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THE KHOI{t'

EPISODES FROM THE RAMAKIEN

Speeially arranged by the Royal Fine Arts llepartment

0n 9ridays, $aturdays and $undays

Two performances on Fridays and Saturdays

at 2 p.m. and B p.rn.

Three on Sundays at l0 a.m., 2 p., and B p.m.

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Prices of Admission 30, 25, 20, 15 and B Baht

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I

-16-

PRELUDE

ACT I

ACT II

ACT III

ACT IV

ACT V

THE KFIONEPISODES FROM THE RNMAKIEN

Specially arranged by the Royal Fine Arts Department

and laterIN THE HEAVENS.

Photographing in the Theatre is forbid.den

THE CONQUEST OF NANDAK,

SCENE: IN THE HEAVENS.

THE ABDUCTION OF SID.N..

SCENE: IN THE FOREST NEAR THE GODAVARI.

SIDA'S ATTEMPT AT SUICIDE,

SCENE: THE ASOKA PARK, LONKA.

CONSTRUCTiON OF THE CAUSEWAY, '

SCENE: IN THE OCEAN.

\YAR

l. THtr BATI'LE OF INDRAJTT WITH PI(l.NcE LAKSHMAN;2. TI{E BATTI-tr oF I'OSAKANTH WITH KING REMA.

SCENE: BATI'LEF'IELD.

TI]E RETURN TO AYODHYT.

I. THE OATH OF RAMA'S REGENTS.SCENE: IN THE PALACE OF AYODHYfr.

2. THE ENTRYINTO AYODHYE.SCENE: IN THE FOREST.HERMITAGE.

CLASSICAL SIAMESE THEATRE

ot

SIAMESE CHOREOGRAPHY EXPLAINED

'bs

DHANIT Y['PHO

Gfie $ournal of tke gtam gociety t y"J"S J (.fanuary, IgSp) :-

Mr. Yupho's versatility is now again displayed in a volume under theabove title. A graduate of the ecclesiastical doctorate of Siam, he has broughthis knowledge of oriental Classics to play upon the knowledge he has latergained from directing the Bureau of Entertainments in the Department ofFine Arts with its School of Classic Dancing and thus produced a scholarlybrochure dealing with the technique of the Classic Dance and of folk dances. I

No one interested in this aspect of Siamese Art can fail to profit from hiscollection of explanatory notes of all classic and popular dances as well as

excerpts from the big hhon or lalcorn pieces such as the Ramakien, lnao or

'Phra LO; Each such note is illustrated with figures displaying rhe respectivenrovbments. In most cases each note gives ttr" t i.iory of the dance

described. - D. N.

On Sale at the Booking Office

.f

THE SILPAKORN THEATRE

THE KHONTHE STORY OF THE REMAKIEN PRIOR TO WHAT IS

BEING PERFORNTED

: :On Mount Kailas, the abode o[ Siva, there was an c$uru nameANandak (or Nontuk), who had been given the boon of Siva by whieh oneof his fingers was adamantine. Whomsoever, whethet god or m.an, he'pointed at with this finger fell down dead on the spot. The gods andgoddesses, therefore, approached Narayana (Vishnu) seelcing his help.The god, disguising himself as a beautiful celestial maiden, came to whereth'e csurc wbs. The latter at once fell in love with the maiden and agteedto, dance in imitation of her. This was the famous basic dance, calledm&bad among the,moti{s of w'bich was one called the sna,fe.curls,lis tai} and.it entailed pointing the frnger at ene's own knee, in which,.movementNandak fell down.

THE PRELUDE:

: The curtain openF upon the scene when Nandak already unablc tori.se up sees the celestial maiden who had been the, cause of his undoingbeing transformed in to the four-armed god Ndrdyana. Indignant at what he

n.aturally takes to be tyeachery on the part of the almighty, hc,rpproagheshim over thi cowardice which has prompted the god's disguise. Th;;god however points out that it is not fear but the conviction that the asura

should die by his own instrument of misdeed. In order to give him a furtherchance he wills that the asurs be born again on earth as a demon king withten heads and twenty atrms, endowed with every knowledge and prowess

even bf fying through the air, when he himself will also be reincarnated as

a rnere man witb two arms with which he will kill him again. " Nandakr.,unable to,undo the curse, retorts " Since you have had to disguise, as. a .

wgInan, to kill me now I shall in the next birth make you suffer because of ,

? jnl.grEon lteo,'l He is then lcilled with a trident.

*lq -

tcT r. THE ABDUCT|0I| 0t SiltA

SCENE: IN THE FOREST NEAR TI{E GODEVARI

Nandak, reborn through the curse as T'osakanth, the demon-king,becomes from now on in the play the heroic villain in opposition to Rama

of AyodhyS, a reincarnation of the god Vishnu.

The curtain rises upon the forest in which Rama with his wife Sida

and'brotber Lakshman are sitting in front of their hermitage. At the

behest of the king of Loqk6, the land of the demons, Marici has assumed

the disguise of a golden deer, which being so beautiful catches the eye of

Sida who beseeches her lord, Rama, to catch it for her. Rama in hisprrrsui[ eventually shoots the deer out of sight of his wife. The evil demon

thus dying frorn his wound as he resumes his demoniac form utters a cry

for help as if it were from Rama. Sida sends Lakshman to his assistance,

The latter, though suspecting foul-play, yields frnally to her importunityand leaves the hermitage. Meanwhile T'osakanth, disguised as a hermit,coming out o[ his hiding-place, makes love to Sida; but, finding her unres-ponsive, drops the disguise and forcibly abducts her. Flying through theair on his chariot he encounters the eagle Sad5yu, who insists that Sida be

restored to her rightful husband and fights the demon to enforce hisargument for right over might. T'osakanth snatches at Sida's frnger, takes

ofi her ring with which he throws at the bird thus wounding him. Hethen proceeds to t"t:;,

,,. srDA,s ATTEM'T AT surcr'E.

