Chang, Leif Ove And-snes, Jose Feliciano and Hilary Hahn.

    Orchestralperformances under the baton of Kurt Masur, Lo-rin Maazel, Valery Gergiev, Gustavo Dudamel, Leonard Slatkin, Neeme Jarvi, Alondra de la Parra and Carlos Miguel Prieto. Over 25 orchestra tours and recordings throughout the Americas, Asia and Europe in venues such as Carnegie Hall, the Berlin Phil-harmonie and Konzerthaus, the United Nations, Sanders The-ater and the Rockefeller Center for Latin American Studies at Harvard University, Teatro Coln in Buenos Aires, the Kennedy Center, Amsterdams Concertgebouw, Apollo Theater, Avery Fisher Hall, Alice Tully Hall and the Rose Theater at Lincoln Cen-ter. Palacio de Bellas Artes in Mexico City, Viennas Konzerthaus, Sala Sao Paolo, Lepizigs Gewandhaus, National Arts Center in Ottawa, Teatro Teresa Carreo in Caracas, the 2008 Latin Gram-mys, Smetana Hall in Prague, Expo Hannover 2000, the World Economic Forum of Young Global Leaders, the International Monetary Fund and the Organization of American States.

    Enrique Mrquez - Bio

    Cantera 14, Xalapa, Veracruz91190, Mxico.

    Cel +52 (55) 4836-4477

    [email protected]