CENE: THE ASOKA PARK, LOryKE

Side is confined in the Asoka Park in Loqka because of her tefusalto aecept the demon - king's love. The grief of separation from her

husband and the indignation at the demon's insolence is driving her:todesperate action. Tying her neck with a shawl which is wound round an

csoka branch near her pavilion in the Park, ohe is caught hold of just on the

*2Q*

3., t/

point of hanging herself from the branch. To her surprise it was a whitemonkey whom she had never seen before who rescues her. The latterreveals his identity as an emissary from Rama to 6nd out where she was.

To prove his good faith Hanuman produces a shawl and a ring with. themention o[ an incident known only to Rama and her in which Rarira

recalls the day he 6rst rnet Sida when their eyes met for the first time at

her father's coutt. Hanuman further informs Sida that Rama is now

advancing with a big army of the simian kingdoms. He ofiers to carry

her away on his shoulder; but Sida declines for fear of a reproach thatshe had been abducted from her husband by a demon to be taken back

on the shoulders of a monkey. Her urgent wish is howevel that.Ramashould exterminate the whole race o[ demons and thus regain tr"t:

. When Sida retires into her inner chamber Hanuman decides to testthe strength of the enemy by destroying the Park thus coming into confictwith the keepers, who finding the one monkey too much for their com-bined effort, apply for the help of the demon arrny which is also vanquishedby the monkey who then leaves for the camp of Rama.

At this stage the monkey army o[ Rama is building the causewayfrom their side on the continent to cross over into the island of Lonk5.Sukrib, tho monkey-king and generalissimo of his army, is superintendingthe work; but finding that stones thrown into the ocean seem to disappearsends Hanuman to 6nd out. Hanuman discovers numerous, fishes in theact of carrying away the stones thus preventing'the completion of the work.Giving pursuit to them he comes upon a golden fish in the form of a

beautiful maiden with a tail who is their leader, directing the prevention ofthe bridge being finished. I-lanurnan wins her heart, gets the stones restored

and 'comes up the sea surface to report upon his mission. With the

complelion o[ the causeway Rama advances over it with alt hig,,ut*y.,r.r.

-2L-

ACI III. WAR

SCENE: BATTLEF.IELD

1. TIIE BATTLE OF INDRAJIT WITT{ LAKSHMAI\.

The demons led by Indrajir, Frince R,:yal of the kingdom of

the demons of Loqk[, are face to face with the simian army led by

Lakshman, brother of Rama. Indrajittaunts his enemy with the accusation

that in league with Sukrib, who had killed his brother P'ali and

usurped the latter's throne, the brothers Rama and Lai<shman wele rnere

adventurers out for gain, putting as pretext tbe recovery o[ Sida who in

fact had never been Rama's wife and belonged properly to Thosakanth

who had found her in the forest. Eventually they give ordet for the

comnrencement of fighting in which the arrny of Indrajit is defeated.

2. THE BATTLE OF T,OSAKANTH WITH KING RAMA.

In this engagement Rama shoots T'osakanth's head off his body;

but through magic which is his speciality the demon-king recovers it.

T'osakanth in fact cannot be killed because his spirit in the heart had

been removed and put in safe keeping of his preceptor' the seer

Goputra. Hanuman volunteers to secure the precious heart, exhibits it toT'osakanth, who realising his doom begs ior the casket of Hanuman who

' refuses to deliver it to hin'r. Asbamed to plead T'osatrran thasks for just

one day to go back to say farewells and retires from the battlefield to

come out the next day for the final battle'

ACT V. T$IE RETURIE Tt! AYIIDI{YI

1.THE OATH OF RAMA'S REGtrNTS

During Rama's self.imposed exiie of | 4 yea1s, he had appointed as

his regents his brothers Bharat and Satrughna'

As the cafiain rises we see the Regents giving orders for a fire to be

lighted in which they would carry out their self-inrmeilation because

tfe 14 years had just expired and King Rarna had not returned. The

step is ttiken to prove to the world that they had not undertaken to act as

-22-

rdgents in ordcr to secure power for themselves and therefore could notrernain in power beyond the stipulated time. Just as they arc about to

iu*p into the confagration, they are held back. Turning to see who werc

holding them they find Hanuman who had been sent during the exile toAyodhya on errand and the hunter Kukhan whom they recognise as thcguardian of the approach to Rama's herrnitage in the forest on the occasion

of their visit to Rarna at the com$]encernent of the exile. The twoinform them tbat Rarna is on the way back home and beg thcm to desist

from self-immolation in fulfilment of their oath. Overjoyed at the news ofthe return, they go out to the forest hermitage where Rama is stopping

accompanied by the thlee queens of the late King.

2. THE ENTRY INTO AYODHYA

The four brothers rneet at the herrnitage and invite Rama to enterAyodhy5. They make their exit of the stage to take leave of the seers

Vasi'stha and Vi6vSmitra.

The final scene takes place in the heavens where celestial beingscelebrate the victory of Rama over Evil, personified by R6vana, King ofLo9ka.

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*23 -

THE KHON (Masked Play)

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